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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #468BBE it is the complementary color #B97441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #468BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #468BBE shade: #4B8BB9, #5C9DCC, #6DAFDF, #7EC1F2 and #8FD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #468BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #468BBE shade: #468BBE, #3579AB, #246798, #135585 and #024372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #468BBE shade: #468BBE, #466ABE, #464ABE, #6246BE and #8246BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #468BBE shade: #468BBE, #466ABE, #464ABE and #4646BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #468BBE shade matches the following richer shades: #468BBE, #318ED2, #1D91E6 and #0994FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #468BBE shade: #468BBE, #5A88A9, #6E8495, #828181 and #967E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #468BBE shade: #46BEB0, #46ACBE, #468CBE, #466CBE and #464CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #468BBE shade: #2E5F83, #3875A1, #468BBE, #649EC8 and #83B1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #468BBE shade: #468BBE, #9046BE and #BCBE46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #468BBE shade: #468BBE, #BE468C and #8CBE46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #468BBE shade: #468BBE, #9046BE, #BE7846 and #74BE46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #468BBE shade: #468BBE, #B446BE, #BE7846 and #50BE46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

Complementary color

CMYK 0 / 37 / 65 / 27

HEX #B97441

RGB 185 116 65

HSL 25.5, 0.48%, 0.49%

LAB 55.26, 22.35, 38.95

 

CMYK 59 / 25 / 0 / 27

HEX #4B8BB9

RGB 75 139 185

HSL 205.09, 0.44%, 0.51%

LAB 55.55, -6.64, -30.25

 

CMYK 55 / 23 / 0 / 20

HEX #5C9DCC

RGB 92 157 204

HSL 205.18, 0.52%, 0.58%

LAB 62.3, -7.3, -30.44

 

CMYK 51 / 22 / 0 / 13

HEX #6DAFDF

RGB 109 175 223

HSL 205.26, 0.64%, 0.65%

LAB 68.92, -7.82, -30.63

 

CMYK 48 / 20 / 0 / 5

HEX #7EC1F2

RGB 126 193 242

HSL 205.34, 0.82%, 0.72%

LAB 75.44, -8.24, -30.84

 

CMYK 44 / 17 / 0 / 0

HEX #8FD3FF

RGB 143 211 255

HSL 203.57, 1%, 0.78%

LAB 81.65, -10.2, -28.19

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 69 / 29 / 0 / 33

HEX #3579AB

RGB 53 121 171

HSL 205.42, 0.53%, 0.44%

LAB 48.73, -4.9, -32.89

 

CMYK 76 / 32 / 0 / 40

HEX #246798

RGB 36 103 152

HSL 205.34, 0.62%, 0.37%

LAB 41.76, -3.49, -32.69

 

CMYK 86 / 36 / 0 / 48

HEX #135585

RGB 19 85 133

HSL 205.26, 0.75%, 0.3%

LAB 34.66, -1.53, -32.44

 

CMYK 98 / 41 / 0 / 55

HEX #024372

RGB 2 67 114

HSL 205.18, 0.97%, 0.23%

LAB 27.41, 1.08, -32.13

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 63 / 44 / 0 / 25

HEX #466ABE

RGB 70 106 190

HSL 222, 0.48%, 0.51%

LAB 46.08, 13.98, -48.06

 

CMYK 63 / 61 / 0 / 25

HEX #464ABE

RGB 70 74 190

HSL 238, 0.48%, 0.51%

LAB 37.69, 34.3, -61.6

 

CMYK 48 / 63 / 0 / 25

HEX #6246BE

RGB 98 70 190

HSL 254, 0.48%, 0.51%

LAB 39.06, 41.71, -59.27

 

CMYK 32 / 63 / 0 / 25

HEX #8246BE

RGB 130 70 190

HSL 270, 0.48%, 0.51%

LAB 42.53, 48.51, -53.5

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 63 / 44 / 0 / 25

HEX #466ABE

RGB 70 106 190

HSL 222, 0.48%, 0.51%

LAB 46.08, 13.98, -48.06

 

CMYK 63 / 61 / 0 / 25

HEX #464ABE

RGB 70 74 190

HSL 238, 0.48%, 0.51%

LAB 37.69, 34.3, -61.6

 

CMYK 63 / 63 / 0 / 25

HEX #4646BE

RGB 70 70 190

HSL 240, 0.48%, 0.51%

LAB 36.74, 36.78, -63.15

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 77 / 32 / 0 / 18

HEX #318ED2

RGB 49 142 210

HSL 205.34, 0.64%, 0.51%

LAB 56.73, -3.88, -42.6

 

CMYK 87 / 37 / 0 / 10

HEX #1D91E6

RGB 29 145 230

HSL 205.37, 0.8%, 0.51%

LAB 58.25, -0.05, -51.4

 

CMYK 96 / 41 / 0 / 2

HEX #0994FA

RGB 9 148 250

HSL 205.39, 0.96%, 0.51%

LAB 60.02, 4.87, -59.65

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 47 / 20 / 0 / 34

HEX #5A88A9

RGB 90 136 169

HSL 205.06, 0.31%, 0.51%

LAB 54.71, -6.47, -22.33

 

CMYK 26 / 11 / 0 / 42

HEX #6E8495

RGB 110 132 149

HSL 206.15, 0.16%, 0.51%

LAB 54.01, -3.86, -11.73

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 0 / 16 / 27 / 41

HEX #967E6D

RGB 150 126 109

HSL 24.88, 0.16%, 0.51%

LAB 54.56, 6.51, 12.69

 

CMYK 63 / 0 / 7 / 25

HEX #46BEB0

RGB 70 190 176

HSL 173, 0.48%, 0.51%

LAB 70.36, -36.51, -2.81

 

CMYK 63 / 9 / 0 / 25

HEX #46ACBE

RGB 70 172 190

HSL 189, 0.48%, 0.51%

LAB 65.38, -23.82, -17.98

 

CMYK 63 / 26 / 0 / 25

HEX #468CBE

RGB 70 140 190

HSL 205, 0.48%, 0.51%

LAB 55.86, -6.53, -32.62

 

CMYK 63 / 43 / 0 / 25

HEX #466CBE

RGB 70 108 190

HSL 221, 0.48%, 0.51%

LAB 46.64, 12.73, -47.17

 

CMYK 63 / 60 / 0 / 25

HEX #464CBE

RGB 70 76 190

HSL 237, 0.48%, 0.51%

LAB 38.18, 33.05, -60.81

 

CMYK 65 / 27 / 0 / 49

HEX #2E5F83

RGB 46 95 131

HSL 205.41, 0.48%, 0.35%

LAB 38.56, -4.63, -25.03

 

CMYK 65 / 27 / 0 / 37

HEX #3875A1

RGB 56 117 161

HSL 205.14, 0.48%, 0.43%

LAB 47.15, -5.51, -29.5

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 50 / 21 / 0 / 22

HEX #649EC8

RGB 100 158 200

HSL 205.2, 0.48%, 0.59%

LAB 62.79, -7.28, -27.41

 

CMYK 38 / 16 / 0 / 17

HEX #83B1D3

RGB 131 177 211

HSL 205.5, 0.48%, 0.67%

LAB 70.16, -6.81, -22.07

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 24 / 63 / 0 / 25

HEX #9046BE

RGB 144 70 190

HSL 277, 0.48%, 0.51%

LAB 44.27, 51.72, -50.6

 

CMYK 1 / 0 / 63 / 25

HEX #BCBE46

RGB 188 190 70

HSL 61, 0.48%, 0.51%

LAB 74.8, -15.88, 58.25

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 0 / 63 / 26 / 25

HEX #BE468C

RGB 190 70 140

HSL 325, 0.48%, 0.51%

LAB 48.54, 55.14, -13.84

 

CMYK 26 / 0 / 63 / 25

HEX #8CBE46

RGB 140 190 70

HSL 85, 0.48%, 0.51%

LAB 71.45, -35.25, 53.66

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 24 / 63 / 0 / 25

HEX #9046BE

RGB 144 70 190

HSL 277, 0.48%, 0.51%

LAB 44.27, 51.72, -50.6

 

CMYK 0 / 37 / 63 / 25

HEX #BE7846

RGB 190 120 70

HSL 25, 0.48%, 0.51%

LAB 56.9, 22.6, 38.4

 

CMYK 39 / 0 / 63 / 25

HEX #74BE46

RGB 116 190 70

HSL 97, 0.48%, 0.51%

LAB 70.16, -43.84, 51.89

 

CMYK 63 / 27 / 0 / 25

HEX #468BBE

RGB 70 139 190

HSL 205.5, 0.48%, 0.51%

LAB 55.57, -5.96, -33.08

 

CMYK 5 / 63 / 0 / 25

HEX #B446BE

RGB 180 70 190

HSL 295, 0.48%, 0.51%

LAB 49.25, 60.32, -42.36

 

CMYK 0 / 37 / 63 / 25

HEX #BE7846

RGB 190 120 70

HSL 25, 0.48%, 0.51%

LAB 56.9, 22.6, 38.4

 

CMYK 58 / 0 / 63 / 25

HEX #50BE46

RGB 80 190 70

HSL 115, 0.48%, 0.51%

LAB 68.73, -54.43, 49.9

 

Description

Color code: HEX #468BBE | qconv.com Color code: HEX #468BBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 139 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 139 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 27 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 27% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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