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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4686A4 it is the complementary color #B9795B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4686A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4686A4 shade: #4B869F, #5C98B2, #6DAAC5, #7EBCD8 and #8FCEEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4686A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4686A4 shade: #4686A4, #357491, #24627E, #13506B and #023E58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4686A4 shade: #4686A4, #466CA4, #4653A4, #5246A4 and #6B46A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4686A4 shade: #4686A4, #466CA4, #4653A4 and #4646A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4686A4 shade matches the following richer shades: #4686A4, #338DB7, #2093CA and #0D9ADD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4686A4 shade: #4686A4, #597F91, #6C787E, #7F716B and #926A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4686A4 shade: #46A48F, #469FA4, #4686A4, #466DA4 and #4654A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4686A4 shade: #2D576A, #3A6E87, #4686A4, #5B9AB8 and #77ACC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4686A4 shade: #4686A4, #7646A4 and #A49C46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4686A4 shade: #4686A4, #A44686 and #86A446

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4686A4 shade: #4686A4, #7646A4, #A46446 and #73A446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4686A4 shade: #4686A4, #9346A4, #A46446 and #57A446

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

Complementary color

CMYK 0 / 35 / 51 / 27

HEX #B9795B

RGB 185 121 91

HSL 19.15, 0.4%, 0.54%

LAB 56.83, 21.67, 26.68

 

CMYK 53 / 16 / 0 / 38

HEX #4B869F

RGB 75 134 159

HSL 197.86, 0.36%, 0.46%

LAB 53, -11.98, -19.24

 

CMYK 48 / 15 / 0 / 30

HEX #5C98B2

RGB 92 152 178

HSL 198.14, 0.36%, 0.53%

LAB 59.84, -12.29, -19.6

 

CMYK 45 / 14 / 0 / 23

HEX #6DAAC5

RGB 109 170 197

HSL 198.41, 0.43%, 0.6%

LAB 66.54, -12.51, -19.95

 

CMYK 42 / 13 / 0 / 15

HEX #7EBCD8

RGB 126 188 216

HSL 198.67, 0.54%, 0.67%

LAB 73.13, -12.68, -20.3

 

CMYK 39 / 12 / 0 / 8

HEX #8FCEEB

RGB 143 206 235

HSL 198.91, 0.7%, 0.74%

LAB 79.6, -12.82, -20.65

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 63 / 20 / 0 / 43

HEX #357491

RGB 53 116 145

HSL 198.91, 0.46%, 0.39%

LAB 46.03, -10.93, -21.82

 

CMYK 71 / 22 / 0 / 51

HEX #24627E

RGB 36 98 126

HSL 198.67, 0.56%, 0.32%

LAB 38.93, -10.04, -21.44

 

CMYK 82 / 25 / 0 / 58

HEX #13506B

RGB 19 80 107

HSL 198.41, 0.7%, 0.25%

LAB 31.66, -8.7, -20.99

 

CMYK 98 / 30 / 0 / 65

HEX #023E58

RGB 2 62 88

HSL 198.14, 0.96%, 0.18%

LAB 24.2, -6.8, -20.47

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 57 / 49 / 0 / 36

HEX #4653A4

RGB 70 83 164

HSL 231.7, 0.4%, 0.46%

LAB 38.14, 19.66, -45.5

 

CMYK 50 / 57 / 0 / 36

HEX #5246A4

RGB 82 70 164

HSL 247.66, 0.4%, 0.46%

LAB 35.7, 30.53, -49.38

 

CMYK 35 / 57 / 0 / 36

HEX #6B46A4

RGB 107 70 164

HSL 263.62, 0.4%, 0.46%

LAB 38.18, 36.41, -45.27

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 57 / 34 / 0 / 36

HEX #466CA4

RGB 70 108 164

HSL 215.74, 0.4%, 0.46%

LAB 45.23, 3.79, -34.24

 

CMYK 57 / 49 / 0 / 36

HEX #4653A4

RGB 70 83 164

HSL 231.7, 0.4%, 0.46%

LAB 38.14, 19.66, -45.5

 

CMYK 57 / 57 / 0 / 36

HEX #4646A4

RGB 70 70 164

HSL 240, 0.4%, 0.46%

LAB 34.73, 28.05, -51.01

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 72 / 23 / 0 / 28

HEX #338DB7

RGB 51 141 183

HSL 199.09, 0.56%, 0.46%

LAB 55.25, -12.53, -29.63

 

CMYK 84 / 27 / 0 / 21

HEX #2093CA

RGB 32 147 202

HSL 199.41, 0.73%, 0.46%

LAB 57.5, -11.27, -36.92

 

CMYK 94 / 30 / 0 / 13

HEX #0D9ADD

RGB 13 154 221

HSL 199.33, 0.89%, 0.46%

LAB 60.26, -9.34, -43.22

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 39 / 12 / 0 / 43

HEX #597F91

RGB 89 127 145

HSL 199.29, 0.24%, 0.46%

LAB 51.09, -8.47, -13.94

 

CMYK 14 / 5 / 0 / 51

HEX #6C787E

RGB 108 120 126

HSL 200, 0.08%, 0.46%

LAB 49.65, -3.12, -4.8

 

CMYK 0 / 11 / 16 / 50

HEX #7F716B

RGB 127 113 107

HSL 18, 0.09%, 0.46%

LAB 48.74, 4.37, 5.31

 

CMYK 0 / 27 / 40 / 43

HEX #926A58

RGB 146 106 88

HSL 18.62, 0.25%, 0.46%

LAB 48.42, 13.51, 16.39

 

CMYK 57 / 0 / 13 / 36

HEX #46A48F

RGB 70 164 143

HSL 166.6, 0.4%, 0.46%

LAB 61.51, -32.99, 2.57

 

CMYK 57 / 3 / 0 / 36

HEX #469FA4

RGB 70 159 164

HSL 183.19, 0.4%, 0.46%

LAB 60.59, -24.87, -10.64

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 57 / 34 / 0 / 36

HEX #466DA4

RGB 70 109 164

HSL 215.11, 0.4%, 0.46%

LAB 45.52, 3.17, -33.77

 

CMYK 57 / 49 / 0 / 36

HEX #4654A4

RGB 70 84 164

HSL 231.06, 0.4%, 0.46%

LAB 38.42, 19.02, -45.06

 

CMYK 58 / 18 / 0 / 58

HEX #2D576A

RGB 45 87 106

HSL 198.69, 0.4%, 0.3%

LAB 34.83, -8.61, -15.39

 

CMYK 57 / 19 / 0 / 47

HEX #3A6E87

RGB 58 110 135

HSL 199.48, 0.4%, 0.38%

LAB 43.95, -9.7, -19.06

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 51 / 16 / 0 / 28

HEX #5B9AB8

RGB 91 154 184

HSL 199.35, 0.4%, 0.54%

LAB 60.6, -11.87, -21.83

 

CMYK 40 / 13 / 0 / 23

HEX #77ACC5

RGB 119 172 197

HSL 199.23, 0.4%, 0.62%

LAB 67.62, -11.01, -18.27

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 28 / 57 / 0 / 36

HEX #7646A4

RGB 118 70 164

HSL 270.64, 0.4%, 0.46%

LAB 39.43, 39.21, -43.19

 

CMYK 0 / 5 / 57 / 36

HEX #A49C46

RGB 164 156 70

HSL 54.89, 0.4%, 0.46%

LAB 63.44, -8.5, 45.24

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 0 / 57 / 18 / 36

HEX #A44686

RGB 164 70 134

HSL 319.15, 0.4%, 0.46%

LAB 44.22, 46.49, -17.16

 

CMYK 18 / 0 / 57 / 36

HEX #86A446

RGB 134 164 70

HSL 79.15, 0.4%, 0.46%

LAB 63.39, -25.25, 44.57

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 28 / 57 / 0 / 36

HEX #7646A4

RGB 118 70 164

HSL 270.64, 0.4%, 0.46%

LAB 39.43, 39.21, -43.19

 

CMYK 0 / 39 / 57 / 36

HEX #A46446

RGB 164 100 70

HSL 19.15, 0.4%, 0.46%

LAB 48.82, 22.74, 27.79

 

CMYK 30 / 0 / 57 / 36

HEX #73A446

RGB 115 164 70

HSL 91.28, 0.4%, 0.46%

LAB 62.2, -32.65, 42.89

 

CMYK 57 / 18 / 0 / 36

HEX #4686A4

RGB 70 134 164

HSL 199.15, 0.4%, 0.46%

LAB 52.99, -11.54, -22.17

 

CMYK 10 / 57 / 0 / 36

HEX #9346A4

RGB 147 70 164

HSL 289.15, 0.4%, 0.46%

LAB 43.16, 46.91, -37.04

 

CMYK 0 / 39 / 57 / 36

HEX #A46446

RGB 164 100 70

HSL 19.15, 0.4%, 0.46%

LAB 48.82, 22.74, 27.79

 

CMYK 47 / 0 / 57 / 36

HEX #57A446

RGB 87 164 70

HSL 109.15, 0.4%, 0.46%

LAB 60.8, -42.25, 40.9

 

Description

Color code: HEX #4686A4 | qconv.com Color code: HEX #4686A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 134 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 134 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 18 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 18% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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