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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47488E it is the complementary color #B8B771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47488E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47488E shade: #4C4889, #5D5A9C, #6E6CAF, #7F7EC2 and #9090D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47488E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47488E shade: #47488E, #36367B, #252468, #141255 and #030042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47488E shade: #47488E, #59478E, #6C478E, #7F478E and #8E4789

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47488E shade: #47488E and #47478E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47488E shade matches the following richer shades: #47488E, #36379F, #2527B1, #1316C2 and #0205D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47488E shade: #47488E, #59597D, #6A6A6B, #7B7B5A and #8D8C49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47488E shade: #476E8E, #475B8E, #47488E, #59478E and #6C478E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47488E shade: #2C2C57, #393A73, #47488E, #5556A9 and #7172B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47488E shade: #47488E, #8E4781 and #658E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47488E shade: #47488E, #8E4748 and #488E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47488E shade: #47488E, #8E4781, #8E8D47 and #478E54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47488E shade: #47488E, #8E476C, #8E8D47 and #478E69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

Complementary color

CMYK 0 / 1 / 39 / 28

HEX #B8B771

RGB 184 183 113

HSL 59.15, 0.33%, 0.58%

LAB 73.06, -10.17, 35.72

 

CMYK 45 / 47 / 0 / 46

HEX #4C4889

RGB 76 72 137

HSL 243.69, 0.31%, 0.41%

LAB 33.94, 19.32, -35.86

 

CMYK 40 / 42 / 0 / 39

HEX #5D5A9C

RGB 93 90 156

HSL 242.73, 0.27%, 0.48%

LAB 41.28, 18.24, -35.63

 

CMYK 37 / 38 / 0 / 31

HEX #6E6CAF

RGB 110 108 175

HSL 241.79, 0.3%, 0.55%

LAB 48.43, 17.34, -35.46

 

CMYK 35 / 35 / 0 / 24

HEX #7F7EC2

RGB 127 126 194

HSL 240.88, 0.36%, 0.63%

LAB 55.41, 16.57, -35.36

 

CMYK 32 / 32 / 0 / 16

HEX #9090D5

RGB 144 144 213

HSL 240, 0.45%, 0.7%

LAB 62.24, 15.91, -35.31

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 56 / 56 / 0 / 52

HEX #36367B

RGB 54 54 123

HSL 240, 0.39%, 0.35%

LAB 26.31, 21.21, -39.47

 

CMYK 64 / 65 / 0 / 59

HEX #252468

RGB 37 36 104

HSL 240.88, 0.49%, 0.27%

LAB 18.6, 23.19, -39.83

 

CMYK 76 / 79 / 0 / 67

HEX #141255

RGB 20 18 85

HSL 241.79, 0.65%, 0.2%

LAB 10.83, 25.64, -39.95

 

CMYK 95 / 100 / 0 / 74

HEX #030042

RGB 3 0 66

HSL 242.73, 1%, 0.13%

LAB 3.73, 25.29, -38.46

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 37 / 50 / 0 / 44

HEX #59478E

RGB 89 71 142

HSL 255.21, 0.33%, 0.42%

LAB 35.17, 24.98, -36.89

 

CMYK 24 / 50 / 0 / 44

HEX #6C478E

RGB 108 71 142

HSL 271.27, 0.33%, 0.42%

LAB 37.2, 30.39, -33.54

 

CMYK 11 / 50 / 0 / 44

HEX #7F478E

RGB 127 71 142

HSL 287.32, 0.33%, 0.42%

LAB 39.53, 36.07, -29.71

 

CMYK 0 / 50 / 4 / 44

HEX #8E4789

RGB 142 71 137

HSL 304.23, 0.33%, 0.42%

LAB 41.32, 39.67, -23.73

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 50 / 50 / 0 / 44

HEX #47478E

RGB 71 71 142

HSL 240, 0.33%, 0.42%

LAB 33.56, 20.31, -39.55

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 66 / 65 / 0 / 38

HEX #36379F

RGB 54 55 159

HSL 239.43, 0.49%, 0.42%

LAB 29.46, 33.16, -56.61

 

CMYK 79 / 78 / 0 / 31

HEX #2527B1

RGB 37 39 177

HSL 239.14, 0.65%, 0.42%

LAB 26.79, 46.99, -71.89

 

CMYK 90 / 89 / 0 / 24

HEX #1316C2

RGB 19 22 194

HSL 238.97, 0.82%, 0.42%

LAB 25.59, 59.08, -84.01

 

CMYK 99 / 98 / 0 / 17

HEX #0205D3

RGB 2 5 211

HSL 239.14, 0.98%, 0.42%

LAB 26.23, 67.67, -92.9

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 29 / 29 / 0 / 51

HEX #59597D

RGB 89 89 125

HSL 240, 0.17%, 0.42%

LAB 39.15, 8.8, -20.23

 

CMYK 1 / 1 / 0 / 58

HEX #6A6A6B

RGB 106 106 107

HSL 240, 0%, 0.42%

LAB 44.85, 0.21, -0.56

 

CMYK 0 / 0 / 27 / 52

HEX #7B7B5A

RGB 123 123 90

HSL 60, 0.15%, 0.42%

LAB 50.82, -5.78, 18.11

 

CMYK 0 / 1 / 48 / 45

HEX #8D8C49

RGB 141 140 73

HSL 59.12, 0.32%, 0.42%

LAB 56.98, -9.6, 35.67

 

CMYK 50 / 23 / 0 / 44

HEX #476E8E

RGB 71 110 142

HSL 207.04, 0.33%, 0.42%

LAB 44.86, -4.35, -21.78

 

CMYK 50 / 36 / 0 / 44

HEX #475B8E

RGB 71 91 142

HSL 223.1, 0.33%, 0.42%

LAB 39.2, 7.37, -30.6

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 37 / 50 / 0 / 44

HEX #59478E

RGB 89 71 142

HSL 255.21, 0.33%, 0.42%

LAB 35.17, 24.98, -36.89

 

CMYK 24 / 50 / 0 / 44

HEX #6C478E

RGB 108 71 142

HSL 271.27, 0.33%, 0.42%

LAB 37.2, 30.39, -33.54

 

CMYK 49 / 49 / 0 / 66

HEX #2C2C57

RGB 44 44 87

HSL 240, 0.33%, 0.26%

LAB 20.14, 13.05, -26.1

 

CMYK 50 / 50 / 0 / 55

HEX #393A73

RGB 57 58 115

HSL 238.97, 0.34%, 0.34%

LAB 27.11, 16.47, -33.11

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 50 / 49 / 0 / 34

HEX #5556A9

RGB 85 86 169

HSL 239.29, 0.33%, 0.5%

LAB 40.33, 22.73, -44.91

 

CMYK 38 / 38 / 0 / 28

HEX #7172B7

RGB 113 114 183

HSL 239.14, 0.33%, 0.58%

LAB 50.65, 16.79, -36.6

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 0 / 50 / 9 / 44

HEX #8E4781

RGB 142 71 129

HSL 310.99, 0.33%, 0.42%

LAB 40.96, 38.21, -19.39

 

CMYK 29 / 0 / 50 / 44

HEX #658E47

RGB 101 142 71

HSL 94.65, 0.33%, 0.42%

LAB 54.62, -27.32, 33.17

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 0 / 50 / 49 / 44

HEX #8E4748

RGB 142 71 72

HSL 359.15, 0.33%, 0.42%

LAB 39.11, 30.09, 13.29

 

CMYK 49 / 0 / 50 / 44

HEX #488E47

RGB 72 142 71

HSL 119.15, 0.33%, 0.42%

LAB 53.14, -37.27, 31.01

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 0 / 50 / 9 / 44

HEX #8E4781

RGB 142 71 129

HSL 310.99, 0.33%, 0.42%

LAB 40.96, 38.21, -19.39

 

CMYK 0 / 1 / 50 / 44

HEX #8E8D47

RGB 142 141 71

HSL 59.15, 0.33%, 0.42%

LAB 57.32, -9.91, 37.14

 

CMYK 50 / 0 / 41 / 44

HEX #478E54

RGB 71 142 84

HSL 130.99, 0.33%, 0.42%

LAB 53.3, -35.47, 24.21

 

CMYK 50 / 49 / 0 / 44

HEX #47488E

RGB 71 72 142

HSL 239.15, 0.33%, 0.42%

LAB 33.83, 19.66, -39.12

 

CMYK 0 / 50 / 24 / 44

HEX #8E476C

RGB 142 71 108

HSL 328.73, 0.33%, 0.42%

LAB 40.15, 34.72, -7.68

 

CMYK 0 / 1 / 50 / 44

HEX #8E8D47

RGB 142 141 71

HSL 59.15, 0.33%, 0.42%

LAB 57.32, -9.91, 37.14

 

CMYK 50 / 0 / 26 / 44

HEX #478E69

RGB 71 142 105

HSL 148.73, 0.33%, 0.42%

LAB 53.71, -31.36, 12.98

 

Description

Color code: HEX #47488E | qconv.com Color code: HEX #47488E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 72 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 72 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 49 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 49% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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