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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4672A4 it is the complementary color #B98D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4672A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4672A4 shade: #4B729F, #5C84B2, #6D96C5, #7EA8D8 and #8FBAEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4672A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4672A4 shade: #4672A4, #356091, #244E7E, #133C6B and #022A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4672A4 shade: #4672A4, #4659A4, #4D46A4, #6646A4 and #7F46A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4672A4 shade: #4672A4, #4659A4 and #4646A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4672A4 shade matches the following richer shades: #4672A4, #3371B7, #206FCA and #0D6EDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4672A4 shade: #4672A4, #597391, #6C747E, #7F756B and #927758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4672A4 shade: #46A4A2, #468CA4, #4673A4, #465AA4 and #4B46A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4672A4 shade: #2D4A6A, #3A5E87, #4672A4, #5B86B8 and #779CC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4672A4 shade: #4672A4, #8946A4 and #99A446

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4672A4 shade: #4672A4, #A44673 and #73A446

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4672A4 shade: #4672A4, #8946A4, #A47646 and #60A446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4672A4 shade: #4672A4, #A446A2, #A47646 and #46A447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

Complementary color

CMYK 0 / 24 / 51 / 27

HEX #B98D5B

RGB 185 141 91

HSL 31.91, 0.4%, 0.54%

LAB 61.76, 10.56, 32.99

 

CMYK 53 / 28 / 0 / 38

HEX #4B729F

RGB 75 114 159

HSL 212.14, 0.36%, 0.46%

LAB 47.02, -0.37, -28.48

 

CMYK 48 / 26 / 0 / 30

HEX #5C84B2

RGB 92 132 178

HSL 212.09, 0.36%, 0.53%

LAB 54.02, -0.98, -28.55

 

CMYK 45 / 24 / 0 / 23

HEX #6D96C5

RGB 109 150 197

HSL 212.05, 0.43%, 0.6%

LAB 60.87, -1.46, -28.66

 

CMYK 42 / 22 / 0 / 15

HEX #7EA8D8

RGB 126 168 216

HSL 212, 0.54%, 0.67%

LAB 67.58, -1.85, -28.8

 

CMYK 39 / 21 / 0 / 8

HEX #8FBAEB

RGB 143 186 235

HSL 211.96, 0.7%, 0.74%

LAB 74.16, -2.18, -28.95

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 63 / 34 / 0 / 43

HEX #356091

RGB 53 96 145

HSL 211.96, 0.46%, 0.39%

LAB 39.86, 1.11, -31.44

 

CMYK 71 / 38 / 0 / 51

HEX #244E7E

RGB 36 78 126

HSL 212, 0.56%, 0.32%

LAB 32.55, 2.48, -31.43

 

CMYK 82 / 44 / 0 / 58

HEX #133C6B

RGB 19 60 107

HSL 212.05, 0.7%, 0.25%

LAB 25.05, 4.45, -31.42

 

CMYK 98 / 52 / 0 / 65

HEX #022A58

RGB 2 42 88

HSL 212.09, 0.96%, 0.18%

LAB 17.34, 7.24, -31.39

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 57 / 46 / 0 / 36

HEX #4659A4

RGB 70 89 164

HSL 227.87, 0.4%, 0.46%

LAB 39.79, 15.79, -42.86

 

CMYK 53 / 57 / 0 / 36

HEX #4D46A4

RGB 77 70 164

HSL 244.47, 0.4%, 0.46%

LAB 35.28, 29.47, -50.09

 

CMYK 38 / 57 / 0 / 36

HEX #6646A4

RGB 102 70 164

HSL 260.43, 0.4%, 0.46%

LAB 37.64, 35.18, -46.17

 

CMYK 23 / 57 / 0 / 36

HEX #7F46A4

RGB 127 70 164

HSL 276.38, 0.4%, 0.46%

LAB 40.53, 41.56, -41.38

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 57 / 46 / 0 / 36

HEX #4659A4

RGB 70 89 164

HSL 227.87, 0.4%, 0.46%

LAB 39.79, 15.79, -42.86

 

CMYK 57 / 57 / 0 / 36

HEX #4646A4

RGB 70 70 164

HSL 240, 0.4%, 0.46%

LAB 34.73, 28.05, -51.01

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 72 / 38 / 0 / 28

HEX #3371B7

RGB 51 113 183

HSL 211.82, 0.56%, 0.46%

LAB 46.89, 3.96, -42.77

 

CMYK 84 / 45 / 0 / 21

HEX #206FCA

RGB 32 111 202

HSL 212.12, 0.73%, 0.46%

LAB 46.9, 10.28, -53.74

 

CMYK 94 / 50 / 0 / 13

HEX #0D6EDD

RGB 13 110 221

HSL 212.02, 0.89%, 0.46%

LAB 47.57, 17.28, -63.5

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 39 / 21 / 0 / 43

HEX #597391

RGB 89 115 145

HSL 212.14, 0.24%, 0.46%

LAB 47.53, -1.5, -19.36

 

CMYK 14 / 8 / 0 / 51

HEX #6C747E

RGB 108 116 126

HSL 213.33, 0.08%, 0.46%

LAB 48.49, -0.79, -6.52

 

CMYK 0 / 8 / 16 / 50

HEX #7F756B

RGB 127 117 107

HSL 30, 0.09%, 0.46%

LAB 49.85, 2.04, 6.9

 

CMYK 0 / 18 / 40 / 43

HEX #927758

RGB 146 119 88

HSL 32.07, 0.25%, 0.46%

LAB 51.85, 6, 21.01

 

CMYK 57 / 0 / 1 / 36

HEX #46A4A2

RGB 70 164 162

HSL 178.72, 0.4%, 0.46%

LAB 62.05, -27.94, -7.33

 

CMYK 57 / 15 / 0 / 36

HEX #468CA4

RGB 70 140 164

HSL 195.32, 0.4%, 0.46%

LAB 54.8, -14.87, -19.39

 

CMYK 57 / 30 / 0 / 36

HEX #4673A4

RGB 70 115 164

HSL 211.28, 0.4%, 0.46%

LAB 47.29, -0.48, -31

 

CMYK 57 / 45 / 0 / 36

HEX #465AA4

RGB 70 90 164

HSL 227.23, 0.4%, 0.46%

LAB 40.07, 15.15, -42.41

 

CMYK 54 / 57 / 0 / 36

HEX #4B46A4

RGB 75 70 164

HSL 243.19, 0.4%, 0.46%

LAB 35.12, 29.05, -50.36

 

CMYK 58 / 30 / 0 / 58

HEX #2D4A6A

RGB 45 74 106

HSL 211.48, 0.4%, 0.3%

LAB 30.63, -0.45, -21.89

 

CMYK 57 / 30 / 0 / 47

HEX #3A5E87

RGB 58 94 135

HSL 211.95, 0.4%, 0.38%

LAB 38.99, -0.04, -26.74

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 51 / 27 / 0 / 28

HEX #5B86B8

RGB 91 134 184

HSL 212.26, 0.4%, 0.54%

LAB 54.8, -0.56, -30.78

 

CMYK 40 / 21 / 0 / 23

HEX #779CC5

RGB 119 156 197

HSL 211.54, 0.4%, 0.62%

LAB 63.12, -2.22, -25.14

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 16 / 57 / 0 / 36

HEX #8946A4

RGB 137 70 164

HSL 282.77, 0.4%, 0.46%

LAB 41.81, 44.22, -39.26

 

CMYK 7 / 0 / 57 / 36

HEX #99A446

RGB 153 164 70

HSL 67.02, 0.4%, 0.46%

LAB 64.78, -17.4, 46.51

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 0 / 57 / 30 / 36

HEX #A44673

RGB 164 70 115

HSL 331.28, 0.4%, 0.46%

LAB 43.52, 43.75, -6.61

 

CMYK 30 / 0 / 57 / 36

HEX #73A446

RGB 115 164 70

HSL 91.28, 0.4%, 0.46%

LAB 62.2, -32.65, 42.89

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 16 / 57 / 0 / 36

HEX #8946A4

RGB 137 70 164

HSL 282.77, 0.4%, 0.46%

LAB 41.81, 44.22, -39.26

 

CMYK 0 / 28 / 57 / 36

HEX #A47646

RGB 164 118 70

HSL 30.64, 0.4%, 0.46%

LAB 53.27, 12.53, 33.29

 

CMYK 41 / 0 / 57 / 36

HEX #60A446

RGB 96 164 70

HSL 103.4, 0.4%, 0.46%

LAB 61.2, -39.37, 41.47

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 0 / 57 / 1 / 36

HEX #A446A2

RGB 164 70 162

HSL 301.28, 0.4%, 0.46%

LAB 45.47, 51.16, -32.04

 

CMYK 0 / 28 / 57 / 36

HEX #A47646

RGB 164 118 70

HSL 30.64, 0.4%, 0.46%

LAB 53.27, 12.53, 33.29

 

CMYK 57 / 0 / 57 / 36

HEX #46A447

RGB 70 164 71

HSL 120.64, 0.4%, 0.46%

LAB 60.17, -46.93, 39.51

 

Description

Color code: HEX #4672A4 | qconv.com Color code: HEX #4672A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 114 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 114 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 30 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 30% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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