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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #471A68 it is the complementary color #B8E597. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #471A68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #471A68 shade: #4C1A63, #5D2C76, #6E3E89, #7F509C and #9062AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #471A68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #471A68 shade: #471A68, #360855, #250042, #14002F and #03001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #471A68 shade: #451966, #5A1966, #66195D, #661948 and #661933

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #471A68 shade: #451966, #311966, #1C1966 and #191966

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #471A68 shade matches the following richer shades: #451966, #470F70 and #48047A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #471A68 shade: #451966, #44235B, #422E51, #403847 and #3F423C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #471A68 shade: #1C1966, #301966, #441966, #591966 and #66195E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #471A68 shade: #180823, #2F1144, #451966, #5C2187 and #722AA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #471A68 shade: #471A68, #66192B and #196626

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #471A68 shade: #471A68, #664419 and #196644

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #471A68 shade: #471A68, #66192B, #3A6619 and #196654

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #471A68 shade: #471A68, #661E19, #3A6619 and #196066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 75 / 0 / 59

HEX #471A68

RGB 71 26 104

HSL 274.62, 0.6%, 0.25%

LAB 20.35, 36.31, -36.81

 

Complementary color

CMYK 20 / 0 / 34 / 10

HEX #B8E597

RGB 184 229 151

HSL 94.62, 0.6%, 0.75%

LAB 86.24, -28.17, 33.42

 

CMYK 23 / 74 / 0 / 61

HEX #4C1A63

RGB 76 26 99

HSL 281.1, 0.58%, 0.25%

LAB 20.74, 36.24, -32.88

 

CMYK 21 / 63 / 0 / 54

HEX #5D2C76

RGB 93 44 118

HSL 279.73, 0.46%, 0.32%

LAB 27.94, 35.79, -33.45

 

CMYK 20 / 55 / 0 / 46

HEX #6E3E89

RGB 110 62 137

HSL 278.4, 0.38%, 0.39%

LAB 35.14, 34.99, -33.73

 

CMYK 19 / 49 / 0 / 39

HEX #7F509C

RGB 127 80 156

HSL 277.11, 0.32%, 0.46%

LAB 42.23, 34.11, -33.9

 

CMYK 18 / 44 / 0 / 31

HEX #9062AF

RGB 144 98 175

HSL 275.84, 0.32%, 0.54%

LAB 49.2, 33.25, -34.02

 

CMYK 32 / 75 / 0 / 59

HEX #471A68

RGB 71 26 104

HSL 274.62, 0.6%, 0.25%

LAB 20.35, 36.31, -36.81

 

CMYK 36 / 91 / 0 / 67

HEX #360855

RGB 54 8 85

HSL 275.84, 0.83%, 0.18%

LAB 13.31, 35.9, -35.72

 

CMYK 44 / 100 / 0 / 74

HEX #250042

RGB 37 0 66

HSL 273.64, 1%, 0.13%

LAB 7.11, 32.34, -32.79

 

CMYK 57 / 100 / 0 / 82

HEX #14002F

RGB 20 0 47

HSL 265.53, 1%, 0.09%

LAB 3.2, 19.05, -25.33

 

CMYK 89 / 100 / 0 / 89

HEX #03001C

RGB 3 0 28

HSL 246.43, 1%, 0.05%

LAB 0.93, 6.11, -14.11

 

CMYK 32 / 75 / 0 / 60

HEX #451966

RGB 69 25 102

HSL 274.29, 0.61%, 0.25%

LAB 19.72, 35.85, -36.54

 

CMYK 12 / 75 / 0 / 60

HEX #5A1966

RGB 90 25 102

HSL 290.65, 0.61%, 0.25%

LAB 23.1, 40.69, -30.93

 

CMYK 0 / 75 / 9 / 60

HEX #66195D

RGB 102 25 93

HSL 307.01, 0.61%, 0.25%

LAB 24.67, 42, -22.39

 

CMYK 0 / 75 / 29 / 60

HEX #661948

RGB 102 25 72

HSL 323.38, 0.61%, 0.25%

LAB 23.63, 38.73, -9.96

 

CMYK 0 / 75 / 50 / 60

HEX #661933

RGB 102 25 51

HSL 339.74, 0.61%, 0.25%

LAB 22.86, 36.18, 3.29

 

CMYK 32 / 75 / 0 / 60

HEX #451966

RGB 69 25 102

HSL 274.29, 0.61%, 0.25%

LAB 19.72, 35.85, -36.54

 

CMYK 52 / 75 / 0 / 60

HEX #311966

RGB 49 25 102

HSL 258.7, 0.61%, 0.25%

LAB 17.02, 31.75, -41.05

 

CMYK 73 / 75 / 0 / 60

HEX #1C1966

RGB 28 25 102

HSL 242.34, 0.61%, 0.25%

LAB 14.96, 28.41, -44.51

 

CMYK 75 / 75 / 0 / 60

HEX #191966

RGB 25 25 102

HSL 240, 0.61%, 0.25%

LAB 14.74, 28.04, -44.88

 

CMYK 32 / 75 / 0 / 60

HEX #451966

RGB 69 25 102

HSL 274.29, 0.61%, 0.25%

LAB 19.72, 35.85, -36.54

 

CMYK 37 / 87 / 0 / 56

HEX #470F70

RGB 71 15 112

HSL 274.64, 0.76%, 0.25%

LAB 19.44, 42.89, -43.51

 

CMYK 41 / 97 / 0 / 52

HEX #48047A

RGB 72 4 122

HSL 274.58, 0.94%, 0.25%

LAB 19.51, 48.51, -49.82

 

CMYK 32 / 75 / 0 / 60

HEX #451966

RGB 69 25 102

HSL 274.29, 0.61%, 0.25%

LAB 19.72, 35.85, -36.54

 

CMYK 25 / 62 / 0 / 64

HEX #44235B

RGB 68 35 91

HSL 275.36, 0.44%, 0.25%

LAB 20.78, 27.24, -27.59

 

CMYK 19 / 43 / 0 / 68

HEX #422E51

RGB 66 46 81

HSL 274.29, 0.28%, 0.25%

LAB 22.68, 16.93, -17.95

 

CMYK 10 / 21 / 0 / 72

HEX #403847

RGB 64 56 71

HSL 272, 0.12%, 0.25%

LAB 24.87, 6.92, -7.94

 

CMYK 5 / 0 / 9 / 74

HEX #3F423C

RGB 63 66 60

HSL 90, 0.05%, 0.25%

LAB 27.52, -2.58, 3.22

 

CMYK 73 / 75 / 0 / 60

HEX #1C1966

RGB 28 25 102

HSL 242.34, 0.61%, 0.25%

LAB 14.96, 28.41, -44.51

 

CMYK 53 / 75 / 0 / 60

HEX #301966

RGB 48 25 102

HSL 257.92, 0.61%, 0.25%

LAB 16.91, 31.57, -41.24

 

CMYK 33 / 75 / 0 / 60

HEX #441966

RGB 68 25 102

HSL 273.51, 0.61%, 0.25%

LAB 19.57, 35.63, -36.79

 

CMYK 13 / 75 / 0 / 60

HEX #591966

RGB 89 25 102

HSL 289.87, 0.61%, 0.25%

LAB 22.92, 40.45, -31.21

 

CMYK 0 / 75 / 8 / 60

HEX #66195E

RGB 102 25 94

HSL 306.23, 0.61%, 0.25%

LAB 24.73, 42.17, -22.96

 

CMYK 31 / 77 / 0 / 86

HEX #180823

RGB 24 8 35

HSL 275.56, 0.63%, 0.08%

LAB 4.42, 12.37, -14.23

 

CMYK 31 / 75 / 0 / 73

HEX #2F1144

RGB 47 17 68

HSL 275.29, 0.6%, 0.17%

LAB 12.11, 25.86, -25.99

 

CMYK 32 / 75 / 0 / 60

HEX #451966

RGB 69 25 102

HSL 274.29, 0.61%, 0.25%

LAB 19.72, 35.85, -36.54

 

CMYK 32 / 76 / 0 / 47

HEX #5C2187

RGB 92 33 135

HSL 274.71, 0.61%, 0.33%

LAB 27.05, 45.08, -45.6

 

CMYK 32 / 75 / 0 / 34

HEX #722AA8

RGB 114 42 168

HSL 274.29, 0.6%, 0.41%

LAB 34.11, 53.22, -54.19

 

CMYK 32 / 75 / 0 / 59

HEX #471A68

RGB 71 26 104

HSL 274.62, 0.6%, 0.25%

LAB 20.35, 36.31, -36.81

 

CMYK 0 / 75 / 58 / 60

HEX #66192B

RGB 102 25 43

HSL 345.97, 0.61%, 0.25%

LAB 22.63, 35.43, 8.52

 

CMYK 75 / 0 / 63 / 60

HEX #196626

RGB 25 102 38

HSL 130.13, 0.61%, 0.25%

LAB 37.57, -37.49, 29.11

 

CMYK 32 / 75 / 0 / 59

HEX #471A68

RGB 71 26 104

HSL 274.62, 0.6%, 0.25%

LAB 20.35, 36.31, -36.81

 

CMYK 0 / 33 / 75 / 60

HEX #664419

RGB 102 68 25

HSL 33.51, 0.61%, 0.25%

LAB 31.87, 10.2, 30.94

 

CMYK 75 / 0 / 33 / 60

HEX #196644

RGB 25 102 68

HSL 153.51, 0.61%, 0.25%

LAB 38.07, -31.83, 12.73

 

CMYK 32 / 75 / 0 / 59

HEX #471A68

RGB 71 26 104

HSL 274.62, 0.6%, 0.25%

LAB 20.35, 36.31, -36.81

 

CMYK 0 / 75 / 58 / 60

HEX #66192B

RGB 102 25 43

HSL 345.97, 0.61%, 0.25%

LAB 22.63, 35.43, 8.52

 

CMYK 43 / 0 / 75 / 60

HEX #3A6619

RGB 58 102 25

HSL 94.29, 0.61%, 0.25%

LAB 38.68, -29.42, 36.76

 

CMYK 75 / 0 / 18 / 60

HEX #196654

RGB 25 102 84

HSL 165.97, 0.61%, 0.25%

LAB 38.46, -27.67, 3.58

 

CMYK 32 / 75 / 0 / 59

HEX #471A68

RGB 71 26 104

HSL 274.62, 0.6%, 0.25%

LAB 20.35, 36.31, -36.81

 

CMYK 0 / 71 / 75 / 60

HEX #661E19

RGB 102 30 25

HSL 3.9, 0.61%, 0.25%

LAB 23.08, 31.95, 21.26

 

CMYK 43 / 0 / 75 / 60

HEX #3A6619

RGB 58 102 25

HSL 94.29, 0.61%, 0.25%

LAB 38.68, -29.42, 36.76

 

CMYK 75 / 6 / 0 / 60

HEX #196066

RGB 25 96 102

HSL 184.68, 0.61%, 0.25%

LAB 36.99, -18.99, -9.69

 

Description

Color code: HEX #471A68 | qconv.com Color code: HEX #471A68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 26 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 26 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 75 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 75% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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