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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #468A15 it is the complementary color #B975EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #468A15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #468A15 shade: #4B8A10, #5C9C23, #6DAE36, #7EC049 and #8FD25C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #468A15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #468A15 shade: #468A15, #357802, #246600, #135400 and #024200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #468A15 shade: #458914, #658914, #848914, #896E14 and #894F14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #468A15 shade: #458914, #268914, #148922, #148942 and #148961

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #468A15 shade matches the following richer shades: #458914 and #439607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #468A15 shade: #458914, #477C21, #496F2E, #4B633A and #4D5647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #468A15 shade: #858914, #668914, #478914, #288914 and #148920

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #468A15 shade: #214109, #33650F, #458914, #57AD19 and #69D11F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #468A15 shade: #468A15, #14896E and #891476

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #468A15 shade: #468A15, #144789 and #891447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #468A15 shade: #468A15, #14896E, #561489 and #89142F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #468A15 shade: #468A15, #148189, #561489 and #891C14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 85 / 46

HEX #468A15

RGB 70 138 21

HSL 94.87, 0.74%, 0.31%

LAB 51.31, -41.03, 50.34

 

Complementary color

CMYK 21 / 50 / 0 / 8

HEX #B975EA

RGB 185 117 234

HSL 274.87, 0.74%, 0.69%

LAB 60.76, 47.6, -49.07

 

CMYK 46 / 0 / 88 / 46

HEX #4B8A10

RGB 75 138 16

HSL 90.98, 0.79%, 0.3%

LAB 51.51, -39.57, 51.86

 

CMYK 41 / 0 / 78 / 39

HEX #5C9C23

RGB 92 156 35

HSL 91.74, 0.63%, 0.37%

LAB 58.2, -40.32, 52.82

 

CMYK 37 / 0 / 69 / 32

HEX #6DAE36

RGB 109 174 54

HSL 92.5, 0.53%, 0.45%

LAB 64.8, -40.76, 52.68

 

CMYK 34 / 0 / 62 / 25

HEX #7EC049

RGB 126 192 73

HSL 93.28, 0.49%, 0.52%

LAB 71.29, -40.99, 51.98

 

CMYK 32 / 0 / 56 / 18

HEX #8FD25C

RGB 143 210 92

HSL 94.07, 0.57%, 0.59%

LAB 77.7, -41.1, 51.01

 

CMYK 49 / 0 / 85 / 46

HEX #468A15

RGB 70 138 21

HSL 94.87, 0.74%, 0.31%

LAB 51.31, -41.03, 50.34

 

CMYK 56 / 0 / 98 / 53

HEX #357802

RGB 53 120 2

HSL 94.07, 0.97%, 0.24%

LAB 44.51, -39.93, 48.52

 

CMYK 65 / 0 / 100 / 60

HEX #246600

RGB 36 102 0

HSL 98.82, 1%, 0.2%

LAB 37.62, -37.98, 43.28

 

CMYK 77 / 0 / 100 / 67

HEX #135400

RGB 19 84 0

HSL 106.43, 1%, 0.16%

LAB 30.59, -35.45, 37.5

 

CMYK 97 / 0 / 100 / 74

HEX #024200

RGB 2 66 0

HSL 118.18, 1%, 0.13%

LAB 23.37, -32.28, 30.99

 

CMYK 50 / 0 / 85 / 46

HEX #458914

RGB 69 137 20

HSL 94.87, 0.75%, 0.31%

LAB 50.93, -41, 50.26

 

CMYK 26 / 0 / 85 / 46

HEX #658914

RGB 101 137 20

HSL 78.46, 0.75%, 0.31%

LAB 52.63, -29.03, 52.41

 

CMYK 4 / 0 / 85 / 46

HEX #848914

RGB 132 137 20

HSL 62.56, 0.75%, 0.31%

LAB 54.91, -15.44, 55.27

 

CMYK 0 / 20 / 85 / 46

HEX #896E14

RGB 137 110 20

HSL 46.15, 0.75%, 0.31%

LAB 47.65, 1.83, 49.29

 

CMYK 0 / 42 / 85 / 46

HEX #894F14

RGB 137 79 20

HSL 30.26, 0.75%, 0.31%

LAB 39.51, 19.9, 42.25

 

CMYK 50 / 0 / 85 / 46

HEX #458914

RGB 69 137 20

HSL 94.87, 0.75%, 0.31%

LAB 50.93, -41, 50.26

 

CMYK 72 / 0 / 85 / 46

HEX #268914

RGB 38 137 20

HSL 110.77, 0.75%, 0.31%

LAB 49.92, -49.12, 48.97

 

CMYK 85 / 0 / 75 / 46

HEX #148922

RGB 20 137 34

HSL 127.18, 0.75%, 0.31%

LAB 49.68, -50.89, 44.02

 

CMYK 85 / 0 / 52 / 46

HEX #148942

RGB 20 137 66

HSL 143.59, 0.75%, 0.31%

LAB 50.02, -46.82, 29.45

 

CMYK 85 / 0 / 29 / 46

HEX #148961

RGB 20 137 97

HSL 159.49, 0.75%, 0.31%

LAB 50.57, -40.43, 12.98

 

CMYK 50 / 0 / 85 / 46

HEX #458914

RGB 69 137 20

HSL 94.87, 0.75%, 0.31%

LAB 50.93, -41, 50.26

 

CMYK 55 / 0 / 95 / 41

HEX #439607

RGB 67 150 7

HSL 94.83, 0.91%, 0.31%

LAB 55.09, -47.12, 56.39

 

CMYK 50 / 0 / 85 / 46

HEX #458914

RGB 69 137 20

HSL 94.87, 0.75%, 0.31%

LAB 50.93, -41, 50.26

 

CMYK 43 / 0 / 73 / 51

HEX #477C21

RGB 71 124 33

HSL 94.95, 0.58%, 0.31%

LAB 46.8, -34, 41.95

 

CMYK 34 / 0 / 59 / 56

HEX #496F2E

RGB 73 111 46

HSL 95.08, 0.41%, 0.31%

LAB 42.74, -25.91, 31.51

 

CMYK 24 / 0 / 41 / 61

HEX #4B633A

RGB 75 99 58

HSL 95.12, 0.26%, 0.31%

LAB 39.11, -17.28, 20.45

 

CMYK 10 / 0 / 17 / 66

HEX #4D5647

RGB 77 86 71

HSL 96, 0.1%, 0.31%

LAB 35.38, -6.75, 7.55

 

CMYK 3 / 0 / 85 / 46

HEX #858914

RGB 133 137 20

HSL 62.05, 0.75%, 0.31%

LAB 55, -14.99, 55.38

 

CMYK 26 / 0 / 85 / 46

HEX #668914

RGB 102 137 20

HSL 77.95, 0.75%, 0.31%

LAB 52.69, -28.61, 52.49

 

CMYK 48 / 0 / 85 / 46

HEX #478914

RGB 71 137 20

HSL 93.85, 0.75%, 0.31%

LAB 51.01, -40.34, 50.37

 

CMYK 71 / 0 / 85 / 46

HEX #288914

RGB 40 137 20

HSL 109.74, 0.75%, 0.31%

LAB 49.97, -48.73, 49.03

 

CMYK 85 / 0 / 77 / 46

HEX #148920

RGB 20 137 32

HSL 126.15, 0.75%, 0.31%

LAB 49.67, -51.06, 44.76

 

CMYK 49 / 0 / 86 / 75

HEX #214109

RGB 33 65 9

HSL 94.29, 0.76%, 0.15%

LAB 24.08, -22.73, 28.36

 

CMYK 50 / 0 / 85 / 60

HEX #33650F

RGB 51 101 15

HSL 94.88, 0.74%, 0.23%

LAB 37.92, -32.19, 39.6

 

CMYK 50 / 0 / 85 / 46

HEX #458914

RGB 69 137 20

HSL 94.87, 0.75%, 0.31%

LAB 50.93, -41, 50.26

 

CMYK 50 / 0 / 86 / 32

HEX #57AD19

RGB 87 173 25

HSL 94.86, 0.75%, 0.39%

LAB 63.33, -49.33, 60.29

 

CMYK 50 / 0 / 85 / 18

HEX #69D11F

RGB 105 209 31

HSL 95.06, 0.74%, 0.47%

LAB 75.27, -57.27, 69.67

 

CMYK 49 / 0 / 85 / 46

HEX #468A15

RGB 70 138 21

HSL 94.87, 0.74%, 0.31%

LAB 51.31, -41.03, 50.34

 

CMYK 85 / 0 / 20 / 46

HEX #14896E

RGB 20 137 110

HSL 166.15, 0.75%, 0.31%

LAB 50.88, -37.11, 5.92

 

CMYK 0 / 85 / 14 / 46

HEX #891476

RGB 137 20 118

HSL 309.74, 0.75%, 0.31%

LAB 32.09, 55.73, -26.41

 

CMYK 49 / 0 / 85 / 46

HEX #468A15

RGB 70 138 21

HSL 94.87, 0.74%, 0.31%

LAB 51.31, -41.03, 50.34

 

CMYK 85 / 48 / 0 / 46

HEX #144789

RGB 20 71 137

HSL 213.85, 0.75%, 0.31%

LAB 30.55, 9.51, -41.46

 

CMYK 0 / 85 / 48 / 46

HEX #891447

RGB 137 20 71

HSL 333.85, 0.75%, 0.31%

LAB 30.09, 50.08, 1.08

 

CMYK 49 / 0 / 85 / 46

HEX #468A15

RGB 70 138 21

HSL 94.87, 0.74%, 0.31%

LAB 51.31, -41.03, 50.34

 

CMYK 85 / 0 / 20 / 46

HEX #14896E

RGB 20 137 110

HSL 166.15, 0.75%, 0.31%

LAB 50.88, -37.11, 5.92

 

CMYK 37 / 85 / 0 / 46

HEX #561489

RGB 86 20 137

HSL 273.85, 0.75%, 0.31%

LAB 24.59, 49.53, -50.9

 

CMYK 0 / 85 / 66 / 46

HEX #89142F

RGB 137 20 47

HSL 346.15, 0.75%, 0.31%

LAB 29.47, 48.25, 16.25

 

CMYK 49 / 0 / 85 / 46

HEX #468A15

RGB 70 138 21

HSL 94.87, 0.74%, 0.31%

LAB 51.31, -41.03, 50.34

 

CMYK 85 / 6 / 0 / 46

HEX #148189

RGB 20 129 137

HSL 184.1, 0.75%, 0.31%

LAB 49.08, -25.19, -12.53

 

CMYK 37 / 85 / 0 / 46

HEX #561489

RGB 86 20 137

HSL 273.85, 0.75%, 0.31%

LAB 24.59, 49.53, -50.9

 

CMYK 0 / 80 / 85 / 46

HEX #891C14

RGB 137 28 20

HSL 4.1, 0.75%, 0.31%

LAB 29.91, 44.72, 33.61

 

Description

Color code: HEX #468A15 | qconv.com Color code: HEX #468A15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 138 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 138 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 85 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 85% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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