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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46DD5E it is the complementary color #B922A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46DD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46DD5E shade: #4BDD59, #5CEF6C, #6DFF7F, #7EFF92 and #8FFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46DD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46DD5E shade: #46DD5E, #35CB4B, #24B938, #13A725 and #029512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46DD5E shade: #45DD5D, #56DD45, #7FDD45, #A8DD45 and #D0DD45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46DD5E shade: #45DD5D, #45DD86, #45DDAF, #45DDD8 and #45B9DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46DD5E shade matches the following richer shades: #45DD5D and #33EE51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46DD5E shade: #45DD5D, #57CB69, #69B975, #7AA782 and #8C968E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46DD5E shade: #7FDD45, #57DD45, #45DD5C, #45DD84 and #45DDAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46DD5E shade: #20AF37, #26D242, #45DD5D, #68E37C and #8BE99A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46DD5E shade: #46DD5E, #45A8DD and #DD456B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46DD5E shade: #46DD5E, #5C45DD and #DD5C45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46DD5E shade: #46DD5E, #45A8DD, #DD45C6 and #DD7A45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46DD5E shade: #46DD5E, #457ADD, #DD45C6 and #DDA845

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 57 / 13

HEX #46DD5E

RGB 70 221 94

HSL 129.54, 0.69%, 0.57%

LAB 78.36, -64.77, 50.19

 

Complementary color

CMYK 0 / 82 / 13 / 27

HEX #B922A1

RGB 185 34 161

HSL 309.54, 0.69%, 0.43%

LAB 44.28, 68.92, -33.08

 

CMYK 66 / 0 / 60 / 13

HEX #4BDD59

RGB 75 221 89

HSL 125.75, 0.68%, 0.58%

LAB 78.42, -64.44, 52.52

 

CMYK 62 / 0 / 55 / 6

HEX #5CEF6C

RGB 92 239 108

HSL 126.53, 0.82%, 0.65%

LAB 84.53, -65.02, 51.27

 

CMYK 57 / 0 / 50 / 0

HEX #6DFF7F

RGB 109 255 127

HSL 127.4, 1%, 0.71%

LAB 90, -64.63, 49.25

 

CMYK 51 / 0 / 43 / 0

HEX #7EFF92

RGB 126 255 146

HSL 129.3, 1%, 0.75%

LAB 90.79, -57.9, 41.31

 

CMYK 44 / 0 / 35 / 0

HEX #8FFFA5

RGB 143 255 165

HSL 131.79, 1%, 0.78%

LAB 91.72, -50.5, 33.28

 

CMYK 68 / 0 / 57 / 13

HEX #46DD5E

RGB 70 221 94

HSL 129.54, 0.69%, 0.57%

LAB 78.36, -64.77, 50.19

 

CMYK 74 / 0 / 63 / 20

HEX #35CB4B

RGB 53 203 75

HSL 128.8, 0.59%, 0.5%

LAB 72.21, -63.79, 51.45

 

CMYK 81 / 0 / 70 / 27

HEX #24B938

RGB 36 185 56

HSL 128.05, 0.67%, 0.43%

LAB 66.03, -62.29, 52.48

 

CMYK 89 / 0 / 78 / 35

HEX #13A725

RGB 19 167 37

HSL 127.3, 0.8%, 0.36%

LAB 59.81, -60.07, 53.03

 

CMYK 99 / 0 / 88 / 42

HEX #029512

RGB 2 149 18

HSL 126.53, 0.97%, 0.3%

LAB 53.55, -56.99, 52.56

 

CMYK 69 / 0 / 58 / 13

HEX #45DD5D

RGB 69 221 93

HSL 129.47, 0.69%, 0.57%

LAB 78.33, -65.07, 50.6

 

CMYK 61 / 0 / 69 / 13

HEX #56DD45

RGB 86 221 69

HSL 113.29, 0.69%, 0.57%

LAB 78.53, -64.15, 60.96

 

CMYK 43 / 0 / 69 / 13

HEX #7FDD45

RGB 127 221 69

HSL 97.11, 0.69%, 0.57%

LAB 79.98, -53.03, 62.93

 

CMYK 24 / 0 / 69 / 13

HEX #A8DD45

RGB 168 221 69

HSL 80.92, 0.69%, 0.57%

LAB 82.09, -38.74, 65.76

 

CMYK 6 / 0 / 69 / 13

HEX #D0DD45

RGB 208 221 69

HSL 65.13, 0.69%, 0.57%

LAB 84.77, -22.95, 69.32

 

CMYK 69 / 0 / 58 / 13

HEX #45DD5D

RGB 69 221 93

HSL 129.47, 0.69%, 0.57%

LAB 78.33, -65.07, 50.6

 

CMYK 69 / 0 / 39 / 13

HEX #45DD86

RGB 69 221 134

HSL 145.66, 0.69%, 0.57%

LAB 78.87, -58.87, 31.44

 

CMYK 69 / 0 / 21 / 13

HEX #45DDAF

RGB 69 221 175

HSL 161.84, 0.69%, 0.57%

LAB 79.66, -50.38, 11.16

 

CMYK 69 / 0 / 2 / 13

HEX #45DDD8

RGB 69 221 216

HSL 178.03, 0.69%, 0.57%

LAB 80.7, -39.94, -9.11

 

CMYK 69 / 16 / 0 / 13

HEX #45B9DD

RGB 69 185 221

HSL 194.21, 0.69%, 0.57%

LAB 70.3, -21.1, -27.53

 

CMYK 69 / 0 / 58 / 13

HEX #45DD5D

RGB 69 221 93

HSL 129.47, 0.69%, 0.57%

LAB 78.33, -65.07, 50.6

 

CMYK 79 / 0 / 66 / 7

HEX #33EE51

RGB 51 238 81

HSL 129.63, 0.85%, 0.57%

LAB 83.15, -74.45, 61.03

 

CMYK 69 / 0 / 58 / 13

HEX #45DD5D

RGB 69 221 93

HSL 129.47, 0.69%, 0.57%

LAB 78.33, -65.07, 50.6

 

CMYK 57 / 0 / 48 / 20

HEX #57CB69

RGB 87 203 105

HSL 129.31, 0.53%, 0.57%

LAB 73.39, -53.25, 39.06

 

CMYK 43 / 0 / 37 / 27

HEX #69B975

RGB 105 185 117

HSL 129, 0.36%, 0.57%

LAB 68.74, -39.09, 27.06

 

CMYK 27 / 0 / 22 / 35

HEX #7AA782

RGB 122 167 130

HSL 130.67, 0.2%, 0.57%

LAB 64.47, -22.82, 14.35

 

CMYK 7 / 0 / 5 / 41

HEX #8C968E

RGB 140 150 142

HSL 132, 0.05%, 0.57%

LAB 61.08, -5.18, 2.97

 

CMYK 43 / 0 / 69 / 13

HEX #7FDD45

RGB 127 221 69

HSL 97.11, 0.69%, 0.57%

LAB 79.98, -53.03, 62.93

 

CMYK 61 / 0 / 69 / 13

HEX #57DD45

RGB 87 221 69

HSL 112.89, 0.69%, 0.57%

LAB 78.56, -63.93, 61

 

CMYK 69 / 0 / 58 / 13

HEX #45DD5C

RGB 69 221 92

HSL 129.08, 0.69%, 0.57%

LAB 78.32, -65.19, 51.04

 

CMYK 69 / 0 / 40 / 13

HEX #45DD84

RGB 69 221 132

HSL 144.87, 0.69%, 0.57%

LAB 78.84, -59.22, 32.41

 

CMYK 69 / 0 / 22 / 13

HEX #45DDAD

RGB 69 221 173

HSL 161.05, 0.69%, 0.57%

LAB 79.61, -50.84, 12.15

 

CMYK 82 / 0 / 69 / 31

HEX #20AF37

RGB 32 175 55

HSL 129.65, 0.69%, 0.41%

LAB 62.71, -59.71, 49.34

 

CMYK 82 / 0 / 69 / 18

HEX #26D242

RGB 38 210 66

HSL 129.77, 0.69%, 0.49%

LAB 74.12, -68.84, 57.16

 

CMYK 69 / 0 / 58 / 13

HEX #45DD5D

RGB 69 221 93

HSL 129.47, 0.69%, 0.57%

LAB 78.33, -65.07, 50.6

 

CMYK 54 / 0 / 45 / 11

HEX #68E37C

RGB 104 227 124

HSL 129.76, 0.69%, 0.65%

LAB 81.48, -55.68, 40

 

CMYK 40 / 0 / 34 / 9

HEX #8BE99A

RGB 139 233 154

HSL 129.57, 0.68%, 0.73%

LAB 85.05, -44.07, 29.88

 

CMYK 68 / 0 / 57 / 13

HEX #46DD5E

RGB 70 221 94

HSL 129.54, 0.69%, 0.57%

LAB 78.36, -64.77, 50.19

 

CMYK 69 / 24 / 0 / 13

HEX #45A8DD

RGB 69 168 221

HSL 200.92, 0.69%, 0.57%

LAB 65.35, -12.09, -35.19

 

CMYK 0 / 69 / 52 / 13

HEX #DD456B

RGB 221 69 107

HSL 345, 0.69%, 0.57%

LAB 52.61, 61.29, 12.58

 

CMYK 68 / 0 / 57 / 13

HEX #46DD5E

RGB 70 221 94

HSL 129.54, 0.69%, 0.57%

LAB 78.36, -64.77, 50.19

 

CMYK 58 / 69 / 0 / 13

HEX #5C45DD

RGB 92 69 221

HSL 249.08, 0.69%, 0.57%

LAB 40.82, 50.45, -74.36

 

CMYK 0 / 58 / 69 / 13

HEX #DD5C45

RGB 221 92 69

HSL 9.08, 0.69%, 0.57%

LAB 55.54, 49.07, 38.45

 

CMYK 68 / 0 / 57 / 13

HEX #46DD5E

RGB 70 221 94

HSL 129.54, 0.69%, 0.57%

LAB 78.36, -64.77, 50.19

 

CMYK 69 / 24 / 0 / 13

HEX #45A8DD

RGB 69 168 221

HSL 200.92, 0.69%, 0.57%

LAB 65.35, -12.09, -35.19

 

CMYK 0 / 69 / 10 / 13

HEX #DD45C6

RGB 221 69 198

HSL 309.08, 0.69%, 0.57%

LAB 55.79, 71.81, -36.25

 

CMYK 0 / 45 / 69 / 13

HEX #DD7A45

RGB 221 122 69

HSL 20.92, 0.69%, 0.57%

LAB 61.41, 34.19, 45.17

 

CMYK 68 / 0 / 57 / 13

HEX #46DD5E

RGB 70 221 94

HSL 129.54, 0.69%, 0.57%

LAB 78.36, -64.77, 50.19

 

CMYK 69 / 45 / 0 / 13

HEX #457ADD

RGB 69 122 221

HSL 219.08, 0.69%, 0.57%

LAB 52.29, 14.78, -55.82

 

CMYK 0 / 69 / 10 / 13

HEX #DD45C6

RGB 221 69 198

HSL 309.08, 0.69%, 0.57%

LAB 55.79, 71.81, -36.25

 

CMYK 0 / 24 / 69 / 13

HEX #DDA845

RGB 221 168 69

HSL 39.08, 0.69%, 0.57%

LAB 72.1, 9.66, 56.76

 

Description

Color code: HEX #46DD5E | qconv.com Color code: HEX #46DD5E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 221 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 221 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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