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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #472753 it is the complementary color #B8D8AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #472753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #472753 shade: #4C274E, #5D3961, #6E4B74, #7F5D87 and #906F9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #472753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #472753 shade: #472753, #361540, #25032D, #14001A and #030007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #472753 shade: #472753, #532753, #532747, #53273B and #53272F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #472753 shade: #472753, #3B2753, #2F2753 and #272753

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #472753 shade matches the following richer shades: #472753, #4B1D5D, #501367 and #540970

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #472753 shade: #472753, #423149, #3E3A3F, #394435 and #354E2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #472753 shade: #2F2753, #3A2753, #462753, #522753 and #532748

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #472753 shade: #170C1B, #2F1937, #472753, #5F346F and #77418B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #472753 shade: #472753, #53272A and #275335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #472753 shade: #472753, #534627 and #275346

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #472753 shade: #472753, #53272A, #335327 and #27534F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #472753 shade: #472753, #533027, #335327 and #274953

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

Complementary color

CMYK 15 / 0 / 20 / 15

HEX #B8D8AC

RGB 184 216 172

HSL 103.64, 0.36%, 0.76%

LAB 83.06, -18.66, 18.24

 

CMYK 3 / 50 / 0 / 69

HEX #4C274E

RGB 76 39 78

HSL 296.92, 0.33%, 0.23%

LAB 22.08, 24.22, -16.77

 

CMYK 4 / 41 / 0 / 62

HEX #5D3961

RGB 93 57 97

HSL 294, 0.26%, 0.3%

LAB 29.7, 23.35, -17.25

 

CMYK 5 / 35 / 0 / 55

HEX #6E4B74

RGB 110 75 116

HSL 291.22, 0.21%, 0.37%

LAB 37.13, 22.51, -17.63

 

CMYK 6 / 31 / 0 / 47

HEX #7F5D87

RGB 127 93 135

HSL 288.57, 0.18%, 0.45%

LAB 44.36, 21.75, -17.98

 

CMYK 6 / 28 / 0 / 40

HEX #906F9A

RGB 144 111 154

HSL 286.05, 0.18%, 0.52%

LAB 51.42, 21.07, -18.31

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 16 / 67 / 0 / 75

HEX #361540

RGB 54 21 64

HSL 286.05, 0.51%, 0.17%

LAB 13.77, 24.51, -20.45

 

CMYK 18 / 93 / 0 / 82

HEX #25032D

RGB 37 3 45

HSL 288.57, 0.88%, 0.09%

LAB 5.85, 24.43, -19.48

 

CMYK 23 / 100 / 0 / 90

HEX #14001A

RGB 20 0 26

HSL 286.15, 1%, 0.05%

LAB 2.02, 10.76, -10.75

 

CMYK 57 / 100 / 0 / 97

HEX #030007

RGB 3 0 7

HSL 265.71, 1%, 0.01%

LAB 0.31, 1.76, -2.37

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 0 / 53 / 0 / 67

HEX #532753

RGB 83 39 83

HSL 300, 0.36%, 0.24%

LAB 23.39, 27.69, -18

 

CMYK 0 / 53 / 14 / 67

HEX #532747

RGB 83 39 71

HSL 316.36, 0.36%, 0.24%

LAB 22.81, 25.29, -10.84

 

CMYK 0 / 53 / 29 / 67

HEX #53273B

RGB 83 39 59

HSL 332.73, 0.36%, 0.24%

LAB 22.32, 23.18, -3.41

 

CMYK 0 / 53 / 43 / 67

HEX #53272F

RGB 83 39 47

HSL 349.09, 0.36%, 0.24%

LAB 21.93, 21.41, 4.25

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 29 / 53 / 0 / 67

HEX #3B2753

RGB 59 39 83

HSL 267.27, 0.36%, 0.24%

LAB 20.07, 19.76, -23.46

 

CMYK 43 / 53 / 0 / 67

HEX #2F2753

RGB 47 39 83

HSL 250.91, 0.36%, 0.24%

LAB 18.71, 16.07, -25.69

 

CMYK 53 / 53 / 0 / 67

HEX #272753

RGB 39 39 83

HSL 240, 0.36%, 0.24%

LAB 17.95, 13.82, -26.95

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 19 / 69 / 0 / 64

HEX #4B1D5D

RGB 75 29 93

HSL 283.13, 0.52%, 0.24%

LAB 20.69, 33.07, -28.99

 

CMYK 22 / 82 / 0 / 60

HEX #501367

RGB 80 19 103

HSL 283.57, 0.69%, 0.24%

LAB 20.64, 41.05, -35.63

 

CMYK 25 / 92 / 0 / 56

HEX #540970

RGB 84 9 112

HSL 283.69, 0.85%, 0.24%

LAB 21.02, 46.76, -40.84

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 10 / 33 / 0 / 71

HEX #423149

RGB 66 49 73

HSL 282.5, 0.2%, 0.24%

LAB 23.12, 12.89, -11.91

 

CMYK 2 / 8 / 0 / 75

HEX #3E3A3F

RGB 62 58 63

HSL 288, 0.04%, 0.24%

LAB 24.98, 2.85, -2.47

 

CMYK 16 / 0 / 22 / 73

HEX #394435

RGB 57 68 53

HSL 104, 0.12%, 0.24%

LAB 27.47, -7.86, 7.62

 

CMYK 32 / 0 / 45 / 69

HEX #354E2B

RGB 53 78 43

HSL 102.86, 0.29%, 0.24%

LAB 30.35, -17.2, 17.73

 

CMYK 43 / 53 / 0 / 67

HEX #2F2753

RGB 47 39 83

HSL 250.91, 0.36%, 0.24%

LAB 18.71, 16.07, -25.69

 

CMYK 30 / 53 / 0 / 67

HEX #3A2753

RGB 58 39 83

HSL 265.91, 0.36%, 0.24%

LAB 19.94, 19.45, -23.66

 

CMYK 16 / 53 / 0 / 67

HEX #462753

RGB 70 39 83

HSL 282.27, 0.36%, 0.24%

LAB 21.5, 23.35, -21.1

 

CMYK 1 / 53 / 0 / 67

HEX #522753

RGB 82 39 83

HSL 298.64, 0.36%, 0.24%

LAB 23.23, 27.35, -18.25

 

CMYK 0 / 53 / 13 / 67

HEX #532748

RGB 83 39 72

HSL 315, 0.36%, 0.24%

LAB 22.85, 25.48, -11.45

 

CMYK 15 / 56 / 0 / 89

HEX #170C1B

RGB 23 12 27

HSL 284, 0.38%, 0.08%

LAB 4.74, 7.55, -7.51

 

CMYK 15 / 55 / 0 / 78

HEX #2F1937

RGB 47 25 55

HSL 284, 0.38%, 0.16%

LAB 13.08, 17.36, -15.23

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 14 / 53 / 0 / 56

HEX #5F346F

RGB 95 52 111

HSL 283.73, 0.36%, 0.32%

LAB 29.5, 30.2, -26.51

 

CMYK 14 / 53 / 0 / 45

HEX #77418B

RGB 119 65 139

HSL 283.78, 0.36%, 0.4%

LAB 37.05, 36.37, -31.85

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 0 / 53 / 49 / 67

HEX #53272A

RGB 83 39 42

HSL 355.91, 0.36%, 0.24%

LAB 21.79, 20.78, 7.49

 

CMYK 53 / 0 / 36 / 67

HEX #275335

RGB 39 83 53

HSL 139.09, 0.36%, 0.24%

LAB 31.52, -22.98, 13.02

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 0 / 16 / 53 / 67

HEX #534627

RGB 83 70 39

HSL 42.27, 0.36%, 0.24%

LAB 30.32, 0.8, 20.65

 

CMYK 53 / 0 / 16 / 67

HEX #275346

RGB 39 83 70

HSL 162.27, 0.36%, 0.24%

LAB 31.94, -18.86, 2.96

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 0 / 53 / 49 / 67

HEX #53272A

RGB 83 39 42

HSL 355.91, 0.36%, 0.24%

LAB 21.79, 20.78, 7.49

 

CMYK 39 / 0 / 53 / 67

HEX #335327

RGB 51 83 39

HSL 103.64, 0.36%, 0.24%

LAB 31.89, -21.29, 22.01

 

CMYK 53 / 0 / 5 / 67

HEX #27534F

RGB 39 83 79

HSL 174.55, 0.36%, 0.24%

LAB 32.22, -16.32, -2.35

 

CMYK 14 / 53 / 0 / 67

HEX #472753

RGB 71 39 83

HSL 283.64, 0.36%, 0.24%

LAB 21.64, 23.68, -20.87

 

CMYK 0 / 42 / 53 / 67

HEX #533027

RGB 83 48 39

HSL 12.27, 0.36%, 0.24%

LAB 24, 14.83, 12.52

 

CMYK 39 / 0 / 53 / 67

HEX #335327

RGB 51 83 39

HSL 103.64, 0.36%, 0.24%

LAB 31.89, -21.29, 22.01

 

CMYK 53 / 12 / 0 / 67

HEX #274953

RGB 39 73 83

HSL 193.64, 0.36%, 0.24%

LAB 28.96, -9.21, -9.79

 

Description

Color code: HEX #472753 | qconv.com Color code: HEX #472753 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 39 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 39 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 53 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 53% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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