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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4651A3 it is the complementary color #B9AE5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4651A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4651A3 shade: #4B519E, #5C63B1, #6D75C4, #7E87D7 and #8F99EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4651A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4651A3 shade: #4651A3, #353F90, #242D7D, #131B6A and #020957

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4651A3 shade: #4651A4, #5446A4, #6D46A4, #8746A4 and #A046A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4651A3 shade: #4651A4 and #4646A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4651A3 shade matches the following richer shades: #4651A4, #3342B7, #2034CA and #0D26DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4651A3 shade: #4651A4, #595F91, #6C6E7E, #7F7C6B and #928B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4651A3 shade: #4684A4, #466BA4, #4652A4, #5246A4 and #6B46A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4651A3 shade: #2D346A, #3A4387, #4651A4, #5B66B8 and #7781C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4651A3 shade: #4651A3, #A4469D and #78A446

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4651A3 shade: #4651A3, #A44652 and #52A446

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4651A3 shade: #4651A3, #A4469D, #A49746 and #46A44C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4651A3 shade: #4651A3, #A44681, #A49746 and #46A468

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 50 / 0 / 36

HEX #4651A3

RGB 70 81 163

HSL 232.9, 0.4%, 0.46%

LAB 37.54, 20.62, -45.88

 

Complementary color

CMYK 0 / 6 / 50 / 27

HEX #B9AE5C

RGB 185 174 92

HSL 52.9, 0.4%, 0.54%

LAB 70.43, -7.2, 43.13

 

CMYK 53 / 49 / 0 / 38

HEX #4B519E

RGB 75 81 158

HSL 235.66, 0.36%, 0.46%

LAB 37.57, 20.03, -42.81

 

CMYK 48 / 44 / 0 / 31

HEX #5C63B1

RGB 92 99 177

HSL 235.06, 0.35%, 0.53%

LAB 44.76, 18.75, -42.52

 

CMYK 44 / 40 / 0 / 23

HEX #6D75C4

RGB 109 117 196

HSL 234.48, 0.42%, 0.6%

LAB 51.79, 17.7, -42.29

 

CMYK 41 / 37 / 0 / 16

HEX #7E87D7

RGB 126 135 215

HSL 233.93, 0.53%, 0.67%

LAB 58.67, 16.82, -42.12

 

CMYK 39 / 35 / 0 / 8

HEX #8F99EA

RGB 143 153 234

HSL 233.41, 0.68%, 0.74%

LAB 65.41, 16.06, -42

 

CMYK 57 / 50 / 0 / 36

HEX #4651A3

RGB 70 81 163

HSL 232.9, 0.4%, 0.46%

LAB 37.54, 20.62, -45.88

 

CMYK 63 / 56 / 0 / 44

HEX #353F90

RGB 53 63 144

HSL 233.41, 0.46%, 0.39%

LAB 30.22, 22.43, -46.23

 

CMYK 71 / 64 / 0 / 51

HEX #242D7D

RGB 36 45 125

HSL 233.93, 0.55%, 0.32%

LAB 22.77, 24.73, -46.55

 

CMYK 82 / 75 / 0 / 58

HEX #131B6A

RGB 19 27 106

HSL 234.48, 0.7%, 0.25%

LAB 15.29, 27.61, -46.61

 

CMYK 98 / 90 / 0 / 66

HEX #020957

RGB 2 9 87

HSL 235.06, 0.96%, 0.17%

LAB 8.1, 30.46, -45.87

 

CMYK 57 / 51 / 0 / 36

HEX #4651A4

RGB 70 81 164

HSL 232.98, 0.4%, 0.46%

LAB 37.6, 20.96, -46.37

 

CMYK 49 / 57 / 0 / 36

HEX #5446A4

RGB 84 70 164

HSL 248.94, 0.4%, 0.46%

LAB 35.88, 30.97, -49.09

 

CMYK 34 / 57 / 0 / 36

HEX #6D46A4

RGB 109 70 164

HSL 264.89, 0.4%, 0.46%

LAB 38.4, 36.92, -44.91

 

CMYK 18 / 57 / 0 / 36

HEX #8746A4

RGB 135 70 164

HSL 281.49, 0.4%, 0.46%

LAB 41.55, 43.69, -39.69

 

CMYK 2 / 57 / 0 / 36

HEX #A046A4

RGB 160 70 164

HSL 297.45, 0.4%, 0.46%

LAB 44.99, 50.44, -34.03

 

CMYK 57 / 51 / 0 / 36

HEX #4651A4

RGB 70 81 164

HSL 232.98, 0.4%, 0.46%

LAB 37.6, 20.96, -46.37

 

CMYK 57 / 57 / 0 / 36

HEX #4646A4

RGB 70 70 164

HSL 240, 0.4%, 0.46%

LAB 34.73, 28.05, -51.01

 

CMYK 57 / 51 / 0 / 36

HEX #4651A4

RGB 70 81 164

HSL 232.98, 0.4%, 0.46%

LAB 37.6, 20.96, -46.37

 

CMYK 72 / 64 / 0 / 28

HEX #3342B7

RGB 51 66 183

HSL 233.18, 0.56%, 0.46%

LAB 34.02, 34.24, -63.52

 

CMYK 84 / 74 / 0 / 21

HEX #2034CA

RGB 32 52 202

HSL 232.94, 0.73%, 0.46%

LAB 31.87, 47.83, -78.25

 

CMYK 94 / 83 / 0 / 13

HEX #0D26DD

RGB 13 38 221

HSL 232.79, 0.89%, 0.46%

LAB 31.1, 60.49, -90.56

 

CMYK 57 / 51 / 0 / 36

HEX #4651A4

RGB 70 81 164

HSL 232.98, 0.4%, 0.46%

LAB 37.6, 20.96, -46.37

 

CMYK 39 / 34 / 0 / 43

HEX #595F91

RGB 89 95 145

HSL 233.57, 0.24%, 0.46%

LAB 41.77, 10.72, -28.29

 

CMYK 14 / 13 / 0 / 51

HEX #6C6E7E

RGB 108 110 126

HSL 233.33, 0.08%, 0.46%

LAB 46.77, 2.75, -9.09

 

CMYK 0 / 2 / 16 / 50

HEX #7F7C6B

RGB 127 124 107

HSL 51, 0.09%, 0.46%

LAB 51.82, -1.99, 9.7

 

CMYK 0 / 5 / 40 / 43

HEX #928B58

RGB 146 139 88

HSL 52.76, 0.25%, 0.46%

LAB 57.35, -5.26, 28.21

 

CMYK 57 / 20 / 0 / 36

HEX #4684A4

RGB 70 132 164

HSL 200.43, 0.4%, 0.46%

LAB 52.38, -10.42, -23.1

 

CMYK 57 / 35 / 0 / 36

HEX #466BA4

RGB 70 107 164

HSL 216.38, 0.4%, 0.46%

LAB 44.94, 4.4, -34.7

 

CMYK 57 / 50 / 0 / 36

HEX #4652A4

RGB 70 82 164

HSL 232.34, 0.4%, 0.46%

LAB 37.87, 20.31, -45.94

 

CMYK 50 / 57 / 0 / 36

HEX #5246A4

RGB 82 70 164

HSL 247.66, 0.4%, 0.46%

LAB 35.7, 30.53, -49.38

 

CMYK 35 / 57 / 0 / 36

HEX #6B46A4

RGB 107 70 164

HSL 263.62, 0.4%, 0.46%

LAB 38.18, 36.41, -45.27

 

CMYK 58 / 51 / 0 / 58

HEX #2D346A

RGB 45 52 106

HSL 233.11, 0.4%, 0.3%

LAB 23.85, 14.47, -32.62

 

CMYK 57 / 50 / 0 / 47

HEX #3A4387

RGB 58 67 135

HSL 232.99, 0.4%, 0.38%

LAB 31.03, 17.56, -39.36

 

CMYK 57 / 51 / 0 / 36

HEX #4651A4

RGB 70 81 164

HSL 232.98, 0.4%, 0.46%

LAB 37.6, 20.96, -46.37

 

CMYK 51 / 45 / 0 / 28

HEX #5B66B8

RGB 91 102 184

HSL 232.9, 0.4%, 0.54%

LAB 45.89, 18.85, -44.81

 

CMYK 40 / 35 / 0 / 23

HEX #7781C5

RGB 119 129 197

HSL 232.31, 0.4%, 0.62%

LAB 55.74, 13.41, -36.59

 

CMYK 57 / 50 / 0 / 36

HEX #4651A3

RGB 70 81 163

HSL 232.9, 0.4%, 0.46%

LAB 37.54, 20.62, -45.88

 

CMYK 0 / 57 / 4 / 36

HEX #A4469D

RGB 164 70 157

HSL 304.47, 0.4%, 0.46%

LAB 45.23, 50.28, -29.44

 

CMYK 27 / 0 / 57 / 36

HEX #78A446

RGB 120 164 70

HSL 88.09, 0.4%, 0.46%

LAB 62.5, -30.76, 43.31

 

CMYK 57 / 50 / 0 / 36

HEX #4651A3

RGB 70 81 163

HSL 232.9, 0.4%, 0.46%

LAB 37.54, 20.62, -45.88

 

CMYK 0 / 57 / 50 / 36

HEX #A44652

RGB 164 70 82

HSL 352.34, 0.4%, 0.46%

LAB 42.58, 39.95, 12.41

 

CMYK 50 / 0 / 57 / 36

HEX #52A446

RGB 82 164 70

HSL 112.34, 0.4%, 0.46%

LAB 60.59, -43.75, 40.61

 

CMYK 57 / 50 / 0 / 36

HEX #4651A3

RGB 70 81 163

HSL 232.9, 0.4%, 0.46%

LAB 37.54, 20.62, -45.88

 

CMYK 0 / 57 / 4 / 36

HEX #A4469D

RGB 164 70 157

HSL 304.47, 0.4%, 0.46%

LAB 45.23, 50.28, -29.44

 

CMYK 0 / 8 / 57 / 36

HEX #A49746

RGB 164 151 70

HSL 51.7, 0.4%, 0.46%

LAB 62.06, -5.82, 43.67

 

CMYK 57 / 0 / 54 / 36

HEX #46A44C

RGB 70 164 76

HSL 123.83, 0.4%, 0.46%

LAB 60.23, -46.26, 37.12

 

CMYK 57 / 50 / 0 / 36

HEX #4651A3

RGB 70 81 163

HSL 232.9, 0.4%, 0.46%

LAB 37.54, 20.62, -45.88

 

CMYK 0 / 57 / 21 / 36

HEX #A44681

RGB 164 70 129

HSL 322.34, 0.4%, 0.46%

LAB 44.03, 45.73, -14.42

 

CMYK 0 / 8 / 57 / 36

HEX #A49746

RGB 164 151 70

HSL 51.7, 0.4%, 0.46%

LAB 62.06, -5.82, 43.67

 

CMYK 57 / 0 / 37 / 36

HEX #46A468

RGB 70 164 104

HSL 141.7, 0.4%, 0.46%

LAB 60.65, -41.68, 23

 

Description

Color code: HEX #4651A3 | qconv.com Color code: HEX #4651A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 81 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 81 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 50 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 50% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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