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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46FD1A it is the complementary color #B902E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46FD1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46FD1A shade: #4BFD15, #5CFF28, #6DFF3B, #7EFF4E and #8FFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46FD1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46FD1A shade: #46FD1A, #35EB07, #24D900, #13C700 and #02B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46FD1A shade: #47FC1B, #84FC1B, #C0FC1B, #FCFC1B and #FCBF1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46FD1A shade: #47FC1B, #1BFC2C, #1BFC69, #1BFCA6 and #1BFCE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46FD1A shade matches the following richer shades: #47FC1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46FD1A shade: #47FC1B, #52EA2E, #5ED740, #69C553 and #74B266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46FD1A shade: #C0FC1B, #84FC1B, #48FC1B, #1BFC2A and #1BFC66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46FD1A shade: #27C401, #2FEC02, #47FC1B, #68FD44 and #89FD6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46FD1A shade: #46FD1A, #1BFCFC and #FC1BA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46FD1A shade: #46FD1A, #1B48FC and #FC1B48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46FD1A shade: #46FD1A, #1BFCFC, #CF1BFC and #FC1B1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46FD1A shade: #46FD1A, #1BB9FC, #CF1BFC and #FC5F1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 90 / 1

HEX #46FD1A

RGB 70 253 26

HSL 108.37, 0.98%, 0.55%

LAB 87.79, -79.55, 80.95

 

Complementary color

CMYK 19 / 99 / 0 / 10

HEX #B902E5

RGB 185 2 229

HSL 288.37, 0.98%, 0.45%

LAB 46.99, 84.01, -68.35

 

CMYK 70 / 0 / 92 / 1

HEX #4BFD15

RGB 75 253 21

HSL 106.03, 0.98%, 0.54%

LAB 87.87, -78.86, 81.74

 

CMYK 64 / 0 / 84 / 0

HEX #5CFF28

RGB 92 255 40

HSL 105.49, 1%, 0.58%

LAB 88.9, -75.72, 79.57

 

CMYK 57 / 0 / 77 / 0

HEX #6DFF3B

RGB 109 255 59

HSL 104.69, 1%, 0.62%

LAB 89.43, -71.05, 75.43

 

CMYK 51 / 0 / 69 / 0

HEX #7EFF4E

RGB 126 255 78

HSL 103.73, 1%, 0.65%

LAB 90.09, -65.48, 70.06

 

CMYK 44 / 0 / 62 / 0

HEX #8FFF61

RGB 143 255 97

HSL 102.53, 1%, 0.69%

LAB 90.88, -59.11, 63.78

 

CMYK 72 / 0 / 90 / 1

HEX #46FD1A

RGB 70 253 26

HSL 108.37, 0.98%, 0.55%

LAB 87.79, -79.55, 80.95

 

CMYK 77 / 0 / 97 / 8

HEX #35EB07

RGB 53 235 7

HSL 107.89, 0.94%, 0.47%

LAB 81.94, -77.19, 78.11

 

CMYK 83 / 0 / 100 / 15

HEX #24D900

RGB 36 217 0

HSL 110.05, 1%, 0.43%

LAB 76.07, -74.2, 73.92

 

CMYK 90 / 0 / 100 / 22

HEX #13C700

RGB 19 199 0

HSL 114.27, 1%, 0.39%

LAB 70.17, -70.62, 69.13

 

CMYK 99 / 0 / 100 / 29

HEX #02B500

RGB 2 181 0

HSL 119.34, 1%, 0.35%

LAB 64.21, -66.53, 64.32

 

CMYK 72 / 0 / 89 / 1

HEX #47FC1B

RGB 71 252 27

HSL 108.27, 0.97%, 0.55%

LAB 87.5, -79.07, 80.57

 

CMYK 48 / 0 / 89 / 1

HEX #84FC1B

RGB 132 252 27

HSL 92, 0.97%, 0.55%

LAB 89.21, -65.16, 82.68

 

CMYK 24 / 0 / 89 / 1

HEX #C0FC1B

RGB 192 252 27

HSL 76, 0.97%, 0.55%

LAB 92.09, -44.88, 86.23

 

CMYK 0 / 0 / 89 / 1

HEX #FCFC1B

RGB 252 252 27

HSL 60, 0.97%, 0.55%

LAB 96.16, -21.1, 91.19

 

CMYK 0 / 24 / 89 / 1

HEX #FCBF1B

RGB 252 191 27

HSL 43.73, 0.97%, 0.55%

LAB 80.76, 9.39, 79.28

 

CMYK 72 / 0 / 89 / 1

HEX #47FC1B

RGB 71 252 27

HSL 108.27, 0.97%, 0.55%

LAB 87.5, -79.07, 80.57

 

CMYK 89 / 0 / 83 / 1

HEX #1BFC2C

RGB 27 252 44

HSL 124.53, 0.97%, 0.55%

LAB 87.01, -83.21, 76.62

 

CMYK 89 / 0 / 58 / 1

HEX #1BFC69

RGB 27 252 105

HSL 140.8, 0.97%, 0.55%

LAB 87.42, -78.06, 55.76

 

CMYK 89 / 0 / 34 / 1

HEX #1BFCA6

RGB 27 252 166

HSL 157.07, 0.97%, 0.55%

LAB 88.26, -68.12, 27.68

 

CMYK 89 / 0 / 10 / 1

HEX #1BFCE2

RGB 27 252 226

HSL 173.07, 0.97%, 0.55%

LAB 89.55, -54.08, -1.38

 

CMYK 72 / 0 / 89 / 1

HEX #47FC1B

RGB 71 252 27

HSL 108.27, 0.97%, 0.55%

LAB 87.5, -79.07, 80.57

 

CMYK 72 / 0 / 89 / 1

HEX #47FC1B

RGB 71 252 27

HSL 108.27, 0.97%, 0.55%

LAB 87.5, -79.07, 80.57

 

CMYK 65 / 0 / 80 / 8

HEX #52EA2E

RGB 82 234 46

HSL 108.51, 0.82%, 0.55%

LAB 82.29, -70.85, 72.09

 

CMYK 56 / 0 / 70 / 16

HEX #5ED740

RGB 94 215 64

HSL 108.08, 0.65%, 0.55%

LAB 76.89, -60.56, 61.2

 

CMYK 47 / 0 / 58 / 23

HEX #69C553

RGB 105 197 83

HSL 108.42, 0.5%, 0.55%

LAB 71.93, -48.91, 47.97

 

CMYK 35 / 0 / 43 / 30

HEX #74B266

RGB 116 178 102

HSL 108.95, 0.33%, 0.55%

LAB 66.91, -34.8, 32.63

 

CMYK 24 / 0 / 89 / 1

HEX #C0FC1B

RGB 192 252 27

HSL 76, 0.97%, 0.55%

LAB 92.09, -44.88, 86.23

 

CMYK 48 / 0 / 89 / 1

HEX #84FC1B

RGB 132 252 27

HSL 92, 0.97%, 0.55%

LAB 89.21, -65.16, 82.68

 

CMYK 71 / 0 / 89 / 1

HEX #48FC1B

RGB 72 252 27

HSL 108, 0.97%, 0.55%

LAB 87.52, -78.91, 80.59

 

CMYK 89 / 0 / 83 / 1

HEX #1BFC2A

RGB 27 252 42

HSL 124, 0.97%, 0.55%

LAB 87.01, -83.31, 77.07

 

CMYK 89 / 0 / 60 / 1

HEX #1BFC66

RGB 27 252 102

HSL 140, 0.97%, 0.55%

LAB 87.39, -78.42, 57.03

 

CMYK 80 / 0 / 99 / 23

HEX #27C401

RGB 39 196 1

HSL 108.31, 0.99%, 0.39%

LAB 69.41, -67.88, 68.5

 

CMYK 80 / 0 / 99 / 7

HEX #2FEC02

RGB 47 236 2

HSL 108.46, 0.98%, 0.47%

LAB 82.16, -78.28, 78.68

 

CMYK 72 / 0 / 89 / 1

HEX #47FC1B

RGB 71 252 27

HSL 108.27, 0.97%, 0.55%

LAB 87.5, -79.07, 80.57

 

CMYK 59 / 0 / 73 / 1

HEX #68FD44

RGB 104 253 68

HSL 108.32, 0.98%, 0.63%

LAB 88.74, -70.99, 71.91

 

CMYK 46 / 0 / 57 / 1

HEX #89FD6D

RGB 137 253 109

HSL 108.33, 0.97%, 0.71%

LAB 90.17, -58.9, 57.83

 

CMYK 72 / 0 / 90 / 1

HEX #46FD1A

RGB 70 253 26

HSL 108.37, 0.98%, 0.55%

LAB 87.79, -79.55, 80.95

 

CMYK 89 / 0 / 0 / 1

HEX #1BFCFC

RGB 27 252 252

HSL 180, 0.97%, 0.55%

LAB 90.27, -46.94, -13.84

 

CMYK 0 / 89 / 36 / 1

HEX #FC1BA2

RGB 252 27 162

HSL 324, 0.97%, 0.55%

LAB 56.18, 84.45, -14.3

 

CMYK 72 / 0 / 90 / 1

HEX #46FD1A

RGB 70 253 26

HSL 108.37, 0.98%, 0.55%

LAB 87.79, -79.55, 80.95

 

CMYK 89 / 71 / 0 / 1

HEX #1B48FC

RGB 27 72 252

HSL 228, 0.97%, 0.55%

LAB 41.05, 53.16, -91.61

 

CMYK 0 / 89 / 71 / 1

HEX #FC1B48

RGB 252 27 72

HSL 348, 0.97%, 0.55%

LAB 53.97, 78.35, 36.29

 

CMYK 72 / 0 / 90 / 1

HEX #46FD1A

RGB 70 253 26

HSL 108.37, 0.98%, 0.55%

LAB 87.79, -79.55, 80.95

 

CMYK 89 / 0 / 0 / 1

HEX #1BFCFC

RGB 27 252 252

HSL 180, 0.97%, 0.55%

LAB 90.27, -46.94, -13.84

 

CMYK 18 / 89 / 0 / 1

HEX #CF1BFC

RGB 207 27 252

HSL 288, 0.97%, 0.55%

LAB 53.03, 88.33, -71.32

 

CMYK 0 / 89 / 89 / 1

HEX #FC1B1B

RGB 252 27 27

HSL 0, 0.97%, 0.55%

LAB 53.56, 77.17, 59.18

 

CMYK 72 / 0 / 90 / 1

HEX #46FD1A

RGB 70 253 26

HSL 108.37, 0.98%, 0.55%

LAB 87.79, -79.55, 80.95

 

CMYK 89 / 27 / 0 / 1

HEX #1BB9FC

RGB 27 185 252

HSL 197.87, 0.97%, 0.55%

LAB 70.84, -14.68, -43.59

 

CMYK 18 / 89 / 0 / 1

HEX #CF1BFC

RGB 207 27 252

HSL 288, 0.97%, 0.55%

LAB 53.03, 88.33, -71.32

 

CMYK 0 / 62 / 89 / 1

HEX #FC5F1B

RGB 252 95 27

HSL 18.13, 0.97%, 0.55%

LAB 60.75, 57.26, 64.29

 

Description

Color code: HEX #46FD1A | qconv.com Color code: HEX #46FD1A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 253 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 253 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 90 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 90% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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