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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4727D9 it is the complementary color #B8D826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4727D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4727D9 shade: #4C27D4, #5D39E7, #6E4BFA, #7F5DFF and #906FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4727D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4727D9 shade: #4727D9, #3615C6, #2503B3, #1400A0 and #03008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4727D9 shade: #4626D8, #7626D8, #A626D8, #D626D8 and #D826AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4727D9 shade: #4626D8 and #2626D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4727D9 shade matches the following richer shades: #4626D8 and #3911ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4727D9 shade: #4626D8, #533AC4, #604FAF, #6D649A and #7B7886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4727D9 shade: #2667D8, #2638D8, #4426D8, #7326D8 and #A326D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4727D9 shade: #2F1992, #3A20B5, #4626D8, #6449DE and #826CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4727D9 shade: #4727D9, #D82697 and #4FD826

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4727D9 shade: #4727D9, #D84426 and #26D843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4727D9 shade: #4727D9, #D82697, #BBD826 and #26D867

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4727D9 shade: #4727D9, #D82661, #BBD826 and #26D89D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 82 / 0 / 15

HEX #4727D9

RGB 71 39 217

HSL 250.79, 0.7%, 0.5%

LAB 33.56, 61.57, -84.08

 

Complementary color

CMYK 15 / 0 / 82 / 15

HEX #B8D826

RGB 184 216 38

HSL 70.79, 0.7%, 0.5%

LAB 81.53, -31.65, 75.15

 

CMYK 64 / 82 / 0 / 17

HEX #4C27D4

RGB 76 39 212

HSL 252.83, 0.69%, 0.49%

LAB 33.44, 60.6, -81.38

 

CMYK 60 / 75 / 0 / 9

HEX #5D39E7

RGB 93 57 231

HSL 252.41, 0.78%, 0.56%

LAB 39.62, 59.63, -82.02

 

CMYK 56 / 70 / 0 / 2

HEX #6E4BFA

RGB 110 75 250

HSL 252, 0.95%, 0.64%

LAB 45.97, 58.28, -82.23

 

CMYK 50 / 64 / 0 / 0

HEX #7F5DFF

RGB 127 93 255

HSL 252.59, 1%, 0.68%

LAB 51.34, 52.88, -76.19

 

CMYK 44 / 56 / 0 / 0

HEX #906FFF

RGB 144 111 255

HSL 253.75, 1%, 0.72%

LAB 56.6, 46.24, -67.58

 

CMYK 67 / 82 / 0 / 15

HEX #4727D9

RGB 71 39 217

HSL 250.79, 0.7%, 0.5%

LAB 33.56, 61.57, -84.08

 

CMYK 73 / 89 / 0 / 22

HEX #3615C6

RGB 54 21 198

HSL 251.19, 0.81%, 0.43%

LAB 27.84, 61.75, -82.56

 

CMYK 79 / 98 / 0 / 30

HEX #2503B3

RGB 37 3 179

HSL 251.59, 0.97%, 0.36%

LAB 22.7, 60.52, -79.89

 

CMYK 88 / 100 / 0 / 37

HEX #1400A0

RGB 20 0 160

HSL 247.5, 1%, 0.31%

LAB 18.74, 56.11, -75.02

 

CMYK 98 / 100 / 0 / 45

HEX #03008D

RGB 3 0 141

HSL 241.28, 1%, 0.28%

LAB 15.18, 50.99, -69.22

 

CMYK 68 / 82 / 0 / 15

HEX #4626D8

RGB 70 38 216

HSL 250.79, 0.7%, 0.5%

LAB 33.23, 61.62, -84.05

 

CMYK 45 / 82 / 0 / 15

HEX #7626D8

RGB 118 38 216

HSL 266.97, 0.7%, 0.5%

LAB 38.19, 66.56, -75.7

 

CMYK 23 / 82 / 0 / 15

HEX #A626D8

RGB 166 38 216

HSL 283.15, 0.7%, 0.5%

LAB 44.87, 73.5, -64.51

 

CMYK 1 / 82 / 0 / 15

HEX #D626D8

RGB 214 38 216

HSL 299.33, 0.7%, 0.5%

LAB 52.55, 81.75, -51.75

 

CMYK 0 / 82 / 21 / 15

HEX #D826AA

RGB 216 38 170

HSL 315.51, 0.7%, 0.5%

LAB 50.56, 75.78, -28.21

 

CMYK 68 / 82 / 0 / 15

HEX #4626D8

RGB 70 38 216

HSL 250.79, 0.7%, 0.5%

LAB 33.23, 61.62, -84.05

 

CMYK 82 / 82 / 0 / 15

HEX #2626D8

RGB 38 38 216

HSL 240, 0.7%, 0.5%

LAB 31.25, 59.7, -87.41

 

CMYK 68 / 82 / 0 / 15

HEX #4626D8

RGB 70 38 216

HSL 250.79, 0.7%, 0.5%

LAB 33.23, 61.62, -84.05

 

CMYK 76 / 93 / 0 / 7

HEX #3911ED

RGB 57 17 237

HSL 250.91, 0.87%, 0.5%

LAB 32.67, 72.89, -97.04

 

CMYK 68 / 82 / 0 / 15

HEX #4626D8

RGB 70 38 216

HSL 250.79, 0.7%, 0.5%

LAB 33.23, 61.62, -84.05

 

CMYK 58 / 70 / 0 / 23

HEX #533AC4

RGB 83 58 196

HSL 250.87, 0.54%, 0.5%

LAB 35.7, 47.64, -68.34

 

CMYK 45 / 55 / 0 / 31

HEX #604FAF

RGB 96 79 175

HSL 250.63, 0.38%, 0.5%

LAB 39.87, 31.51, -49.15

 

CMYK 29 / 35 / 0 / 40

HEX #6D649A

RGB 109 100 154

HSL 250, 0.21%, 0.5%

LAB 45.22, 16.15, -28.15

 

CMYK 8 / 10 / 0 / 47

HEX #7B7886

RGB 123 120 134

HSL 252.86, 0.06%, 0.5%

LAB 51.11, 4.04, -7.22

 

CMYK 82 / 52 / 0 / 15

HEX #2667D8

RGB 38 103 216

HSL 218.09, 0.7%, 0.5%

LAB 45.73, 21.29, -63.62

 

CMYK 82 / 74 / 0 / 15

HEX #2638D8

RGB 38 56 216

HSL 233.93, 0.7%, 0.5%

LAB 34.39, 50.62, -82.19

 

CMYK 69 / 82 / 0 / 15

HEX #4426D8

RGB 68 38 216

HSL 250.11, 0.7%, 0.5%

LAB 33.08, 61.46, -84.31

 

CMYK 47 / 82 / 0 / 15

HEX #7326D8

RGB 115 38 216

HSL 265.96, 0.7%, 0.5%

LAB 37.82, 66.18, -76.32

 

CMYK 25 / 82 / 0 / 15

HEX #A326D8

RGB 163 38 216

HSL 282.13, 0.7%, 0.5%

LAB 44.42, 73.02, -65.27

 

CMYK 68 / 83 / 0 / 43

HEX #2F1992

RGB 47 25 146

HSL 250.91, 0.71%, 0.34%

LAB 21.49, 45.05, -61.78

 

CMYK 68 / 82 / 0 / 29

HEX #3A20B5

RGB 58 32 181

HSL 250.47, 0.7%, 0.42%

LAB 27.49, 53.24, -73.08

 

CMYK 68 / 82 / 0 / 15

HEX #4626D8

RGB 70 38 216

HSL 250.79, 0.7%, 0.5%

LAB 33.23, 61.62, -84.05

 

CMYK 55 / 67 / 0 / 13

HEX #6449DE

RGB 100 73 222

HSL 250.87, 0.69%, 0.58%

LAB 42.38, 49.77, -72.34

 

CMYK 43 / 53 / 0 / 10

HEX #826CE5

RGB 130 108 229

HSL 250.91, 0.7%, 0.66%

LAB 53.09, 37.69, -58.83

 

CMYK 67 / 82 / 0 / 15

HEX #4727D9

RGB 71 39 217

HSL 250.79, 0.7%, 0.5%

LAB 33.56, 61.57, -84.08

 

CMYK 0 / 82 / 30 / 15

HEX #D82697

RGB 216 38 151

HSL 321.91, 0.7%, 0.5%

LAB 49.76, 73.55, -18.15

 

CMYK 63 / 0 / 82 / 15

HEX #4FD826

RGB 79 216 38

HSL 106.18, 0.7%, 0.5%

LAB 76.63, -66.05, 68.93

 

CMYK 67 / 82 / 0 / 15

HEX #4727D9

RGB 71 39 217

HSL 250.79, 0.7%, 0.5%

LAB 33.56, 61.57, -84.08

 

CMYK 0 / 69 / 82 / 15

HEX #D84426

RGB 216 68 38

HSL 10.11, 0.7%, 0.5%

LAB 50.54, 56.39, 49.04

 

CMYK 82 / 0 / 69 / 15

HEX #26D843

RGB 38 216 67

HSL 129.78, 0.7%, 0.5%

LAB 76.03, -70.56, 58.79

 

CMYK 67 / 82 / 0 / 15

HEX #4727D9

RGB 71 39 217

HSL 250.79, 0.7%, 0.5%

LAB 33.56, 61.57, -84.08

 

CMYK 0 / 82 / 30 / 15

HEX #D82697

RGB 216 38 151

HSL 321.91, 0.7%, 0.5%

LAB 49.76, 73.55, -18.15

 

CMYK 13 / 0 / 82 / 15

HEX #BBD826

RGB 187 216 38

HSL 69.78, 0.7%, 0.5%

LAB 81.74, -30.44, 75.4

 

CMYK 82 / 0 / 52 / 15

HEX #26D867

RGB 38 216 103

HSL 141.91, 0.7%, 0.5%

LAB 76.38, -66.26, 43.51

 

CMYK 67 / 82 / 0 / 15

HEX #4727D9

RGB 71 39 217

HSL 250.79, 0.7%, 0.5%

LAB 33.56, 61.57, -84.08

 

CMYK 0 / 82 / 55 / 15

HEX #D82661

RGB 216 38 97

HSL 340.11, 0.7%, 0.5%

LAB 48.07, 68.64, 12.19

 

CMYK 13 / 0 / 82 / 15

HEX #BBD826

RGB 187 216 38

HSL 69.78, 0.7%, 0.5%

LAB 81.74, -30.44, 75.4

 

CMYK 82 / 0 / 27 / 15

HEX #26D89D

RGB 38 216 157

HSL 160.11, 0.7%, 0.5%

LAB 77.26, -56.17, 17.22

 

Description

Color code: HEX #4727D9 | qconv.com Color code: HEX #4727D9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 39 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 39 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 82 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 82% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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