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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #471C53 it is the complementary color #B8E3AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #471C53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #471C53 shade: #4C1C4E, #5D2E61, #6E4074, #7F5287 and #90649A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #471C53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #471C53 shade: #471C53, #360A40, #25002D, #14001A and #030007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #471C53 shade: #471C54, #541C51, #541C42, #541C33 and #541C23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #471C53 shade: #471C54, #381C54, #291C54 and #1C1C54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #471C53 shade matches the following richer shades: #471C54, #4D125D, #520966 and #57006F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #471C53 shade: #471C54, #42254B, #3D2E41, #383738 and #33402F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #471C53 shade: #291C54, #381C54, #471C54, #541C52 and #541C43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #471C53 shade: #130716, #2D1135, #471C54, #622673 and #7C3092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #471C53 shade: #471C53, #541C1D and #1C5430

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #471C53 shade: #471C53, #54471C and #1C5447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #471C53 shade: #471C53, #541C1D, #29541C and #1C5452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #471C53 shade: #471C53, #542B1C, #29541C and #1C4554

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 66 / 0 / 67

HEX #471C53

RGB 71 28 83

HSL 286.91, 0.5%, 0.22%

LAB 19.2, 30.15, -24.72

 

Complementary color

CMYK 19 / 0 / 24 / 11

HEX #B8E3AC

RGB 184 227 172

HSL 106.91, 0.5%, 0.78%

LAB 86.06, -24.06, 22.4

 

CMYK 3 / 64 / 0 / 69

HEX #4C1C4E

RGB 76 28 78

HSL 297.6, 0.47%, 0.21%

LAB 19.71, 30.52, -20.49

 

CMYK 4 / 53 / 0 / 62

HEX #5D2E61

RGB 93 46 97

HSL 295.29, 0.36%, 0.28%

LAB 27.14, 29.91, -21.24

 

CMYK 5 / 45 / 0 / 55

HEX #6E4074

RGB 110 64 116

HSL 293.08, 0.29%, 0.35%

LAB 34.48, 29.1, -21.73

 

CMYK 6 / 39 / 0 / 47

HEX #7F5287

RGB 127 82 135

HSL 290.94, 0.24%, 0.43%

LAB 41.68, 28.26, -22.1

 

CMYK 6 / 35 / 0 / 40

HEX #90649A

RGB 144 100 154

HSL 288.89, 0.21%, 0.5%

LAB 48.73, 27.48, -22.43

 

CMYK 14 / 66 / 0 / 67

HEX #471C53

RGB 71 28 83

HSL 286.91, 0.5%, 0.22%

LAB 19.2, 30.15, -24.72

 

CMYK 16 / 84 / 0 / 75

HEX #360A40

RGB 54 10 64

HSL 288.89, 0.73%, 0.15%

LAB 11.77, 30.1, -23.65

 

CMYK 18 / 100 / 0 / 82

HEX #25002D

RGB 37 0 45

HSL 289.33, 1%, 0.09%

LAB 5.26, 25.94, -20.41

 

CMYK 23 / 100 / 0 / 90

HEX #14001A

RGB 20 0 26

HSL 286.15, 1%, 0.05%

LAB 2.02, 10.76, -10.75

 

CMYK 57 / 100 / 0 / 97

HEX #030007

RGB 3 0 7

HSL 265.71, 1%, 0.01%

LAB 0.31, 1.76, -2.37

 

CMYK 15 / 67 / 0 / 67

HEX #471C54

RGB 71 28 84

HSL 286.07, 0.5%, 0.22%

LAB 19.27, 30.38, -25.29

 

CMYK 0 / 67 / 4 / 67

HEX #541C51

RGB 84 28 81

HSL 303.21, 0.5%, 0.22%

LAB 21.24, 33.53, -20.01

 

CMYK 0 / 67 / 21 / 67

HEX #541C42

RGB 84 28 66

HSL 319.29, 0.5%, 0.22%

LAB 20.47, 30.81, -10.99

 

CMYK 0 / 67 / 39 / 67

HEX #541C33

RGB 84 28 51

HSL 335.36, 0.5%, 0.22%

LAB 19.86, 28.55, -1.5

 

CMYK 0 / 67 / 58 / 67

HEX #541C23

RGB 84 28 35

HSL 352.5, 0.5%, 0.22%

LAB 19.38, 26.7, 9.06

 

CMYK 15 / 67 / 0 / 67

HEX #471C54

RGB 71 28 84

HSL 286.07, 0.5%, 0.22%

LAB 19.27, 30.38, -25.29

 

CMYK 33 / 67 / 0 / 67

HEX #381C54

RGB 56 28 84

HSL 270, 0.5%, 0.22%

LAB 17.04, 26.21, -28.98

 

CMYK 51 / 67 / 0 / 67

HEX #291C54

RGB 41 28 84

HSL 253.93, 0.5%, 0.22%

LAB 15.18, 22.38, -32.08

 

CMYK 67 / 67 / 0 / 67

HEX #1C1C54

RGB 28 28 84

HSL 240, 0.5%, 0.22%

LAB 13.93, 19.58, -34.17

 

CMYK 15 / 67 / 0 / 67

HEX #471C54

RGB 71 28 84

HSL 286.07, 0.5%, 0.22%

LAB 19.27, 30.38, -25.29

 

CMYK 17 / 81 / 0 / 64

HEX #4D125D

RGB 77 18 93

HSL 287.2, 0.68%, 0.22%

LAB 19.23, 38.61, -31.33

 

CMYK 20 / 91 / 0 / 60

HEX #520966

RGB 82 9 102

HSL 287.1, 0.84%, 0.22%

LAB 19.84, 44.35, -36.25

 

CMYK 22 / 100 / 0 / 56

HEX #57006F

RGB 87 0 111

HSL 287.03, 1%, 0.22%

LAB 20.73, 49.26, -40.64

 

CMYK 15 / 67 / 0 / 67

HEX #471C54

RGB 71 28 84

HSL 286.07, 0.5%, 0.22%

LAB 19.27, 30.38, -25.29

 

CMYK 12 / 51 / 0 / 71

HEX #42254B

RGB 66 37 75

HSL 285.79, 0.34%, 0.22%

LAB 20, 21.29, -18.1

 

CMYK 6 / 29 / 0 / 75

HEX #3D2E41

RGB 61 46 65

HSL 287.37, 0.17%, 0.22%

LAB 21.31, 10.97, -9.33

 

CMYK 0 / 2 / 0 / 78

HEX #383738

RGB 56 55 56

HSL 300, 0.01%, 0.22%

LAB 23.2, 0.66, -0.47

 

CMYK 20 / 0 / 27 / 75

HEX #33402F

RGB 51 64 47

HSL 105.88, 0.15%, 0.22%

LAB 25.49, -9.2, 8.7

 

CMYK 51 / 67 / 0 / 67

HEX #291C54

RGB 41 28 84

HSL 253.93, 0.5%, 0.22%

LAB 15.18, 22.38, -32.08

 

CMYK 33 / 67 / 0 / 67

HEX #381C54

RGB 56 28 84

HSL 270, 0.5%, 0.22%

LAB 17.04, 26.21, -28.98

 

CMYK 15 / 67 / 0 / 67

HEX #471C54

RGB 71 28 84

HSL 286.07, 0.5%, 0.22%

LAB 19.27, 30.38, -25.29

 

CMYK 0 / 67 / 2 / 67

HEX #541C52

RGB 84 28 82

HSL 302.14, 0.5%, 0.22%

LAB 21.3, 33.72, -20.59

 

CMYK 0 / 67 / 20 / 67

HEX #541C43

RGB 84 28 67

HSL 318.21, 0.5%, 0.22%

LAB 20.52, 30.98, -11.61

 

CMYK 14 / 68 / 0 / 91

HEX #130716

RGB 19 7 22

HSL 288, 0.52%, 0.06%

LAB 3.15, 6.48, -6.02

 

CMYK 15 / 68 / 0 / 79

HEX #2D1135

RGB 45 17 53

HSL 286.67, 0.51%, 0.14%

LAB 10.67, 21.32, -17.61

 

CMYK 15 / 67 / 0 / 67

HEX #471C54

RGB 71 28 84

HSL 286.07, 0.5%, 0.22%

LAB 19.27, 30.38, -25.29

 

CMYK 15 / 67 / 0 / 55

HEX #622673

RGB 98 38 115

HSL 286.75, 0.5%, 0.3%

LAB 27.35, 39.53, -32.44

 

CMYK 15 / 67 / 0 / 43

HEX #7C3092

RGB 124 48 146

HSL 286.53, 0.51%, 0.38%

LAB 34.95, 47.9, -39.43

 

CMYK 14 / 66 / 0 / 67

HEX #471C53

RGB 71 28 83

HSL 286.91, 0.5%, 0.22%

LAB 19.2, 30.15, -24.72

 

CMYK 0 / 67 / 65 / 67

HEX #541C1D

RGB 84 28 29

HSL 358.93, 0.5%, 0.22%

LAB 19.24, 26.16, 13.06

 

CMYK 67 / 0 / 43 / 67

HEX #1C5430

RGB 28 84 48

HSL 141.43, 0.5%, 0.22%

LAB 31.35, -27.57, 15.77

 

CMYK 14 / 66 / 0 / 67

HEX #471C53

RGB 71 28 83

HSL 286.91, 0.5%, 0.22%

LAB 19.2, 30.15, -24.72

 

CMYK 0 / 15 / 67 / 67

HEX #54471C

RGB 84 71 28

HSL 46.07, 0.5%, 0.22%

LAB 30.58, -0.39, 27.31

 

CMYK 67 / 0 / 15 / 67

HEX #1C5447

RGB 28 84 71

HSL 166.07, 0.5%, 0.22%

LAB 31.9, -21.84, 2.21

 

CMYK 14 / 66 / 0 / 67

HEX #471C53

RGB 71 28 83

HSL 286.91, 0.5%, 0.22%

LAB 19.2, 30.15, -24.72

 

CMYK 0 / 67 / 65 / 67

HEX #541C1D

RGB 84 28 29

HSL 358.93, 0.5%, 0.22%

LAB 19.24, 26.16, 13.06

 

CMYK 51 / 0 / 67 / 67

HEX #29541C

RGB 41 84 28

HSL 106.07, 0.5%, 0.22%

LAB 31.57, -26.95, 27.51

 

CMYK 67 / 0 / 2 / 67

HEX #1C5452

RGB 28 84 82

HSL 177.86, 0.5%, 0.22%

LAB 32.25, -18.5, -4.25

 

CMYK 14 / 66 / 0 / 67

HEX #471C53

RGB 71 28 83

HSL 286.91, 0.5%, 0.22%

LAB 19.2, 30.15, -24.72

 

CMYK 0 / 49 / 67 / 67

HEX #542B1C

RGB 84 43 28

HSL 16.07, 0.5%, 0.22%

LAB 22.64, 17.35, 18.02

 

CMYK 51 / 0 / 67 / 67

HEX #29541C

RGB 41 84 28

HSL 106.07, 0.5%, 0.22%

LAB 31.57, -26.95, 27.51

 

CMYK 67 / 18 / 0 / 67

HEX #1C4554

RGB 28 69 84

HSL 196.07, 0.5%, 0.22%

LAB 27.14, -9.07, -13.25

 

Description

Color code: HEX #471C53 | qconv.com Color code: HEX #471C53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 28 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 28 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 66 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 66% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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