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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46B41D it is the complementary color #B94BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46B41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46B41D shade: #4BB418, #5CC62B, #6DD83E, #7EEA51 and #8FFC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46B41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46B41D shade: #46B41D, #35A20A, #249000, #137E00 and #026C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46B41D shade: #46B31D, #6EB31D, #97B31D, #B3A71D and #B37F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46B41D shade: #46B31D, #1DB31D, #1DB345, #1DB36E and #1DB396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46B41D shade matches the following richer shades: #46B31D and #3EC40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46B41D shade: #46B31D, #4DA22E, #55913F, #5D8150 and #657060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46B41D shade: #98B31D, #70B31D, #47B31D, #1FB31D and #1DB342

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46B41D shade: #2A6C11, #389017, #46B31D, #53D723 and #6DE043

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46B41D shade: #46B41D, #1DB3A7 and #B31D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46B41D shade: #46B41D, #1D47B3 and #B31D47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46B41D shade: #46B41D, #1DB3A7, #891DB3 and #B31D29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46B41D shade: #46B41D, #1D93B3, #891DB3 and #B33D1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 84 / 29

HEX #46B41D

RGB 70 180 29

HSL 103.71, 0.72%, 0.41%

LAB 64.99, -56.38, 60.57

 

Complementary color

CMYK 18 / 67 / 0 / 11

HEX #B94BE2

RGB 185 75 226

HSL 283.71, 0.72%, 0.59%

LAB 52.77, 66.18, -57.32

 

CMYK 58 / 0 / 87 / 29

HEX #4BB418

RGB 75 180 24

HSL 100.38, 0.76%, 0.4%

LAB 65.12, -55.35, 61.93

 

CMYK 54 / 0 / 78 / 22

HEX #5CC62B

RGB 92 198 43

HSL 101.03, 0.64%, 0.47%

LAB 71.44, -56.37, 62.9

 

CMYK 50 / 0 / 71 / 15

HEX #6DD83E

RGB 109 216 62

HSL 101.69, 0.66%, 0.55%

LAB 77.7, -57.03, 62.93

 

CMYK 46 / 0 / 65 / 8

HEX #7EEA51

RGB 126 234 81

HSL 102.35, 0.78%, 0.62%

LAB 83.9, -57.44, 62.41

 

CMYK 43 / 0 / 60 / 1

HEX #8FFC64

RGB 143 252 100

HSL 103.03, 0.96%, 0.69%

LAB 90.04, -57.67, 61.59

 

CMYK 61 / 0 / 84 / 29

HEX #46B41D

RGB 70 180 29

HSL 103.71, 0.72%, 0.41%

LAB 64.99, -56.38, 60.57

 

CMYK 67 / 0 / 94 / 36

HEX #35A20A

RGB 53 162 10

HSL 103.03, 0.88%, 0.34%

LAB 58.62, -54.82, 58.68

 

CMYK 75 / 0 / 100 / 44

HEX #249000

RGB 36 144 0

HSL 105, 1%, 0.28%

LAB 52.2, -52.53, 54.86

 

CMYK 85 / 0 / 100 / 51

HEX #137E00

RGB 19 126 0

HSL 110.95, 1%, 0.25%

LAB 45.72, -49.4, 49.57

 

CMYK 98 / 0 / 100 / 58

HEX #026C00

RGB 2 108 0

HSL 118.89, 1%, 0.21%

LAB 39.14, -45.59, 44.22

 

CMYK 61 / 0 / 84 / 30

HEX #46B31D

RGB 70 179 29

HSL 103.6, 0.72%, 0.41%

LAB 64.67, -56.04, 60.28

 

CMYK 39 / 0 / 84 / 30

HEX #6EB31D

RGB 110 179 29

HSL 87.6, 0.72%, 0.41%

LAB 66.25, -43.97, 62.29

 

CMYK 16 / 0 / 84 / 30

HEX #97B31D

RGB 151 179 29

HSL 71.2, 0.72%, 0.41%

LAB 68.68, -28.01, 65.36

 

CMYK 0 / 7 / 84 / 30

HEX #B3A71D

RGB 179 167 29

HSL 55.2, 0.72%, 0.41%

LAB 67.51, -9.85, 65.24

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 61 / 0 / 84 / 30

HEX #46B31D

RGB 70 179 29

HSL 103.6, 0.72%, 0.41%

LAB 64.67, -56.04, 60.28

 

CMYK 84 / 0 / 84 / 30

HEX #1DB31D

RGB 29 179 29

HSL 120, 0.72%, 0.41%

LAB 63.83, -63.21, 59.21

 

CMYK 84 / 0 / 61 / 30

HEX #1DB345

RGB 29 179 69

HSL 136, 0.72%, 0.41%

LAB 64.11, -59.75, 44.81

 

CMYK 84 / 0 / 39 / 30

HEX #1DB36E

RGB 29 179 110

HSL 152.4, 0.72%, 0.41%

LAB 64.67, -53.1, 24.98

 

CMYK 84 / 0 / 16 / 30

HEX #1DB396

RGB 29 179 150

HSL 168.4, 0.72%, 0.41%

LAB 65.52, -43.76, 4.35

 

CMYK 61 / 0 / 84 / 30

HEX #46B31D

RGB 70 179 29

HSL 103.6, 0.72%, 0.41%

LAB 64.67, -56.04, 60.28

 

CMYK 68 / 0 / 94 / 23

HEX #3EC40C

RGB 62 196 12

HSL 103.7, 0.88%, 0.41%

LAB 69.85, -64, 67.8

 

CMYK 61 / 0 / 84 / 30

HEX #46B31D

RGB 70 179 29

HSL 103.6, 0.72%, 0.41%

LAB 64.67, -56.04, 60.28

 

CMYK 52 / 0 / 72 / 36

HEX #4DA22E

RGB 77 162 46

HSL 103.97, 0.56%, 0.41%

LAB 59.54, -46.83, 49.94

 

CMYK 41 / 0 / 57 / 43

HEX #55913F

RGB 85 145 63

HSL 103.9, 0.39%, 0.41%

LAB 54.6, -35.49, 37

 

CMYK 28 / 0 / 38 / 49

HEX #5D8150

RGB 93 129 80

HSL 104.08, 0.23%, 0.41%

LAB 50.22, -22.57, 22.6

 

CMYK 10 / 0 / 14 / 56

HEX #657060

RGB 101 112 96

HSL 101.25, 0.08%, 0.41%

LAB 45.91, -7.44, 7.5

 

CMYK 15 / 0 / 84 / 30

HEX #98B31D

RGB 152 179 29

HSL 70.8, 0.72%, 0.41%

LAB 68.75, -27.59, 65.45

 

CMYK 37 / 0 / 84 / 30

HEX #70B31D

RGB 112 179 29

HSL 86.8, 0.72%, 0.41%

LAB 66.35, -43.26, 62.42

 

CMYK 60 / 0 / 84 / 30

HEX #47B31D

RGB 71 179 29

HSL 103.2, 0.72%, 0.41%

LAB 64.7, -55.79, 60.32

 

CMYK 83 / 0 / 84 / 30

HEX #1FB31D

RGB 31 179 29

HSL 119.2, 0.72%, 0.41%

LAB 63.85, -62.99, 59.24

 

CMYK 84 / 0 / 63 / 30

HEX #1DB342

RGB 29 179 66

HSL 134.8, 0.72%, 0.41%

LAB 64.08, -60.11, 46.13

 

CMYK 61 / 0 / 84 / 58

HEX #2A6C11

RGB 42 108 17

HSL 103.52, 0.73%, 0.25%

LAB 40.01, -37.82, 40.77

 

CMYK 61 / 0 / 84 / 44

HEX #389017

RGB 56 144 23

HSL 103.64, 0.72%, 0.33%

LAB 52.78, -47.34, 50.94

 

CMYK 61 / 0 / 84 / 30

HEX #46B31D

RGB 70 179 29

HSL 103.6, 0.72%, 0.41%

LAB 64.67, -56.04, 60.28

 

CMYK 61 / 0 / 84 / 16

HEX #53D723

RGB 83 215 35

HSL 104, 0.72%, 0.49%

LAB 76.41, -64.96, 69.51

 

CMYK 51 / 0 / 70 / 12

HEX #6DE043

RGB 109 224 67

HSL 103.95, 0.72%, 0.57%

LAB 80.16, -59.64, 63.63

 

CMYK 61 / 0 / 84 / 29

HEX #46B41D

RGB 70 180 29

HSL 103.71, 0.72%, 0.41%

LAB 64.99, -56.38, 60.57

 

CMYK 84 / 0 / 7 / 30

HEX #1DB3A7

RGB 29 179 167

HSL 175.2, 0.72%, 0.41%

LAB 65.97, -39.07, -4.4

 

CMYK 0 / 84 / 26 / 30

HEX #B31D84

RGB 179 29 132

HSL 318.8, 0.72%, 0.41%

LAB 41.42, 64.96, -20.02

 

CMYK 61 / 0 / 84 / 29

HEX #46B41D

RGB 70 180 29

HSL 103.71, 0.72%, 0.41%

LAB 64.99, -56.38, 60.57

 

CMYK 84 / 60 / 0 / 30

HEX #1D47B3

RGB 29 71 179

HSL 223.2, 0.72%, 0.41%

LAB 34.03, 27.25, -61.18

 

CMYK 0 / 84 / 60 / 30

HEX #B31D47

RGB 179 29 71

HSL 343.2, 0.72%, 0.41%

LAB 39.44, 59.25, 15.45

 

CMYK 61 / 0 / 84 / 29

HEX #46B41D

RGB 70 180 29

HSL 103.71, 0.72%, 0.41%

LAB 64.99, -56.38, 60.57

 

CMYK 84 / 0 / 7 / 30

HEX #1DB3A7

RGB 29 179 167

HSL 175.2, 0.72%, 0.41%

LAB 65.97, -39.07, -4.4

 

CMYK 23 / 84 / 0 / 30

HEX #891DB3

RGB 137 29 179

HSL 283.2, 0.72%, 0.41%

LAB 36.84, 64.04, -56.17

 

CMYK 0 / 84 / 77 / 30

HEX #B31D29

RGB 179 29 41

HSL 355.2, 0.72%, 0.41%

LAB 38.94, 57.74, 33.49

 

CMYK 61 / 0 / 84 / 29

HEX #46B41D

RGB 70 180 29

HSL 103.71, 0.72%, 0.41%

LAB 64.99, -56.38, 60.57

 

CMYK 84 / 18 / 0 / 30

HEX #1D93B3

RGB 29 147 179

HSL 192.8, 0.72%, 0.41%

LAB 56.47, -19.62, -25.5

 

CMYK 23 / 84 / 0 / 30

HEX #891DB3

RGB 137 29 179

HSL 283.2, 0.72%, 0.41%

LAB 36.84, 64.04, -56.17

 

CMYK 0 / 66 / 84 / 30

HEX #B33D1D

RGB 179 61 29

HSL 12.8, 0.72%, 0.41%

LAB 42.78, 46.41, 43.79

 

Description

Color code: HEX #46B41D | qconv.com Color code: HEX #46B41D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 180 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 180 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 84 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 84% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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