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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46AB0A it is the complementary color #B954F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46AB0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46AB0A shade: #4BAB05, #5CBD18, #6DCF2B, #7EE13E and #8FF351

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46AB0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46AB0A shade: #46AB0A, #359900, #248700, #137500 and #026300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46AB0A shade: #45A809, #6FA809, #9AA809, #A88B09 and #A86009

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46AB0A shade: #45A809, #1AA809, #09A824, #09A84F and #09A879

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46AB0A shade matches the following richer shades: #45A809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46AB0A shade: #45A809, #489A18, #4C8B26, #507D35 and #536E43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46AB0A shade: #9BA809, #71A809, #46A809, #1CA809 and #09A821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46AB0A shade: #255A05, #358107, #45A809, #54CF0C and #66F113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46AB0A shade: #46AB0A, #09A88B and #A80986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46AB0A shade: #46AB0A, #0946A8 and #A80946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46AB0A shade: #46AB0A, #09A88B, #6B09A8 and #A80926

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46AB0A shade: #46AB0A, #0996A8, #6B09A8 and #A81C09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 94 / 33

HEX #46AB0A

RGB 70 171 10

HSL 97.64, 0.89%, 0.35%

LAB 62.04, -53.88, 61.71

 

Complementary color

CMYK 24 / 66 / 0 / 4

HEX #B954F5

RGB 185 84 245

HSL 277.64, 0.89%, 0.65%

LAB 55.33, 66.19, -63.87

 

CMYK 56 / 0 / 97 / 33

HEX #4BAB05

RGB 75 171 5

HSL 94.7, 0.94%, 0.35%

LAB 62.2, -52.65, 62.57

 

CMYK 51 / 0 / 87 / 26

HEX #5CBD18

RGB 92 189 24

HSL 95.27, 0.77%, 0.42%

LAB 68.56, -53.92, 65.14

 

CMYK 47 / 0 / 79 / 19

HEX #6DCF2B

RGB 109 207 43

HSL 95.85, 0.66%, 0.49%

LAB 74.86, -54.8, 66.33

 

CMYK 44 / 0 / 72 / 12

HEX #7EE13E

RGB 126 225 62

HSL 96.44, 0.73%, 0.56%

LAB 81.09, -55.4, 66.56

 

CMYK 41 / 0 / 67 / 5

HEX #8FF351

RGB 143 243 81

HSL 97.04, 0.87%, 0.64%

LAB 87.26, -55.78, 66.2

 

CMYK 59 / 0 / 94 / 33

HEX #46AB0A

RGB 70 171 10

HSL 97.64, 0.89%, 0.35%

LAB 62.04, -53.88, 61.71

 

CMYK 65 / 0 / 100 / 40

HEX #359900

RGB 53 153 0

HSL 99.22, 1%, 0.3%

LAB 55.62, -52.04, 57.76

 

CMYK 73 / 0 / 100 / 47

HEX #248700

RGB 36 135 0

HSL 104, 1%, 0.26%

LAB 49.13, -49.59, 52.42

 

CMYK 84 / 0 / 100 / 54

HEX #137500

RGB 19 117 0

HSL 110.26, 1%, 0.23%

LAB 42.55, -46.56, 47.04

 

CMYK 98 / 0 / 100 / 61

HEX #026300

RGB 2 99 0

HSL 118.79, 1%, 0.19%

LAB 35.86, -42.84, 41.6

 

CMYK 59 / 0 / 95 / 34

HEX #45A809

RGB 69 168 9

HSL 97.36, 0.9%, 0.35%

LAB 61.04, -53.1, 61

 

CMYK 34 / 0 / 95 / 34

HEX #6FA809

RGB 111 168 9

HSL 81.51, 0.9%, 0.35%

LAB 62.85, -39.48, 63.22

 

CMYK 8 / 0 / 95 / 34

HEX #9AA809

RGB 154 168 9

HSL 65.28, 0.9%, 0.35%

LAB 65.67, -21.8, 66.65

 

CMYK 0 / 17 / 95 / 34

HEX #A88B09

RGB 168 139 9

HSL 49.06, 0.9%, 0.35%

LAB 58.8, -0.22, 61.96

 

CMYK 0 / 43 / 95 / 34

HEX #A86009

RGB 168 96 9

HSL 32.83, 0.9%, 0.35%

LAB 47.89, 23.87, 54.01

 

CMYK 59 / 0 / 95 / 34

HEX #45A809

RGB 69 168 9

HSL 97.36, 0.9%, 0.35%

LAB 61.04, -53.1, 61

 

CMYK 85 / 0 / 95 / 34

HEX #1AA809

RGB 26 168 9

HSL 113.58, 0.9%, 0.35%

LAB 60.11, -61.03, 59.86

 

CMYK 95 / 0 / 79 / 34

HEX #09A824

RGB 9 168 36

HSL 130.19, 0.9%, 0.35%

LAB 60.06, -61.09, 53.58

 

CMYK 95 / 0 / 53 / 34

HEX #09A84F

RGB 9 168 79

HSL 146.42, 0.9%, 0.35%

LAB 60.45, -56.21, 35.65

 

CMYK 95 / 0 / 28 / 34

HEX #09A879

RGB 9 168 121

HSL 162.26, 0.9%, 0.35%

LAB 61.17, -47.83, 14.21

 

CMYK 59 / 0 / 95 / 34

HEX #45A809

RGB 69 168 9

HSL 97.36, 0.9%, 0.35%

LAB 61.04, -53.1, 61

 

CMYK 59 / 0 / 95 / 34

HEX #45A809

RGB 69 168 9

HSL 97.36, 0.9%, 0.35%

LAB 61.04, -53.1, 61

 

CMYK 53 / 0 / 84 / 40

HEX #489A18

RGB 72 154 24

HSL 97.85, 0.73%, 0.35%

LAB 56.64, -46.59, 54.37

 

CMYK 45 / 0 / 73 / 45

HEX #4C8B26

RGB 76 139 38

HSL 97.43, 0.57%, 0.35%

LAB 52, -38.4, 45.33

 

CMYK 36 / 0 / 58 / 51

HEX #507D35

RGB 80 125 53

HSL 97.5, 0.4%, 0.35%

LAB 47.79, -29.21, 33.95

 

CMYK 25 / 0 / 39 / 57

HEX #536E43

RGB 83 110 67

HSL 97.67, 0.24%, 0.35%

LAB 43.35, -18.57, 20.86

 

CMYK 8 / 0 / 95 / 34

HEX #9BA809

RGB 155 168 9

HSL 64.91, 0.9%, 0.35%

LAB 65.74, -21.36, 66.74

 

CMYK 33 / 0 / 95 / 34

HEX #71A809

RGB 113 168 9

HSL 80.75, 0.9%, 0.35%

LAB 62.96, -38.73, 63.36

 

CMYK 58 / 0 / 95 / 34

HEX #46A809

RGB 70 168 9

HSL 96.98, 0.9%, 0.35%

LAB 61.07, -52.83, 61.04

 

CMYK 83 / 0 / 95 / 34

HEX #1CA809

RGB 28 168 9

HSL 112.83, 0.9%, 0.35%

LAB 60.13, -60.81, 59.89

 

CMYK 95 / 0 / 80 / 34

HEX #09A821

RGB 9 168 33

HSL 129.06, 0.9%, 0.35%

LAB 60.04, -61.29, 54.51

 

CMYK 59 / 0 / 94 / 65

HEX #255A05

RGB 37 90 5

HSL 97.41, 0.89%, 0.19%

LAB 33.39, -32.71, 38.31

 

CMYK 59 / 0 / 95 / 49

HEX #358107

RGB 53 129 7

HSL 97.38, 0.9%, 0.27%

LAB 47.59, -43.22, 49.99

 

CMYK 59 / 0 / 95 / 34

HEX #45A809

RGB 69 168 9

HSL 97.36, 0.9%, 0.35%

LAB 61.04, -53.1, 61

 

CMYK 59 / 0 / 94 / 19

HEX #54CF0C

RGB 84 207 12

HSL 97.85, 0.89%, 0.43%

LAB 73.89, -62.75, 71.37

 

CMYK 58 / 0 / 92 / 5

HEX #66F113

RGB 102 241 19

HSL 97.57, 0.89%, 0.51%

LAB 84.89, -69.6, 79.79

 

CMYK 59 / 0 / 94 / 33

HEX #46AB0A

RGB 70 171 10

HSL 97.64, 0.89%, 0.35%

LAB 62.04, -53.88, 61.71

 

CMYK 95 / 0 / 17 / 34

HEX #09A88B

RGB 9 168 139

HSL 169.06, 0.9%, 0.35%

LAB 61.59, -43.25, 4.78

 

CMYK 0 / 95 / 20 / 34

HEX #A80986

RGB 168 9 134

HSL 312.83, 0.9%, 0.35%

LAB 38.27, 66.16, -26.31

 

CMYK 59 / 0 / 94 / 33

HEX #46AB0A

RGB 70 171 10

HSL 97.64, 0.89%, 0.35%

LAB 62.04, -53.88, 61.71

 

CMYK 95 / 58 / 0 / 34

HEX #0946A8

RGB 9 70 168

HSL 216.98, 0.9%, 0.35%

LAB 32.4, 22.35, -57.3

 

CMYK 0 / 95 / 58 / 34

HEX #A80946

RGB 168 9 70

HSL 336.98, 0.9%, 0.35%

LAB 35.91, 59.88, 10.9

 

CMYK 59 / 0 / 94 / 33

HEX #46AB0A

RGB 70 171 10

HSL 97.64, 0.89%, 0.35%

LAB 62.04, -53.88, 61.71

 

CMYK 95 / 0 / 17 / 34

HEX #09A88B

RGB 9 168 139

HSL 169.06, 0.9%, 0.35%

LAB 61.59, -43.25, 4.78

 

CMYK 36 / 95 / 0 / 34

HEX #6B09A8

RGB 107 9 168

HSL 276.98, 0.9%, 0.35%

LAB 29.78, 61.78, -61.3

 

CMYK 0 / 95 / 77 / 34

HEX #A80926

RGB 168 9 38

HSL 349.06, 0.9%, 0.35%

LAB 35.32, 58.25, 30.67

 

CMYK 59 / 0 / 94 / 33

HEX #46AB0A

RGB 70 171 10

HSL 97.64, 0.89%, 0.35%

LAB 62.04, -53.88, 61.71

 

CMYK 95 / 11 / 0 / 34

HEX #0996A8

RGB 9 150 168

HSL 186.79, 0.9%, 0.35%

LAB 56.78, -26.11, -18.78

 

CMYK 36 / 95 / 0 / 34

HEX #6B09A8

RGB 107 9 168

HSL 276.98, 0.9%, 0.35%

LAB 29.78, 61.78, -61.3

 

CMYK 0 / 83 / 95 / 34

HEX #A81C09

RGB 168 28 9

HSL 7.17, 0.9%, 0.35%

LAB 36.32, 54.05, 46.28

 

Description

Color code: HEX #46AB0A | qconv.com Color code: HEX #46AB0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 171 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 171 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 94 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 94% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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