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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4719C6 it is the complementary color #B8E639. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4719C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4719C6 shade: #4C19C1, #5D2BD4, #6E3DE7, #7F4FFA and #9061FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4719C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4719C6 shade: #4719C6, #3607B3, #2500A0, #14008D and #03007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4719C6 shade: #4718C7, #7618C7, #A518C7, #C718BA and #C7188B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4719C6 shade: #4718C7 and #1818C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4719C6 shade matches the following richer shades: #4718C7 and #3E06D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4719C6 shade: #4718C7, #4F2AB5, #583CA3, #604F91 and #69617F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4719C6 shade: #184AC7, #181BC7, #4418C7, #7318C7 and #A118C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4719C6 shade: #2D0F7E, #3A14A2, #4718C7, #5825E4 and #744AE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4719C6 shade: #4719C6, #C71878 and #32C718

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4719C6 shade: #4719C6, #C74418 and #18C744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4719C6 shade: #4719C6, #C71878, #9BC718 and #18C767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4719C6 shade: #4719C6, #C71844, #9BC718 and #18C79B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 87 / 0 / 22

HEX #4719C6

RGB 71 25 198

HSL 255.95, 0.78%, 0.44%

LAB 29.69, 61.58, -79.44

 

Complementary color

CMYK 20 / 0 / 75 / 10

HEX #B8E639

RGB 184 230 57

HSL 75.95, 0.78%, 0.56%

LAB 85.54, -37.31, 73.54

 

CMYK 61 / 87 / 0 / 24

HEX #4C19C1

RGB 76 25 193

HSL 258.21, 0.77%, 0.43%

LAB 29.62, 60.68, -76.61

 

CMYK 56 / 80 / 0 / 17

HEX #5D2BD4

RGB 93 43 212

HSL 257.75, 0.66%, 0.5%

LAB 35.61, 60.68, -77.74

 

CMYK 52 / 74 / 0 / 9

HEX #6E3DE7

RGB 110 61 231

HSL 257.29, 0.78%, 0.57%

LAB 41.88, 59.93, -78.25

 

CMYK 49 / 68 / 0 / 2

HEX #7F4FFA

RGB 127 79 250

HSL 256.84, 0.94%, 0.65%

LAB 48.27, 58.83, -78.41

 

CMYK 44 / 62 / 0 / 0

HEX #9061FF

RGB 144 97 255

HSL 257.85, 1%, 0.69%

LAB 53.71, 53.87, -72.27

 

CMYK 64 / 87 / 0 / 22

HEX #4719C6

RGB 71 25 198

HSL 255.95, 0.78%, 0.44%

LAB 29.69, 61.58, -79.44

 

CMYK 70 / 96 / 0 / 30

HEX #3607B3

RGB 54 7 179

HSL 256.4, 0.92%, 0.36%

LAB 24.29, 60.26, -77.2

 

CMYK 77 / 100 / 0 / 37

HEX #2500A0

RGB 37 0 160

HSL 253.88, 1%, 0.31%

LAB 19.77, 56.49, -73.28

 

CMYK 86 / 100 / 0 / 45

HEX #14008D

RGB 20 0 141

HSL 248.51, 1%, 0.28%

LAB 15.86, 51.22, -68.08

 

CMYK 98 / 100 / 0 / 52

HEX #03007A

RGB 3 0 122

HSL 241.48, 1%, 0.24%

LAB 12.12, 45.94, -62.29

 

CMYK 64 / 88 / 0 / 22

HEX #4718C7

RGB 71 24 199

HSL 256.11, 0.78%, 0.44%

LAB 29.7, 62.15, -80.01

 

CMYK 41 / 88 / 0 / 22

HEX #7618C7

RGB 118 24 199

HSL 272.23, 0.78%, 0.44%

LAB 35.26, 66.76, -70.66

 

CMYK 17 / 88 / 0 / 22

HEX #A518C7

RGB 165 24 199

HSL 288.34, 0.78%, 0.44%

LAB 42.42, 73.38, -58.67

 

CMYK 0 / 88 / 7 / 22

HEX #C718BA

RGB 199 24 186

HSL 304.46, 0.78%, 0.44%

LAB 47.42, 77.15, -42.75

 

CMYK 0 / 88 / 30 / 22

HEX #C7188B

RGB 199 24 139

HSL 320.57, 0.78%, 0.44%

LAB 45.16, 71.18, -18.23

 

CMYK 64 / 88 / 0 / 22

HEX #4718C7

RGB 71 24 199

HSL 256.11, 0.78%, 0.44%

LAB 29.7, 62.15, -80.01

 

CMYK 88 / 88 / 0 / 22

HEX #1818C7

RGB 24 24 199

HSL 240, 0.78%, 0.44%

LAB 26.65, 59.91, -85.17

 

CMYK 64 / 88 / 0 / 22

HEX #4718C7

RGB 71 24 199

HSL 256.11, 0.78%, 0.44%

LAB 29.7, 62.15, -80.01

 

CMYK 71 / 97 / 0 / 15

HEX #3E06D9

RGB 62 6 217

HSL 255.92, 0.95%, 0.44%

LAB 29.82, 70.12, -90.31

 

CMYK 64 / 88 / 0 / 22

HEX #4718C7

RGB 71 24 199

HSL 256.11, 0.78%, 0.44%

LAB 29.7, 62.15, -80.01

 

CMYK 56 / 77 / 0 / 29

HEX #4F2AB5

RGB 79 42 181

HSL 255.97, 0.62%, 0.44%

LAB 31.01, 50.93, -67.21

 

CMYK 46 / 63 / 0 / 36

HEX #583CA3

RGB 88 60 163

HSL 256.31, 0.46%, 0.44%

LAB 33.88, 37.57, -51.7

 

CMYK 34 / 46 / 0 / 43

HEX #604F91

RGB 96 79 145

HSL 255.45, 0.29%, 0.44%

LAB 38.06, 22.8, -34.08

 

CMYK 17 / 24 / 0 / 50

HEX #69617F

RGB 105 97 127

HSL 256, 0.13%, 0.44%

LAB 42.89, 9.78, -15.59

 

CMYK 88 / 63 / 0 / 22

HEX #184AC7

RGB 24 74 199

HSL 222.86, 0.78%, 0.44%

LAB 36.4, 32.66, -69.06

 

CMYK 88 / 86 / 0 / 22

HEX #181BC7

RGB 24 27 199

HSL 238.97, 0.78%, 0.44%

LAB 27.02, 58.79, -84.56

 

CMYK 66 / 88 / 0 / 22

HEX #4418C7

RGB 68 24 199

HSL 255.09, 0.78%, 0.44%

LAB 29.43, 61.94, -80.48

 

CMYK 42 / 88 / 0 / 22

HEX #7318C7

RGB 115 24 199

HSL 271.2, 0.78%, 0.44%

LAB 34.85, 66.39, -71.35

 

CMYK 19 / 88 / 0 / 22

HEX #A118C7

RGB 161 24 199

HSL 286.97, 0.78%, 0.44%

LAB 41.77, 72.76, -59.75

 

CMYK 64 / 88 / 0 / 51

HEX #2D0F7E

RGB 45 15 126

HSL 256.22, 0.79%, 0.28%

LAB 17.49, 43.24, -55.84

 

CMYK 64 / 88 / 0 / 36

HEX #3A14A2

RGB 58 20 162

HSL 256.06, 0.78%, 0.36%

LAB 23.7, 52.62, -67.91

 

CMYK 64 / 88 / 0 / 22

HEX #4718C7

RGB 71 24 199

HSL 256.11, 0.78%, 0.44%

LAB 29.7, 62.15, -80.01

 

CMYK 61 / 84 / 0 / 11

HEX #5825E4

RGB 88 37 228

HSL 256.02, 0.78%, 0.52%

LAB 35.98, 66.69, -86.33

 

CMYK 50 / 68 / 0 / 9

HEX #744AE8

RGB 116 74 232

HSL 255.95, 0.77%, 0.6%

LAB 44.85, 54.68, -73.92

 

CMYK 64 / 87 / 0 / 22

HEX #4719C6

RGB 71 25 198

HSL 255.95, 0.78%, 0.44%

LAB 29.69, 61.58, -79.44

 

CMYK 0 / 88 / 40 / 22

HEX #C71878

RGB 199 24 120

HSL 327.09, 0.78%, 0.44%

LAB 44.45, 69.22, -7.66

 

CMYK 75 / 0 / 88 / 22

HEX #32C718

RGB 50 199 24

HSL 111.09, 0.78%, 0.44%

LAB 70.59, -66.68, 66.45

 

CMYK 64 / 87 / 0 / 22

HEX #4719C6

RGB 71 25 198

HSL 255.95, 0.78%, 0.44%

LAB 29.69, 61.58, -79.44

 

CMYK 0 / 66 / 88 / 22

HEX #C74418

RGB 199 68 24

HSL 15.09, 0.78%, 0.44%

LAB 47.42, 50.31, 51.32

 

CMYK 88 / 0 / 66 / 22

HEX #18C744

RGB 24 199 68

HSL 135.09, 0.78%, 0.44%

LAB 70.5, -66.56, 52.4

 

CMYK 64 / 87 / 0 / 22

HEX #4719C6

RGB 71 25 198

HSL 255.95, 0.78%, 0.44%

LAB 29.69, 61.58, -79.44

 

CMYK 0 / 88 / 40 / 22

HEX #C71878

RGB 199 24 120

HSL 327.09, 0.78%, 0.44%

LAB 44.45, 69.22, -7.66

 

CMYK 22 / 0 / 88 / 22

HEX #9BC718

RGB 155 199 24

HSL 75.09, 0.78%, 0.44%

LAB 74.75, -35.86, 71.63

 

CMYK 88 / 0 / 48 / 22

HEX #18C767

RGB 24 199 103

HSL 147.09, 0.78%, 0.44%

LAB 70.88, -61.81, 36.65

 

CMYK 64 / 87 / 0 / 22

HEX #4719C6

RGB 71 25 198

HSL 255.95, 0.78%, 0.44%

LAB 29.69, 61.58, -79.44

 

CMYK 0 / 88 / 66 / 22

HEX #C71844

RGB 199 24 68

HSL 344.91, 0.78%, 0.44%

LAB 43.08, 65.37, 22.88

 

CMYK 22 / 0 / 88 / 22

HEX #9BC718

RGB 155 199 24

HSL 75.09, 0.78%, 0.44%

LAB 74.75, -35.86, 71.63

 

CMYK 88 / 0 / 22 / 22

HEX #18C79B

RGB 24 199 155

HSL 164.91, 0.78%, 0.44%

LAB 71.83, -51.05, 10.64

 

Description

Color code: HEX #4719C6 | qconv.com Color code: HEX #4719C6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 25 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 25 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 87 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 87% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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