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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4679BD it is the complementary color #B98642. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4679BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4679BD shade: #4B79B8, #5C8BCB, #6D9DDE, #7EAFF1 and #8FC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4679BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4679BD shade: #4679BD, #3567AA, #245597, #134384 and #023171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4679BD shade: #4779BC, #4759BC, #5447BC, #7447BC and #9347BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4679BD shade: #4779BC, #4759BC and #4747BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4679BD shade matches the following richer shades: #4779BC, #3376D0, #1E73E5 and #0A70F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4679BD shade: #4779BC, #5B7CA8, #6F7F94, #838280 and #98856B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4679BD shade: #47B8BC, #4799BC, #477ABC, #475ABC and #5347BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4679BD shade: #2F5282, #3966A0, #4779BC, #658FC7 and #83A5D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4679BD shade: #4679BD, #A147BC and #A9BC47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4679BD shade: #4679BD, #BC477A and #7ABC47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4679BD shade: #4679BD, #A147BC, #BC8947 and #62BC47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4679BD shade: #4679BD, #BC47B4, #BC8947 and #47BC4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 36 / 0 / 26

HEX #4679BD

RGB 70 121 189

HSL 214.29, 0.47%, 0.51%

LAB 50.28, 4.35, -40.82

 

Complementary color

CMYK 0 / 28 / 64 / 27

HEX #B98642

RGB 185 134 66

HSL 34.29, 0.47%, 0.49%

LAB 59.67, 12.43, 43.48

 

CMYK 59 / 34 / 0 / 28

HEX #4B79B8

RGB 75 121 184

HSL 214.68, 0.43%, 0.51%

LAB 50.25, 3.62, -37.96

 

CMYK 55 / 32 / 0 / 20

HEX #5C8BCB

RGB 92 139 203

HSL 214.59, 0.52%, 0.58%

LAB 57.13, 2.69, -37.93

 

CMYK 51 / 29 / 0 / 13

HEX #6D9DDE

RGB 109 157 222

HSL 214.51, 0.63%, 0.65%

LAB 63.87, 1.93, -37.94

 

CMYK 48 / 27 / 0 / 5

HEX #7EAFF1

RGB 126 175 241

HSL 214.43, 0.8%, 0.72%

LAB 70.49, 1.31, -37.97

 

CMYK 44 / 24 / 0 / 0

HEX #8FC1FF

RGB 143 193 255

HSL 213.21, 1%, 0.78%

LAB 76.8, -0.59, -35.65

 

CMYK 63 / 36 / 0 / 26

HEX #4679BD

RGB 70 121 189

HSL 214.29, 0.47%, 0.51%

LAB 50.28, 4.35, -40.82

 

CMYK 69 / 39 / 0 / 33

HEX #3567AA

RGB 53 103 170

HSL 214.36, 0.52%, 0.44%

LAB 43.3, 5.75, -40.87

 

CMYK 76 / 44 / 0 / 41

HEX #245597

RGB 36 85 151

HSL 214.43, 0.61%, 0.37%

LAB 36.19, 7.59, -40.93

 

CMYK 86 / 49 / 0 / 48

HEX #134384

RGB 19 67 132

HSL 214.51, 0.75%, 0.3%

LAB 28.95, 10.09, -40.94

 

CMYK 98 / 57 / 0 / 56

HEX #023171

RGB 2 49 113

HSL 214.59, 0.97%, 0.23%

LAB 21.59, 13.4, -40.87

 

CMYK 62 / 36 / 0 / 26

HEX #4779BC

RGB 71 121 188

HSL 214.36, 0.47%, 0.51%

LAB 50.27, 4.19, -40.25

 

CMYK 62 / 53 / 0 / 26

HEX #4759BC

RGB 71 89 188

HSL 230.77, 0.47%, 0.51%

LAB 41.4, 24.27, -54.42

 

CMYK 55 / 62 / 0 / 26

HEX #5447BC

RGB 84 71 188

HSL 246.67, 0.47%, 0.51%

LAB 37.88, 37.87, -60.07

 

CMYK 38 / 62 / 0 / 26

HEX #7447BC

RGB 116 71 188

HSL 263.08, 0.47%, 0.51%

LAB 40.98, 44.35, -54.91

 

CMYK 22 / 62 / 0 / 26

HEX #9347BC

RGB 147 71 188

HSL 278.97, 0.47%, 0.51%

LAB 44.72, 51.5, -48.7

 

CMYK 62 / 36 / 0 / 26

HEX #4779BC

RGB 71 121 188

HSL 214.36, 0.47%, 0.51%

LAB 50.27, 4.19, -40.25

 

CMYK 62 / 53 / 0 / 26

HEX #4759BC

RGB 71 89 188

HSL 230.77, 0.47%, 0.51%

LAB 41.4, 24.27, -54.42

 

CMYK 62 / 62 / 0 / 26

HEX #4747BC

RGB 71 71 188

HSL 240, 0.47%, 0.51%

LAB 36.89, 35.65, -61.74

 

CMYK 62 / 36 / 0 / 26

HEX #4779BC

RGB 71 121 188

HSL 214.36, 0.47%, 0.51%

LAB 50.27, 4.19, -40.25

 

CMYK 75 / 43 / 0 / 18

HEX #3376D0

RGB 51 118 208

HSL 214.39, 0.63%, 0.51%

LAB 49.76, 10.09, -52.56

 

CMYK 87 / 50 / 0 / 10

HEX #1E73E5

RGB 30 115 229

HSL 214.37, 0.79%, 0.51%

LAB 49.73, 18.03, -64.5

 

CMYK 96 / 55 / 0 / 2

HEX #0A70F9

RGB 10 112 249

HSL 214.39, 0.95%, 0.51%

LAB 50.09, 26.8, -75.12

 

CMYK 62 / 36 / 0 / 26

HEX #4779BC

RGB 71 121 188

HSL 214.36, 0.47%, 0.51%

LAB 50.27, 4.19, -40.25

 

CMYK 46 / 26 / 0 / 34

HEX #5B7CA8

RGB 91 124 168

HSL 214.29, 0.31%, 0.51%

LAB 51.23, 0.46, -27.12

 

CMYK 25 / 14 / 0 / 42

HEX #6F7F94

RGB 111 127 148

HSL 214.05, 0.15%, 0.51%

LAB 52.62, -0.91, -13.25

 

CMYK 0 / 1 / 2 / 49

HEX #838280

RGB 131 130 128

HSL 40, 0.01%, 0.51%

LAB 54.4, -0.01, 1.21

 

CMYK 0 / 13 / 30 / 40

HEX #98856B

RGB 152 133 107

HSL 34.67, 0.18%, 0.51%

LAB 56.6, 3.07, 16.68

 

CMYK 62 / 2 / 0 / 26

HEX #47B8BC

RGB 71 184 188

HSL 182.05, 0.47%, 0.51%

LAB 68.93, -30.2, -11.52

 

CMYK 62 / 19 / 0 / 26

HEX #4799BC

RGB 71 153 188

HSL 197.95, 0.47%, 0.51%

LAB 59.66, -14.26, -25.59

 

CMYK 62 / 35 / 0 / 26

HEX #477ABC

RGB 71 122 188

HSL 213.85, 0.47%, 0.51%

LAB 50.56, 3.58, -39.79

 

CMYK 62 / 52 / 0 / 26

HEX #475ABC

RGB 71 90 188

HSL 230.26, 0.47%, 0.51%

LAB 41.66, 23.64, -53.99

 

CMYK 56 / 62 / 0 / 26

HEX #5347BC

RGB 83 71 188

HSL 246.15, 0.47%, 0.51%

LAB 37.8, 37.69, -60.21

 

CMYK 64 / 37 / 0 / 49

HEX #2F5282

RGB 47 82 130

HSL 214.7, 0.47%, 0.35%

LAB 34.5, 3.43, -30.78

 

CMYK 64 / 36 / 0 / 37

HEX #3966A0

RGB 57 102 160

HSL 213.79, 0.47%, 0.43%

LAB 42.63, 3.47, -36.02

 

CMYK 62 / 36 / 0 / 26

HEX #4779BC

RGB 71 121 188

HSL 214.36, 0.47%, 0.51%

LAB 50.27, 4.19, -40.25

 

CMYK 49 / 28 / 0 / 22

HEX #658FC7

RGB 101 143 199

HSL 214.29, 0.47%, 0.59%

LAB 58.54, 1.17, -33.43

 

CMYK 38 / 21 / 0 / 18

HEX #83A5D2

RGB 131 165 210

HSL 214.18, 0.47%, 0.67%

LAB 66.82, -0.48, -26.63

 

CMYK 63 / 36 / 0 / 26

HEX #4679BD

RGB 70 121 189

HSL 214.29, 0.47%, 0.51%

LAB 50.28, 4.35, -40.82

 

CMYK 14 / 62 / 0 / 26

HEX #A147BC

RGB 161 71 188

HSL 286.15, 0.47%, 0.51%

LAB 46.6, 54.88, -45.59

 

CMYK 10 / 0 / 62 / 26

HEX #A9BC47

RGB 169 188 71

HSL 69.74, 0.47%, 0.51%

LAB 72.8, -22.72, 55.25

 

CMYK 63 / 36 / 0 / 26

HEX #4679BD

RGB 70 121 189

HSL 214.29, 0.47%, 0.51%

LAB 50.28, 4.35, -40.82

 

CMYK 0 / 62 / 35 / 26

HEX #BC477A

RGB 188 71 122

HSL 333.85, 0.47%, 0.51%

LAB 47.76, 51.85, -4.18

 

CMYK 35 / 0 / 62 / 26

HEX #7ABC47

RGB 122 188 71

HSL 93.85, 0.47%, 0.51%

LAB 69.87, -40.83, 51.21

 

CMYK 63 / 36 / 0 / 26

HEX #4679BD

RGB 70 121 189

HSL 214.29, 0.47%, 0.51%

LAB 50.28, 4.35, -40.82

 

CMYK 14 / 62 / 0 / 26

HEX #A147BC

RGB 161 71 188

HSL 286.15, 0.47%, 0.51%

LAB 46.6, 54.88, -45.59

 

CMYK 0 / 27 / 62 / 26

HEX #BC8947

RGB 188 137 71

HSL 33.85, 0.47%, 0.51%

LAB 60.81, 12.42, 42.38

 

CMYK 48 / 0 / 62 / 26

HEX #62BC47

RGB 98 188 71

HSL 106.15, 0.47%, 0.51%

LAB 68.76, -48.64, 49.68

 

CMYK 63 / 36 / 0 / 26

HEX #4679BD

RGB 70 121 189

HSL 214.29, 0.47%, 0.51%

LAB 50.28, 4.35, -40.82

 

CMYK 0 / 62 / 4 / 26

HEX #BC47B4

RGB 188 71 180

HSL 304.1, 0.47%, 0.51%

LAB 50.09, 60.16, -35.14

 

CMYK 0 / 27 / 62 / 26

HEX #BC8947

RGB 188 137 71

HSL 33.85, 0.47%, 0.51%

LAB 60.81, 12.42, 42.38

 

CMYK 62 / 0 / 58 / 26

HEX #47BC4F

RGB 71 188 79

HSL 124.1, 0.47%, 0.51%

LAB 67.93, -54.78, 44.85

 

Description

Color code: HEX #4679BD | qconv.com Color code: HEX #4679BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 121 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 121 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 36 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 36% 0% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

90% - CSS: styling inputs ...
Link: http://jsfiddle.net

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