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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47144B it is the complementary color #B8EBB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47144B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47144B shade: #4C1446, #5D2659, #6E386C, #7F4A7F and #905C92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47144B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47144B shade: #47144B, #360238, #250025, #140012 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47144B shade: #48144C, #4C1441, #4C1432, #4C1423 and #4C1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47144B shade: #48144C, #39144C, #2A144C, #1A144C and #14144C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47144B shade matches the following richer shades: #48144C, #4F0C54 and #55045C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47144B shade: #48144C, #411C44, #3B243C, #342B35 and #2D332D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47144B shade: #29144C, #38144C, #47144C, #4C1442 and #4C1433

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47144B shade: #0A030B, #290B2B, #48144C, #671D6D and #86258D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47144B shade: #47144B, #4C1A14 and #144C31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47144B shade: #47144B, #4C4714 and #144C47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47144B shade: #47144B, #4C1A14, #194C14 and #14454C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47144B shade: #47144B, #4C2B14, #194C14 and #14354C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 73 / 0 / 71

HEX #47144B

RGB 71 20 75

HSL 295.64, 0.58%, 0.19%

LAB 17.22, 32.45, -22.44

 

Complementary color

CMYK 22 / 0 / 23 / 8

HEX #B8EBB4

RGB 184 235 180

HSL 115.64, 0.58%, 0.81%

LAB 88.4, -26.61, 21.49

 

CMYK 0 / 74 / 8 / 70

HEX #4C1446

RGB 76 20 70

HSL 306.43, 0.58%, 0.19%

LAB 17.82, 32.87, -17.98

 

CMYK 0 / 59 / 4 / 64

HEX #5D2659

RGB 93 38 89

HSL 304.36, 0.42%, 0.26%

LAB 25.06, 32.71, -19.26

 

CMYK 0 / 49 / 2 / 57

HEX #6E386C

RGB 110 56 108

HSL 302.22, 0.33%, 0.33%

LAB 32.32, 32.04, -20.05

 

CMYK 0 / 42 / 0 / 50

HEX #7F4A7F

RGB 127 74 127

HSL 300, 0.26%, 0.39%

LAB 39.48, 31.24, -20.62

 

CMYK 1 / 37 / 0 / 43

HEX #905C92

RGB 144 92 146

HSL 297.78, 0.23%, 0.47%

LAB 46.52, 30.44, -21.08

 

CMYK 5 / 73 / 0 / 71

HEX #47144B

RGB 71 20 75

HSL 295.64, 0.58%, 0.19%

LAB 17.22, 32.45, -22.44

 

CMYK 4 / 96 / 0 / 78

HEX #360238

RGB 54 2 56

HSL 297.78, 0.93%, 0.11%

LAB 9.9, 32.07, -20.92

 

CMYK 0 / 100 / 0 / 85

HEX #250025

RGB 37 0 37

HSL 300, 1%, 0.07%

LAB 4.76, 23.51, -15.1

 

CMYK 0 / 100 / 10 / 92

HEX #140012

RGB 20 0 18

HSL 306, 1%, 0.04%

LAB 1.74, 8.8, -5.42

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 5 / 74 / 0 / 70

HEX #48144C

RGB 72 20 76

HSL 295.71, 0.58%, 0.19%

LAB 17.46, 32.93, -22.73

 

CMYK 0 / 74 / 14 / 70

HEX #4C1441

RGB 76 20 65

HSL 311.79, 0.58%, 0.19%

LAB 17.55, 31.96, -14.94

 

CMYK 0 / 74 / 34 / 70

HEX #4C1432

RGB 76 20 50

HSL 327.86, 0.58%, 0.19%

LAB 16.83, 29.55, -5.46

 

CMYK 0 / 74 / 54 / 70

HEX #4C1423

RGB 76 20 35

HSL 343.93, 0.58%, 0.19%

LAB 16.3, 27.68, 4.54

 

CMYK 0 / 74 / 74 / 70

HEX #4C1414

RGB 76 20 20

HSL 0, 0.58%, 0.19%

LAB 15.94, 26.38, 14.78

 

CMYK 5 / 74 / 0 / 70

HEX #48144C

RGB 72 20 76

HSL 295.71, 0.58%, 0.19%

LAB 17.46, 32.93, -22.73

 

CMYK 25 / 74 / 0 / 70

HEX #39144C

RGB 57 20 76

HSL 279.64, 0.58%, 0.19%

LAB 14.91, 28.92, -26.95

 

CMYK 45 / 74 / 0 / 70

HEX #2A144C

RGB 42 20 76

HSL 263.57, 0.58%, 0.19%

LAB 12.7, 25.18, -30.63

 

CMYK 66 / 74 / 0 / 70

HEX #1A144C

RGB 26 20 76

HSL 246.43, 0.58%, 0.19%

LAB 10.86, 21.81, -33.7

 

CMYK 74 / 74 / 0 / 70

HEX #14144C

RGB 20 20 76

HSL 240, 0.58%, 0.19%

LAB 10.34, 20.79, -34.58

 

CMYK 5 / 74 / 0 / 70

HEX #48144C

RGB 72 20 76

HSL 295.71, 0.58%, 0.19%

LAB 17.46, 32.93, -22.73

 

CMYK 6 / 86 / 0 / 67

HEX #4F0C54

RGB 79 12 84

HSL 295.83, 0.75%, 0.19%

LAB 18.21, 39.34, -26.9

 

CMYK 8 / 96 / 0 / 64

HEX #55045C

RGB 85 4 92

HSL 295.23, 0.92%, 0.19%

LAB 19.19, 44.29, -30.65

 

CMYK 5 / 74 / 0 / 70

HEX #48144C

RGB 72 20 76

HSL 295.71, 0.58%, 0.19%

LAB 17.46, 32.93, -22.73

 

CMYK 4 / 59 / 0 / 73

HEX #411C44

RGB 65 28 68

HSL 295.5, 0.42%, 0.19%

LAB 17.33, 24.86, -17.51

 

CMYK 2 / 40 / 0 / 76

HEX #3B243C

RGB 59 36 60

HSL 297.5, 0.25%, 0.19%

LAB 18, 15.74, -10.99

 

CMYK 2 / 19 / 0 / 79

HEX #342B35

RGB 52 43 53

HSL 294, 0.1%, 0.19%

LAB 18.86, 6.37, -4.89

 

CMYK 12 / 0 / 12 / 80

HEX #2D332D

RGB 45 51 45

HSL 120, 0.06%, 0.19%

LAB 20.5, -4.02, 2.93

 

CMYK 46 / 74 / 0 / 70

HEX #29144C

RGB 41 20 76

HSL 262.5, 0.58%, 0.19%

LAB 12.57, 24.95, -30.85

 

CMYK 26 / 74 / 0 / 70

HEX #38144C

RGB 56 20 76

HSL 278.57, 0.58%, 0.19%

LAB 14.75, 28.66, -27.21

 

CMYK 7 / 74 / 0 / 70

HEX #47144C

RGB 71 20 76

HSL 294.64, 0.58%, 0.19%

LAB 17.28, 32.66, -23.02

 

CMYK 0 / 74 / 13 / 70

HEX #4C1442

RGB 76 20 66

HSL 310.71, 0.58%, 0.19%

LAB 17.6, 32.14, -15.56

 

CMYK 0 / 74 / 33 / 70

HEX #4C1433

RGB 76 20 51

HSL 326.79, 0.58%, 0.19%

LAB 16.87, 29.7, -6.11

 

CMYK 9 / 73 / 0 / 96

HEX #0A030B

RGB 10 3 11

HSL 292.5, 0.57%, 0.03%

LAB 1.39, 2.95, -2.39

 

CMYK 5 / 74 / 0 / 83

HEX #290B2B

RGB 41 11 43

HSL 296.25, 0.59%, 0.11%

LAB 8, 21.15, -14.54

 

CMYK 5 / 74 / 0 / 70

HEX #48144C

RGB 72 20 76

HSL 295.71, 0.58%, 0.19%

LAB 17.46, 32.93, -22.73

 

CMYK 6 / 73 / 0 / 57

HEX #671D6D

RGB 103 29 109

HSL 295.5, 0.58%, 0.27%

LAB 26.35, 43.59, -30.15

 

CMYK 5 / 74 / 0 / 45

HEX #86258D

RGB 134 37 141

HSL 295.96, 0.58%, 0.35%

LAB 34.63, 53.76, -36.78

 

CMYK 5 / 73 / 0 / 71

HEX #47144B

RGB 71 20 75

HSL 295.64, 0.58%, 0.19%

LAB 17.22, 32.45, -22.44

 

CMYK 0 / 66 / 74 / 70

HEX #4C1A14

RGB 76 26 20

HSL 6.43, 0.58%, 0.19%

LAB 17.11, 23.24, 16.24

 

CMYK 74 / 0 / 36 / 70

HEX #144C31

RGB 20 76 49

HSL 151.07, 0.58%, 0.19%

LAB 28.22, -25.41, 10.91

 

CMYK 5 / 73 / 0 / 71

HEX #47144B

RGB 71 20 75

HSL 295.64, 0.58%, 0.19%

LAB 17.22, 32.45, -22.44

 

CMYK 0 / 7 / 74 / 70

HEX #4C4714

RGB 76 71 20

HSL 54.64, 0.58%, 0.19%

LAB 29.65, -5.02, 30.17

 

CMYK 74 / 0 / 7 / 70

HEX #144C47

RGB 20 76 71

HSL 174.64, 0.58%, 0.19%

LAB 28.83, -19.17, -2.3

 

CMYK 5 / 73 / 0 / 71

HEX #47144B

RGB 71 20 75

HSL 295.64, 0.58%, 0.19%

LAB 17.22, 32.45, -22.44

 

CMYK 0 / 66 / 74 / 70

HEX #4C1A14

RGB 76 26 20

HSL 6.43, 0.58%, 0.19%

LAB 17.11, 23.24, 16.24

 

CMYK 67 / 0 / 74 / 70

HEX #194C14

RGB 25 76 20

HSL 114.64, 0.58%, 0.19%

LAB 27.92, -29.34, 27.3

 

CMYK 74 / 9 / 0 / 70

HEX #14454C

RGB 20 69 76

HSL 187.5, 0.58%, 0.19%

LAB 26.53, -13.52, -9

 

CMYK 5 / 73 / 0 / 71

HEX #47144B

RGB 71 20 75

HSL 295.64, 0.58%, 0.19%

LAB 17.22, 32.45, -22.44

 

CMYK 0 / 43 / 74 / 70

HEX #4C2B14

RGB 76 43 20

HSL 24.64, 0.58%, 0.19%

LAB 21.26, 12.88, 21.11

 

CMYK 67 / 0 / 74 / 70

HEX #194C14

RGB 25 76 20

HSL 114.64, 0.58%, 0.19%

LAB 27.92, -29.34, 27.3

 

CMYK 74 / 30 / 0 / 70

HEX #14354C

RGB 20 53 76

HSL 204.64, 0.58%, 0.19%

LAB 20.89, -3.39, -17.67

 

Description

Color code: HEX #47144B | qconv.com Color code: HEX #47144B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 20 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 20 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 73 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 73% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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