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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #469CB5 it is the complementary color #B9634A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #469CB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #469CB5 shade: #4B9CB0, #5CAEC3, #6DC0D6, #7ED2E9 and #8FE4FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #469CB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #469CB5 shade: #469CB5, #358AA2, #24788F, #13667C and #025469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #469CB5 shade: #459BB3, #457DB3, #455FB3, #4945B3 and #6745B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #469CB5 shade: #459BB3, #457DB3, #455FB3 and #4545B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #469CB5 shade matches the following richer shades: #459BB3, #31A6C8, #1DB1DC and #09BCF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #469CB5 shade: #459BB3, #5A909F, #6E848B, #827977 and #966E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #469CB5 shade: #45B391, #45B3AE, #459CB3, #457EB3 and #4561B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #469CB5 shade: #2E6778, #3A8196, #459BB3, #61ACC1 and #7FBBCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #469CB5 shade: #469CB5, #7345B3 and #B39F45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #469CB5 shade: #469CB5, #B3459C and #9CB345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #469CB5 shade: #469CB5, #7345B3, #B35D45 and #86B345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #469CB5 shade: #469CB5, #9445B3, #B35D45 and #65B345

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 14 / 0 / 29

HEX #469CB5

RGB 70 156 181

HSL 193.51, 0.44%, 0.49%

LAB 60.26, -18.25, -20.73

 

Complementary color

CMYK 0 / 46 / 60 / 27

HEX #B9634A

RGB 185 99 74

HSL 13.51, 0.44%, 0.51%

LAB 51.53, 32.25, 29.53

 

CMYK 57 / 11 / 0 / 31

HEX #4B9CB0

RGB 75 156 176

HSL 191.88, 0.4%, 0.49%

LAB 60.26, -18.8, -17.9

 

CMYK 53 / 11 / 0 / 24

HEX #5CAEC3

RGB 92 174 195

HSL 192.23, 0.46%, 0.56%

LAB 66.89, -19.14, -18.39

 

CMYK 49 / 10 / 0 / 16

HEX #6DC0D6

RGB 109 192 214

HSL 192.57, 0.56%, 0.63%

LAB 73.42, -19.38, -18.85

 

CMYK 46 / 10 / 0 / 9

HEX #7ED2E9

RGB 126 210 233

HSL 192.9, 0.71%, 0.7%

LAB 79.85, -19.56, -19.29

 

CMYK 43 / 10 / 0 / 1

HEX #8FE4FC

RGB 143 228 252

HSL 193.21, 0.95%, 0.77%

LAB 86.18, -19.68, -19.71

 

CMYK 61 / 14 / 0 / 29

HEX #469CB5

RGB 70 156 181

HSL 193.51, 0.44%, 0.49%

LAB 60.26, -18.25, -20.73

 

CMYK 67 / 15 / 0 / 36

HEX #358AA2

RGB 53 138 162

HSL 193.21, 0.51%, 0.42%

LAB 53.54, -17.59, -20.22

 

CMYK 75 / 16 / 0 / 44

HEX #24788F

RGB 36 120 143

HSL 192.9, 0.6%, 0.35%

LAB 46.7, -16.65, -19.65

 

CMYK 85 / 18 / 0 / 51

HEX #13667C

RGB 19 102 124

HSL 192.57, 0.73%, 0.28%

LAB 39.74, -15.3, -18.99

 

CMYK 98 / 20 / 0 / 59

HEX #025469

RGB 2 84 105

HSL 192.23, 0.96%, 0.21%

LAB 32.64, -13.44, -18.23

 

CMYK 61 / 13 / 0 / 30

HEX #459BB3

RGB 69 155 179

HSL 193.09, 0.44%, 0.49%

LAB 59.85, -18.52, -20.23

 

CMYK 61 / 30 / 0 / 30

HEX #457DB3

RGB 69 125 179

HSL 209.45, 0.44%, 0.49%

LAB 50.91, -1.66, -34.07

 

CMYK 61 / 47 / 0 / 30

HEX #455FB3

RGB 69 95 179

HSL 225.82, 0.44%, 0.49%

LAB 42.31, 16.93, -47.69

 

CMYK 59 / 61 / 0 / 30

HEX #4945B3

RGB 73 69 179

HSL 242.18, 0.44%, 0.49%

LAB 35.84, 34.23, -58.12

 

CMYK 42 / 61 / 0 / 30

HEX #6745B3

RGB 103 69 179

HSL 258.55, 0.44%, 0.49%

LAB 38.54, 40.17, -53.62

 

CMYK 61 / 13 / 0 / 30

HEX #459BB3

RGB 69 155 179

HSL 193.09, 0.44%, 0.49%

LAB 59.85, -18.52, -20.23

 

CMYK 61 / 30 / 0 / 30

HEX #457DB3

RGB 69 125 179

HSL 209.45, 0.44%, 0.49%

LAB 50.91, -1.66, -34.07

 

CMYK 61 / 47 / 0 / 30

HEX #455FB3

RGB 69 95 179

HSL 225.82, 0.44%, 0.49%

LAB 42.31, 16.93, -47.69

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 61 / 13 / 0 / 30

HEX #459BB3

RGB 69 155 179

HSL 193.09, 0.44%, 0.49%

LAB 59.85, -18.52, -20.23

 

CMYK 76 / 17 / 0 / 22

HEX #31A6C8

RGB 49 166 200

HSL 193.51, 0.61%, 0.49%

LAB 63.42, -20.58, -26.58

 

CMYK 87 / 20 / 0 / 14

HEX #1DB1DC

RGB 29 177 220

HSL 193.51, 0.77%, 0.49%

LAB 67.18, -21.37, -31.86

 

CMYK 96 / 22 / 0 / 6

HEX #09BCF0

RGB 9 188 240

HSL 193.51, 0.93%, 0.49%

LAB 71.09, -21.06, -36.72

 

CMYK 61 / 13 / 0 / 30

HEX #459BB3

RGB 69 155 179

HSL 193.09, 0.44%, 0.49%

LAB 59.85, -18.52, -20.23

 

CMYK 43 / 9 / 0 / 38

HEX #5A909F

RGB 90 144 159

HSL 193.04, 0.28%, 0.49%

LAB 56.71, -13.79, -13.55

 

CMYK 21 / 5 / 0 / 45

HEX #6E848B

RGB 110 132 139

HSL 194.48, 0.12%, 0.49%

LAB 53.69, -6.28, -6.41

 

CMYK 0 / 7 / 8 / 49

HEX #827977

RGB 130 121 119

HSL 10.91, 0.04%, 0.49%

LAB 51.56, 3.06, 2.33

 

CMYK 0 / 27 / 34 / 41

HEX #966E63

RGB 150 110 99

HSL 12.94, 0.2%, 0.49%

LAB 50.14, 14.3, 12.36

 

CMYK 61 / 0 / 19 / 30

HEX #45B391

RGB 69 179 145

HSL 161.45, 0.44%, 0.49%

LAB 66.17, -39.56, 8.15

 

CMYK 61 / 0 / 3 / 30

HEX #45B3AE

RGB 69 179 174

HSL 177.27, 0.44%, 0.49%

LAB 66.95, -32.06, -6.75

 

CMYK 61 / 13 / 0 / 30

HEX #459CB3

RGB 69 156 179

HSL 192.55, 0.44%, 0.49%

LAB 60.16, -19.05, -19.77

 

CMYK 61 / 30 / 0 / 30

HEX #457EB3

RGB 69 126 179

HSL 208.91, 0.44%, 0.49%

LAB 51.2, -2.25, -33.61

 

CMYK 61 / 46 / 0 / 30

HEX #4561B3

RGB 69 97 179

HSL 224.73, 0.44%, 0.49%

LAB 42.87, 15.65, -46.8

 

CMYK 62 / 14 / 0 / 53

HEX #2E6778

RGB 46 103 120

HSL 193.78, 0.45%, 0.33%

LAB 40.63, -13.16, -15.13

 

CMYK 61 / 14 / 0 / 41

HEX #3A8196

RGB 58 129 150

HSL 193.7, 0.44%, 0.41%

LAB 50.45, -15.64, -17.96

 

CMYK 61 / 13 / 0 / 30

HEX #459BB3

RGB 69 155 179

HSL 193.09, 0.44%, 0.49%

LAB 59.85, -18.52, -20.23

 

CMYK 50 / 11 / 0 / 24

HEX #61ACC1

RGB 97 172 193

HSL 193.13, 0.44%, 0.57%

LAB 66.44, -17.55, -17.94

 

CMYK 38 / 9 / 0 / 20

HEX #7FBBCD

RGB 127 187 205

HSL 193.85, 0.44%, 0.65%

LAB 72.54, -14.76, -15.2

 

CMYK 61 / 14 / 0 / 29

HEX #469CB5

RGB 70 156 181

HSL 193.51, 0.44%, 0.49%

LAB 60.26, -18.25, -20.73

 

CMYK 36 / 61 / 0 / 30

HEX #7345B3

RGB 115 69 179

HSL 265.09, 0.44%, 0.49%

LAB 39.84, 42.86, -51.46

 

CMYK 0 / 11 / 61 / 30

HEX #B39F45

RGB 179 159 69

HSL 49.09, 0.44%, 0.49%

LAB 65.6, -3.66, 48.51

 

CMYK 61 / 14 / 0 / 29

HEX #469CB5

RGB 70 156 181

HSL 193.51, 0.44%, 0.49%

LAB 60.26, -18.25, -20.73

 

CMYK 0 / 61 / 13 / 30

HEX #B3459C

RGB 179 69 156

HSL 312.55, 0.44%, 0.49%

LAB 47.29, 54.75, -25.47

 

CMYK 13 / 0 / 61 / 30

HEX #9CB345

RGB 156 179 69

HSL 72.55, 0.44%, 0.49%

LAB 69.28, -23.78, 52.03

 

CMYK 61 / 14 / 0 / 29

HEX #469CB5

RGB 70 156 181

HSL 193.51, 0.44%, 0.49%

LAB 60.26, -18.25, -20.73

 

CMYK 36 / 61 / 0 / 30

HEX #7345B3

RGB 115 69 179

HSL 265.09, 0.44%, 0.49%

LAB 39.84, 42.86, -51.46

 

CMYK 0 / 48 / 61 / 30

HEX #B35D45

RGB 179 93 69

HSL 13.09, 0.44%, 0.49%

LAB 49.3, 32.69, 29.42

 

CMYK 25 / 0 / 61 / 30

HEX #86B345

RGB 134 179 69

HSL 84.55, 0.44%, 0.49%

LAB 67.83, -32.54, 50.02

 

CMYK 61 / 14 / 0 / 29

HEX #469CB5

RGB 70 156 181

HSL 193.51, 0.44%, 0.49%

LAB 60.26, -18.25, -20.73

 

CMYK 17 / 61 / 0 / 30

HEX #9445B3

RGB 148 69 179

HSL 283.09, 0.44%, 0.49%

LAB 43.95, 50.78, -44.64

 

CMYK 0 / 48 / 61 / 30

HEX #B35D45

RGB 179 93 69

HSL 13.09, 0.44%, 0.49%

LAB 49.3, 32.69, 29.42

 

CMYK 44 / 0 / 61 / 30

HEX #65B345

RGB 101 179 69

HSL 102.55, 0.44%, 0.49%

LAB 66.09, -44.24, 47.59

 

Description

Color code: HEX #469CB5 | qconv.com Color code: HEX #469CB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 156 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 156 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 14 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 14% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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