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Color name
HEX #474A93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #474A93 it is the complementary color #B8B56C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #474A93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #474A93 shade: #4C4A8E, #5D5CA1, #6E6EB4, #7F80C7 and #9092DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #474A93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #474A93 shade: #474A93, #363880, #25266D, #14145A and #030247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #474A93 shade: #474A94, #584794, #6D4794, #824794 and #944791

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #474A93 shade: #474A94 and #474794

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #474A93 shade matches the following richer shades: #474A94, #3539A5, #2329B7, #1219C9 and #0008DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #474A93 shade: #474A94, #595A82, #6A6A70, #7C7B5E and #8E8B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #474A93 shade: #477494, #475F94, #474B94, #574794 and #6C4794

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #474A93 shade: #2C2E5C, #393C78, #474A94, #565AAD and #7275BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #474A93 shade: #474A93, #944788 and #699447

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #474A93 shade: #474A93, #94474B and #4B9447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #474A93 shade: #474A93, #944788, #949047 and #479452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #474A93 shade: #474A93, #944771, #949047 and #479469

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 50 / 0 / 42

HEX #474A93

RGB 71 74 147

HSL 237.63, 0.35%, 0.43%

LAB 34.69, 20, -40.8

 

Complementary color

CMYK 0 / 2 / 41 / 28

HEX #B8B56C

RGB 184 181 108

HSL 57.63, 0.35%, 0.57%

LAB 72.44, -9.68, 37.51

 

CMYK 46 / 48 / 0 / 44

HEX #4C4A8E

RGB 76 74 142

HSL 241.76, 0.31%, 0.42%

LAB 34.78, 19.61, -37.59

 

CMYK 42 / 43 / 0 / 37

HEX #5D5CA1

RGB 93 92 161

HSL 240.87, 0.27%, 0.5%

LAB 42.08, 18.48, -37.33

 

CMYK 39 / 39 / 0 / 29

HEX #6E6EB4

RGB 110 110 180

HSL 240, 0.32%, 0.57%

LAB 49.21, 17.54, -37.15

 

CMYK 36 / 36 / 0 / 22

HEX #7F80C7

RGB 127 128 199

HSL 239.17, 0.39%, 0.64%

LAB 56.16, 16.75, -37.02

 

CMYK 34 / 33 / 0 / 15

HEX #9092DA

RGB 144 146 218

HSL 238.38, 0.5%, 0.71%

LAB 62.97, 16.06, -36.96

 

CMYK 52 / 50 / 0 / 42

HEX #474A93

RGB 71 74 147

HSL 237.63, 0.35%, 0.43%

LAB 34.69, 20, -40.8

 

CMYK 58 / 56 / 0 / 50

HEX #363880

RGB 54 56 128

HSL 238.38, 0.41%, 0.36%

LAB 27.22, 21.61, -41.15

 

CMYK 66 / 65 / 0 / 57

HEX #25266D

RGB 37 38 109

HSL 239.17, 0.49%, 0.29%

LAB 19.57, 23.67, -41.51

 

CMYK 78 / 78 / 0 / 65

HEX #14145A

RGB 20 20 90

HSL 240, 0.64%, 0.22%

LAB 11.87, 26.22, -41.62

 

CMYK 96 / 97 / 0 / 72

HEX #030247

RGB 3 2 71

HSL 240.87, 0.95%, 0.14%

LAB 4.68, 27.19, -40.45

 

CMYK 52 / 50 / 0 / 42

HEX #474A94

RGB 71 74 148

HSL 237.66, 0.35%, 0.43%

LAB 34.75, 20.33, -41.3

 

CMYK 41 / 52 / 0 / 42

HEX #584794

RGB 88 71 148

HSL 253.25, 0.35%, 0.43%

LAB 35.44, 26.46, -40.12

 

CMYK 26 / 52 / 0 / 42

HEX #6D4794

RGB 109 71 148

HSL 269.61, 0.35%, 0.43%

LAB 37.65, 32.19, -36.46

 

CMYK 12 / 52 / 0 / 42

HEX #824794

RGB 130 71 148

HSL 285.97, 0.35%, 0.43%

LAB 40.23, 38.26, -32.22

 

CMYK 0 / 52 / 2 / 42

HEX #944791

RGB 148 71 145

HSL 302.34, 0.35%, 0.43%

LAB 42.53, 42.99, -26.62

 

CMYK 52 / 50 / 0 / 42

HEX #474A94

RGB 71 74 148

HSL 237.66, 0.35%, 0.43%

LAB 34.75, 20.33, -41.3

 

CMYK 52 / 52 / 0 / 42

HEX #474794

RGB 71 71 148

HSL 240, 0.35%, 0.43%

LAB 33.95, 22.28, -42.59

 

CMYK 52 / 50 / 0 / 42

HEX #474A94

RGB 71 74 148

HSL 237.66, 0.35%, 0.43%

LAB 34.75, 20.33, -41.3

 

CMYK 68 / 65 / 0 / 35

HEX #3539A5

RGB 53 57 165

HSL 237.86, 0.51%, 0.43%

LAB 30.4, 33.84, -58.71

 

CMYK 81 / 78 / 0 / 28

HEX #2329B7

RGB 35 41 183

HSL 237.57, 0.68%, 0.43%

LAB 27.74, 47.76, -73.89

 

CMYK 91 / 88 / 0 / 21

HEX #1219C9

RGB 18 25 201

HSL 237.7, 0.84%, 0.43%

LAB 26.85, 59.99, -86.02

 

CMYK 100 / 96 / 0 / 15

HEX #0008DA

RGB 0 8 218

HSL 237.8, 1%, 0.43%

LAB 27.4, 68.85, -95.01

 

CMYK 52 / 50 / 0 / 42

HEX #474A94

RGB 71 74 148

HSL 237.66, 0.35%, 0.43%

LAB 34.75, 20.33, -41.3

 

CMYK 32 / 31 / 0 / 49

HEX #595A82

RGB 89 90 130

HSL 238.54, 0.19%, 0.43%

LAB 39.66, 9.55, -22.5

 

CMYK 5 / 5 / 0 / 56

HEX #6A6A70

RGB 106 106 112

HSL 240, 0.03%, 0.43%

LAB 45, 1.27, -3.35

 

CMYK 0 / 1 / 24 / 51

HEX #7C7B5E

RGB 124 123 94

HSL 58, 0.14%, 0.43%

LAB 50.99, -4.76, 16.04

 

CMYK 0 / 2 / 46 / 44

HEX #8E8B4D

RGB 142 139 77

HSL 57.23, 0.3%, 0.43%

LAB 56.83, -8.21, 33.41

 

CMYK 52 / 22 / 0 / 42

HEX #477494

RGB 71 116 148

HSL 204.94, 0.35%, 0.43%

LAB 46.93, -6.02, -22.14

 

CMYK 52 / 36 / 0 / 42

HEX #475F94

RGB 71 95 148

HSL 221.3, 0.35%, 0.43%

LAB 40.67, 6.8, -31.9

 

CMYK 52 / 49 / 0 / 42

HEX #474B94

RGB 71 75 148

HSL 236.88, 0.35%, 0.43%

LAB 35.02, 19.68, -40.87

 

CMYK 41 / 52 / 0 / 42

HEX #574794

RGB 87 71 148

HSL 252.47, 0.35%, 0.43%

LAB 35.34, 26.2, -40.28

 

CMYK 27 / 52 / 0 / 42

HEX #6C4794

RGB 108 71 148

HSL 268.83, 0.35%, 0.43%

LAB 37.54, 31.91, -36.65

 

CMYK 52 / 50 / 0 / 64

HEX #2C2E5C

RGB 44 46 92

HSL 237.5, 0.35%, 0.27%

LAB 21.06, 13.39, -27.95

 

CMYK 53 / 50 / 0 / 53

HEX #393C78

RGB 57 60 120

HSL 237.14, 0.36%, 0.35%

LAB 28, 16.82, -34.85

 

CMYK 52 / 50 / 0 / 42

HEX #474A94

RGB 71 74 148

HSL 237.66, 0.35%, 0.43%

LAB 34.75, 20.33, -41.3

 

CMYK 50 / 48 / 0 / 32

HEX #565AAD

RGB 86 90 173

HSL 237.24, 0.35%, 0.51%

LAB 41.7, 21.71, -45.08

 

CMYK 39 / 37 / 0 / 27

HEX #7275BB

RGB 114 117 187

HSL 237.53, 0.35%, 0.59%

LAB 51.71, 16.39, -37.23

 

CMYK 52 / 50 / 0 / 42

HEX #474A93

RGB 71 74 147

HSL 237.63, 0.35%, 0.43%

LAB 34.69, 20, -40.8

 

CMYK 0 / 52 / 8 / 42

HEX #944788

RGB 148 71 136

HSL 309.35, 0.35%, 0.43%

LAB 42.12, 41.36, -21.8

 

CMYK 29 / 0 / 52 / 42

HEX #699447

RGB 105 148 71

HSL 93.51, 0.35%, 0.43%

LAB 56.72, -28.72, 35.78

 

CMYK 52 / 50 / 0 / 42

HEX #474A93

RGB 71 74 147

HSL 237.63, 0.35%, 0.43%

LAB 34.69, 20, -40.8

 

CMYK 0 / 52 / 49 / 42

HEX #94474B

RGB 148 71 75

HSL 356.88, 0.35%, 0.43%

LAB 40.1, 32.75, 12.92

 

CMYK 49 / 0 / 52 / 42

HEX #4B9447

RGB 75 148 71

HSL 116.88, 0.35%, 0.43%

LAB 55.21, -38.97, 33.58

 

CMYK 52 / 50 / 0 / 42

HEX #474A93

RGB 71 74 147

HSL 237.63, 0.35%, 0.43%

LAB 34.69, 20, -40.8

 

CMYK 0 / 52 / 8 / 42

HEX #944788

RGB 148 71 136

HSL 309.35, 0.35%, 0.43%

LAB 42.12, 41.36, -21.8

 

CMYK 0 / 3 / 52 / 42

HEX #949047

RGB 148 144 71

HSL 56.88, 0.35%, 0.43%

LAB 58.69, -8.92, 38.89

 

CMYK 52 / 0 / 45 / 42

HEX #479452

RGB 71 148 82

HSL 128.57, 0.35%, 0.43%

LAB 55.2, -38.46, 27.76

 

CMYK 52 / 50 / 0 / 42

HEX #474A93

RGB 71 74 147

HSL 237.63, 0.35%, 0.43%

LAB 34.69, 20, -40.8

 

CMYK 0 / 52 / 24 / 42

HEX #944771

RGB 148 71 113

HSL 327.27, 0.35%, 0.43%

LAB 41.21, 37.57, -9.1

 

CMYK 0 / 3 / 52 / 42

HEX #949047

RGB 148 144 71

HSL 56.88, 0.35%, 0.43%

LAB 58.69, -8.92, 38.89

 

CMYK 52 / 0 / 29 / 42

HEX #479469

RGB 71 148 105

HSL 146.49, 0.35%, 0.43%

LAB 55.62, -34.16, 15.63

 

Description

Color code: HEX #474A93 | qconv.com Color code: HEX #474A93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 74 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 74 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 50 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 50% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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