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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4663B7 it is the complementary color #B99C48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4663B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4663B7 shade: #4B63B2, #5C75C5, #6D87D8, #7E99EB and #8FABFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4663B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4663B7 shade: #4663B7, #3551A4, #243F91, #132D7E and #021B6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4663B7 shade: #4663B8, #4746B8, #6646B8, #8546B8 and #A446B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4663B7 shade: #4663B8 and #4646B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4663B7 shade matches the following richer shades: #4663B8, #3159CD, #1C4FE2 and #0845F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4663B7 shade: #4663B8, #5A6DA4, #6F778F, #84817A and #988B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4663B7 shade: #46A1B8, #4683B8, #4664B8, #4646B8 and #6446B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4663B7 shade: #2F437D, #3A539A, #4663B8, #647CC4 and #8195CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4663B7 shade: #4663B7, #B146B8 and #92B846

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4663B7 shade: #4663B7, #B84664 and #64B846

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4663B7 shade: #4663B7, #B146B8, #B89A46 and #4DB846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4663B7 shade: #4663B7, #B8469E, #B89A46 and #46B860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 46 / 0 / 28

HEX #4663B7

RGB 70 99 183

HSL 224.6, 0.45%, 0.5%

LAB 43.72, 15.97, -47.77

 

Complementary color

CMYK 0 / 16 / 61 / 27

HEX #B99C48

RGB 185 156 72

HSL 44.6, 0.45%, 0.5%

LAB 65.4, 0.78, 47.04

 

CMYK 58 / 44 / 0 / 30

HEX #4B63B2

RGB 75 99 178

HSL 226.02, 0.41%, 0.5%

LAB 43.7, 15.24, -44.86

 

CMYK 53 / 41 / 0 / 23

HEX #5C75C5

RGB 92 117 197

HSL 225.71, 0.48%, 0.57%

LAB 50.72, 13.97, -44.63

 

CMYK 50 / 38 / 0 / 15

HEX #6D87D8

RGB 109 135 216

HSL 225.42, 0.58%, 0.64%

LAB 57.59, 12.94, -44.44

 

CMYK 46 / 35 / 0 / 8

HEX #7E99EB

RGB 126 153 235

HSL 225.14, 0.73%, 0.71%

LAB 64.34, 12.08, -44.31

 

CMYK 44 / 33 / 0 / 0

HEX #8FABFE

RGB 143 171 254

HSL 224.86, 0.98%, 0.78%

LAB 70.95, 11.34, -44.22

 

CMYK 62 / 46 / 0 / 28

HEX #4663B7

RGB 70 99 183

HSL 224.6, 0.45%, 0.5%

LAB 43.72, 15.97, -47.77

 

CMYK 68 / 51 / 0 / 36

HEX #3551A4

RGB 53 81 164

HSL 224.86, 0.51%, 0.43%

LAB 36.6, 17.77, -48.04

 

CMYK 75 / 57 / 0 / 43

HEX #243F91

RGB 36 63 145

HSL 225.14, 0.6%, 0.35%

LAB 29.35, 20.09, -48.3

 

CMYK 85 / 64 / 0 / 51

HEX #132D7E

RGB 19 45 126

HSL 225.42, 0.74%, 0.28%

LAB 22.02, 23.12, -48.43

 

CMYK 98 / 75 / 0 / 58

HEX #021B6B

RGB 2 27 107

HSL 225.71, 0.96%, 0.21%

LAB 14.73, 26.81, -48.23

 

CMYK 62 / 46 / 0 / 28

HEX #4663B8

RGB 70 99 184

HSL 224.74, 0.45%, 0.5%

LAB 43.78, 16.32, -48.26

 

CMYK 61 / 62 / 0 / 28

HEX #4746B8

RGB 71 70 184

HSL 240.53, 0.45%, 0.5%

LAB 36.33, 34.93, -60.29

 

CMYK 45 / 62 / 0 / 28

HEX #6646B8

RGB 102 70 184

HSL 256.84, 0.45%, 0.5%

LAB 39.01, 40.79, -55.81

 

CMYK 28 / 62 / 0 / 28

HEX #8546B8

RGB 133 70 184

HSL 273.16, 0.45%, 0.5%

LAB 42.5, 47.76, -50.01

 

CMYK 11 / 62 / 0 / 28

HEX #A446B8

RGB 164 70 184

HSL 289.47, 0.45%, 0.5%

LAB 46.62, 55.28, -43.19

 

CMYK 62 / 46 / 0 / 28

HEX #4663B8

RGB 70 99 184

HSL 224.74, 0.45%, 0.5%

LAB 43.78, 16.32, -48.26

 

CMYK 62 / 62 / 0 / 28

HEX #4646B8

RGB 70 70 184

HSL 240, 0.45%, 0.5%

LAB 36.26, 34.77, -60.41

 

CMYK 62 / 46 / 0 / 28

HEX #4663B8

RGB 70 99 184

HSL 224.74, 0.45%, 0.5%

LAB 43.78, 16.32, -48.26

 

CMYK 76 / 57 / 0 / 20

HEX #3159CD

RGB 49 89 205

HSL 224.62, 0.61%, 0.5%

LAB 41.54, 27.24, -64.1

 

CMYK 88 / 65 / 0 / 11

HEX #1C4FE2

RGB 28 79 226

HSL 224.55, 0.78%, 0.5%

LAB 40.13, 39.78, -78.46

 

CMYK 97 / 72 / 0 / 4

HEX #0845F6

RGB 8 69 246

HSL 224.62, 0.94%, 0.5%

LAB 39.52, 52.36, -90.8

 

CMYK 62 / 46 / 0 / 28

HEX #4663B8

RGB 70 99 184

HSL 224.74, 0.45%, 0.5%

LAB 43.78, 16.32, -48.26

 

CMYK 45 / 34 / 0 / 36

HEX #5A6DA4

RGB 90 109 164

HSL 224.59, 0.29%, 0.5%

LAB 46.7, 8.02, -31.85

 

CMYK 22 / 17 / 0 / 44

HEX #6F778F

RGB 111 119 143

HSL 225, 0.13%, 0.5%

LAB 50.16, 2.53, -14.03

 

CMYK 0 / 2 / 8 / 48

HEX #84817A

RGB 132 129 122

HSL 42, 0.04%, 0.5%

LAB 54.04, -0.2, 4.18

 

CMYK 0 / 9 / 33 / 40

HEX #988B66

RGB 152 139 102

HSL 44.4, 0.2%, 0.5%

LAB 58.13, -0.98, 21.59

 

CMYK 62 / 13 / 0 / 28

HEX #46A1B8

RGB 70 161 184

HSL 192.11, 0.45%, 0.5%

LAB 61.87, -19.96, -19.96

 

CMYK 62 / 29 / 0 / 28

HEX #4683B8

RGB 70 131 184

HSL 207.89, 0.45%, 0.5%

LAB 52.94, -3.32, -33.75

 

CMYK 62 / 46 / 0 / 28

HEX #4664B8

RGB 70 100 184

HSL 224.21, 0.45%, 0.5%

LAB 44.06, 15.68, -47.82

 

CMYK 62 / 62 / 0 / 28

HEX #4646B8

RGB 70 70 184

HSL 240, 0.45%, 0.5%

LAB 36.26, 34.77, -60.41

 

CMYK 46 / 62 / 0 / 28

HEX #6446B8

RGB 100 70 184

HSL 255.79, 0.45%, 0.5%

LAB 38.81, 40.38, -56.15

 

CMYK 62 / 46 / 0 / 51

HEX #2F437D

RGB 47 67 125

HSL 224.62, 0.45%, 0.34%

LAB 29.66, 11.57, -35.37

 

CMYK 62 / 46 / 0 / 40

HEX #3A539A

RGB 58 83 154

HSL 224.38, 0.45%, 0.42%

LAB 36.78, 13.71, -41.73

 

CMYK 62 / 46 / 0 / 28

HEX #4663B8

RGB 70 99 184

HSL 224.74, 0.45%, 0.5%

LAB 43.78, 16.32, -48.26

 

CMYK 49 / 37 / 0 / 23

HEX #647CC4

RGB 100 124 196

HSL 225, 0.45%, 0.58%

LAB 53.07, 11.25, -40.31

 

CMYK 38 / 28 / 0 / 19

HEX #8195CF

RGB 129 149 207

HSL 224.62, 0.45%, 0.66%

LAB 62.23, 7.23, -32.06

 

CMYK 62 / 46 / 0 / 28

HEX #4663B7

RGB 70 99 183

HSL 224.6, 0.45%, 0.5%

LAB 43.72, 15.97, -47.77

 

CMYK 4 / 62 / 0 / 28

HEX #B146B8

RGB 177 70 184

HSL 296.32, 0.45%, 0.5%

LAB 48.5, 58.5, -40.1

 

CMYK 21 / 0 / 62 / 28

HEX #92B846

RGB 146 184 70

HSL 80, 0.45%, 0.5%

LAB 70.06, -30.14, 52.25

 

CMYK 62 / 46 / 0 / 28

HEX #4663B7

RGB 70 99 183

HSL 224.6, 0.45%, 0.5%

LAB 43.72, 15.97, -47.77

 

CMYK 0 / 62 / 46 / 28

HEX #B84664

RGB 184 70 100

HSL 344.21, 0.45%, 0.5%

LAB 46.3, 48.63, 7.03

 

CMYK 46 / 0 / 62 / 28

HEX #64B846

RGB 100 184 70

HSL 104.21, 0.45%, 0.5%

LAB 67.6, -46.52, 48.84

 

CMYK 62 / 46 / 0 / 28

HEX #4663B7

RGB 70 99 183

HSL 224.6, 0.45%, 0.5%

LAB 43.72, 15.97, -47.77

 

CMYK 4 / 62 / 0 / 28

HEX #B146B8

RGB 177 70 184

HSL 296.32, 0.45%, 0.5%

LAB 48.5, 58.5, -40.1

 

CMYK 0 / 16 / 62 / 28

HEX #B89A46

RGB 184 154 70

HSL 44.21, 0.45%, 0.5%

LAB 64.76, 1.28, 47.24

 

CMYK 58 / 0 / 62 / 28

HEX #4DB846

RGB 77 184 70

HSL 116.32, 0.45%, 0.5%

LAB 66.75, -52.94, 47.65

 

CMYK 62 / 46 / 0 / 28

HEX #4663B7

RGB 70 99 183

HSL 224.6, 0.45%, 0.5%

LAB 43.72, 15.97, -47.77

 

CMYK 0 / 62 / 14 / 28

HEX #B8469E

RGB 184 70 158

HSL 313.68, 0.45%, 0.5%

LAB 48.31, 56.01, -25.01

 

CMYK 0 / 16 / 62 / 28

HEX #B89A46

RGB 184 154 70

HSL 44.21, 0.45%, 0.5%

LAB 64.76, 1.28, 47.24

 

CMYK 62 / 0 / 48 / 28

HEX #46B860

RGB 70 184 96

HSL 133.68, 0.45%, 0.5%

LAB 66.85, -51.13, 35.25

 

Description

Color code: HEX #4663B7 | qconv.com Color code: HEX #4663B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 99 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 99 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 46 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 46% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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