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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46EA43 it is the complementary color #B915BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46EA43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46EA43 shade: #4BEA3E, #5CFC51, #6DFF64, #7EFF77 and #8FFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46EA43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46EA43 shade: #46EA43, #35D830, #24C61D, #13B40A and #02A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46EA43 shade: #45EA42, #72EA42, #A0EA42, #CDEA42 and #EAD942

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46EA43 shade: #45EA42, #42EA6C, #42EA9A, #42EAC7 and #42DFEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46EA43 shade matches the following richer shades: #45EA42 and #35FB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46EA43 shade: #45EA42, #56D953, #66C864, #76B775 and #87A686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46EA43 shade: #A1EA42, #74EA42, #48EA42, #42EA69 and #42EA96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46EA43 shade: #18C415, #21E51D, #45EA42, #6AEE67 and #8EF28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46EA43 shade: #46EA43, #42CEEA and #EA428B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46EA43 shade: #46EA43, #4248EA and #EA4248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46EA43 shade: #46EA43, #42CEEA, #E442EA and #EA5E42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46EA43 shade: #46EA43, #429CEA, #E442EA and #EA9042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 71 / 8

HEX #46EA43

RGB 70 234 67

HSL 118.92, 0.8%, 0.59%

LAB 82.14, -71.72, 65.31

 

Complementary color

CMYK 2 / 89 / 0 / 26

HEX #B915BC

RGB 185 21 188

HSL 298.92, 0.8%, 0.41%

LAB 44.92, 75.4, -48.06

 

CMYK 68 / 0 / 74 / 8

HEX #4BEA3E

RGB 75 234 62

HSL 115.47, 0.8%, 0.58%

LAB 82.21, -71.22, 67.15

 

CMYK 63 / 0 / 68 / 1

HEX #5CFC51

RGB 92 252 81

HSL 116.14, 0.97%, 0.65%

LAB 88.2, -72.26, 66.68

 

CMYK 57 / 0 / 61 / 0

HEX #6DFF64

RGB 109 255 100

HSL 116.52, 1%, 0.7%

LAB 89.72, -67.81, 60.91

 

CMYK 51 / 0 / 53 / 0

HEX #7EFF77

RGB 126 255 119

HSL 116.91, 1%, 0.73%

LAB 90.45, -61.53, 53.61

 

CMYK 44 / 0 / 46 / 0

HEX #8FFF8A

RGB 143 255 138

HSL 117.44, 1%, 0.77%

LAB 91.32, -54.51, 45.97

 

CMYK 70 / 0 / 71 / 8

HEX #46EA43

RGB 70 234 67

HSL 118.92, 0.8%, 0.59%

LAB 82.14, -71.72, 65.31

 

CMYK 75 / 0 / 78 / 15

HEX #35D830

RGB 53 216 48

HSL 118.21, 0.68%, 0.52%

LAB 76.12, -70.19, 65.5

 

CMYK 82 / 0 / 85 / 22

HEX #24C61D

RGB 36 198 29

HSL 117.51, 0.74%, 0.45%

LAB 70.07, -68.04, 64.87

 

CMYK 89 / 0 / 94 / 29

HEX #13B40A

RGB 19 180 10

HSL 116.82, 0.89%, 0.37%

LAB 64, -65.1, 62.93

 

CMYK 99 / 0 / 100 / 36

HEX #02A200

RGB 2 162 0

HSL 119.26, 1%, 0.32%

LAB 57.9, -61.27, 59.26

 

CMYK 71 / 0 / 72 / 8

HEX #45EA42

RGB 69 234 66

HSL 118.93, 0.8%, 0.59%

LAB 82.11, -71.97, 65.63

 

CMYK 51 / 0 / 72 / 8

HEX #72EA42

RGB 114 234 66

HSL 102.86, 0.8%, 0.59%

LAB 83.35, -62, 67.28

 

CMYK 32 / 0 / 72 / 8

HEX #A0EA42

RGB 160 234 66

HSL 86.43, 0.8%, 0.59%

LAB 85.36, -47.47, 69.96

 

CMYK 12 / 0 / 72 / 8

HEX #CDEA42

RGB 205 234 66

HSL 70.36, 0.8%, 0.59%

LAB 88.07, -30.47, 73.54

 

CMYK 0 / 7 / 72 / 8

HEX #EAD942

RGB 234 217 66

HSL 53.93, 0.8%, 0.59%

LAB 85.76, -10.36, 72.07

 

CMYK 71 / 0 / 72 / 8

HEX #45EA42

RGB 69 234 66

HSL 118.93, 0.8%, 0.59%

LAB 82.11, -71.97, 65.63

 

CMYK 72 / 0 / 54 / 8

HEX #42EA6C

RGB 66 234 108

HSL 135, 0.8%, 0.59%

LAB 82.43, -68.01, 48.61

 

CMYK 72 / 0 / 34 / 8

HEX #42EA9A

RGB 66 234 154

HSL 151.43, 0.8%, 0.59%

LAB 83.09, -60.39, 26.86

 

CMYK 72 / 0 / 15 / 8

HEX #42EAC7

RGB 66 234 199

HSL 167.5, 0.8%, 0.59%

LAB 84.03, -50.4, 4.76

 

CMYK 72 / 5 / 0 / 8

HEX #42DFEA

RGB 66 223 234

HSL 183.93, 0.8%, 0.59%

LAB 81.77, -36.14, -17.1

 

CMYK 71 / 0 / 72 / 8

HEX #45EA42

RGB 69 234 66

HSL 118.93, 0.8%, 0.59%

LAB 82.11, -71.97, 65.63

 

CMYK 79 / 0 / 80 / 2

HEX #35FB31

RGB 53 251 49

HSL 118.81, 0.96%, 0.59%

LAB 86.98, -80.4, 75.46

 

CMYK 71 / 0 / 72 / 8

HEX #45EA42

RGB 69 234 66

HSL 118.93, 0.8%, 0.59%

LAB 82.11, -71.97, 65.63

 

CMYK 60 / 0 / 62 / 15

HEX #56D953

RGB 86 217 83

HSL 118.66, 0.64%, 0.59%

LAB 77.42, -61.43, 54.07

 

CMYK 49 / 0 / 50 / 22

HEX #66C864

RGB 102 200 100

HSL 118.8, 0.48%, 0.59%

LAB 72.93, -48.9, 41.06

 

CMYK 36 / 0 / 36 / 28

HEX #76B775

RGB 118 183 117

HSL 119.09, 0.31%, 0.59%

LAB 68.75, -34.15, 27.18

 

CMYK 19 / 0 / 19 / 35

HEX #87A686

RGB 135 166 134

HSL 118.13, 0.15%, 0.59%

LAB 65.08, -17.05, 13.1

 

CMYK 31 / 0 / 72 / 8

HEX #A1EA42

RGB 161 234 66

HSL 86.07, 0.8%, 0.59%

LAB 85.41, -47.12, 70.03

 

CMYK 50 / 0 / 72 / 8

HEX #74EA42

RGB 116 234 66

HSL 102.14, 0.8%, 0.59%

LAB 83.42, -61.45, 67.38

 

CMYK 69 / 0 / 72 / 8

HEX #48EA42

RGB 72 234 66

HSL 117.86, 0.8%, 0.59%

LAB 82.17, -71.46, 65.71

 

CMYK 72 / 0 / 55 / 8

HEX #42EA69

RGB 66 234 105

HSL 133.93, 0.8%, 0.59%

LAB 82.39, -68.4, 49.95

 

CMYK 72 / 0 / 36 / 8

HEX #42EA96

RGB 66 234 150

HSL 150, 0.8%, 0.59%

LAB 83.02, -61.17, 28.81

 

CMYK 88 / 0 / 89 / 23

HEX #18C415

RGB 24 196 21

HSL 118.97, 0.81%, 0.43%

LAB 69.28, -68.93, 65.74

 

CMYK 86 / 0 / 87 / 10

HEX #21E51D

RGB 33 229 29

HSL 118.8, 0.79%, 0.51%

LAB 79.87, -77.13, 73.47

 

CMYK 71 / 0 / 72 / 8

HEX #45EA42

RGB 69 234 66

HSL 118.93, 0.8%, 0.59%

LAB 82.11, -71.97, 65.63

 

CMYK 55 / 0 / 57 / 7

HEX #6AEE67

RGB 106 238 103

HSL 118.67, 0.8%, 0.67%

LAB 84.58, -62.11, 53.69

 

CMYK 41 / 0 / 42 / 5

HEX #8EF28D

RGB 142 242 141

HSL 119.41, 0.8%, 0.75%

LAB 87.57, -49.05, 39.74

 

CMYK 70 / 0 / 71 / 8

HEX #46EA43

RGB 70 234 67

HSL 118.92, 0.8%, 0.59%

LAB 82.14, -71.72, 65.31

 

CMYK 72 / 12 / 0 / 8

HEX #42CEEA

RGB 66 206 234

HSL 190, 0.8%, 0.59%

LAB 76.82, -28.03, -24.59

 

CMYK 0 / 72 / 41 / 8

HEX #EA428B

RGB 234 66 139

HSL 333.93, 0.8%, 0.59%

LAB 55.33, 68.91, -2.32

 

CMYK 70 / 0 / 71 / 8

HEX #46EA43

RGB 70 234 67

HSL 118.92, 0.8%, 0.59%

LAB 82.14, -71.72, 65.31

 

CMYK 72 / 69 / 0 / 8

HEX #4248EA

RGB 66 72 234

HSL 237.86, 0.8%, 0.59%

LAB 40.79, 49.69, -81.87

 

CMYK 0 / 72 / 69 / 8

HEX #EA4248

RGB 234 66 72

HSL 357.86, 0.8%, 0.59%

LAB 53.87, 64.06, 35.34

 

CMYK 70 / 0 / 71 / 8

HEX #46EA43

RGB 70 234 67

HSL 118.92, 0.8%, 0.59%

LAB 82.14, -71.72, 65.31

 

CMYK 72 / 12 / 0 / 8

HEX #42CEEA

RGB 66 206 234

HSL 190, 0.8%, 0.59%

LAB 76.82, -28.03, -24.59

 

CMYK 3 / 72 / 0 / 8

HEX #E442EA

RGB 228 66 234

HSL 297.86, 0.8%, 0.59%

LAB 58.35, 79.88, -52.55

 

CMYK 0 / 60 / 72 / 8

HEX #EA5E42

RGB 234 94 66

HSL 10, 0.8%, 0.59%

LAB 57.93, 52.6, 43.36

 

CMYK 70 / 0 / 71 / 8

HEX #46EA43

RGB 70 234 67

HSL 118.92, 0.8%, 0.59%

LAB 82.14, -71.72, 65.31

 

CMYK 72 / 33 / 0 / 8

HEX #429CEA

RGB 66 156 234

HSL 207.86, 0.8%, 0.59%

LAB 62.4, -1.39, -46.99

 

CMYK 3 / 72 / 0 / 8

HEX #E442EA

RGB 228 66 234

HSL 297.86, 0.8%, 0.59%

LAB 58.35, 79.88, -52.55

 

CMYK 0 / 38 / 72 / 8

HEX #EA9042

RGB 234 144 66

HSL 27.86, 0.8%, 0.59%

LAB 67.9, 27.75, 54.14

 

Description

Color code: HEX #46EA43 | qconv.com Color code: HEX #46EA43 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 234 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 234 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 71 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 71% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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