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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47153F it is the complementary color #B8EAC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47153F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47153F shade: #4C153A, #5D274D, #6E3960, #7F4B73 and #905D86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47153F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47153F shade: #47153F, #36032C, #250019, #140006 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47153F shade: #46153E, #461531, #461524, #461516 and #461515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47153F shade: #46153E, #411546, #331546, #261546 and #191546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47153F shade matches the following richer shades: #46153E, #4E0D43 and #550648

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47153F shade: #46153E, #3F1C39, #372334, #302B2F and #28322A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47153F shade: #331546, #401546, #46153F, #461532 and #461524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47153F shade: #070206, #260B22, #46153E, #661E5A and #862877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47153F shade: #47153F, #462615 and #15463A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47153F shade: #47153F, #3F4615 and #153F46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47153F shade: #47153F, #462615, #15461C and #153546

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47153F shade: #47153F, #463515, #15461C and #152646

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 11 / 72

HEX #47153F

RGB 71 21 63

HSL 309.6, 0.54%, 0.18%

LAB 16.67, 29.59, -14.98

 

Complementary color

CMYK 21 / 0 / 18 / 8

HEX #B8EAC0

RGB 184 234 192

HSL 129.6, 0.54%, 0.82%

LAB 88.37, -24.07, 15.23

 

CMYK 0 / 72 / 24 / 70

HEX #4C153A

RGB 76 21 58

HSL 319.64, 0.57%, 0.19%

LAB 17.36, 30.31, -10.33

 

CMYK 0 / 58 / 17 / 64

HEX #5D274D

RGB 93 39 77

HSL 317.78, 0.41%, 0.26%

LAB 24.68, 29.94, -11.87

 

CMYK 0 / 48 / 13 / 57

HEX #6E3960

RGB 110 57 96

HSL 315.85, 0.32%, 0.33%

LAB 32, 29.18, -12.88

 

CMYK 0 / 41 / 9 / 50

HEX #7F4B73

RGB 127 75 115

HSL 313.85, 0.26%, 0.4%

LAB 39.21, 28.34, -13.64

 

CMYK 0 / 35 / 7 / 44

HEX #905D86

RGB 144 93 134

HSL 311.76, 0.22%, 0.46%

LAB 46.28, 27.53, -14.27

 

CMYK 0 / 70 / 11 / 72

HEX #47153F

RGB 71 21 63

HSL 309.6, 0.54%, 0.18%

LAB 16.67, 29.59, -14.98

 

CMYK 0 / 94 / 19 / 79

HEX #36032C

RGB 54 3 44

HSL 311.76, 0.89%, 0.11%

LAB 9.25, 29.4, -13.13

 

CMYK 0 / 100 / 32 / 85

HEX #250019

RGB 37 0 25

HSL 319.46, 1%, 0.07%

LAB 4.19, 20.25, -6.51

 

CMYK 0 / 100 / 70 / 92

HEX #140006

RGB 20 0 6

HSL 342, 1%, 0.04%

LAB 1.46, 6.86, -0.15

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 70 / 11 / 73

HEX #46153E

RGB 70 21 62

HSL 309.8, 0.54%, 0.18%

LAB 16.44, 29.09, -14.66

 

CMYK 0 / 70 / 30 / 73

HEX #461531

RGB 70 21 49

HSL 325.71, 0.54%, 0.18%

LAB 15.8, 26.84, -6.42

 

CMYK 0 / 70 / 49 / 73

HEX #461524

RGB 70 21 36

HSL 341.63, 0.54%, 0.18%

LAB 15.31, 25.02, 2.24

 

CMYK 0 / 70 / 69 / 73

HEX #461516

RGB 70 21 22

HSL 358.78, 0.54%, 0.18%

LAB 14.93, 23.6, 11.87

 

CMYK 0 / 70 / 70 / 73

HEX #461515

RGB 70 21 21

HSL 0, 0.54%, 0.18%

LAB 14.91, 23.52, 12.55

 

CMYK 0 / 70 / 11 / 73

HEX #46153E

RGB 70 21 62

HSL 309.8, 0.54%, 0.18%

LAB 16.44, 29.09, -14.66

 

CMYK 7 / 70 / 0 / 73

HEX #411546

RGB 65 21 70

HSL 293.88, 0.54%, 0.18%

LAB 16.02, 29.19, -20.96

 

CMYK 27 / 70 / 0 / 73

HEX #331546

RGB 51 21 70

HSL 276.73, 0.54%, 0.18%

LAB 13.72, 25.17, -24.75

 

CMYK 46 / 70 / 0 / 73

HEX #261546

RGB 38 21 70

HSL 260.82, 0.54%, 0.18%

LAB 11.89, 21.67, -27.79

 

CMYK 64 / 70 / 0 / 73

HEX #191546

RGB 25 21 70

HSL 244.9, 0.54%, 0.18%

LAB 10.45, 18.65, -30.21

 

CMYK 0 / 70 / 11 / 73

HEX #46153E

RGB 70 21 62

HSL 309.8, 0.54%, 0.18%

LAB 16.44, 29.09, -14.66

 

CMYK 0 / 83 / 14 / 69

HEX #4E0D43

RGB 78 13 67

HSL 310.15, 0.71%, 0.18%

LAB 17.05, 35.69, -17.08

 

CMYK 0 / 93 / 15 / 67

HEX #550648

RGB 85 6 72

HSL 309.87, 0.87%, 0.18%

LAB 18.05, 40.34, -18.88

 

CMYK 0 / 70 / 11 / 73

HEX #46153E

RGB 70 21 62

HSL 309.8, 0.54%, 0.18%

LAB 16.44, 29.09, -14.66

 

CMYK 0 / 56 / 10 / 75

HEX #3F1C39

RGB 63 28 57

HSL 310.29, 0.38%, 0.18%

LAB 16.42, 21.78, -11.27

 

CMYK 0 / 36 / 5 / 78

HEX #372334

RGB 55 35 52

HSL 309, 0.22%, 0.18%

LAB 16.81, 12.95, -7.26

 

CMYK 0 / 10 / 2 / 81

HEX #302B2F

RGB 48 43 47

HSL 312, 0.05%, 0.18%

LAB 18.19, 3.19, -1.76

 

CMYK 20 / 0 / 16 / 80

HEX #28322A

RGB 40 50 42

HSL 132, 0.11%, 0.18%

LAB 19.64, -6.24, 3.69

 

CMYK 27 / 70 / 0 / 73

HEX #331546

RGB 51 21 70

HSL 276.73, 0.54%, 0.18%

LAB 13.72, 25.17, -24.75

 

CMYK 9 / 70 / 0 / 73

HEX #401546

RGB 64 21 70

HSL 292.65, 0.54%, 0.18%

LAB 15.84, 28.9, -21.25

 

CMYK 0 / 70 / 10 / 73

HEX #46153F

RGB 70 21 63

HSL 308.57, 0.54%, 0.18%

LAB 16.49, 29.28, -15.28

 

CMYK 0 / 70 / 29 / 73

HEX #461532

RGB 70 21 50

HSL 324.49, 0.54%, 0.18%

LAB 15.84, 27, -7.07

 

CMYK 0 / 70 / 49 / 73

HEX #461524

RGB 70 21 36

HSL 341.63, 0.54%, 0.18%

LAB 15.31, 25.02, 2.24

 

CMYK 0 / 71 / 14 / 97

HEX #070206

RGB 7 2 6

HSL 312, 0.56%, 0.02%

LAB 0.92, 1.86, -1.05

 

CMYK 0 / 71 / 11 / 85

HEX #260B22

RGB 38 11 34

HSL 308.89, 0.55%, 0.1%

LAB 6.93, 17.85, -9.43

 

CMYK 0 / 70 / 11 / 73

HEX #46153E

RGB 70 21 62

HSL 309.8, 0.54%, 0.18%

LAB 16.44, 29.09, -14.66

 

CMYK 0 / 71 / 12 / 60

HEX #661E5A

RGB 102 30 90

HSL 310, 0.55%, 0.26%

LAB 25.23, 39.45, -19.53

 

CMYK 0 / 70 / 11 / 47

HEX #862877

RGB 134 40 119

HSL 309.57, 0.54%, 0.34%

LAB 33.81, 48.85, -24.39

 

CMYK 0 / 70 / 11 / 72

HEX #47153F

RGB 71 21 63

HSL 309.6, 0.54%, 0.18%

LAB 16.67, 29.59, -14.98

 

CMYK 0 / 46 / 70 / 73

HEX #462615

RGB 70 38 21

HSL 20.82, 0.54%, 0.18%

LAB 18.98, 13.22, 17.58

 

CMYK 70 / 0 / 17 / 73

HEX #15463A

RGB 21 70 58

HSL 165.31, 0.54%, 0.18%

LAB 26.29, -19.78, 2.43

 

CMYK 0 / 70 / 11 / 72

HEX #47153F

RGB 71 21 63

HSL 309.6, 0.54%, 0.18%

LAB 16.67, 29.59, -14.98

 

CMYK 10 / 0 / 70 / 73

HEX #3F4615

RGB 63 70 21

HSL 68.57, 0.54%, 0.18%

LAB 28.09, -10.85, 27.66

 

CMYK 70 / 10 / 0 / 73

HEX #153F46

RGB 21 63 70

HSL 188.57, 0.54%, 0.18%

LAB 24.18, -11.88, -8.6

 

CMYK 0 / 70 / 11 / 72

HEX #47153F

RGB 71 21 63

HSL 309.6, 0.54%, 0.18%

LAB 16.67, 29.59, -14.98

 

CMYK 0 / 46 / 70 / 73

HEX #462615

RGB 70 38 21

HSL 20.82, 0.54%, 0.18%

LAB 18.98, 13.22, 17.58

 

CMYK 70 / 0 / 60 / 73

HEX #15461C

RGB 21 70 28

HSL 128.57, 0.54%, 0.18%

LAB 25.63, -26.73, 20.38

 

CMYK 70 / 24 / 0 / 73

HEX #153546

RGB 21 53 70

HSL 200.82, 0.54%, 0.18%

LAB 20.63, -5.54, -14.04

 

CMYK 0 / 70 / 11 / 72

HEX #47153F

RGB 71 21 63

HSL 309.6, 0.54%, 0.18%

LAB 16.67, 29.59, -14.98

 

CMYK 0 / 24 / 70 / 73

HEX #463515

RGB 70 53 21

HSL 39.18, 0.54%, 0.18%

LAB 23.35, 3.36, 22.66

 

CMYK 70 / 0 / 60 / 73

HEX #15461C

RGB 21 70 28

HSL 128.57, 0.54%, 0.18%

LAB 25.63, -26.73, 20.38

 

CMYK 70 / 46 / 0 / 73

HEX #152646

RGB 21 38 70

HSL 219.18, 0.54%, 0.18%

LAB 15.42, 5.03, -22.21

 

Description

Color code: HEX #47153F | qconv.com Color code: HEX #47153F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 21 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 21 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 11 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 11% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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