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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4740BE it is the complementary color #B8BF41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4740BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4740BE shade: #4C40B9, #5D52CC, #6E64DF, #7F76F2 and #9088FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4740BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4740BE shade: #4740BE, #362EAB, #251C98, #140A85 and #030072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4740BE shade: #463FBF, #693FBF, #8B3FBF, #AD3FBF and #BF3FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4740BE shade: #463FBF and #3F3FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4740BE shade matches the following richer shades: #463FBF, #342BD3, #2216E8 and #0F01FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4740BE shade: #463FBF, #5954AA, #6B6995, #7D7D81 and #90926C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4740BE shade: #3F7DBF, #3F5BBF, #463FBF, #683FBF and #8A3FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4740BE shade: #2F2B81, #3B35A0, #463FBF, #645EC9 and #827DD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4740BE shade: #4740BE, #BF3F9F and #6CBF3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4740BE shade: #4740BE, #BF463F and #3FBF46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4740BE shade: #4740BE, #BF3F9F, #B8BF3F and #3FBF5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4740BE shade: #4740BE, #BF3F79, #B8BF3F and #3FBF85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 66 / 0 / 25

HEX #4740BE

RGB 71 64 190

HSL 243.33, 0.5%, 0.5%

LAB 35.45, 40.57, -65.26

 

Complementary color

CMYK 4 / 0 / 66 / 25

HEX #B8BF41

RGB 184 191 65

HSL 63.33, 0.5%, 0.5%

LAB 74.72, -18.37, 60.1

 

CMYK 59 / 65 / 0 / 27

HEX #4C40B9

RGB 76 64 185

HSL 245.95, 0.49%, 0.49%

LAB 35.41, 39.73, -62.36

 

CMYK 54 / 60 / 0 / 20

HEX #5D52CC

RGB 93 82 204

HSL 245.41, 0.54%, 0.56%

LAB 42.34, 37.94, -62.11

 

CMYK 51 / 55 / 0 / 13

HEX #6E64DF

RGB 110 100 223

HSL 244.88, 0.66%, 0.63%

LAB 49.2, 36.34, -61.79

 

CMYK 48 / 51 / 0 / 5

HEX #7F76F2

RGB 127 118 242

HSL 244.35, 0.83%, 0.71%

LAB 55.97, 34.92, -61.48

 

CMYK 44 / 47 / 0 / 0

HEX #9088FF

RGB 144 136 255

HSL 244.03, 1%, 0.77%

LAB 62.3, 31.98, -58.44

 

CMYK 63 / 66 / 0 / 25

HEX #4740BE

RGB 71 64 190

HSL 243.33, 0.5%, 0.5%

LAB 35.45, 40.57, -65.26

 

CMYK 68 / 73 / 0 / 33

HEX #362EAB

RGB 54 46 171

HSL 243.84, 0.58%, 0.43%

LAB 28.59, 42.67, -65.29

 

CMYK 76 / 82 / 0 / 40

HEX #251C98

RGB 37 28 152

HSL 244.35, 0.69%, 0.35%

LAB 21.91, 44.62, -64.8

 

CMYK 85 / 92 / 0 / 48

HEX #140A85

RGB 20 10 133

HSL 244.88, 0.86%, 0.28%

LAB 15.8, 45.57, -63.15

 

CMYK 97 / 100 / 0 / 55

HEX #030072

RGB 3 0 114

HSL 241.58, 1%, 0.22%

LAB 10.81, 43.77, -59.31

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 45 / 67 / 0 / 25

HEX #693FBF

RGB 105 63 191

HSL 259.69, 0.5%, 0.5%

LAB 38.41, 47.22, -60.88

 

CMYK 27 / 67 / 0 / 25

HEX #8B3FBF

RGB 139 63 191

HSL 275.63, 0.5%, 0.5%

LAB 42.47, 54.18, -54.12

 

CMYK 9 / 67 / 0 / 25

HEX #AD3FBF

RGB 173 63 191

HSL 291.56, 0.5%, 0.5%

LAB 47.24, 61.76, -46.21

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 67 / 67 / 0 / 25

HEX #3F3FBF

RGB 63 63 191

HSL 240, 0.5%, 0.5%

LAB 34.75, 40.39, -67.02

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 75 / 80 / 0 / 17

HEX #342BD3

RGB 52 43 211

HSL 243.21, 0.66%, 0.5%

LAB 32.17, 56.66, -82.96

 

CMYK 85 / 91 / 0 / 9

HEX #2216E8

RGB 34 22 232

HSL 243.43, 0.83%, 0.5%

LAB 31.21, 69.76, -96.66

 

CMYK 94 / 100 / 0 / 1

HEX #0F01FD

RGB 15 1 253

HSL 243.33, 0.99%, 0.5%

LAB 32.29, 78.65, -106.75

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 48 / 51 / 0 / 33

HEX #5954AA

RGB 89 84 170

HSL 243.49, 0.34%, 0.5%

LAB 40.19, 25.24, -45.71

 

CMYK 28 / 30 / 0 / 42

HEX #6B6995

RGB 107 105 149

HSL 242.73, 0.17%, 0.5%

LAB 46.18, 11.15, -23.71

 

CMYK 3 / 3 / 0 / 49

HEX #7D7D81

RGB 125 125 129

HSL 240, 0.02%, 0.5%

LAB 52.52, 0.81, -2.18

 

CMYK 1 / 0 / 26 / 43

HEX #90926C

RGB 144 146 108

HSL 63.16, 0.15%, 0.5%

LAB 59.5, -7.27, 19.96

 

CMYK 67 / 35 / 0 / 25

HEX #3F7DBF

RGB 63 125 191

HSL 210.94, 0.5%, 0.5%

LAB 51.25, 1.39, -40.44

 

CMYK 67 / 52 / 0 / 25

HEX #3F5BBF

RGB 63 91 191

HSL 226.88, 0.5%, 0.5%

LAB 41.69, 22.7, -55.72

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 46 / 67 / 0 / 25

HEX #683FBF

RGB 104 63 191

HSL 259.22, 0.5%, 0.5%

LAB 38.3, 47.04, -61.06

 

CMYK 28 / 67 / 0 / 25

HEX #8A3FBF

RGB 138 63 191

HSL 275.16, 0.5%, 0.5%

LAB 42.34, 53.96, -54.34

 

CMYK 64 / 67 / 0 / 49

HEX #2F2B81

RGB 47 43 129

HSL 242.79, 0.5%, 0.34%

LAB 23.4, 29.26, -48.01

 

CMYK 63 / 67 / 0 / 37

HEX #3B35A0

RGB 59 53 160

HSL 243.36, 0.5%, 0.42%

LAB 29.45, 35.51, -57.22

 

CMYK 63 / 67 / 0 / 25

HEX #463FBF

RGB 70 63 191

HSL 243.28, 0.5%, 0.5%

LAB 35.24, 41.34, -66.19

 

CMYK 50 / 53 / 0 / 21

HEX #645EC9

RGB 100 94 201

HSL 243.36, 0.5%, 0.58%

LAB 45.54, 31.14, -55.18

 

CMYK 38 / 41 / 0 / 17

HEX #827DD3

RGB 130 125 211

HSL 243.49, 0.49%, 0.66%

LAB 56.2, 22.64, -43.73

 

CMYK 63 / 66 / 0 / 25

HEX #4740BE

RGB 71 64 190

HSL 243.33, 0.5%, 0.5%

LAB 35.45, 40.57, -65.26

 

CMYK 0 / 67 / 17 / 25

HEX #BF3F9F

RGB 191 63 159

HSL 315, 0.5%, 0.5%

LAB 48.43, 60.9, -25.33

 

CMYK 43 / 0 / 67 / 25

HEX #6CBF3F

RGB 108 191 63

HSL 98.91, 0.5%, 0.5%

LAB 70.04, -47.5, 54.57

 

CMYK 63 / 66 / 0 / 25

HEX #4740BE

RGB 71 64 190

HSL 243.33, 0.5%, 0.5%

LAB 35.45, 40.57, -65.26

 

CMYK 0 / 63 / 67 / 25

HEX #BF463F

RGB 191 70 63

HSL 3.28, 0.5%, 0.5%

LAB 46.73, 48.13, 30.15

 

CMYK 67 / 0 / 63 / 25

HEX #3FBF46

RGB 63 191 70

HSL 123.28, 0.5%, 0.5%

LAB 68.58, -58.56, 49.6

 

CMYK 63 / 66 / 0 / 25

HEX #4740BE

RGB 71 64 190

HSL 243.33, 0.5%, 0.5%

LAB 35.45, 40.57, -65.26

 

CMYK 0 / 67 / 17 / 25

HEX #BF3F9F

RGB 191 63 159

HSL 315, 0.5%, 0.5%

LAB 48.43, 60.9, -25.33

 

CMYK 4 / 0 / 67 / 25

HEX #B8BF3F

RGB 184 191 63

HSL 63.28, 0.5%, 0.5%

LAB 74.71, -18.49, 60.87

 

CMYK 67 / 0 / 50 / 25

HEX #3FBF5F

RGB 63 191 95

HSL 135, 0.5%, 0.5%

LAB 68.86, -55.33, 38.22

 

CMYK 63 / 66 / 0 / 25

HEX #4740BE

RGB 71 64 190

HSL 243.33, 0.5%, 0.5%

LAB 35.45, 40.57, -65.26

 

CMYK 0 / 67 / 37 / 25

HEX #BF3F79

RGB 191 63 121

HSL 332.81, 0.5%, 0.5%

LAB 46.99, 56.01, -4.65

 

CMYK 4 / 0 / 67 / 25

HEX #B8BF3F

RGB 184 191 63

HSL 63.28, 0.5%, 0.5%

LAB 74.71, -18.49, 60.87

 

CMYK 67 / 0 / 30 / 25

HEX #3FBF85

RGB 63 191 133

HSL 152.81, 0.5%, 0.5%

LAB 69.48, -48.45, 19.29

 

Description

Color code: HEX #4740BE | qconv.com Color code: HEX #4740BE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 64 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 64 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 66 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 66% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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