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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #471E44 it is the complementary color #B8E1BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #471E44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #471E44 shade: #4C1E3F, #5D3052, #6E4265, #7F5478 and #90668B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #471E44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #471E44 shade: #471E44, #360C31, #25001E, #14000B and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #471E44 shade: #471E44, #471E39, #471E2E, #471E23 and #471E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #471E44 shade: #471E44, #3F1E47, #341E47, #291E47 and #1E1E47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #471E44 shade matches the following richer shades: #471E44, #50154B, #580D52 and #600559

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #471E44 shade: #471E44, #3F263D, #372E36, #2F362F and #263F28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #471E44 shade: #341E47, #3F1E47, #471E45, #471E39 and #471E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #471E44 shade: #0D050D, #2A1129, #471E44, #642A60 and #82367C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #471E44 shade: #471E44, #47291E and #1E4739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #471E44 shade: #471E44, #45471E and #1E4547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #471E44 shade: #471E44, #47291E, #1E4720 and #1E3C47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #471E44 shade: #471E44, #47351E, #1E4720 and #1E3047

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

Complementary color

CMYK 18 / 0 / 17 / 12

HEX #B8E1BB

RGB 184 225 187

HSL 124.39, 0.41%, 0.8%

LAB 85.82, -20.56, 14.24

 

CMYK 0 / 61 / 17 / 70

HEX #4C1E3F

RGB 76 30 63

HSL 316.96, 0.43%, 0.21%

LAB 19.32, 26.48, -10.81

 

CMYK 0 / 48 / 12 / 64

HEX #5D3052

RGB 93 48 82

HSL 314.67, 0.32%, 0.28%

LAB 26.88, 25.7, -11.83

 

CMYK 0 / 40 / 8 / 57

HEX #6E4265

RGB 110 66 101

HSL 312.27, 0.25%, 0.35%

LAB 34.3, 24.84, -12.57

 

CMYK 0 / 34 / 6 / 50

HEX #7F5478

RGB 127 84 120

HSL 309.77, 0.2%, 0.41%

LAB 41.55, 24.02, -13.17

 

CMYK 0 / 29 / 3 / 44

HEX #90668B

RGB 144 102 139

HSL 307.14, 0.17%, 0.48%

LAB 48.63, 23.27, -13.69

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 78 / 9 / 79

HEX #360C31

RGB 54 12 49

HSL 307.14, 0.64%, 0.13%

LAB 11.06, 26.03, -13.99

 

CMYK 0 / 100 / 19 / 85

HEX #25001E

RGB 37 0 30

HSL 311.35, 1%, 0.07%

LAB 4.4, 21.53, -10.18

 

CMYK 0 / 100 / 45 / 92

HEX #14000B

RGB 20 0 11

HSL 327, 1%, 0.04%

LAB 1.56, 7.56, -2.05

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 58 / 20 / 72

HEX #471E39

RGB 71 30 57

HSL 320.49, 0.41%, 0.2%

LAB 18.2, 23.56, -8.42

 

CMYK 0 / 58 / 35 / 72

HEX #471E2E

RGB 71 30 46

HSL 336.59, 0.41%, 0.2%

LAB 17.76, 21.7, -1.33

 

CMYK 0 / 58 / 51 / 72

HEX #471E23

RGB 71 30 35

HSL 352.68, 0.41%, 0.2%

LAB 17.41, 20.18, 5.97

 

CMYK 0 / 58 / 58 / 72

HEX #471E1E

RGB 71 30 30

HSL 0, 0.41%, 0.2%

LAB 17.28, 19.61, 9.33

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 11 / 58 / 0 / 72

HEX #3F1E47

RGB 63 30 71

HSL 288.29, 0.41%, 0.2%

LAB 17.65, 23.69, -19.1

 

CMYK 27 / 58 / 0 / 72

HEX #341E47

RGB 52 30 71

HSL 272.2, 0.41%, 0.2%

LAB 16.07, 20.08, -21.69

 

CMYK 42 / 58 / 0 / 72

HEX #291E47

RGB 41 30 71

HSL 256.1, 0.41%, 0.2%

LAB 14.71, 16.66, -23.95

 

CMYK 58 / 58 / 0 / 72

HEX #1E1E47

RGB 30 30 71

HSL 240, 0.41%, 0.2%

LAB 13.59, 13.59, -25.8

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 74 / 6 / 69

HEX #50154B

RGB 80 21 75

HSL 305.08, 0.58%, 0.2%

LAB 19.01, 34.49, -19.49

 

CMYK 0 / 85 / 7 / 65

HEX #580D52

RGB 88 13 82

HSL 304.8, 0.74%, 0.2%

LAB 19.93, 40.74, -22.7

 

CMYK 0 / 95 / 7 / 62

HEX #600559

RGB 96 5 89

HSL 304.62, 0.9%, 0.2%

LAB 21.27, 45.71, -25.19

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 40 / 3 / 75

HEX #3F263D

RGB 63 38 61

HSL 304.8, 0.25%, 0.2%

LAB 19.14, 16.22, -9.88

 

CMYK 0 / 16 / 2 / 78

HEX #372E36

RGB 55 46 54

HSL 306.67, 0.09%, 0.2%

LAB 20.17, 5.84, -3.59

 

CMYK 13 / 0 / 13 / 79

HEX #2F362F

RGB 47 54 47

HSL 120, 0.07%, 0.2%

LAB 21.76, -4.64, 3.4

 

CMYK 40 / 0 / 37 / 75

HEX #263F28

RGB 38 63 40

HSL 124.8, 0.25%, 0.2%

LAB 24.07, -15.39, 11.14

 

CMYK 27 / 58 / 0 / 72

HEX #341E47

RGB 52 30 71

HSL 272.2, 0.41%, 0.2%

LAB 16.07, 20.08, -21.69

 

CMYK 11 / 58 / 0 / 72

HEX #3F1E47

RGB 63 30 71

HSL 288.29, 0.41%, 0.2%

LAB 17.65, 23.69, -19.1

 

CMYK 0 / 58 / 3 / 72

HEX #471E45

RGB 71 30 69

HSL 302.93, 0.41%, 0.2%

LAB 18.79, 25.92, -15.84

 

CMYK 0 / 58 / 20 / 72

HEX #471E39

RGB 71 30 57

HSL 320.49, 0.41%, 0.2%

LAB 18.2, 23.56, -8.42

 

CMYK 0 / 58 / 35 / 72

HEX #471E2E

RGB 71 30 46

HSL 336.59, 0.41%, 0.2%

LAB 17.76, 21.7, -1.33

 

CMYK 0 / 62 / 0 / 95

HEX #0D050D

RGB 13 5 13

HSL 300, 0.44%, 0.04%

LAB 2.02, 3.31, -2.37

 

CMYK 0 / 60 / 2 / 84

HEX #2A1129

RGB 42 17 41

HSL 302.4, 0.42%, 0.12%

LAB 9.43, 17.35, -10.79

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 58 / 4 / 61

HEX #642A60

RGB 100 42 96

HSL 304.14, 0.41%, 0.28%

LAB 27.32, 34.14, -20.22

 

CMYK 0 / 58 / 5 / 49

HEX #82367C

RGB 130 54 124

HSL 304.74, 0.41%, 0.36%

LAB 35.67, 42.35, -24.65

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 42 / 58 / 72

HEX #47291E

RGB 71 41 30

HSL 16.1, 0.41%, 0.2%

LAB 20.12, 12.62, 13.09

 

CMYK 58 / 0 / 20 / 72

HEX #1E4739

RGB 30 71 57

HSL 159.51, 0.41%, 0.2%

LAB 26.96, -18.38, 4.08

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 3 / 0 / 58 / 72

HEX #45471E

RGB 69 71 30

HSL 62.93, 0.41%, 0.2%

LAB 29.07, -7.65, 24.07

 

CMYK 58 / 3 / 0 / 72

HEX #1E4547

RGB 30 69 71

HSL 182.93, 0.41%, 0.2%

LAB 26.7, -13.06, -5.43

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 42 / 58 / 72

HEX #47291E

RGB 71 41 30

HSL 16.1, 0.41%, 0.2%

LAB 20.12, 12.62, 13.09

 

CMYK 58 / 0 / 55 / 72

HEX #1E4720

RGB 30 71 32

HSL 122.93, 0.41%, 0.2%

LAB 26.41, -23.92, 19.07

 

CMYK 58 / 15 / 0 / 72

HEX #1E3C47

RGB 30 60 71

HSL 196.1, 0.41%, 0.2%

LAB 23.55, -7.54, -10.19

 

CMYK 0 / 58 / 4 / 72

HEX #471E44

RGB 71 30 68

HSL 304.39, 0.41%, 0.2%

LAB 18.74, 25.71, -15.23

 

CMYK 0 / 25 / 58 / 72

HEX #47351E

RGB 71 53 30

HSL 33.66, 0.41%, 0.2%

LAB 23.6, 4.73, 17.52

 

CMYK 58 / 0 / 55 / 72

HEX #1E4720

RGB 30 71 32

HSL 122.93, 0.41%, 0.2%

LAB 26.41, -23.92, 19.07

 

CMYK 58 / 32 / 0 / 72

HEX #1E3047

RGB 30 48 71

HSL 213.66, 0.41%, 0.2%

LAB 19.41, 0.48, -16.57

 

Description

Color code: HEX #471E44 | qconv.com Color code: HEX #471E44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 30 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 30 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 4 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 4% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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