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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #465586 it is the complementary color #B9AA79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #465586. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #465586 shade: #4B5581, #5C6794, #6D79A7, #7E8BBA and #8F9DCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #465586. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #465586 shade: #465586, #354373, #243160, #131F4D and #020D3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #465586 shade: #465585, #484685, #594685, #6A4685 and #7B4685

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #465586 shade: #465585 and #464685

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #465586 shade matches the following richer shades: #465585, #354C96, #2543A6, #143AB7 and #0432C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #465586 shade: #465585, #565D75, #676664, #776F54 and #887843

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #465586 shade: #467785, #466785, #465685, #474685 and #584685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #465586 shade: #29324F, #38436A, #465585, #5466A0 and #6C7CB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #465586 shade: #465586, #824685 and #6F8546

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #465586 shade: #465586, #854656 and #568546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #465586 shade: #465586, #824685, #857546 and #498546

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #465586 shade: #465586, #854675, #857546 and #468556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 37 / 0 / 47

HEX #465586

RGB 70 85 134

HSL 225.94, 0.31%, 0.4%

LAB 36.97, 8.34, -29.26

 

Complementary color

CMYK 0 / 8 / 35 / 27

HEX #B9AA79

RGB 185 170 121

HSL 45.94, 0.31%, 0.6%

LAB 69.78, -1.96, 27.26

 

CMYK 42 / 34 / 0 / 49

HEX #4B5581

RGB 75 85 129

HSL 228.89, 0.26%, 0.4%

LAB 37.07, 8.16, -26

 

CMYK 38 / 30 / 0 / 42

HEX #5C6794

RGB 92 103 148

HSL 228.21, 0.23%, 0.47%

LAB 44.4, 7.51, -25.97

 

CMYK 35 / 28 / 0 / 35

HEX #6D79A7

RGB 109 121 167

HSL 227.59, 0.25%, 0.54%

LAB 51.51, 6.97, -26

 

CMYK 32 / 25 / 0 / 27

HEX #7E8BBA

RGB 126 139 186

HSL 227, 0.3%, 0.61%

LAB 58.46, 6.52, -26.08

 

CMYK 30 / 23 / 0 / 20

HEX #8F9DCD

RGB 143 157 205

HSL 226.45, 0.38%, 0.68%

LAB 65.25, 6.13, -26.2

 

CMYK 48 / 37 / 0 / 47

HEX #465586

RGB 70 85 134

HSL 225.94, 0.31%, 0.4%

LAB 36.97, 8.34, -29.26

 

CMYK 54 / 42 / 0 / 55

HEX #354373

RGB 53 67 115

HSL 226.45, 0.37%, 0.33%

LAB 29.44, 9.36, -29.43

 

CMYK 63 / 49 / 0 / 62

HEX #243160

RGB 36 49 96

HSL 227, 0.45%, 0.26%

LAB 21.64, 10.76, -29.69

 

CMYK 75 / 60 / 0 / 70

HEX #131F4D

RGB 19 31 77

HSL 227.59, 0.6%, 0.19%

LAB 13.56, 12.86, -30.03

 

CMYK 97 / 78 / 0 / 77

HEX #020D3A

RGB 2 13 58

HSL 228.21, 0.93%, 0.12%

LAB 5.48, 14.48, -29.85

 

CMYK 47 / 36 / 0 / 48

HEX #465585

RGB 70 85 133

HSL 225.71, 0.31%, 0.4%

LAB 36.92, 8.02, -28.73

 

CMYK 46 / 47 / 0 / 48

HEX #484685

RGB 72 70 133

HSL 241.9, 0.31%, 0.4%

LAB 32.81, 18.3, -35.21

 

CMYK 33 / 47 / 0 / 48

HEX #594685

RGB 89 70 133

HSL 258.1, 0.31%, 0.4%

LAB 34.39, 23.04, -32.6

 

CMYK 20 / 47 / 0 / 48

HEX #6A4685

RGB 106 70 133

HSL 274.29, 0.31%, 0.4%

LAB 36.25, 28.16, -29.55

 

CMYK 8 / 47 / 0 / 48

HEX #7B4685

RGB 123 70 133

HSL 290.48, 0.31%, 0.4%

LAB 38.35, 33.47, -26.1

 

CMYK 47 / 36 / 0 / 48

HEX #465585

RGB 70 85 133

HSL 225.71, 0.31%, 0.4%

LAB 36.92, 8.02, -28.73

 

CMYK 47 / 47 / 0 / 48

HEX #464685

RGB 70 70 133

HSL 240, 0.31%, 0.4%

LAB 32.65, 17.78, -35.48

 

CMYK 47 / 36 / 0 / 48

HEX #465585

RGB 70 85 133

HSL 225.71, 0.31%, 0.4%

LAB 36.92, 8.02, -28.73

 

CMYK 65 / 49 / 0 / 41

HEX #354C96

RGB 53 76 150

HSL 225.77, 0.48%, 0.4%

LAB 34.25, 15.93, -43.39

 

CMYK 78 / 60 / 0 / 35

HEX #2543A6

RGB 37 67 166

HSL 226.05, 0.64%, 0.4%

LAB 32.17, 25.65, -56.45

 

CMYK 89 / 68 / 0 / 28

HEX #143AB7

RGB 20 58 183

HSL 226.01, 0.8%, 0.4%

LAB 30.86, 36.76, -68.76

 

CMYK 98 / 75 / 0 / 22

HEX #0432C7

RGB 4 50 199

HSL 225.85, 0.96%, 0.4%

LAB 30.47, 46.98, -78.83

 

CMYK 47 / 36 / 0 / 48

HEX #465585

RGB 70 85 133

HSL 225.71, 0.31%, 0.4%

LAB 36.92, 8.02, -28.73

 

CMYK 26 / 21 / 0 / 54

HEX #565D75

RGB 86 93 117

HSL 226.45, 0.15%, 0.4%

LAB 39.73, 3.16, -14.47

 

CMYK 0 / 1 / 3 / 60

HEX #676664

RGB 103 102 100

HSL 40, 0.01%, 0.4%

LAB 43.22, -0.01, 1.26

 

CMYK 0 / 7 / 29 / 53

HEX #776F54

RGB 119 111 84

HSL 46.29, 0.17%, 0.4%

LAB 46.88, -1.5, 16.19

 

CMYK 0 / 12 / 51 / 47

HEX #887843

RGB 136 120 67

HSL 46.09, 0.34%, 0.4%

LAB 50.77, -1.3, 31.19

 

CMYK 47 / 11 / 0 / 48

HEX #467785

RGB 70 119 133

HSL 193.33, 0.31%, 0.4%

LAB 47.22, -12.56, -12.83

 

CMYK 47 / 23 / 0 / 48

HEX #466785

RGB 70 103 133

HSL 208.57, 0.31%, 0.4%

LAB 42.3, -3.22, -20.34

 

CMYK 47 / 35 / 0 / 48

HEX #465685

RGB 70 86 133

HSL 224.76, 0.31%, 0.4%

LAB 37.21, 7.38, -28.27

 

CMYK 47 / 47 / 0 / 48

HEX #474685

RGB 71 70 133

HSL 240.95, 0.31%, 0.4%

LAB 32.73, 18.04, -35.34

 

CMYK 34 / 47 / 0 / 48

HEX #584685

RGB 88 70 133

HSL 257.14, 0.31%, 0.4%

LAB 34.29, 22.75, -32.77

 

CMYK 48 / 37 / 0 / 69

HEX #29324F

RGB 41 50 79

HSL 225.79, 0.32%, 0.24%

LAB 21.27, 5.16, -19

 

CMYK 47 / 37 / 0 / 58

HEX #38436A

RGB 56 67 106

HSL 226.8, 0.31%, 0.32%

LAB 29.15, 7.1, -24.16

 

CMYK 47 / 36 / 0 / 48

HEX #465585

RGB 70 85 133

HSL 225.71, 0.31%, 0.4%

LAB 36.92, 8.02, -28.73

 

CMYK 48 / 36 / 0 / 37

HEX #5466A0

RGB 84 102 160

HSL 225.79, 0.31%, 0.48%

LAB 44.13, 9.54, -33.56

 

CMYK 39 / 30 / 0 / 31

HEX #6C7CB1

RGB 108 124 177

HSL 226.09, 0.31%, 0.56%

LAB 52.71, 7.69, -29.94

 

CMYK 48 / 37 / 0 / 47

HEX #465586

RGB 70 85 134

HSL 225.94, 0.31%, 0.4%

LAB 36.97, 8.34, -29.26

 

CMYK 2 / 47 / 0 / 48

HEX #824685

RGB 130 70 133

HSL 297.14, 0.31%, 0.4%

LAB 39.27, 35.68, -24.59

 

CMYK 17 / 0 / 47 / 48

HEX #6F8546

RGB 111 133 70

HSL 80.95, 0.31%, 0.4%

LAB 52.51, -18.93, 31.24

 

CMYK 48 / 37 / 0 / 47

HEX #465586

RGB 70 85 134

HSL 225.94, 0.31%, 0.4%

LAB 36.97, 8.34, -29.26

 

CMYK 0 / 47 / 35 / 48

HEX #854656

RGB 133 70 86

HSL 344.76, 0.31%, 0.4%

LAB 37.91, 28.77, 2.63

 

CMYK 35 / 0 / 47 / 48

HEX #568546

RGB 86 133 70

HSL 104.76, 0.31%, 0.4%

LAB 50.92, -28.65, 28.91

 

CMYK 48 / 37 / 0 / 47

HEX #465586

RGB 70 85 134

HSL 225.94, 0.31%, 0.4%

LAB 36.97, 8.34, -29.26

 

CMYK 2 / 47 / 0 / 48

HEX #824685

RGB 130 70 133

HSL 297.14, 0.31%, 0.4%

LAB 39.27, 35.68, -24.59

 

CMYK 0 / 12 / 47 / 48

HEX #857546

RGB 133 117 70

HSL 44.76, 0.31%, 0.4%

LAB 49.68, -0.62, 28.12

 

CMYK 45 / 0 / 47 / 48

HEX #498546

RGB 73 133 70

HSL 117.14, 0.31%, 0.4%

LAB 50.26, -33.09, 27.94

 

CMYK 48 / 37 / 0 / 47

HEX #465586

RGB 70 85 134

HSL 225.94, 0.31%, 0.4%

LAB 36.97, 8.34, -29.26

 

CMYK 0 / 47 / 12 / 48

HEX #854675

RGB 133 70 117

HSL 315.24, 0.31%, 0.4%

LAB 38.99, 33.63, -15.15

 

CMYK 0 / 12 / 47 / 48

HEX #857546

RGB 133 117 70

HSL 44.76, 0.31%, 0.4%

LAB 49.68, -0.62, 28.12

 

CMYK 47 / 0 / 35 / 48

HEX #468556

RGB 70 133 86

HSL 135.24, 0.31%, 0.4%

LAB 50.39, -31.28, 19.23

 

Description

Color code: HEX #465586 | qconv.com Color code: HEX #465586 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 85 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 85 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 37 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 37% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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