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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46DC22 it is the complementary color #B923DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46DC22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46DC22 shade: #4BDC1D, #5CEE30, #6DFF43, #7EFF56 and #8FFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46DC22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46DC22 shade: #46DC22, #35CA0F, #24B800, #13A600 and #029400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46DC22 shade: #46DC22, #78DC22, #AADC22, #DCDC22 and #DCA922

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46DC22 shade: #46DC22, #22DC30, #22DC62, #22DC95 and #22DCC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46DC22 shade matches the following richer shades: #46DC22 and #39F10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46DC22 shade: #46DC22, #53C737, #5FB34B, #6C9E60 and #798A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46DC22 shade: #AADC22, #79DC22, #47DC22, #22DC2E and #22DC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46DC22 shade: #2F9517, #3BB81C, #46DC22, #64E246 and #82E769

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46DC22 shade: #46DC22, #22DCDC and #DC2292

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46DC22 shade: #46DC22, #2247DC and #DC2247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46DC22 shade: #46DC22, #22DCDC, #B722DC and #DC2222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46DC22 shade: #46DC22, #22A4DC, #B722DC and #DC5A22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

Complementary color

CMYK 16 / 84 / 0 / 13

HEX #B923DD

RGB 185 35 221

HSL 288.39, 0.73%, 0.5%

LAB 47.93, 78.2, -62.28

 

CMYK 66 / 0 / 87 / 14

HEX #4BDC1D

RGB 75 220 29

HSL 105.55, 0.77%, 0.49%

LAB 77.74, -68.54, 71.88

 

CMYK 61 / 0 / 80 / 7

HEX #5CEE30

RGB 92 238 48

HSL 106.11, 0.85%, 0.56%

LAB 83.78, -69.92, 73.03

 

CMYK 57 / 0 / 74 / 0

HEX #6DFF43

RGB 109 255 67

HSL 106.6, 1%, 0.63%

LAB 89.48, -70.56, 73.01

 

CMYK 51 / 0 / 66 / 0

HEX #7EFF56

RGB 126 255 86

HSL 105.8, 1%, 0.67%

LAB 90.15, -64.85, 67.16

 

CMYK 44 / 0 / 59 / 0

HEX #8FFF69

RGB 143 255 105

HSL 104.8, 1%, 0.71%

LAB 90.95, -58.35, 60.52

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 74 / 0 / 93 / 21

HEX #35CA0F

RGB 53 202 15

HSL 107.81, 0.86%, 0.43%

LAB 71.58, -67.38, 68.78

 

CMYK 80 / 0 / 100 / 28

HEX #24B800

RGB 36 184 0

HSL 108.26, 1%, 0.36%

LAB 65.48, -64.78, 65.46

 

CMYK 89 / 0 / 100 / 35

HEX #13A600

RGB 19 166 0

HSL 113.13, 1%, 0.33%

LAB 59.35, -61.34, 60.47

 

CMYK 99 / 0 / 100 / 42

HEX #029400

RGB 2 148 0

HSL 119.19, 1%, 0.29%

LAB 53.16, -57.32, 55.46

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 45 / 0 / 85 / 14

HEX #78DC22

RGB 120 220 34

HSL 92.26, 0.73%, 0.5%

LAB 79.21, -56.76, 72.69

 

CMYK 23 / 0 / 85 / 14

HEX #AADC22

RGB 170 220 34

HSL 76.13, 0.73%, 0.5%

LAB 81.76, -39.14, 75.89

 

CMYK 0 / 0 / 85 / 14

HEX #DCDC22

RGB 220 220 34

HSL 60, 0.73%, 0.5%

LAB 85.26, -18.81, 80.23

 

CMYK 0 / 23 / 85 / 14

HEX #DCA922

RGB 220 169 34

HSL 43.55, 0.73%, 0.5%

LAB 72.03, 7.32, 69.32

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 85 / 0 / 78 / 14

HEX #22DC30

RGB 34 220 48

HSL 124.52, 0.73%, 0.5%

LAB 77.13, -73.59, 66.38

 

CMYK 85 / 0 / 55 / 14

HEX #22DC62

RGB 34 220 98

HSL 140.65, 0.73%, 0.5%

LAB 77.52, -68.63, 47.24

 

CMYK 85 / 0 / 32 / 14

HEX #22DC95

RGB 34 220 149

HSL 157.1, 0.73%, 0.5%

LAB 78.28, -59.73, 22.83

 

CMYK 85 / 0 / 10 / 14

HEX #22DCC7

RGB 34 220 199

HSL 173.23, 0.73%, 0.5%

LAB 79.41, -47.63, -2.02

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 76 / 0 / 95 / 5

HEX #39F10D

RGB 57 241 13

HSL 108.42, 0.9%, 0.5%

LAB 83.87, -78.27, 79.19

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 58 / 0 / 72 / 22

HEX #53C737

RGB 83 199 55

HSL 108.33, 0.57%, 0.5%

LAB 71.53, -58.29, 58.89

 

CMYK 47 / 0 / 58 / 30

HEX #5FB34B

RGB 95 179 75

HSL 108.46, 0.41%, 0.5%

LAB 65.89, -45.47, 44.55

 

CMYK 32 / 0 / 39 / 38

HEX #6C9E60

RGB 108 158 96

HSL 108.39, 0.24%, 0.5%

LAB 60.33, -29.03, 27.21

 

CMYK 12 / 0 / 16 / 46

HEX #798A74

RGB 121 138 116

HSL 106.36, 0.09%, 0.5%

LAB 55.59, -10.54, 9.74

 

CMYK 23 / 0 / 85 / 14

HEX #AADC22

RGB 170 220 34

HSL 76.13, 0.73%, 0.5%

LAB 81.76, -39.14, 75.89

 

CMYK 45 / 0 / 85 / 14

HEX #79DC22

RGB 121 220 34

HSL 91.94, 0.73%, 0.5%

LAB 79.25, -56.45, 72.74

 

CMYK 68 / 0 / 85 / 14

HEX #47DC22

RGB 71 220 34

HSL 108.06, 0.73%, 0.5%

LAB 77.66, -69.13, 70.73

 

CMYK 85 / 0 / 79 / 14

HEX #22DC2E

RGB 34 220 46

HSL 123.87, 0.73%, 0.5%

LAB 77.12, -73.71, 66.95

 

CMYK 85 / 0 / 56 / 14

HEX #22DC60

RGB 34 220 96

HSL 140, 0.73%, 0.5%

LAB 77.5, -68.9, 48.13

 

CMYK 68 / 0 / 85 / 42

HEX #2F9517

RGB 47 149 23

HSL 108.57, 0.73%, 0.34%

LAB 54.2, -51.23, 52.13

 

CMYK 68 / 0 / 85 / 28

HEX #3BB81C

RGB 59 184 28

HSL 108.08, 0.74%, 0.42%

LAB 65.98, -60.21, 61.6

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 56 / 0 / 69 / 11

HEX #64E246

RGB 100 226 70

HSL 108.46, 0.73%, 0.58%

LAB 80.48, -62.49, 62.76

 

CMYK 44 / 0 / 55 / 9

HEX #82E769

RGB 130 231 105

HSL 108.1, 0.72%, 0.66%

LAB 83.4, -52.72, 51.61

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 85 / 0 / 0 / 14

HEX #22DCDC

RGB 34 220 220

HSL 180, 0.73%, 0.5%

LAB 80.01, -41.74, -12.34

 

CMYK 0 / 85 / 34 / 14

HEX #DC2292

RGB 220 34 146

HSL 323.87, 0.73%, 0.5%

LAB 50.02, 74.75, -14.69

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 85 / 68 / 0 / 14

HEX #2247DC

RGB 34 71 220

HSL 228.06, 0.73%, 0.5%

LAB 37.87, 42.92, -78.75

 

CMYK 0 / 85 / 68 / 14

HEX #DC2247

RGB 220 34 71

HSL 348.06, 0.73%, 0.5%

LAB 48.03, 69.03, 28.18

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 85 / 0 / 0 / 14

HEX #22DCDC

RGB 34 220 220

HSL 180, 0.73%, 0.5%

LAB 80.01, -41.74, -12.34

 

CMYK 17 / 85 / 0 / 14

HEX #B722DC

RGB 183 34 220

HSL 288.06, 0.73%, 0.5%

LAB 47.47, 77.92, -62.47

 

CMYK 0 / 85 / 85 / 14

HEX #DC2222

RGB 220 34 34

HSL 0, 0.73%, 0.5%

LAB 47.59, 67.75, 48.62

 

CMYK 68 / 0 / 85 / 14

HEX #46DC22

RGB 70 220 34

HSL 108.39, 0.73%, 0.5%

LAB 77.64, -69.32, 70.71

 

CMYK 85 / 25 / 0 / 14

HEX #22A4DC

RGB 34 164 220

HSL 198.06, 0.73%, 0.5%

LAB 63.39, -14.11, -37.75

 

CMYK 17 / 85 / 0 / 14

HEX #B722DC

RGB 183 34 220

HSL 288.06, 0.73%, 0.5%

LAB 47.47, 77.92, -62.47

 

CMYK 0 / 59 / 85 / 14

HEX #DC5A22

RGB 220 90 34

HSL 18.06, 0.73%, 0.5%

LAB 54.7, 48.29, 54.76

 

Description

Color code: HEX #46DC22 | qconv.com Color code: HEX #46DC22 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 220 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 220 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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