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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #471A76 it is the complementary color #B8E589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #471A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #471A76 shade: #4C1A71, #5D2C84, #6E3E97, #7F50AA and #9062BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #471A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #471A76 shade: #471A76, #360863, #250050, #14003D and #03002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #471A76 shade: #461975, #5F1975, #751972, #751959 and #751941

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #471A76 shade: #461975, #2D1975 and #191975

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #471A76 shade matches the following richer shades: #461975, #460E80 and #45028C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #471A76 shade: #461975, #462569, #46305D, #473C52 and #474746

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #471A76 shade: #191E75, #2D1975, #451975, #5E1975 and #751973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #471A76 shade: #1D0A31, #321253, #461975, #5A2196 and #6F28B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #471A76 shade: #471A76, #751936 and #197521

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #471A76 shade: #471A76, #754519 and #197545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #471A76 shade: #471A76, #751936, #487519 and #197558

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #471A76 shade: #471A76, #75191B, #487519 and #197573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 78 / 0 / 54

HEX #471A76

RGB 71 26 118

HSL 269.35, 0.64%, 0.28%

LAB 21.53, 39.92, -43.96

 

Complementary color

CMYK 20 / 0 / 40 / 10

HEX #B8E589

RGB 184 229 137

HSL 89.35, 0.64%, 0.72%

LAB 86.02, -30.03, 40.16

 

CMYK 33 / 77 / 0 / 56

HEX #4C1A71

RGB 76 26 113

HSL 274.48, 0.63%, 0.27%

LAB 21.83, 39.63, -40.23

 

CMYK 30 / 67 / 0 / 48

HEX #5D2C84

RGB 93 44 132

HSL 273.41, 0.5%, 0.35%

LAB 28.89, 39.21, -40.75

 

CMYK 27 / 59 / 0 / 41

HEX #6E3E97

RGB 110 62 151

HSL 272.36, 0.42%, 0.42%

LAB 35.97, 38.38, -40.95

 

CMYK 25 / 53 / 0 / 33

HEX #7F50AA

RGB 127 80 170

HSL 271.33, 0.36%, 0.49%

LAB 42.99, 37.45, -41.02

 

CMYK 24 / 48 / 0 / 26

HEX #9062BD

RGB 144 98 189

HSL 270.33, 0.41%, 0.56%

LAB 49.9, 36.52, -41.04

 

CMYK 40 / 78 / 0 / 54

HEX #471A76

RGB 71 26 118

HSL 269.35, 0.64%, 0.28%

LAB 21.53, 39.92, -43.96

 

CMYK 45 / 92 / 0 / 61

HEX #360863

RGB 54 8 99

HSL 270.33, 0.85%, 0.21%

LAB 14.73, 39.42, -42.8

 

CMYK 54 / 100 / 0 / 69

HEX #250050

RGB 37 0 80

HSL 267.75, 1%, 0.16%

LAB 8.76, 36, -39.88

 

CMYK 67 / 100 / 0 / 76

HEX #14003D

RGB 20 0 61

HSL 259.67, 1%, 0.12%

LAB 4.39, 26.27, -33.74

 

CMYK 93 / 100 / 0 / 84

HEX #03002A

RGB 3 0 42

HSL 244.29, 1%, 0.08%

LAB 1.68, 11.4, -24

 

CMYK 40 / 79 / 0 / 54

HEX #461975

RGB 70 25 117

HSL 269.35, 0.65%, 0.28%

LAB 21.14, 39.93, -43.96

 

CMYK 19 / 79 / 0 / 54

HEX #5F1975

RGB 95 25 117

HSL 285.65, 0.65%, 0.28%

LAB 24.99, 44.95, -37.54

 

CMYK 0 / 79 / 3 / 54

HEX #751972

RGB 117 25 114

HSL 301.96, 0.65%, 0.28%

LAB 28.62, 49.25, -29.59

 

CMYK 0 / 79 / 24 / 54

HEX #751959

RGB 117 25 89

HSL 318.26, 0.65%, 0.28%

LAB 27.29, 45.33, -15.46

 

CMYK 0 / 79 / 44 / 54

HEX #751941

RGB 117 25 65

HSL 333.91, 0.65%, 0.28%

LAB 26.33, 42.35, -0.88

 

CMYK 40 / 79 / 0 / 54

HEX #461975

RGB 70 25 117

HSL 269.35, 0.65%, 0.28%

LAB 21.14, 39.93, -43.96

 

CMYK 62 / 79 / 0 / 54

HEX #2D1975

RGB 45 25 117

HSL 253.04, 0.65%, 0.28%

LAB 18.09, 35.82, -49.08

 

CMYK 79 / 79 / 0 / 54

HEX #191975

RGB 25 25 117

HSL 240, 0.65%, 0.28%

LAB 16.44, 33.52, -51.86

 

CMYK 40 / 79 / 0 / 54

HEX #461975

RGB 70 25 117

HSL 269.35, 0.65%, 0.28%

LAB 21.14, 39.93, -43.96

 

CMYK 45 / 89 / 0 / 50

HEX #460E80

RGB 70 14 128

HSL 269.47, 0.8%, 0.28%

LAB 20.73, 46.98, -51.65

 

CMYK 51 / 99 / 0 / 45

HEX #45028C

RGB 69 2 140

HSL 269.13, 0.97%, 0.28%

LAB 20.84, 52.88, -59.04

 

CMYK 40 / 79 / 0 / 54

HEX #461975

RGB 70 25 117

HSL 269.35, 0.65%, 0.28%

LAB 21.14, 39.93, -43.96

 

CMYK 33 / 65 / 0 / 59

HEX #462569

RGB 70 37 105

HSL 269.12, 0.48%, 0.28%

LAB 22.46, 30.35, -34.07

 

CMYK 25 / 48 / 0 / 64

HEX #46305D

RGB 70 48 93

HSL 269.33, 0.32%, 0.28%

LAB 24.34, 20.19, -23.24

 

CMYK 13 / 27 / 0 / 68

HEX #473C52

RGB 71 60 82

HSL 270, 0.15%, 0.28%

LAB 27.24, 9.75, -11.52

 

CMYK 0 / 0 / 1 / 72

HEX #474746

RGB 71 71 70

HSL 60, 0.01%, 0.28%

LAB 30.13, -0.22, 0.6

 

CMYK 79 / 74 / 0 / 54

HEX #191E75

RGB 25 30 117

HSL 236.74, 0.65%, 0.28%

LAB 17.55, 30.4, -50.02

 

CMYK 62 / 79 / 0 / 54

HEX #2D1975

RGB 45 25 117

HSL 253.04, 0.65%, 0.28%

LAB 18.09, 35.82, -49.08

 

CMYK 41 / 79 / 0 / 54

HEX #451975

RGB 69 25 117

HSL 268.7, 0.65%, 0.28%

LAB 21, 39.75, -44.2

 

CMYK 20 / 79 / 0 / 54

HEX #5E1975

RGB 94 25 117

HSL 285, 0.65%, 0.28%

LAB 24.83, 44.73, -37.81

 

CMYK 0 / 79 / 2 / 54

HEX #751973

RGB 117 25 115

HSL 301.3, 0.65%, 0.28%

LAB 28.68, 49.42, -30.14

 

CMYK 41 / 80 / 0 / 81

HEX #1D0A31

RGB 29 10 49

HSL 269.23, 0.66%, 0.12%

LAB 6.32, 19.21, -21.78

 

CMYK 40 / 78 / 0 / 67

HEX #321253

RGB 50 18 83

HSL 269.54, 0.64%, 0.2%

LAB 14.03, 30.18, -33.21

 

CMYK 40 / 79 / 0 / 54

HEX #461975

RGB 70 25 117

HSL 269.35, 0.65%, 0.28%

LAB 21.14, 39.93, -43.96

 

CMYK 40 / 78 / 0 / 41

HEX #5A2196

RGB 90 33 150

HSL 269.23, 0.64%, 0.36%

LAB 28.02, 48.39, -53.33

 

CMYK 40 / 78 / 0 / 28

HEX #6F28B8

RGB 111 40 184

HSL 269.58, 0.64%, 0.44%

LAB 34.72, 57.27, -62.76

 

CMYK 40 / 78 / 0 / 54

HEX #471A76

RGB 71 26 118

HSL 269.35, 0.64%, 0.28%

LAB 21.53, 39.92, -43.96

 

CMYK 0 / 79 / 54 / 54

HEX #751936

RGB 117 25 54

HSL 341.09, 0.65%, 0.28%

LAB 25.99, 41.27, 6.1

 

CMYK 79 / 0 / 72 / 54

HEX #197521

RGB 25 117 33

HSL 125.22, 0.65%, 0.28%

LAB 42.82, -43.59, 37.32

 

CMYK 40 / 78 / 0 / 54

HEX #471A76

RGB 71 26 118

HSL 269.35, 0.64%, 0.28%

LAB 21.53, 39.92, -43.96

 

CMYK 0 / 41 / 79 / 54

HEX #754519

RGB 117 69 25

HSL 28.7, 0.65%, 0.28%

LAB 34.21, 16.76, 34

 

CMYK 79 / 0 / 41 / 54

HEX #197545

RGB 25 117 69

HSL 148.7, 0.65%, 0.28%

LAB 43.3, -37.98, 19.19

 

CMYK 40 / 78 / 0 / 54

HEX #471A76

RGB 71 26 118

HSL 269.35, 0.64%, 0.28%

LAB 21.53, 39.92, -43.96

 

CMYK 0 / 79 / 54 / 54

HEX #751936

RGB 117 25 54

HSL 341.09, 0.65%, 0.28%

LAB 25.99, 41.27, 6.1

 

CMYK 38 / 0 / 79 / 54

HEX #487519

RGB 72 117 25

HSL 89.35, 0.65%, 0.28%

LAB 44.48, -31.02, 42.75

 

CMYK 79 / 0 / 25 / 54

HEX #197558

RGB 25 117 88

HSL 161.09, 0.65%, 0.28%

LAB 43.7, -33.54, 8.63

 

CMYK 40 / 78 / 0 / 54

HEX #471A76

RGB 71 26 118

HSL 269.35, 0.64%, 0.28%

LAB 21.53, 39.92, -43.96

 

CMYK 0 / 79 / 77 / 54

HEX #75191B

RGB 117 25 27

HSL 358.7, 0.65%, 0.28%

LAB 25.43, 39.45, 23.48

 

CMYK 38 / 0 / 79 / 54

HEX #487519

RGB 72 117 25

HSL 89.35, 0.65%, 0.28%

LAB 44.48, -31.02, 42.75

 

CMYK 79 / 0 / 2 / 54

HEX #197573

RGB 25 117 115

HSL 178.7, 0.65%, 0.28%

LAB 44.47, -25.74, -6.38

 

Description

Color code: HEX #471A76 | qconv.com Color code: HEX #471A76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 26 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 26 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 78 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 78% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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