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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464F56 it is the complementary color #B9B0A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464F56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #464F56 shade: #4B4F51, #5C6164, #6D7377, #7E858A and #8F979D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464F56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #464F56 shade: #464F56, #353D43, #242B30, #13191D and #02070A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #464F56 shade: #475056, #474B56, #474756, #4B4756 and #4F4756

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #464F56 shade: #475056, #474B56, #474756 and #474756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #464F56 shade matches the following richer shades: #475056, #3A5163, #2D5370, #20547D and #13568A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #464F56 shade: #475056, #534E4A, #604C3D, #6D4B30 and #7A4923

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #464F56 shade: #475655, #475456, #475056, #474B56 and #474756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #464F56 shade: #222629, #343B40, #475056, #59646D and #6C7984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #464F56 shade: #464F56, #514756 and #565647

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #464F56 shade: #464F56, #564750 and #505647

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #464F56 shade: #464F56, #514756, #564D47 and #4C5647

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #464F56 shade: #464F56, #554756, #564D47 and #485647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 8 / 0 / 66

HEX #464F56

RGB 70 79 86

HSL 206.25, 0.1%, 0.31%

LAB 33.06, -1.88, -5.33

 

Complementary color

CMYK 0 / 5 / 9 / 27

HEX #B9B0A9

RGB 185 176 169

HSL 26.25, 0.1%, 0.69%

LAB 72.38, 1.97, 4.72

 

CMYK 7 / 2 / 0 / 68

HEX #4B4F51

RGB 75 79 81

HSL 200, 0.04%, 0.31%

LAB 33.31, -1.16, -1.74

 

CMYK 8 / 3 / 0 / 61

HEX #5C6164

RGB 92 97 100

HSL 202.5, 0.04%, 0.38%

LAB 40.81, -1.28, -2.38

 

CMYK 8 / 3 / 0 / 53

HEX #6D7377

RGB 109 115 119

HSL 204, 0.04%, 0.45%

LAB 48.06, -1.4, -2.99

 

CMYK 9 / 4 / 0 / 46

HEX #7E858A

RGB 126 133 138

HSL 205, 0.05%, 0.52%

LAB 55.12, -1.52, -3.58

 

CMYK 9 / 4 / 0 / 38

HEX #8F979D

RGB 143 151 157

HSL 205.71, 0.07%, 0.59%

LAB 62, -1.64, -4.15

 

CMYK 19 / 8 / 0 / 66

HEX #464F56

RGB 70 79 86

HSL 206.25, 0.1%, 0.31%

LAB 33.06, -1.88, -5.33

 

CMYK 21 / 9 / 0 / 74

HEX #353D43

RGB 53 61 67

HSL 205.71, 0.12%, 0.24%

LAB 25.26, -1.77, -4.8

 

CMYK 25 / 10 / 0 / 81

HEX #242B30

RGB 36 43 48

HSL 205, 0.14%, 0.16%

LAB 17.07, -1.67, -4.27

 

CMYK 34 / 14 / 0 / 89

HEX #13191D

RGB 19 25 29

HSL 204, 0.21%, 0.09%

LAB 8.33, -1.57, -3.72

 

CMYK 80 / 30 / 0 / 96

HEX #02070A

RGB 2 7 10

HSL 202.5, 0.67%, 0.02%

LAB 1.69, -0.89, -1.6

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 17 / 13 / 0 / 66

HEX #474B56

RGB 71 75 86

HSL 224, 0.1%, 0.31%

LAB 31.91, 1.02, -7.05

 

CMYK 17 / 17 / 0 / 66

HEX #474756

RGB 71 71 86

HSL 240, 0.1%, 0.31%

LAB 30.68, 3.58, -8.89

 

CMYK 13 / 17 / 0 / 66

HEX #4B4756

RGB 75 71 86

HSL 256, 0.1%, 0.31%

LAB 31.05, 5.1, -8.3

 

CMYK 8 / 17 / 0 / 66

HEX #4F4756

RGB 79 71 86

HSL 272, 0.1%, 0.31%

LAB 31.44, 6.65, -7.67

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 17 / 13 / 0 / 66

HEX #474B56

RGB 71 75 86

HSL 224, 0.1%, 0.31%

LAB 31.91, 1.02, -7.05

 

CMYK 17 / 17 / 0 / 66

HEX #474756

RGB 71 71 86

HSL 240, 0.1%, 0.31%

LAB 30.68, 3.58, -8.89

 

CMYK 17 / 17 / 0 / 66

HEX #474756

RGB 71 71 86

HSL 240, 0.1%, 0.31%

LAB 30.68, 3.58, -8.89

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 41 / 18 / 0 / 61

HEX #3A5163

RGB 58 81 99

HSL 206.34, 0.26%, 0.31%

LAB 33.32, -3.6, -13.25

 

CMYK 60 / 26 / 0 / 56

HEX #2D5370

RGB 45 83 112

HSL 205.97, 0.43%, 0.31%

LAB 33.8, -4.09, -20.72

 

CMYK 74 / 33 / 0 / 51

HEX #20547D

RGB 32 84 125

HSL 206.45, 0.59%, 0.31%

LAB 34.25, -2.44, -28.14

 

CMYK 86 / 38 / 0 / 46

HEX #13568A

RGB 19 86 138

HSL 206.22, 0.76%, 0.31%

LAB 35.26, -0.16, -34.54

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 0 / 6 / 11 / 67

HEX #534E4A

RGB 83 78 74

HSL 26.67, 0.06%, 0.31%

LAB 33.53, 1.25, 3.1

 

CMYK 0 / 21 / 36 / 62

HEX #604C3D

RGB 96 76 61

HSL 25.71, 0.22%, 0.31%

LAB 33.97, 6.01, 12.12

HEX #604C3D

CMYK 0 / 31 / 56 / 57

HEX #6D4B30

RGB 109 75 48

HSL 26.56, 0.39%, 0.31%

LAB 35, 11.05, 21.76

HEX #6D4B30

CMYK 0 / 40 / 71 / 52

HEX #7A4923

RGB 122 73 35

HSL 26.21, 0.55%, 0.31%

LAB 36.03, 17.25, 30.91

HEX #7A4923

CMYK 17 / 0 / 1 / 66

HEX #475655

RGB 71 86 85

HSL 176, 0.1%, 0.31%

LAB 35.3, -6.05, -1.37

 

CMYK 17 / 2 / 0 / 66

HEX #475456

RGB 71 84 86

HSL 188, 0.1%, 0.31%

LAB 34.71, -4.59, -2.88

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 17 / 13 / 0 / 66

HEX #474B56

RGB 71 75 86

HSL 224, 0.1%, 0.31%

LAB 31.91, 1.02, -7.05

 

CMYK 17 / 17 / 0 / 66

HEX #474756

RGB 71 71 86

HSL 240, 0.1%, 0.31%

LAB 30.68, 3.58, -8.89

 

CMYK 17 / 7 / 0 / 84

HEX #222629

RGB 34 38 41

HSL 205.71, 0.09%, 0.15%

LAB 14.88, -1, -2.6

 

CMYK 19 / 8 / 0 / 75

HEX #343B40

RGB 52 59 64

HSL 205, 0.1%, 0.23%

LAB 24.41, -1.65, -4.08

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 18 / 8 / 0 / 57

HEX #59646D

RGB 89 100 109

HSL 207, 0.1%, 0.39%

LAB 41.76, -2.1, -6.5

 

CMYK 18 / 8 / 0 / 48

HEX #6C7984

RGB 108 121 132

HSL 207.5, 0.1%, 0.47%

LAB 50.13, -2.31, -7.63

 

CMYK 19 / 8 / 0 / 66

HEX #464F56

RGB 70 79 86

HSL 206.25, 0.1%, 0.31%

LAB 33.06, -1.88, -5.33

 

CMYK 6 / 17 / 0 / 66

HEX #514756

RGB 81 71 86

HSL 280, 0.1%, 0.31%

LAB 31.64, 7.44, -7.35

 

CMYK 0 / 0 / 17 / 66

HEX #565647

RGB 86 86 71

HSL 60, 0.1%, 0.31%

LAB 36.15, -2.95, 8.76

 

CMYK 19 / 8 / 0 / 66

HEX #464F56

RGB 70 79 86

HSL 206.25, 0.1%, 0.31%

LAB 33.06, -1.88, -5.33

 

CMYK 0 / 17 / 7 / 66

HEX #564750

RGB 86 71 80

HSL 324, 0.1%, 0.31%

LAB 31.95, 8.14, -2.99

 

CMYK 7 / 0 / 17 / 66

HEX #505647

RGB 80 86 71

HSL 84, 0.1%, 0.31%

LAB 35.63, -5.5, 7.94

 

CMYK 19 / 8 / 0 / 66

HEX #464F56

RGB 70 79 86

HSL 206.25, 0.1%, 0.31%

LAB 33.06, -1.88, -5.33

 

CMYK 6 / 17 / 0 / 66

HEX #514756

RGB 81 71 86

HSL 280, 0.1%, 0.31%

LAB 31.64, 7.44, -7.35

 

CMYK 0 / 10 / 17 / 66

HEX #564D47

RGB 86 77 71

HSL 24, 0.1%, 0.31%

LAB 33.44, 2.59, 4.91

 

CMYK 12 / 0 / 17 / 66

HEX #4C5647

RGB 76 86 71

HSL 100, 0.1%, 0.31%

LAB 35.3, -7.16, 7.42

 

CMYK 19 / 8 / 0 / 66

HEX #464F56

RGB 70 79 86

HSL 206.25, 0.1%, 0.31%

LAB 33.06, -1.88, -5.33

 

CMYK 1 / 17 / 0 / 66

HEX #554756

RGB 85 71 86

HSL 296, 0.1%, 0.31%

LAB 32.06, 9.02, -6.69

 

CMYK 0 / 10 / 17 / 66

HEX #564D47

RGB 86 77 71

HSL 24, 0.1%, 0.31%

LAB 33.44, 2.59, 4.91

 

CMYK 16 / 0 / 17 / 66

HEX #485647

RGB 72 86 71

HSL 116, 0.1%, 0.31%

LAB 34.98, -8.79, 6.93

 

Description

Color code: HEX #464F56 | qconv.com Color code: HEX #464F56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 79 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 79 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 8 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 8% 0% 66% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - 搜狐博客首页-搜狐
Link: http://blog.sohu.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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