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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467CA4 it is the complementary color #B9835B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467CA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467CA4 shade: #4B7C9F, #5C8EB2, #6DA0C5, #7EB2D8 and #8FC4EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467CA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467CA4 shade: #467CA4, #356A91, #24587E, #13466B and #023458

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467CA4 shade: #467CA4, #4662A4, #4649A4, #5C46A4 and #7546A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467CA4 shade: #467CA4, #4662A4, #4649A4 and #4646A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467CA4 shade matches the following richer shades: #467CA4, #337FB7, #2081CA and #0D84DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467CA4 shade: #467CA4, #597991, #6C767E, #7F736B and #927058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467CA4 shade: #46A499, #4696A4, #467DA4, #4664A4 and #464BA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467CA4 shade: #2D506A, #3A6687, #467CA4, #5B90B8 and #77A4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467CA4 shade: #467CA4, #8046A4 and #A2A446

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467CA4 shade: #467CA4, #A4467D and #7DA446

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467CA4 shade: #467CA4, #8046A4, #A46D46 and #6AA446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467CA4 shade: #467CA4, #9C46A4, #A46D46 and #4EA446

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

Complementary color

CMYK 0 / 29 / 51 / 27

HEX #B9835B

RGB 185 131 91

HSL 25.53, 0.4%, 0.54%

LAB 59.25, 16.11, 29.81

 

CMYK 53 / 22 / 0 / 38

HEX #4B7C9F

RGB 75 124 159

HSL 205, 0.36%, 0.46%

LAB 49.99, -6.29, -23.86

 

CMYK 48 / 20 / 0 / 30

HEX #5C8EB2

RGB 92 142 178

HSL 205.12, 0.36%, 0.53%

LAB 56.91, -6.72, -24.08

 

CMYK 45 / 19 / 0 / 23

HEX #6DA0C5

RGB 109 160 197

HSL 205.23, 0.43%, 0.6%

LAB 63.69, -7.06, -24.31

 

CMYK 42 / 18 / 0 / 15

HEX #7EB2D8

RGB 126 178 216

HSL 205.33, 0.54%, 0.67%

LAB 70.34, -7.34, -24.55

 

CMYK 39 / 17 / 0 / 8

HEX #8FC4EB

RGB 143 196 235

HSL 205.43, 0.7%, 0.74%

LAB 76.87, -7.56, -24.81

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 63 / 27 / 0 / 43

HEX #356A91

RGB 53 106 145

HSL 205.43, 0.46%, 0.39%

LAB 42.93, -5.04, -26.64

 

CMYK 71 / 30 / 0 / 51

HEX #24587E

RGB 36 88 126

HSL 205.33, 0.56%, 0.32%

LAB 35.72, -3.94, -26.44

 

CMYK 82 / 35 / 0 / 58

HEX #13466B

RGB 19 70 107

HSL 205.23, 0.7%, 0.25%

LAB 28.33, -2.33, -26.21

 

CMYK 98 / 41 / 0 / 65

HEX #023458

RGB 2 52 88

HSL 205.12, 0.96%, 0.18%

LAB 20.73, -0.03, -25.96

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 57 / 40 / 0 / 36

HEX #4662A4

RGB 70 98 164

HSL 222.13, 0.4%, 0.46%

LAB 42.33, 10.04, -38.81

 

CMYK 57 / 55 / 0 / 36

HEX #4649A4

RGB 70 73 164

HSL 238.09, 0.4%, 0.46%

LAB 35.49, 26.12, -49.77

 

CMYK 44 / 57 / 0 / 36

HEX #5C46A4

RGB 92 70 164

HSL 254.04, 0.4%, 0.46%

LAB 36.62, 32.79, -47.85

 

CMYK 29 / 57 / 0 / 36

HEX #7546A4

RGB 117 70 164

HSL 270, 0.4%, 0.46%

LAB 39.31, 38.95, -43.39

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 57 / 40 / 0 / 36

HEX #4662A4

RGB 70 98 164

HSL 222.13, 0.4%, 0.46%

LAB 42.33, 10.04, -38.81

 

CMYK 57 / 55 / 0 / 36

HEX #4649A4

RGB 70 73 164

HSL 238.09, 0.4%, 0.46%

LAB 35.49, 26.12, -49.77

 

CMYK 57 / 57 / 0 / 36

HEX #4646A4

RGB 70 70 164

HSL 240, 0.4%, 0.46%

LAB 34.73, 28.05, -51.01

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 72 / 31 / 0 / 28

HEX #337FB7

RGB 51 127 183

HSL 205.45, 0.56%, 0.46%

LAB 51.04, -4.5, -36.21

 

CMYK 84 / 36 / 0 / 21

HEX #2081CA

RGB 32 129 202

HSL 205.76, 0.73%, 0.46%

LAB 52.14, -0.82, -45.36

 

CMYK 94 / 40 / 0 / 13

HEX #0D84DD

RGB 13 132 221

HSL 205.67, 0.89%, 0.46%

LAB 53.82, 3.54, -53.44

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 39 / 17 / 0 / 43

HEX #597991

RGB 89 121 145

HSL 205.71, 0.24%, 0.46%

LAB 49.31, -5.02, -16.65

 

CMYK 14 / 6 / 0 / 51

HEX #6C767E

RGB 108 118 126

HSL 206.67, 0.08%, 0.46%

LAB 49.07, -1.96, -5.66

 

CMYK 0 / 9 / 16 / 50

HEX #7F736B

RGB 127 115 107

HSL 24, 0.09%, 0.46%

LAB 49.3, 3.2, 6.11

 

CMYK 0 / 23 / 40 / 43

HEX #927058

RGB 146 112 88

HSL 24.83, 0.25%, 0.46%

LAB 49.98, 10.03, 18.51

 

CMYK 57 / 0 / 7 / 36

HEX #46A499

RGB 70 164 153

HSL 172.98, 0.4%, 0.46%

LAB 61.79, -30.39, -2.66

 

CMYK 57 / 9 / 0 / 36

HEX #4696A4

RGB 70 150 164

HSL 188.94, 0.4%, 0.46%

LAB 57.84, -20.23, -14.77

 

CMYK 57 / 24 / 0 / 36

HEX #467DA4

RGB 70 125 164

HSL 204.89, 0.4%, 0.46%

LAB 50.27, -6.4, -26.36

 

CMYK 57 / 39 / 0 / 36

HEX #4664A4

RGB 70 100 164

HSL 220.85, 0.4%, 0.46%

LAB 42.91, 8.78, -37.9

 

CMYK 57 / 54 / 0 / 36

HEX #464BA4

RGB 70 75 164

HSL 236.81, 0.4%, 0.46%

LAB 36.01, 24.84, -48.93

 

CMYK 58 / 25 / 0 / 58

HEX #2D506A

RGB 45 80 106

HSL 205.57, 0.4%, 0.3%

LAB 32.56, -4.29, -18.89

 

CMYK 57 / 24 / 0 / 47

HEX #3A6687

RGB 58 102 135

HSL 205.71, 0.4%, 0.38%

LAB 41.46, -4.96, -22.9

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 51 / 22 / 0 / 28

HEX #5B90B8

RGB 91 144 184

HSL 205.81, 0.4%, 0.54%

LAB 57.69, -6.31, -26.31

 

CMYK 40 / 17 / 0 / 23

HEX #77A4C5

RGB 119 164 197

HSL 205.38, 0.4%, 0.62%

LAB 65.36, -6.66, -21.71

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 22 / 57 / 0 / 36

HEX #8046A4

RGB 128 70 164

HSL 277.02, 0.4%, 0.46%

LAB 40.65, 41.83, -41.17

 

CMYK 1 / 0 / 57 / 36

HEX #A2A446

RGB 162 164 70

HSL 61.28, 0.4%, 0.46%

LAB 65.49, -13.58, 47.52

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 0 / 57 / 24 / 36

HEX #A4467D

RGB 164 70 125

HSL 324.89, 0.4%, 0.46%

LAB 43.88, 45.14, -12.21

 

CMYK 24 / 0 / 57 / 36

HEX #7DA446

RGB 125 164 70

HSL 84.89, 0.4%, 0.46%

LAB 62.8, -28.83, 43.74

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 22 / 57 / 0 / 36

HEX #8046A4

RGB 128 70 164

HSL 277.02, 0.4%, 0.46%

LAB 40.65, 41.83, -41.17

 

CMYK 0 / 34 / 57 / 36

HEX #A46D46

RGB 164 109 70

HSL 24.89, 0.4%, 0.46%

LAB 51, 17.64, 30.52

 

CMYK 35 / 0 / 57 / 36

HEX #6AA446

RGB 106 164 70

HSL 97.02, 0.4%, 0.46%

LAB 61.7, -35.93, 42.18

 

CMYK 57 / 24 / 0 / 36

HEX #467CA4

RGB 70 124 164

HSL 205.53, 0.4%, 0.46%

LAB 49.98, -5.82, -26.82

 

CMYK 5 / 57 / 0 / 36

HEX #9C46A4

RGB 156 70 164

HSL 294.89, 0.4%, 0.46%

LAB 44.42, 49.35, -34.97

 

CMYK 0 / 34 / 57 / 36

HEX #A46D46

RGB 164 109 70

HSL 24.89, 0.4%, 0.46%

LAB 51, 17.64, 30.52

 

CMYK 52 / 0 / 57 / 36

HEX #4EA446

RGB 78 164 70

HSL 114.89, 0.4%, 0.46%

LAB 60.44, -44.9, 40.39

 

Description

Color code: HEX #467CA4 | qconv.com Color code: HEX #467CA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 124 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 124 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 24 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 24% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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