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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467E99 it is the complementary color #B98166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467E99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467E99 shade: #4B7E94, #5C90A7, #6DA2BA, #7EB4CD and #8FC6E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467E99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467E99 shade: #467E99, #356C86, #245A73, #134860 and #02364D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467E99 shade: #467E99, #466899, #465199, #514699 and #684699

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467E99 shade: #467E99, #466899, #465199 and #464699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467E99 shade matches the following richer shades: #467E99, #3485AB, #228BBE and #1091D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467E99 shade: #467E99, #587887, #6A7275, #7D6B63 and #8F6551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467E99 shade: #469987, #469599, #467F99, #466999 and #465399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467E99 shade: #2C5061, #39677D, #467E99, #5794B2 and #73A6BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467E99 shade: #467E99, #714699 and #999246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467E99 shade: #467E99, #99467F and #7F9946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467E99 shade: #467E99, #714699, #996046 and #6E9946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467E99 shade: #467E99, #8A4699, #996046 and #559946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

Complementary color

CMYK 0 / 30 / 45 / 27

HEX #B98166

RGB 185 129 102

HSL 19.52, 0.37%, 0.56%

LAB 58.95, 18.34, 23.29

 

CMYK 49 / 15 / 0 / 42

HEX #4B7E94

RGB 75 126 148

HSL 198.08, 0.33%, 0.44%

LAB 50.16, -10.8, -17.17

 

CMYK 45 / 14 / 0 / 35

HEX #5C90A7

RGB 92 144 167

HSL 198.4, 0.3%, 0.51%

LAB 57.09, -11.03, -17.54

 

CMYK 41 / 13 / 0 / 27

HEX #6DA2BA

RGB 109 162 186

HSL 198.7, 0.36%, 0.58%

LAB 63.87, -11.2, -17.9

 

CMYK 39 / 12 / 0 / 20

HEX #7EB4CD

RGB 126 180 205

HSL 198.99, 0.44%, 0.65%

LAB 70.52, -11.33, -18.26

 

CMYK 36 / 12 / 0 / 12

HEX #8FC6E0

RGB 143 198 224

HSL 199.26, 0.57%, 0.72%

LAB 77.05, -11.43, -18.61

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 60 / 19 / 0 / 47

HEX #356C86

RGB 53 108 134

HSL 199.26, 0.43%, 0.37%

LAB 43.07, -9.96, -19.83

 

CMYK 69 / 22 / 0 / 55

HEX #245A73

RGB 36 90 115

HSL 198.99, 0.52%, 0.3%

LAB 35.84, -9.2, -19.46

 

CMYK 80 / 25 / 0 / 62

HEX #134860

RGB 19 72 96

HSL 198.7, 0.67%, 0.23%

LAB 28.43, -8.01, -19.03

 

CMYK 97 / 30 / 0 / 70

HEX #02364D

RGB 2 54 77

HSL 198.4, 0.95%, 0.15%

LAB 20.78, -6.27, -18.56

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 54 / 32 / 0 / 40

HEX #466899

RGB 70 104 153

HSL 215.42, 0.37%, 0.44%

LAB 43.51, 2.59, -30.43

 

CMYK 54 / 47 / 0 / 40

HEX #465199

RGB 70 81 153

HSL 232.05, 0.37%, 0.44%

LAB 36.91, 17.22, -40.89

 

CMYK 47 / 54 / 0 / 40

HEX #514699

RGB 81 70 153

HSL 247.95, 0.37%, 0.44%

LAB 34.86, 26.87, -44.11

 

CMYK 32 / 54 / 0 / 40

HEX #684699

RGB 104 70 153

HSL 264.58, 0.37%, 0.44%

LAB 37.16, 32.7, -40.31

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 54 / 32 / 0 / 40

HEX #466899

RGB 70 104 153

HSL 215.42, 0.37%, 0.44%

LAB 43.51, 2.59, -30.43

 

CMYK 54 / 47 / 0 / 40

HEX #465199

RGB 70 81 153

HSL 232.05, 0.37%, 0.44%

LAB 36.91, 17.22, -40.89

 

CMYK 54 / 54 / 0 / 40

HEX #464699

RGB 70 70 153

HSL 240, 0.37%, 0.44%

LAB 33.95, 24.37, -45.64

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 70 / 22 / 0 / 33

HEX #3485AB

RGB 52 133 171

HSL 199.16, 0.53%, 0.44%

LAB 52.34, -11.99, -27.27

 

CMYK 82 / 27 / 0 / 25

HEX #228BBE

RGB 34 139 190

HSL 199.62, 0.7%, 0.44%

LAB 54.58, -10.91, -34.7

 

CMYK 92 / 30 / 0 / 18

HEX #1091D0

RGB 16 145 208

HSL 199.69, 0.86%, 0.44%

LAB 56.99, -8.92, -41.11

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 35 / 11 / 0 / 47

HEX #587887

RGB 88 120 135

HSL 199.15, 0.21%, 0.44%

LAB 48.58, -7.49, -11.86

 

CMYK 9 / 3 / 0 / 54

HEX #6A7275

RGB 106 114 117

HSL 196.36, 0.05%, 0.44%

LAB 47.47, -2.36, -2.7

 

CMYK 0 / 14 / 21 / 51

HEX #7D6B63

RGB 125 107 99

HSL 18.46, 0.12%, 0.44%

LAB 46.68, 5.72, 7.1

 

CMYK 0 / 29 / 43 / 44

HEX #8F6551

RGB 143 101 81

HSL 19.35, 0.28%, 0.44%

LAB 46.63, 14.3, 18.05

 

CMYK 54 / 0 / 12 / 40

HEX #469987

RGB 70 153 135

HSL 166.99, 0.37%, 0.44%

LAB 57.88, -29.78, 1.81

 

CMYK 54 / 3 / 0 / 40

HEX #469599

RGB 70 149 153

HSL 182.89, 0.37%, 0.44%

LAB 57.17, -22.92, -9.5

 

CMYK 54 / 17 / 0 / 40

HEX #467F99

RGB 70 127 153

HSL 198.8, 0.37%, 0.44%

LAB 50.43, -11.04, -19.71

 

CMYK 54 / 31 / 0 / 40

HEX #466999

RGB 70 105 153

HSL 214.7, 0.37%, 0.44%

LAB 43.81, 1.97, -29.97

 

CMYK 54 / 46 / 0 / 40

HEX #465399

RGB 70 83 153

HSL 230.6, 0.37%, 0.44%

LAB 37.46, 15.92, -40

 

CMYK 55 / 18 / 0 / 62

HEX #2C5061

RGB 44 80 97

HSL 199.25, 0.38%, 0.28%

LAB 32.11, -7.59, -13.9

 

CMYK 54 / 18 / 0 / 51

HEX #39677D

RGB 57 103 125

HSL 199.41, 0.37%, 0.36%

LAB 41.3, -9.06, -17.11

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 51 / 17 / 0 / 30

HEX #5794B2

RGB 87 148 178

HSL 199.78, 0.37%, 0.52%

LAB 58.43, -11.28, -21.77

 

CMYK 40 / 13 / 0 / 25

HEX #73A6BF

RGB 115 166 191

HSL 199.74, 0.37%, 0.6%

LAB 65.5, -10.43, -18.18

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 26 / 54 / 0 / 40

HEX #714699

RGB 113 70 153

HSL 271.08, 0.37%, 0.44%

LAB 38.18, 35.14, -38.61

 

CMYK 0 / 5 / 54 / 40

HEX #999246

RGB 153 146 70

HSL 54.94, 0.37%, 0.44%

LAB 59.68, -7.92, 40.67

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 0 / 54 / 17 / 40

HEX #99467F

RGB 153 70 127

HSL 318.8, 0.37%, 0.44%

LAB 42.28, 41.93, -16

 

CMYK 17 / 0 / 54 / 40

HEX #7F9946

RGB 127 153 70

HSL 78.8, 0.37%, 0.44%

LAB 59.65, -22.62, 40.11

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 26 / 54 / 0 / 40

HEX #714699

RGB 113 70 153

HSL 271.08, 0.37%, 0.44%

LAB 38.18, 35.14, -38.61

 

CMYK 0 / 37 / 54 / 40

HEX #996046

RGB 153 96 70

HSL 18.8, 0.37%, 0.44%

LAB 46.42, 20.33, 24.45

 

CMYK 28 / 0 / 54 / 40

HEX #6E9946

RGB 110 153 70

HSL 91.08, 0.37%, 0.44%

LAB 58.55, -29.34, 38.53

 

CMYK 54 / 18 / 0 / 40

HEX #467E99

RGB 70 126 153

HSL 199.52, 0.37%, 0.44%

LAB 50.13, -10.47, -20.17

 

CMYK 10 / 54 / 0 / 40

HEX #8A4699

RGB 138 70 153

HSL 289.16, 0.37%, 0.44%

LAB 41.35, 42.16, -33.4

 

CMYK 0 / 37 / 54 / 40

HEX #996046

RGB 153 96 70

HSL 18.8, 0.37%, 0.44%

LAB 46.42, 20.33, 24.45

 

CMYK 44 / 0 / 54 / 40

HEX #559946

RGB 85 153 70

HSL 109.16, 0.37%, 0.44%

LAB 57.23, -38.17, 36.64

 

Description

Color code: HEX #467E99 | qconv.com Color code: HEX #467E99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 126 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 126 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 18 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 18% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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