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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46BF34 it is the complementary color #B940CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46BF34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46BF34 shade: #4BBF2F, #5CD142, #6DE355, #7EF568 and #8FFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46BF34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46BF34 shade: #46BF34, #35AD21, #249B0E, #138900 and #027700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46BF34 shade: #46C034, #6CC034, #91C034, #B7C034 and #C0A334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46BF34 shade: #46C034, #34C048, #34C06D, #34C093 and #34C0B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46BF34 shade matches the following richer shades: #46C034, #38D320 and #29E70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46BF34 shade: #46C034, #55AC48, #64985C, #728470 and #817083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46BF34 shade: #91C034, #6CC034, #47C034, #34C047 and #34C06C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46BF34 shade: #2E7F22, #3A9F2B, #46C034, #5FCE4F and #7DD76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46BF34 shade: #46BF34, #34B6C0 and #C0347F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46BF34 shade: #46BF34, #3447C0 and #C03447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46BF34 shade: #46BF34, #34B6C0, #AD34C0 and #C03D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46BF34 shade: #46BF34, #348DC0, #AD34C0 and #C06734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 73 / 25

HEX #46BF34

RGB 70 191 52

HSL 112.23, 0.57%, 0.48%

LAB 68.61, -58.77, 56.89

 

Complementary color

CMYK 9 / 68 / 0 / 20

HEX #B940CB

RGB 185 64 203

HSL 292.23, 0.57%, 0.52%

LAB 49.85, 66.24, -48.88

 

CMYK 61 / 0 / 75 / 25

HEX #4BBF2F

RGB 75 191 47

HSL 108.33, 0.61%, 0.47%

LAB 68.72, -57.98, 58.8

 

CMYK 56 / 0 / 68 / 18

HEX #5CD142

RGB 92 209 66

HSL 109.09, 0.61%, 0.54%

LAB 74.99, -58.75, 58.44

 

CMYK 52 / 0 / 63 / 11

HEX #6DE355

RGB 109 227 85

HSL 109.86, 0.72%, 0.61%

LAB 81.21, -59.2, 57.66

 

CMYK 49 / 0 / 58 / 4

HEX #7EF568

RGB 126 245 104

HSL 110.64, 0.88%, 0.68%

LAB 87.36, -59.44, 56.65

 

CMYK 44 / 0 / 52 / 0

HEX #8FFF7B

RGB 143 255 123

HSL 110.91, 1%, 0.74%

LAB 91.14, -56.4, 52.76

 

CMYK 63 / 0 / 73 / 25

HEX #46BF34

RGB 70 191 52

HSL 112.23, 0.57%, 0.48%

LAB 68.61, -58.77, 56.89

 

CMYK 69 / 0 / 81 / 32

HEX #35AD21

RGB 53 173 33

HSL 111.43, 0.68%, 0.4%

LAB 62.3, -57.53, 56.85

 

CMYK 77 / 0 / 91 / 39

HEX #249B0E

RGB 36 155 14

HSL 110.64, 0.83%, 0.33%

LAB 55.94, -55.61, 55.61

 

CMYK 86 / 0 / 100 / 46

HEX #138900

RGB 19 137 0

HSL 111.68, 1%, 0.27%

LAB 49.53, -52.78, 52.62

 

CMYK 98 / 0 / 100 / 53

HEX #027700

RGB 2 119 0

HSL 118.99, 1%, 0.23%

LAB 43.07, -48.89, 47.38

 

CMYK 64 / 0 / 73 / 25

HEX #46C034

RGB 70 192 52

HSL 112.29, 0.57%, 0.48%

LAB 68.93, -59.11, 57.22

 

CMYK 44 / 0 / 73 / 25

HEX #6CC034

RGB 108 192 52

HSL 96, 0.57%, 0.48%

LAB 70.27, -48.73, 59

 

CMYK 24 / 0 / 73 / 25

HEX #91C034

RGB 145 192 52

HSL 80.14, 0.57%, 0.48%

LAB 72.21, -35.48, 61.56

 

CMYK 5 / 0 / 73 / 25

HEX #B7C034

RGB 183 192 52

HSL 63.86, 0.57%, 0.48%

LAB 74.83, -19.99, 65.01

 

CMYK 0 / 15 / 73 / 25

HEX #C0A334

RGB 192 163 52

HSL 47.57, 0.57%, 0.48%

LAB 67.76, -1.11, 58.45

 

CMYK 64 / 0 / 73 / 25

HEX #46C034

RGB 70 192 52

HSL 112.29, 0.57%, 0.48%

LAB 68.93, -59.11, 57.22

 

CMYK 73 / 0 / 63 / 25

HEX #34C048

RGB 52 192 72

HSL 128.57, 0.57%, 0.48%

LAB 68.68, -60.64, 48.77

 

CMYK 73 / 0 / 43 / 25

HEX #34C06D

RGB 52 192 109

HSL 144.43, 0.57%, 0.48%

LAB 69.14, -55.27, 31.44

 

CMYK 73 / 0 / 23 / 25

HEX #34C093

RGB 52 192 147

HSL 160.71, 0.57%, 0.48%

LAB 69.85, -47.42, 12.22

 

CMYK 73 / 0 / 4 / 25

HEX #34C0B9

RGB 52 192 185

HSL 177, 0.57%, 0.48%

LAB 70.82, -37.55, -7.1

 

CMYK 64 / 0 / 73 / 25

HEX #46C034

RGB 70 192 52

HSL 112.29, 0.57%, 0.48%

LAB 68.93, -59.11, 57.22

 

CMYK 73 / 0 / 85 / 17

HEX #38D320

RGB 56 211 32

HSL 111.96, 0.74%, 0.48%

LAB 74.53, -69.06, 68.28

 

CMYK 82 / 0 / 94 / 9

HEX #29E70D

RGB 41 231 13

HSL 112.29, 0.89%, 0.48%

LAB 80.55, -77.37, 76.37

 

CMYK 64 / 0 / 73 / 25

HEX #46C034

RGB 70 192 52

HSL 112.29, 0.57%, 0.48%

LAB 68.93, -59.11, 57.22

 

CMYK 51 / 0 / 58 / 33

HEX #55AC48

RGB 85 172 72

HSL 112.2, 0.41%, 0.48%

LAB 63.26, -45.91, 42.81

 

CMYK 34 / 0 / 39 / 40

HEX #64985C

RGB 100 152 92

HSL 112, 0.25%, 0.48%

LAB 57.98, -29.55, 26.22

 

CMYK 14 / 0 / 15 / 48

HEX #728470

RGB 114 132 112

HSL 114, 0.08%, 0.48%

LAB 53.22, -10.63, 8.62

 

CMYK 2 / 15 / 0 / 49

HEX #817083

RGB 129 112 131

HSL 293.68, 0.08%, 0.48%

LAB 49.37, 10.31, -7.99

 

CMYK 24 / 0 / 73 / 25

HEX #91C034

RGB 145 192 52

HSL 80.14, 0.57%, 0.48%

LAB 72.21, -35.48, 61.56

 

CMYK 44 / 0 / 73 / 25

HEX #6CC034

RGB 108 192 52

HSL 96, 0.57%, 0.48%

LAB 70.27, -48.73, 59

 

CMYK 63 / 0 / 73 / 25

HEX #47C034

RGB 71 192 52

HSL 111.86, 0.57%, 0.48%

LAB 68.96, -58.89, 57.25

 

CMYK 73 / 0 / 63 / 25

HEX #34C047

RGB 52 192 71

HSL 128.14, 0.57%, 0.48%

LAB 68.67, -60.75, 49.2

 

CMYK 73 / 0 / 44 / 25

HEX #34C06C

RGB 52 192 108

HSL 144, 0.57%, 0.48%

LAB 69.12, -55.45, 31.94

 

CMYK 64 / 0 / 73 / 50

HEX #2E7F22

RGB 46 127 34

HSL 112.26, 0.58%, 0.32%

LAB 46.81, -42.8, 41.24

 

CMYK 64 / 0 / 73 / 38

HEX #3A9F2B

RGB 58 159 43

HSL 112.24, 0.57%, 0.4%

LAB 57.91, -50.94, 49.23

 

CMYK 64 / 0 / 73 / 25

HEX #46C034

RGB 70 192 52

HSL 112.29, 0.57%, 0.48%

LAB 68.93, -59.11, 57.22

 

CMYK 54 / 0 / 62 / 19

HEX #5FCE4F

RGB 95 206 79

HSL 112.44, 0.56%, 0.56%

LAB 74.28, -55.64, 52.34

 

CMYK 42 / 0 / 48 / 16

HEX #7DD76F

RGB 125 215 111

HSL 111.92, 0.57%, 0.64%

LAB 78.52, -46.93, 42.83

 

CMYK 63 / 0 / 73 / 25

HEX #46BF34

RGB 70 191 52

HSL 112.23, 0.57%, 0.48%

LAB 68.61, -58.77, 56.89

 

CMYK 73 / 5 / 0 / 25

HEX #34B6C0

RGB 52 182 192

HSL 184.29, 0.57%, 0.48%

LAB 68.01, -30.8, -15.14

 

CMYK 0 / 73 / 34 / 25

HEX #C0347F

RGB 192 52 127

HSL 327.86, 0.57%, 0.48%

LAB 45.9, 61.05, -9.92

 

CMYK 63 / 0 / 73 / 25

HEX #46BF34

RGB 70 191 52

HSL 112.23, 0.57%, 0.48%

LAB 68.61, -58.77, 56.89

 

CMYK 73 / 63 / 0 / 25

HEX #3447C0

RGB 52 71 192

HSL 231.86, 0.57%, 0.48%

LAB 36.07, 34.4, -65.47

 

CMYK 0 / 73 / 63 / 25

HEX #C03447

RGB 192 52 71

HSL 351.86, 0.57%, 0.48%

LAB 44.4, 56.14, 22.46

 

CMYK 63 / 0 / 73 / 25

HEX #46BF34

RGB 70 191 52

HSL 112.23, 0.57%, 0.48%

LAB 68.61, -58.77, 56.89

 

CMYK 73 / 5 / 0 / 25

HEX #34B6C0

RGB 52 182 192

HSL 184.29, 0.57%, 0.48%

LAB 68.01, -30.8, -15.14

 

CMYK 10 / 73 / 0 / 25

HEX #AD34C0

RGB 173 52 192

HSL 291.86, 0.57%, 0.48%

LAB 45.83, 66.07, -49.03

 

CMYK 0 / 68 / 73 / 25

HEX #C03D34

RGB 192 61 52

HSL 3.86, 0.57%, 0.48%

LAB 45.35, 51.72, 34.94

 

CMYK 63 / 0 / 73 / 25

HEX #46BF34

RGB 70 191 52

HSL 112.23, 0.57%, 0.48%

LAB 68.61, -58.77, 56.89

 

CMYK 73 / 27 / 0 / 25

HEX #348DC0

RGB 52 141 192

HSL 201.86, 0.57%, 0.48%

LAB 55.67, -9.29, -34.1

 

CMYK 10 / 73 / 0 / 25

HEX #AD34C0

RGB 173 52 192

HSL 291.86, 0.57%, 0.48%

LAB 45.83, 66.07, -49.03

 

CMYK 0 / 46 / 73 / 25

HEX #C06734

RGB 192 103 52

HSL 21.86, 0.57%, 0.48%

LAB 53.12, 31.6, 43.5

 

Description

Color code: HEX #46BF34 | qconv.com Color code: HEX #46BF34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 191 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 191 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 73% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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