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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47273A it is the complementary color #B8D8C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47273A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47273A shade: #4C2735, #5D3948, #6E4B5B, #7F5D6E and #906F81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47273A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47273A shade: #47273A, #361527, #250314, #140001 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47273A shade: #48273B, #482732, #482729 and #482727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47273A shade: #48273B, #482743, #442748, #3B2748 and #322748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47273A shade matches the following richer shades: #48273B, #511E3C, #5A153E, #630C40 and #6C0341

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47273A shade: #48273B, #3F3039, #363937, #2D4336 and #244C34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47273A shade: #442748, #482744, #48273B, #482732 and #48272A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47273A shade: #130A0F, #2D1925, #48273B, #623650 and #7D4566

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47273A shade: #47273A, #483B27 and #274848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47273A shade: #47273A, #3B4827 and #273B48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47273A shade: #47273A, #483B27, #274834 and #273448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47273A shade: #47273A, #484527, #274834 and #272B48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 18 / 72

HEX #47273A

RGB 71 39 58

HSL 324.38, 0.29%, 0.22%

LAB 20.42, 18.18, -5.75

 

Complementary color

CMYK 15 / 0 / 9 / 15

HEX #B8D8C5

RGB 184 216 197

HSL 144.38, 0.29%, 0.78%

LAB 83.62, -14.25, 5.82

 

CMYK 0 / 49 / 30 / 70

HEX #4C2735

RGB 76 39 53

HSL 337.3, 0.32%, 0.23%

LAB 21, 19.36, -1.37

 

CMYK 0 / 39 / 23 / 64

HEX #5D3948

RGB 93 57 72

HSL 335, 0.24%, 0.29%

LAB 28.7, 18.38, -2.51

 

CMYK 0 / 32 / 17 / 57

HEX #6E4B5B

RGB 110 75 91

HSL 332.57, 0.19%, 0.36%

LAB 36.18, 17.52, -3.42

 

CMYK 0 / 27 / 13 / 50

HEX #7F5D6E

RGB 127 93 110

HSL 330, 0.15%, 0.43%

LAB 43.46, 16.78, -4.19

 

CMYK 0 / 23 / 10 / 44

HEX #906F81

RGB 144 111 129

HSL 327.27, 0.13%, 0.5%

LAB 50.55, 16.13, -4.88

 

CMYK 0 / 45 / 18 / 72

HEX #47273A

RGB 71 39 58

HSL 324.38, 0.29%, 0.22%

LAB 20.42, 18.18, -5.75

 

CMYK 0 / 61 / 28 / 79

HEX #361527

RGB 54 21 39

HSL 327.27, 0.44%, 0.15%

LAB 12.4, 19.13, -4.58

 

CMYK 0 / 92 / 46 / 85

HEX #250314

RGB 37 3 20

HSL 330, 0.85%, 0.08%

LAB 4.6, 17.85, -2.25

 

CMYK 0 / 100 / 95 / 92

HEX #140001

RGB 20 0 1

HSL 357, 1%, 0.04%

LAB 1.36, 6.17, 1.74

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 46 / 18 / 72

HEX #48273B

RGB 72 39 59

HSL 323.64, 0.3%, 0.22%

LAB 20.61, 18.78, -6.14

 

CMYK 0 / 46 / 31 / 72

HEX #482732

RGB 72 39 50

HSL 340, 0.3%, 0.22%

LAB 20.28, 17.16, -0.42

 

CMYK 0 / 46 / 43 / 72

HEX #482729

RGB 72 39 41

HSL 356.36, 0.3%, 0.22%

LAB 20, 15.77, 5.42

 

CMYK 0 / 46 / 46 / 72

HEX #482727

RGB 72 39 39

HSL 0, 0.3%, 0.22%

LAB 19.94, 15.5, 6.72

 

CMYK 0 / 46 / 18 / 72

HEX #48273B

RGB 72 39 59

HSL 323.64, 0.3%, 0.22%

LAB 20.61, 18.78, -6.14

 

CMYK 0 / 46 / 7 / 72

HEX #482743

RGB 72 39 67

HSL 309.09, 0.3%, 0.22%

LAB 20.96, 20.38, -11.11

 

CMYK 6 / 46 / 0 / 72

HEX #442748

RGB 68 39 72

HSL 292.73, 0.3%, 0.22%

LAB 20.63, 20, -15.07

 

CMYK 18 / 46 / 0 / 72

HEX #3B2748

RGB 59 39 72

HSL 276.36, 0.3%, 0.22%

LAB 19.43, 16.73, -17.03

 

CMYK 31 / 46 / 0 / 72

HEX #322748

RGB 50 39 72

HSL 260, 0.3%, 0.22%

LAB 18.35, 13.56, -18.79

 

CMYK 0 / 46 / 18 / 72

HEX #48273B

RGB 72 39 59

HSL 323.64, 0.3%, 0.22%

LAB 20.61, 18.78, -6.14

 

CMYK 0 / 63 / 26 / 68

HEX #511E3C

RGB 81 30 60

HSL 324.71, 0.46%, 0.22%

LAB 20.06, 27.74, -7.53

 

CMYK 0 / 77 / 31 / 65

HEX #5A153E

RGB 90 21 62

HSL 324.35, 0.62%, 0.22%

LAB 20.27, 35.32, -8.43

 

CMYK 0 / 88 / 35 / 61

HEX #630C40

RGB 99 12 64

HSL 324.14, 0.78%, 0.22%

LAB 21.15, 41.16, -8.31

 

CMYK 0 / 97 / 40 / 58

HEX #6C0341

RGB 108 3 65

HSL 324.57, 0.95%, 0.22%

LAB 22.43, 45.65, -6.89

 

CMYK 0 / 46 / 18 / 72

HEX #48273B

RGB 72 39 59

HSL 323.64, 0.3%, 0.22%

LAB 20.61, 18.78, -6.14

 

CMYK 0 / 24 / 10 / 75

HEX #3F3039

RGB 63 48 57

HSL 324, 0.14%, 0.22%

LAB 21.82, 8.62, -3.1

 

CMYK 5 / 0 / 4 / 78

HEX #363937

RGB 54 57 55

HSL 140, 0.03%, 0.22%

LAB 23.63, -1.74, 0.8

 

CMYK 33 / 0 / 19 / 74

HEX #2D4336

RGB 45 67 54

HSL 144.55, 0.2%, 0.22%

LAB 26.27, -11.9, 5.16

 

CMYK 53 / 0 / 32 / 70

HEX #244C34

RGB 36 76 52

HSL 144, 0.36%, 0.22%

LAB 28.88, -20.53, 10.02

 

CMYK 6 / 46 / 0 / 72

HEX #442748

RGB 68 39 72

HSL 292.73, 0.3%, 0.22%

LAB 20.63, 20, -15.07

 

CMYK 0 / 46 / 6 / 72

HEX #482744

RGB 72 39 68

HSL 307.27, 0.3%, 0.22%

LAB 21, 20.59, -11.72

 

CMYK 0 / 46 / 18 / 72

HEX #48273B

RGB 72 39 59

HSL 323.64, 0.3%, 0.22%

LAB 20.61, 18.78, -6.14

 

CMYK 0 / 46 / 31 / 72

HEX #482732

RGB 72 39 50

HSL 340, 0.3%, 0.22%

LAB 20.28, 17.16, -0.42

 

CMYK 0 / 46 / 42 / 72

HEX #48272A

RGB 72 39 42

HSL 354.55, 0.3%, 0.22%

LAB 20.03, 15.92, 4.76

 

CMYK 0 / 47 / 21 / 93

HEX #130A0F

RGB 19 10 15

HSL 326.67, 0.31%, 0.06%

LAB 3.52, 3.79, -1.12

 

CMYK 0 / 44 / 18 / 82

HEX #2D1925

RGB 45 25 37

HSL 324, 0.29%, 0.14%

LAB 11.87, 12.25, -4.05

 

CMYK 0 / 46 / 18 / 72

HEX #48273B

RGB 72 39 59

HSL 323.64, 0.3%, 0.22%

LAB 20.61, 18.78, -6.14

 

CMYK 0 / 45 / 18 / 62

HEX #623650

RGB 98 54 80

HSL 324.55, 0.29%, 0.3%

LAB 28.94, 23.62, -7.32

 

CMYK 0 / 45 / 18 / 51

HEX #7D4566

RGB 125 69 102

HSL 324.64, 0.29%, 0.38%

LAB 37.07, 28.76, -8.8

 

CMYK 0 / 45 / 18 / 72

HEX #47273A

RGB 71 39 58

HSL 324.38, 0.29%, 0.22%

LAB 20.42, 18.18, -5.75

 

CMYK 0 / 18 / 46 / 72

HEX #483B27

RGB 72 59 39

HSL 36.36, 0.3%, 0.22%

LAB 25.72, 2.42, 14.52

 

CMYK 46 / 0 / 0 / 72

HEX #274848

RGB 39 72 72

HSL 180, 0.3%, 0.22%

LAB 28.2, -12.05, -3.79

 

CMYK 0 / 45 / 18 / 72

HEX #47273A

RGB 71 39 58

HSL 324.38, 0.29%, 0.22%

LAB 20.42, 18.18, -5.75

 

CMYK 18 / 0 / 46 / 72

HEX #3B4827

RGB 59 72 39

HSL 83.64, 0.3%, 0.22%

LAB 28.67, -11.84, 18.09

 

CMYK 46 / 18 / 0 / 72

HEX #273B48

RGB 39 59 72

HSL 203.64, 0.3%, 0.22%

LAB 23.76, -3.93, -10.48

 

CMYK 0 / 45 / 18 / 72

HEX #47273A

RGB 71 39 58

HSL 324.38, 0.29%, 0.22%

LAB 20.42, 18.18, -5.75

 

CMYK 0 / 18 / 46 / 72

HEX #483B27

RGB 72 59 39

HSL 36.36, 0.3%, 0.22%

LAB 25.72, 2.42, 14.52

 

CMYK 46 / 0 / 28 / 72

HEX #274834

RGB 39 72 52

HSL 143.64, 0.3%, 0.22%

LAB 27.61, -17.4, 8.29

 

CMYK 46 / 28 / 0 / 72

HEX #273448

RGB 39 52 72

HSL 216.36, 0.3%, 0.22%

LAB 21.41, 0.76, -14.09

 

CMYK 0 / 45 / 18 / 72

HEX #47273A

RGB 71 39 58

HSL 324.38, 0.29%, 0.22%

LAB 20.42, 18.18, -5.75

 

CMYK 0 / 4 / 46 / 72

HEX #484527

RGB 72 69 39

HSL 54.55, 0.3%, 0.22%

LAB 28.85, -3.92, 18.56

 

CMYK 46 / 0 / 28 / 72

HEX #274834

RGB 39 72 52

HSL 143.64, 0.3%, 0.22%

LAB 27.61, -17.4, 8.29

 

CMYK 46 / 40 / 0 / 72

HEX #272B48

RGB 39 43 72

HSL 232.73, 0.3%, 0.22%

LAB 18.48, 7.07, -18.66

 

Description

Color code: HEX #47273A | qconv.com Color code: HEX #47273A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 39 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 39 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 18 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 18% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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