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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C7A7 it is the complementary color #B93858. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C7A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C7A7 shade: #4BC7A2, #5CD9B5, #6DEBC8, #7EFDDB and #8FFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C7A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C7A7 shade: #46C7A7, #35B594, #24A381, #13916E and #027F5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C7A7 shade: #46C7A7, #46C784, #46C761, #4DC746 and #70C746

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C7A7 shade: #46C7A7, #46C5C7, #46A2C7, #467FC7 and #465CC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C7A7 shade matches the following richer shades: #46C7A7, #33DBB1 and #1FEEBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C7A7 shade: #46C7A7, #59B49D, #6DA194, #808D8A and #937A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C7A7 shade: #46C762, #46C784, #46C7A7, #46C5C7 and #46A3C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C7A7 shade: #2B9077, #34B091, #46C7A7, #66D1B6 and #85DAC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C7A7 shade: #46C7A7, #464CC7 and #C77346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C7A7 shade: #46C7A7, #A746C7 and #C7A746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C7A7 shade: #46C7A7, #464CC7, #C74666 and #C7C146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C7A7 shade: #46C7A7, #6646C7, #C74666 and #A7C746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

Complementary color

CMYK 0 / 70 / 52 / 27

HEX #B93858

RGB 185 56 88

HSL 345.12, 0.54%, 0.47%

LAB 44.01, 53.73, 11.22

 

CMYK 62 / 0 / 19 / 22

HEX #4BC7A2

RGB 75 199 162

HSL 162.1, 0.53%, 0.54%

LAB 72.86, -43.17, 8.45

 

CMYK 58 / 0 / 17 / 15

HEX #5CD9B5

RGB 92 217 181

HSL 162.72, 0.62%, 0.61%

LAB 79.18, -43.31, 7.37

 

CMYK 54 / 0 / 15 / 8

HEX #6DEBC8

RGB 109 235 200

HSL 163.33, 0.76%, 0.67%

LAB 85.42, -43.35, 6.38

 

CMYK 50 / 0 / 13 / 1

HEX #7EFDDB

RGB 126 253 219

HSL 163.94, 0.97%, 0.74%

LAB 91.6, -43.32, 5.46

 

CMYK 44 / 0 / 7 / 0

HEX #8FFFEE

RGB 143 255 238

HSL 170.89, 1%, 0.78%

LAB 93.25, -36.05, -1.89

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 71 / 0 / 18 / 29

HEX #35B594

RGB 53 181 148

HSL 164.53, 0.55%, 0.46%

LAB 66.48, -42.41, 6.88

 

CMYK 78 / 0 / 21 / 36

HEX #24A381

RGB 36 163 129

HSL 163.94, 0.64%, 0.39%

LAB 60.03, -41.71, 8.18

 

CMYK 87 / 0 / 24 / 43

HEX #13916E

RGB 19 145 110

HSL 163.33, 0.77%, 0.32%

LAB 53.51, -40.62, 9.65

 

CMYK 98 / 0 / 28 / 50

HEX #027F5B

RGB 2 127 91

HSL 162.72, 0.97%, 0.25%

LAB 46.9, -39.08, 11.32

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 65 / 0 / 34 / 22

HEX #46C784

RGB 70 199 132

HSL 148.84, 0.54%, 0.53%

LAB 72.1, -50.62, 23.44

 

CMYK 65 / 0 / 51 / 22

HEX #46C761

RGB 70 199 97

HSL 132.56, 0.54%, 0.53%

LAB 71.56, -56.61, 40.62

 

CMYK 61 / 0 / 65 / 22

HEX #4DC746

RGB 77 199 70

HSL 116.74, 0.54%, 0.53%

LAB 71.46, -58.41, 52.9

 

CMYK 44 / 0 / 65 / 22

HEX #70C746

RGB 112 199 70

HSL 100.47, 0.54%, 0.53%

LAB 72.72, -48.87, 54.62

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 65 / 1 / 0 / 22

HEX #46C5C7

RGB 70 197 199

HSL 180.93, 0.54%, 0.53%

LAB 73.13, -33.46, -11.26

 

CMYK 65 / 19 / 0 / 22

HEX #46A2C7

RGB 70 162 199

HSL 197.21, 0.54%, 0.53%

LAB 62.73, -15.81, -27.04

 

CMYK 65 / 36 / 0 / 22

HEX #467FC7

RGB 70 127 199

HSL 213.49, 0.54%, 0.53%

LAB 52.51, 4.16, -43

 

CMYK 65 / 54 / 0 / 22

HEX #465CC7

RGB 70 92 199

HSL 229.77, 0.54%, 0.53%

LAB 42.88, 26.02, -58.41

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 77 / 0 / 19 / 14

HEX #33DBB1

RGB 51 219 177

HSL 165, 0.7%, 0.53%

LAB 78.78, -51.39, 8.8

 

CMYK 87 / 0 / 21 / 7

HEX #1FEEBB

RGB 31 238 187

HSL 165.22, 0.86%, 0.53%

LAB 84.5, -58.15, 11.66

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 51 / 0 / 13 / 29

HEX #59B49D

RGB 89 180 157

HSL 164.84, 0.38%, 0.53%

LAB 67.43, -32.85, 3.42

 

CMYK 32 / 0 / 8 / 37

HEX #6DA194

RGB 109 161 148

HSL 165, 0.22%, 0.53%

LAB 62.41, -20.19, 1.26

 

CMYK 9 / 0 / 2 / 45

HEX #808D8A

RGB 128 141 138

HSL 166.15, 0.05%, 0.53%

LAB 57.53, -5.32, -0.02

 

CMYK 0 / 17 / 13 / 42

HEX #937A80

RGB 147 122 128

HSL 345.6, 0.1%, 0.53%

LAB 53.69, 10.7, 0.35

 

CMYK 65 / 0 / 51 / 22

HEX #46C762

RGB 70 199 98

HSL 133.02, 0.54%, 0.53%

LAB 71.58, -56.47, 40.15

 

CMYK 65 / 0 / 34 / 22

HEX #46C784

RGB 70 199 132

HSL 148.84, 0.54%, 0.53%

LAB 72.1, -50.62, 23.44

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 65 / 1 / 0 / 22

HEX #46C5C7

RGB 70 197 199

HSL 180.93, 0.54%, 0.53%

LAB 73.13, -33.46, -11.26

 

CMYK 65 / 18 / 0 / 22

HEX #46A3C7

RGB 70 163 199

HSL 196.74, 0.54%, 0.53%

LAB 63.03, -16.35, -26.59

 

CMYK 70 / 0 / 17 / 44

HEX #2B9077

RGB 43 144 119

HSL 165.15, 0.54%, 0.37%

LAB 53.81, -34.96, 4.97

 

CMYK 70 / 0 / 18 / 31

HEX #34B091

RGB 52 176 145

HSL 165, 0.54%, 0.45%

LAB 64.82, -41.14, 6.16

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 51 / 0 / 13 / 18

HEX #66D1B6

RGB 102 209 182

HSL 164.86, 0.54%, 0.61%

LAB 77.16, -37.39, 3.98

 

CMYK 39 / 0 / 10 / 15

HEX #85DAC5

RGB 133 218 197

HSL 165.18, 0.53%, 0.69%

LAB 81.38, -30.56, 2.23

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 65 / 62 / 0 / 22

HEX #464CC7

RGB 70 76 199

HSL 237.21, 0.54%, 0.53%

LAB 38.89, 36.1, -64.9

 

CMYK 0 / 42 / 65 / 22

HEX #C77346

RGB 199 115 70

HSL 20.93, 0.54%, 0.53%

LAB 56.92, 29.06, 38.72

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 16 / 65 / 0 / 22

HEX #A746C7

RGB 167 70 199

HSL 285.12, 0.54%, 0.53%

LAB 47.9, 58.96, -49.83

 

CMYK 0 / 16 / 65 / 22

HEX #C7A746

RGB 199 167 70

HSL 45.12, 0.54%, 0.53%

LAB 69.63, 0.8, 53.01

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 65 / 62 / 0 / 22

HEX #464CC7

RGB 70 76 199

HSL 237.21, 0.54%, 0.53%

LAB 38.89, 36.1, -64.9

 

CMYK 0 / 65 / 49 / 22

HEX #C74666

RGB 199 70 102

HSL 345.12, 0.54%, 0.53%

LAB 48.86, 53.68, 9.79

 

CMYK 0 / 3 / 65 / 22

HEX #C7C146

RGB 199 193 70

HSL 57.21, 0.54%, 0.53%

LAB 76.51, -12.76, 60.32

 

CMYK 65 / 0 / 16 / 22

HEX #46C7A7

RGB 70 199 167

HSL 165.12, 0.54%, 0.53%

LAB 72.85, -42.84, 5.72

 

CMYK 49 / 65 / 0 / 22

HEX #6646C7

RGB 102 70 199

HSL 254.88, 0.54%, 0.53%

LAB 40.13, 45.08, -62.77

 

CMYK 0 / 65 / 49 / 22

HEX #C74666

RGB 199 70 102

HSL 345.12, 0.54%, 0.53%

LAB 48.86, 53.68, 9.79

 

CMYK 16 / 0 / 65 / 22

HEX #A7C746

RGB 167 199 70

HSL 74.88, 0.54%, 0.53%

LAB 75.76, -28.93, 58.79

 

Description

Color code: HEX #46C7A7 | qconv.com Color code: HEX #46C7A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 199 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 199 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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