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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4675CC it is the complementary color #B98A33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4675CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4675CC shade: #4B75C7, #5C87DA, #6D99ED, #7EABFF and #8FBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4675CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4675CC shade: #4675CC, #3563B9, #2451A6, #133F93 and #022D80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4675CC shade: #4675CC, #4651CC, #6046CC, #8446CC and #A846CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4675CC shade: #4675CC, #4651CC and #4646CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4675CC shade matches the following richer shades: #4675CC, #3370DF and #206AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4675CC shade: #4675CC, #597BB9, #6C81A6, #7F8693 and #928C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4675CC shade: #46BFCC, #469BCC, #4677CC, #4654CC and #5D46CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4675CC shade: #295097, #3261B7, #4675CC, #678DD5 and #87A6DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4675CC shade: #4675CC, #B646CC and #ADCC46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4675CC shade: #4675CC, #CC4677 and #77CC46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4675CC shade: #4675CC, #B646CC, #CC9B46 and #5DCC46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4675CC shade: #4675CC, #CC46BA, #CC9B46 and #46CC58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

Complementary color

CMYK 0 / 25 / 72 / 27

HEX #B98A33

RGB 185 138 51

HSL 38.96, 0.57%, 0.46%

LAB 60.54, 9.34, 51.42

 

CMYK 62 / 41 / 0 / 22

HEX #4B75C7

RGB 75 117 199

HSL 219.68, 0.53%, 0.54%

LAB 49.91, 11.17, -47.12

 

CMYK 58 / 38 / 0 / 15

HEX #5C87DA

RGB 92 135 218

HSL 219.52, 0.63%, 0.61%

LAB 56.75, 9.89, -46.97

 

CMYK 54 / 35 / 0 / 7

HEX #6D99ED

RGB 109 153 237

HSL 219.38, 0.78%, 0.68%

LAB 63.47, 8.84, -46.85

 

CMYK 51 / 33 / 0 / 0

HEX #7EABFF

RGB 126 171 255

HSL 219.07, 1%, 0.75%

LAB 70.02, 7.67, -46.29

 

CMYK 44 / 26 / 0 / 0

HEX #8FBDFF

RGB 143 189 255

HSL 215.36, 1%, 0.78%

LAB 75.73, 1.59, -37.31

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 71 / 46 / 0 / 27

HEX #3563B9

RGB 53 99 185

HSL 219.09, 0.55%, 0.47%

LAB 43.04, 13.83, -50.07

 

CMYK 78 / 51 / 0 / 35

HEX #2451A6

RGB 36 81 166

HSL 219.23, 0.64%, 0.4%

LAB 36.01, 16.14, -50.22

 

CMYK 87 / 57 / 0 / 42

HEX #133F93

RGB 19 63 147

HSL 219.38, 0.77%, 0.33%

LAB 28.9, 19.11, -50.27

 

CMYK 98 / 65 / 0 / 50

HEX #022D80

RGB 2 45 128

HSL 219.52, 0.97%, 0.25%

LAB 21.76, 22.84, -50.15

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 66 / 60 / 0 / 20

HEX #4651CC

RGB 70 81 204

HSL 235.07, 0.57%, 0.54%

LAB 40.49, 34.7, -65.19

 

CMYK 53 / 66 / 0 / 20

HEX #6046CC

RGB 96 70 204

HSL 251.64, 0.57%, 0.54%

LAB 39.96, 45.46, -65.97

 

CMYK 35 / 66 / 0 / 20

HEX #8446CC

RGB 132 70 204

HSL 267.76, 0.57%, 0.54%

LAB 43.72, 52.37, -59.69

 

CMYK 18 / 66 / 0 / 20

HEX #A846CC

RGB 168 70 204

HSL 283.88, 0.57%, 0.54%

LAB 48.34, 60.19, -52.01

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 66 / 60 / 0 / 20

HEX #4651CC

RGB 70 81 204

HSL 235.07, 0.57%, 0.54%

LAB 40.49, 34.7, -65.19

 

CMYK 66 / 66 / 0 / 20

HEX #4646CC

RGB 70 70 204

HSL 240, 0.57%, 0.54%

LAB 37.92, 41.44, -69.39

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 77 / 50 / 0 / 13

HEX #3370DF

RGB 51 112 223

HSL 218.72, 0.73%, 0.54%

LAB 49.03, 19.44, -62.23

 

CMYK 87 / 56 / 0 / 5

HEX #206AF2

RGB 32 106 242

HSL 218.86, 0.89%, 0.54%

LAB 48.29, 28.83, -74.13

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 52 / 34 / 0 / 27

HEX #597BB9

RGB 89 123 185

HSL 218.75, 0.41%, 0.54%

LAB 51.6, 5.81, -36.36

 

CMYK 35 / 22 / 0 / 35

HEX #6C81A6

RGB 108 129 166

HSL 218.28, 0.25%, 0.54%

LAB 53.64, 1.68, -22.14

 

CMYK 14 / 9 / 0 / 42

HEX #7F8693

RGB 127 134 147

HSL 219, 0.08%, 0.54%

LAB 55.75, 0.22, -7.83

 

CMYK 0 / 4 / 12 / 43

HEX #928C80

RGB 146 140 128

HSL 40, 0.08%, 0.54%

LAB 58.44, 0.05, 7.2

 

CMYK 66 / 6 / 0 / 20

HEX #46BFCC

RGB 70 191 204

HSL 185.82, 0.57%, 0.54%

LAB 71.5, -29.13, -16.42

 

CMYK 66 / 24 / 0 / 20

HEX #469BCC

RGB 70 155 204

HSL 201.94, 0.57%, 0.54%

LAB 60.87, -10.37, -32.71

 

CMYK 66 / 42 / 0 / 20

HEX #4677CC

RGB 70 119 204

HSL 218.06, 0.57%, 0.54%

LAB 50.52, 10.79, -49.02

 

CMYK 66 / 59 / 0 / 20

HEX #4654CC

RGB 70 84 204

HSL 233.73, 0.57%, 0.54%

LAB 41.22, 32.82, -64

 

CMYK 54 / 66 / 0 / 20

HEX #5D46CC

RGB 93 70 204

HSL 250.3, 0.57%, 0.54%

LAB 39.69, 44.95, -66.41

 

CMYK 73 / 47 / 0 / 41

HEX #295097

RGB 41 80 151

HSL 218.73, 0.57%, 0.38%

LAB 34.89, 11.62, -43

 

CMYK 73 / 47 / 0 / 28

HEX #3261B7

RGB 50 97 183

HSL 218.8, 0.57%, 0.46%

LAB 42.23, 13.95, -50.22

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 52 / 34 / 0 / 16

HEX #678DD5

RGB 103 141 213

HSL 219.27, 0.57%, 0.62%

LAB 58.73, 7.09, -41

 

CMYK 39 / 25 / 0 / 13

HEX #87A6DE

RGB 135 166 222

HSL 218.62, 0.57%, 0.7%

LAB 67.8, 3.27, -31.71

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 11 / 66 / 0 / 20

HEX #B646CC

RGB 182 70 204

HSL 290.15, 0.57%, 0.54%

LAB 50.32, 63.36, -48.74

 

CMYK 15 / 0 / 66 / 20

HEX #ADCC46

RGB 173 204 70

HSL 73.88, 0.57%, 0.54%

LAB 77.59, -28.91, 60.83

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 0 / 66 / 42 / 20

HEX #CC4677

RGB 204 70 119

HSL 338.06, 0.57%, 0.54%

LAB 50.16, 56.87, 1.46

 

CMYK 42 / 0 / 66 / 20

HEX #77CC46

RGB 119 204 70

HSL 98.06, 0.57%, 0.54%

LAB 74.54, -48.67, 56.68

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 11 / 66 / 0 / 20

HEX #B646CC

RGB 182 70 204

HSL 290.15, 0.57%, 0.54%

LAB 50.32, 63.36, -48.74

 

CMYK 0 / 24 / 66 / 20

HEX #CC9B46

RGB 204 155 70

HSL 38.06, 0.57%, 0.54%

LAB 67.07, 9.41, 50.37

 

CMYK 54 / 0 / 66 / 20

HEX #5DCC46

RGB 93 204 70

HSL 109.7, 0.57%, 0.54%

LAB 73.52, -56.3, 55.28

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 0 / 66 / 9 / 20

HEX #CC46BA

RGB 204 70 186

HSL 308.06, 0.57%, 0.54%

LAB 52.69, 65.54, -34.38

 

CMYK 0 / 24 / 66 / 20

HEX #CC9B46

RGB 204 155 70

HSL 38.06, 0.57%, 0.54%

LAB 67.07, 9.41, 50.37

 

CMYK 66 / 0 / 57 / 20

HEX #46CC58

RGB 70 204 88

HSL 128.06, 0.57%, 0.54%

LAB 73.02, -59.62, 46.66

 

Description

Color code: HEX #4675CC | qconv.com Color code: HEX #4675CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 117 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 117 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 43 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 43% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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