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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #470B6E it is the complementary color #B8F491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #470B6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #470B6E shade: #4C0B69, #5D1D7C, #6E2F8F, #7F41A2 and #9053B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #470B6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #470B6E shade: #470B6E, #36005B, #250048, #140035 and #030022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #470B6E shade: #470B6F, #620B6F, #6F0B60, #6F0B45 and #6F0B2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #470B6E shade: #470B6F, #2C0B6F, #110B6F and #0B0B6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #470B6E shade matches the following richer shades: #470B6F and #490179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #470B6E shade: #470B6F, #451465, #431E5B, #412851 and #3F3247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #470B6E shade: #110B6F, #2C0B6F, #470B6F, #620B6F and #6F0B62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #470B6E shade: #170324, #2F0749, #470B6F, #600E94 and #7812BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #470B6E shade: #470B6E, #6F0B1F and #0B6F1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #470B6E shade: #470B6E, #6F470B and #0B6F47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #470B6E shade: #470B6E, #6F0B1F, #336F0B and #0B6F5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #470B6E shade: #470B6E, #6F150B, #336F0B and #0B656F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 90 / 0 / 57

HEX #470B6E

RGB 71 11 110

HSL 276.36, 0.82%, 0.24%

LAB 18.82, 43.69, -43.22

 

Complementary color

CMYK 25 / 0 / 41 / 4

HEX #B8F491

RGB 184 244 145

HSL 96.36, 0.82%, 0.76%

LAB 90.29, -35.95, 41.69

 

CMYK 28 / 90 / 0 / 59

HEX #4C0B69

RGB 76 11 105

HSL 281.49, 0.81%, 0.23%

LAB 19.21, 43.38, -39.29

 

CMYK 25 / 77 / 0 / 51

HEX #5D1D7C

RGB 93 29 124

HSL 280.42, 0.62%, 0.3%

LAB 25.75, 44.45, -40.79

 

CMYK 23 / 67 / 0 / 44

HEX #6E2F8F

RGB 110 47 143

HSL 279.38, 0.51%, 0.37%

LAB 32.55, 44.36, -41.55

 

CMYK 22 / 60 / 0 / 36

HEX #7F41A2

RGB 127 65 162

HSL 278.35, 0.43%, 0.45%

LAB 39.41, 43.77, -41.96

 

CMYK 20 / 54 / 0 / 29

HEX #9053B5

RGB 144 83 181

HSL 277.35, 0.4%, 0.52%

LAB 46.25, 42.98, -42.19

 

CMYK 35 / 90 / 0 / 57

HEX #470B6E

RGB 71 11 110

HSL 276.36, 0.82%, 0.24%

LAB 18.82, 43.69, -43.22

 

CMYK 41 / 100 / 0 / 64

HEX #36005B

RGB 54 0 91

HSL 275.6, 1%, 0.18%

LAB 12.86, 40.52, -40.53

 

CMYK 49 / 100 / 0 / 72

HEX #250048

RGB 37 0 72

HSL 270.83, 1%, 0.14%

LAB 7.78, 33.98, -35.93

 

CMYK 62 / 100 / 0 / 79

HEX #140035

RGB 20 0 53

HSL 262.64, 1%, 0.1%

LAB 3.67, 22.22, -29.06

 

CMYK 91 / 100 / 0 / 87

HEX #030022

RGB 3 0 34

HSL 245.29, 1%, 0.07%

LAB 1.22, 8.12, -18.49

 

CMYK 36 / 90 / 0 / 56

HEX #470B6F

RGB 71 11 111

HSL 276, 0.82%, 0.24%

LAB 18.91, 43.92, -43.71

 

CMYK 12 / 90 / 0 / 56

HEX #620B6F

RGB 98 11 111

HSL 292.2, 0.82%, 0.24%

LAB 23.62, 48.59, -35.86

 

CMYK 0 / 90 / 14 / 56

HEX #6F0B60

RGB 111 11 96

HSL 309, 0.82%, 0.24%

LAB 25.15, 48.72, -23.5

 

CMYK 0 / 90 / 38 / 56

HEX #6F0B45

RGB 111 11 69

HSL 325.2, 0.82%, 0.24%

LAB 23.83, 45.12, -7.45

 

CMYK 0 / 90 / 62 / 56

HEX #6F0B2A

RGB 111 11 42

HSL 341.4, 0.82%, 0.24%

LAB 22.95, 42.62, 9.96

 

CMYK 36 / 90 / 0 / 56

HEX #470B6F

RGB 71 11 111

HSL 276, 0.82%, 0.24%

LAB 18.91, 43.92, -43.71

 

CMYK 60 / 90 / 0 / 56

HEX #2C0B6F

RGB 44 11 111

HSL 259.8, 0.82%, 0.24%

LAB 15.08, 40.37, -50.17

 

CMYK 85 / 90 / 0 / 56

HEX #110B6F

RGB 17 11 111

HSL 243.6, 0.82%, 0.24%

LAB 12.65, 38.31, -54.27

 

CMYK 90 / 90 / 0 / 56

HEX #0B0B6F

RGB 11 11 111

HSL 240, 0.82%, 0.24%

LAB 12.34, 38.06, -54.79

 

CMYK 36 / 90 / 0 / 56

HEX #470B6F

RGB 71 11 111

HSL 276, 0.82%, 0.24%

LAB 18.91, 43.92, -43.71

 

CMYK 40 / 99 / 0 / 53

HEX #490179

RGB 73 1 121

HSL 276, 0.98%, 0.24%

LAB 19.3, 49.21, -49.52

 

CMYK 36 / 90 / 0 / 56

HEX #470B6F

RGB 71 11 111

HSL 276, 0.82%, 0.24%

LAB 18.91, 43.92, -43.71

 

CMYK 32 / 80 / 0 / 60

HEX #451465

RGB 69 20 101

HSL 276.3, 0.67%, 0.24%

LAB 18.82, 37.92, -37.34

 

CMYK 26 / 67 / 0 / 64

HEX #431E5B

RGB 67 30 91

HSL 276.39, 0.5%, 0.24%

LAB 19.55, 29.88, -29.57

 

CMYK 20 / 51 / 0 / 68

HEX #412851

RGB 65 40 81

HSL 276.59, 0.34%, 0.24%

LAB 20.96, 20.53, -20.65

 

CMYK 11 / 30 / 0 / 72

HEX #3F3247

RGB 63 50 71

HSL 277.14, 0.17%, 0.24%

LAB 22.97, 10.55, -10.83

 

CMYK 85 / 90 / 0 / 56

HEX #110B6F

RGB 17 11 111

HSL 243.6, 0.82%, 0.24%

LAB 12.65, 38.31, -54.27

 

CMYK 60 / 90 / 0 / 56

HEX #2C0B6F

RGB 44 11 111

HSL 259.8, 0.82%, 0.24%

LAB 15.08, 40.37, -50.17

 

CMYK 36 / 90 / 0 / 56

HEX #470B6F

RGB 71 11 111

HSL 276, 0.82%, 0.24%

LAB 18.91, 43.92, -43.71

 

CMYK 12 / 90 / 0 / 56

HEX #620B6F

RGB 98 11 111

HSL 292.2, 0.82%, 0.24%

LAB 23.62, 48.59, -35.86

 

CMYK 0 / 90 / 12 / 56

HEX #6F0B62

RGB 111 11 98

HSL 307.8, 0.82%, 0.24%

LAB 25.26, 49.02, -24.63

 

CMYK 36 / 92 / 0 / 86

HEX #170324

RGB 23 3 36

HSL 276.36, 0.85%, 0.08%

LAB 3.38, 14.27, -16.61

 

CMYK 36 / 90 / 0 / 71

HEX #2F0749

RGB 47 7 73

HSL 276.36, 0.83%, 0.16%

LAB 10.83, 32.07, -31.56

 

CMYK 36 / 90 / 0 / 56

HEX #470B6F

RGB 71 11 111

HSL 276, 0.82%, 0.24%

LAB 18.91, 43.92, -43.71

 

CMYK 35 / 91 / 0 / 42

HEX #600E94

RGB 96 14 148

HSL 276.72, 0.83%, 0.32%

LAB 26.56, 55.13, -54.45

 

CMYK 35 / 90 / 0 / 27

HEX #7812BA

RGB 120 18 186

HSL 276.43, 0.82%, 0.4%

LAB 33.92, 65.56, -65.19

 

CMYK 35 / 90 / 0 / 57

HEX #470B6E

RGB 71 11 110

HSL 276.36, 0.82%, 0.24%

LAB 18.82, 43.69, -43.22

 

CMYK 0 / 90 / 72 / 56

HEX #6F0B1F

RGB 111 11 31

HSL 348, 0.82%, 0.24%

LAB 22.72, 41.93, 17.27

 

CMYK 90 / 0 / 72 / 56

HEX #0B6F1F

RGB 11 111 31

HSL 132, 0.82%, 0.24%

LAB 40.47, -43.57, 35.62

 

CMYK 35 / 90 / 0 / 57

HEX #470B6E

RGB 71 11 110

HSL 276.36, 0.82%, 0.24%

LAB 18.82, 43.69, -43.22

 

CMYK 0 / 36 / 90 / 56

HEX #6F470B

RGB 111 71 11

HSL 36, 0.82%, 0.24%

LAB 33.8, 12.15, 39.27

 

CMYK 90 / 0 / 36 / 56

HEX #0B6F47

RGB 11 111 71

HSL 156, 0.82%, 0.24%

LAB 41.05, -36.72, 14.98

 

CMYK 35 / 90 / 0 / 57

HEX #470B6E

RGB 71 11 110

HSL 276.36, 0.82%, 0.24%

LAB 18.82, 43.69, -43.22

 

CMYK 0 / 90 / 72 / 56

HEX #6F0B1F

RGB 111 11 31

HSL 348, 0.82%, 0.24%

LAB 22.72, 41.93, 17.27

 

CMYK 54 / 0 / 90 / 56

HEX #336F0B

RGB 51 111 11

HSL 96, 0.82%, 0.24%

LAB 41.37, -36.61, 43.81

 

CMYK 90 / 0 / 18 / 56

HEX #0B6F5B

RGB 11 111 91

HSL 168, 0.82%, 0.24%

LAB 41.52, -31.5, 3.71

 

CMYK 35 / 90 / 0 / 57

HEX #470B6E

RGB 71 11 110

HSL 276.36, 0.82%, 0.24%

LAB 18.82, 43.69, -43.22

 

CMYK 0 / 81 / 90 / 56

HEX #6F150B

RGB 111 21 11

HSL 6, 0.82%, 0.24%

LAB 23.47, 38.28, 30.25

 

CMYK 54 / 0 / 90 / 56

HEX #336F0B

RGB 51 111 11

HSL 96, 0.82%, 0.24%

LAB 41.37, -36.61, 43.81

 

CMYK 90 / 9 / 0 / 56

HEX #0B656F

RGB 11 101 111

HSL 186, 0.82%, 0.24%

LAB 38.77, -20.1, -12.55

 

Description

Color code: HEX #470B6E | qconv.com Color code: HEX #470B6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 11 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 11 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 90 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 90% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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