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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475923 it is the complementary color #B8A6DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475923 shade: #4C591E, #5D6B31, #6E7D44, #7F8F57 and #90A16A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475923 shade: #475923, #364710, #253500, #142300 and #031100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475923 shade: #465822, #545822, #584D22, #583E22 and #582F22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475923 shade: #465822, #375822, #295822, #225829 and #225838

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475923 shade matches the following richer shades: #465822, #496218, #4C6B0E and #507504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475923 shade: #465822, #424E2C, #3F4436, #3C3A3F and #383049

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475923 shade: #584D22, #545822, #465822, #375822 and #295822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475923 shade: #161C0B, #2E3A16, #465822, #5D752D and #759339

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475923 shade: #475923, #22583E and #542258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475923 shade: #475923, #224658 and #582246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475923 shade: #475923, #22583E, #342258 and #58223B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475923 shade: #475923, #22584F, #342258 and #58222B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 61 / 65

HEX #475923

RGB 71 89 35

HSL 80, 0.44%, 0.24%

LAB 35.21, -16.55, 28.5

 

Complementary color

CMYK 16 / 25 / 0 / 14

HEX #B8A6DC

RGB 184 166 220

HSL 260, 0.44%, 0.76%

LAB 71.3, 17.17, -24.92

 

CMYK 15 / 0 / 66 / 65

HEX #4C591E

RGB 76 89 30

HSL 73.22, 0.5%, 0.23%

LAB 35.55, -14.75, 31.55

 

CMYK 13 / 0 / 54 / 58

HEX #5D6B31

RGB 93 107 49

HSL 74.48, 0.37%, 0.31%

LAB 42.86, -15.12, 30.43

 

CMYK 12 / 0 / 46 / 51

HEX #6E7D44

RGB 110 125 68

HSL 75.79, 0.3%, 0.38%

LAB 49.98, -15.34, 29.16

 

CMYK 11 / 0 / 39 / 44

HEX #7F8F57

RGB 127 143 87

HSL 77.14, 0.24%, 0.45%

LAB 56.92, -15.48, 27.9

 

CMYK 11 / 0 / 34 / 37

HEX #90A16A

RGB 144 161 106

HSL 78.55, 0.23%, 0.52%

LAB 63.72, -15.56, 26.7

 

CMYK 20 / 0 / 61 / 65

HEX #475923

RGB 71 89 35

HSL 80, 0.44%, 0.24%

LAB 35.21, -16.55, 28.5

 

CMYK 24 / 0 / 77 / 72

HEX #364710

RGB 54 71 16

HSL 78.55, 0.63%, 0.17%

LAB 27.65, -16.16, 29.37

 

CMYK 30 / 0 / 100 / 79

HEX #253500

RGB 37 53 0

HSL 78.11, 1%, 0.1%

LAB 19.8, -15.45, 27.56

 

CMYK 43 / 0 / 100 / 86

HEX #142300

RGB 20 35 0

HSL 85.71, 1%, 0.07%

LAB 11.63, -13.71, 16.99

 

CMYK 82 / 0 / 100 / 93

HEX #031100

RGB 3 17 0

HSL 109.41, 1%, 0.03%

LAB 3.8, -6.61, 5.56

 

CMYK 20 / 0 / 61 / 65

HEX #465822

RGB 70 88 34

HSL 80, 0.44%, 0.24%

LAB 34.8, -16.55, 28.53

 

CMYK 5 / 0 / 61 / 65

HEX #545822

RGB 84 88 34

HSL 64.44, 0.44%, 0.24%

LAB 35.95, -10.07, 30.15

 

CMYK 0 / 13 / 61 / 65

HEX #584D22

RGB 88 77 34

HSL 47.78, 0.44%, 0.24%

LAB 32.91, -1.58, 26.79

 

CMYK 0 / 30 / 61 / 65

HEX #583E22

RGB 88 62 34

HSL 31.11, 0.44%, 0.24%

LAB 28.47, 7.79, 21.53

 

CMYK 0 / 47 / 61 / 65

HEX #582F22

RGB 88 47 34

HSL 14.44, 0.44%, 0.24%

LAB 24.4, 17.26, 16.46

 

CMYK 20 / 0 / 61 / 65

HEX #465822

RGB 70 88 34

HSL 80, 0.44%, 0.24%

LAB 34.8, -16.55, 28.53

 

CMYK 38 / 0 / 61 / 65

HEX #375822

RGB 55 88 34

HSL 96.67, 0.44%, 0.24%

LAB 33.79, -22.94, 27.11

 

CMYK 53 / 0 / 61 / 65

HEX #295822

RGB 41 88 34

HSL 112.22, 0.44%, 0.24%

LAB 33.06, -28.05, 26.08

 

CMYK 61 / 0 / 53 / 65

HEX #225829

RGB 34 88 41

HSL 127.78, 0.44%, 0.24%

LAB 32.87, -29.12, 21.9

 

CMYK 61 / 0 / 36 / 65

HEX #225838

RGB 34 88 56

HSL 144.44, 0.44%, 0.24%

LAB 33.15, -26.22, 13.34

 

CMYK 20 / 0 / 61 / 65

HEX #465822

RGB 70 88 34

HSL 80, 0.44%, 0.24%

LAB 34.8, -16.55, 28.53

 

CMYK 26 / 0 / 76 / 62

HEX #496218

RGB 73 98 24

HSL 80.27, 0.61%, 0.24%

LAB 38.23, -21.41, 37.02

 

CMYK 29 / 0 / 87 / 58

HEX #4C6B0E

RGB 76 107 14

HSL 80, 0.77%, 0.24%

LAB 41.35, -25.21, 43.51

 

CMYK 32 / 0 / 97 / 54

HEX #507504

RGB 80 117 4

HSL 79.65, 0.93%, 0.24%

LAB 44.85, -28.71, 48.92

 

CMYK 20 / 0 / 61 / 65

HEX #465822

RGB 70 88 34

HSL 80, 0.44%, 0.24%

LAB 34.8, -16.55, 28.53

 

CMYK 15 / 0 / 44 / 69

HEX #424E2C

RGB 66 78 44

HSL 81.18, 0.28%, 0.24%

LAB 31.32, -11.45, 18.56

 

CMYK 7 / 0 / 21 / 73

HEX #3F4436

RGB 63 68 54

HSL 81.43, 0.11%, 0.24%

LAB 28, -5.06, 7.8

 

CMYK 5 / 8 / 0 / 75

HEX #3C3A3F

RGB 60 58 63

HSL 264, 0.04%, 0.24%

LAB 24.78, 2.01, -2.78

 

CMYK 23 / 34 / 0 / 71

HEX #383049

RGB 56 48 73

HSL 259.2, 0.21%, 0.24%

LAB 21.71, 9.77, -14.18

 

CMYK 0 / 13 / 61 / 65

HEX #584D22

RGB 88 77 34

HSL 47.78, 0.44%, 0.24%

LAB 32.91, -1.58, 26.79

 

CMYK 5 / 0 / 61 / 65

HEX #545822

RGB 84 88 34

HSL 64.44, 0.44%, 0.24%

LAB 35.95, -10.07, 30.15

 

CMYK 20 / 0 / 61 / 65

HEX #465822

RGB 70 88 34

HSL 80, 0.44%, 0.24%

LAB 34.8, -16.55, 28.53

 

CMYK 38 / 0 / 61 / 65

HEX #375822

RGB 55 88 34

HSL 96.67, 0.44%, 0.24%

LAB 33.79, -22.94, 27.11

 

CMYK 53 / 0 / 61 / 65

HEX #295822

RGB 41 88 34

HSL 112.22, 0.44%, 0.24%

LAB 33.06, -28.05, 26.08

 

CMYK 21 / 0 / 61 / 89

HEX #161C0B

RGB 22 28 11

HSL 81.18, 0.44%, 0.08%

LAB 9.2, -6.62, 9.11

 

CMYK 21 / 0 / 62 / 77

HEX #2E3A16

RGB 46 58 22

HSL 80, 0.45%, 0.16%

LAB 22.53, -11.94, 20.49

 

CMYK 20 / 0 / 61 / 65

HEX #465822

RGB 70 88 34

HSL 80, 0.44%, 0.24%

LAB 34.8, -16.55, 28.53

 

CMYK 21 / 0 / 62 / 54

HEX #5D752D

RGB 93 117 45

HSL 80, 0.44%, 0.32%

LAB 45.96, -20.86, 36.05

 

CMYK 20 / 0 / 61 / 42

HEX #759339

RGB 117 147 57

HSL 80, 0.44%, 0.4%

LAB 57.02, -24.94, 43.16

 

CMYK 20 / 0 / 61 / 65

HEX #475923

RGB 71 89 35

HSL 80, 0.44%, 0.24%

LAB 35.21, -16.55, 28.5

 

CMYK 61 / 0 / 30 / 65

HEX #22583E

RGB 34 88 62

HSL 151.11, 0.44%, 0.24%

LAB 33.28, -24.83, 9.83

 

CMYK 5 / 61 / 0 / 65

HEX #542258

RGB 84 34 88

HSL 295.56, 0.44%, 0.24%

LAB 22.77, 31.86, -22.29

 

CMYK 20 / 0 / 61 / 65

HEX #475923

RGB 71 89 35

HSL 80, 0.44%, 0.24%

LAB 35.21, -16.55, 28.5

 

CMYK 61 / 20 / 0 / 65

HEX #224658

RGB 34 70 88

HSL 200, 0.44%, 0.24%

LAB 27.91, -6.92, -14.63

 

CMYK 0 / 61 / 20 / 65

HEX #582246

RGB 88 34 70

HSL 320, 0.44%, 0.24%

LAB 22.52, 29.71, -10.54

 

CMYK 20 / 0 / 61 / 65

HEX #475923

RGB 71 89 35

HSL 80, 0.44%, 0.24%

LAB 35.21, -16.55, 28.5

 

CMYK 61 / 0 / 30 / 65

HEX #22583E

RGB 34 88 62

HSL 151.11, 0.44%, 0.24%

LAB 33.28, -24.83, 9.83

 

CMYK 41 / 61 / 0 / 65

HEX #342258

RGB 52 34 88

HSL 260, 0.44%, 0.24%

LAB 18.27, 22.49, -29.72

 

CMYK 0 / 61 / 33 / 65

HEX #58223B

RGB 88 34 59

HSL 332.22, 0.44%, 0.24%

LAB 22.07, 27.96, -3.7

 

CMYK 20 / 0 / 61 / 65

HEX #475923

RGB 71 89 35

HSL 80, 0.44%, 0.24%

LAB 35.21, -16.55, 28.5

 

CMYK 61 / 0 / 10 / 65

HEX #22584F

RGB 34 88 79

HSL 170, 0.44%, 0.24%

LAB 33.74, -20.29, -0.14

 

CMYK 41 / 61 / 0 / 65

HEX #342258

RGB 52 34 88

HSL 260, 0.44%, 0.24%

LAB 18.27, 22.49, -29.72

 

CMYK 0 / 61 / 51 / 65

HEX #58222B

RGB 88 34 43

HSL 350, 0.44%, 0.24%

LAB 21.55, 25.88, 6.61

 

Description

Color code: HEX #475923 | qconv.com Color code: HEX #475923 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 89 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 89 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 61 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 61% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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