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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46A9C7 it is the complementary color #B95638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46A9C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46A9C7 shade: #4BA9C2, #5CBBD5, #6DCDE8, #7EDFFB and #8FF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46A9C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46A9C7 shade: #46A9C7, #3597B4, #2485A1, #13738E and #02617B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46A9C7 shade: #46A9C7, #4686C7, #4663C7, #4B46C7 and #6E46C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46A9C7 shade: #46A9C7, #4686C7, #4663C7 and #4646C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46A9C7 shade matches the following richer shades: #46A9C7, #33B4DB and #1FBEEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46A9C7 shade: #46A9C7, #599FB4, #6D95A1, #808A8D and #93807A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46A9C7 shade: #46C79E, #46C7C1, #46ABC7, #4689C7 and #4666C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46A9C7 shade: #2B7990, #3493B0, #46A9C7, #66B8D1 and #85C7DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46A9C7 shade: #46A9C7, #7C46C7 and #C7B046

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46A9C7 shade: #46A9C7, #C746AB and #ABC746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46A9C7 shade: #46A9C7, #7C46C7, #C76246 and #91C746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46A9C7 shade: #46A9C7, #A346C7, #C76246 and #6BC746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

Complementary color

CMYK 0 / 54 / 70 / 27

HEX #B95638

RGB 185 86 56

HSL 13.95, 0.54%, 0.47%

LAB 48.58, 37.88, 36.07

 

CMYK 61 / 13 / 0 / 24

HEX #4BA9C2

RGB 75 169 194

HSL 192.61, 0.49%, 0.53%

LAB 64.78, -20.2, -21.11

 

CMYK 57 / 12 / 0 / 16

HEX #5CBBD5

RGB 92 187 213

HSL 192.89, 0.59%, 0.6%

LAB 71.3, -20.67, -21.59

 

CMYK 53 / 12 / 0 / 9

HEX #6DCDE8

RGB 109 205 232

HSL 193.17, 0.73%, 0.67%

LAB 77.72, -21.02, -22.04

 

CMYK 50 / 11 / 0 / 2

HEX #7EDFFB

RGB 126 223 251

HSL 193.44, 0.94%, 0.74%

LAB 84.06, -21.29, -22.47

 

CMYK 44 / 5 / 0 / 0

HEX #8FF1FF

RGB 143 241 255

HSL 187.5, 1%, 0.78%

LAB 89.85, -25.34, -15.77

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 71 / 16 / 0 / 29

HEX #3597B4

RGB 53 151 180

HSL 193.7, 0.55%, 0.46%

LAB 58.21, -18.7, -23.35

 

CMYK 78 / 17 / 0 / 37

HEX #2485A1

RGB 36 133 161

HSL 193.44, 0.63%, 0.39%

LAB 51.52, -17.59, -22.78

 

CMYK 87 / 19 / 0 / 44

HEX #13738E

RGB 19 115 142

HSL 193.17, 0.76%, 0.32%

LAB 44.73, -16.06, -22.11

 

CMYK 98 / 21 / 0 / 52

HEX #02617B

RGB 2 97 123

HSL 192.89, 0.97%, 0.25%

LAB 37.83, -14.05, -21.36

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 65 / 33 / 0 / 22

HEX #4686C7

RGB 70 134 199

HSL 210.23, 0.54%, 0.53%

LAB 54.53, -0.01, -39.82

 

CMYK 65 / 50 / 0 / 22

HEX #4663C7

RGB 70 99 199

HSL 226.51, 0.54%, 0.53%

LAB 44.73, 21.57, -55.43

 

CMYK 62 / 65 / 0 / 22

HEX #4B46C7

RGB 75 70 199

HSL 242.33, 0.54%, 0.53%

LAB 37.84, 40.51, -66.6

 

CMYK 45 / 65 / 0 / 22

HEX #6E46C7

RGB 110 70 199

HSL 258.6, 0.54%, 0.53%

LAB 40.93, 46.62, -61.44

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 65 / 33 / 0 / 22

HEX #4686C7

RGB 70 134 199

HSL 210.23, 0.54%, 0.53%

LAB 54.53, -0.01, -39.82

 

CMYK 65 / 50 / 0 / 22

HEX #4663C7

RGB 70 99 199

HSL 226.51, 0.54%, 0.53%

LAB 44.73, 21.57, -55.43

 

CMYK 65 / 65 / 0 / 22

HEX #4646C7

RGB 70 70 199

HSL 240, 0.54%, 0.53%

LAB 37.49, 39.78, -67.18

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 77 / 18 / 0 / 14

HEX #33B4DB

RGB 51 180 219

HSL 193.93, 0.7%, 0.53%

LAB 68.36, -21.4, -29.47

 

CMYK 87 / 20 / 0 / 7

HEX #1FBEEE

RGB 31 190 238

HSL 193.91, 0.86%, 0.53%

LAB 71.75, -21.88, -34.6

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 51 / 12 / 0 / 29

HEX #599FB4

RGB 89 159 180

HSL 193.85, 0.38%, 0.53%

LAB 61.84, -16.2, -17.7

 

CMYK 32 / 7 / 0 / 37

HEX #6D95A1

RGB 109 149 161

HSL 193.85, 0.22%, 0.53%

LAB 59.27, -10.67, -10.73

 

CMYK 9 / 2 / 0 / 45

HEX #808A8D

RGB 128 138 141

HSL 193.85, 0.05%, 0.53%

LAB 56.77, -3.01, -2.86

 

CMYK 0 / 13 / 17 / 42

HEX #93807A

RGB 147 128 122

HSL 14.4, 0.1%, 0.53%

LAB 55.12, 6.22, 5.92

 

CMYK 65 / 0 / 21 / 22

HEX #46C79E

RGB 70 199 158

HSL 160.93, 0.54%, 0.53%

LAB 72.64, -44.99, 10.28

 

CMYK 65 / 0 / 3 / 22

HEX #46C7C1

RGB 70 199 193

HSL 177.21, 0.54%, 0.53%

LAB 73.55, -36.06, -7.38

 

CMYK 65 / 14 / 0 / 22

HEX #46ABC7

RGB 70 171 199

HSL 193.02, 0.54%, 0.53%

LAB 65.4, -20.56, -22.95

 

CMYK 65 / 31 / 0 / 22

HEX #4689C7

RGB 70 137 199

HSL 208.84, 0.54%, 0.53%

LAB 55.4, -1.78, -38.45

 

CMYK 65 / 49 / 0 / 22

HEX #4666C7

RGB 70 102 199

HSL 225.12, 0.54%, 0.53%

LAB 45.54, 19.67, -54.13

 

CMYK 70 / 16 / 0 / 44

HEX #2B7990

RGB 43 121 144

HSL 193.66, 0.54%, 0.37%

LAB 47.24, -15.84, -19.4

 

CMYK 70 / 16 / 0 / 31

HEX #3493B0

RGB 52 147 176

HSL 194.03, 0.54%, 0.45%

LAB 56.81, -18.02, -23.23

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 51 / 12 / 0 / 18

HEX #66B8D1

RGB 102 184 209

HSL 194.02, 0.54%, 0.61%

LAB 70.67, -18.19, -20.32

 

CMYK 39 / 9 / 0 / 15

HEX #85C7DA

RGB 133 199 218

HSL 193.41, 0.53%, 0.69%

LAB 76.62, -16.11, -16.08

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 38 / 65 / 0 / 22

HEX #7C46C7

RGB 124 70 199

HSL 265.12, 0.54%, 0.53%

LAB 42.44, 49.45, -58.91

 

CMYK 0 / 12 / 65 / 22

HEX #C7B046

RGB 199 176 70

HSL 49.3, 0.54%, 0.53%

LAB 71.98, -3.97, 55.54

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 0 / 65 / 14 / 22

HEX #C746AB

RGB 199 70 171

HSL 313.02, 0.54%, 0.53%

LAB 51.22, 62, -27.98

 

CMYK 14 / 0 / 65 / 22

HEX #ABC746

RGB 171 199 70

HSL 73.02, 0.54%, 0.53%

LAB 76.04, -27.33, 59.16

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 38 / 65 / 0 / 22

HEX #7C46C7

RGB 124 70 199

HSL 265.12, 0.54%, 0.53%

LAB 42.44, 49.45, -58.91

 

CMYK 0 / 51 / 65 / 22

HEX #C76246

RGB 199 98 70

HSL 13.02, 0.54%, 0.53%

LAB 53.3, 38.01, 34.41

 

CMYK 27 / 0 / 65 / 22

HEX #91C746

RGB 145 199 70

HSL 85.12, 0.54%, 0.53%

LAB 74.39, -37.45, 56.92

 

CMYK 65 / 15 / 0 / 22

HEX #46A9C7

RGB 70 169 199

HSL 193.95, 0.54%, 0.53%

LAB 64.8, -19.52, -23.86

 

CMYK 18 / 65 / 0 / 22

HEX #A346C7

RGB 163 70 199

HSL 283.26, 0.54%, 0.53%

LAB 47.35, 58.04, -50.75

 

CMYK 0 / 51 / 65 / 22

HEX #C76246

RGB 199 98 70

HSL 13.02, 0.54%, 0.53%

LAB 53.3, 38.01, 34.41

 

CMYK 46 / 0 / 65 / 22

HEX #6BC746

RGB 107 199 70

HSL 102.79, 0.54%, 0.53%

LAB 72.5, -50.42, 54.33

 

Description

Color code: HEX #46A9C7 | qconv.com Color code: HEX #46A9C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 169 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 169 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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