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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475221 it is the complementary color #B8ADDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475221 shade: #4C521C, #5D642F, #6E7642, #7F8855 and #909A68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475221 shade: #475221, #36400E, #252E00, #141C00 and #030A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475221 shade: #485321, #535121, #534321, #533621 and #532821

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475221 shade: #485321, #3A5321, #2D5321, #215323 and #215330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475221 shade matches the following richer shades: #485321, #4D5D17, #53660E and #587004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475221 shade: #485321, #434A2A, #3E4034, #38373D and #332D47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475221 shade: #534321, #535121, #485321, #3B5321 and #2E5321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475221 shade: #151809, #2F3615, #485321, #62712D and #7B8E38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475221 shade: #475221, #215336 and #4A2153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475221 shade: #475221, #214853 and #532148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475221 shade: #475221, #215336, #2C2153 and #53213E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475221 shade: #475221, #215345, #2C2153 and #53212F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 60 / 68

HEX #475221

RGB 71 82 33

HSL 73.47, 0.43%, 0.23%

LAB 32.88, -12.84, 26.89

 

Complementary color

CMYK 17 / 22 / 0 / 13

HEX #B8ADDE

RGB 184 173 222

HSL 253.47, 0.43%, 0.77%

LAB 73.12, 13.73, -23.23

 

CMYK 7 / 0 / 66 / 68

HEX #4C521C

RGB 76 82 28

HSL 66.67, 0.49%, 0.22%

LAB 33.25, -10.95, 30.05

 

CMYK 7 / 0 / 53 / 61

HEX #5D642F

RGB 93 100 47

HSL 67.92, 0.36%, 0.29%

LAB 40.65, -11.45, 28.87

 

CMYK 7 / 0 / 44 / 54

HEX #6E7642

RGB 110 118 66

HSL 69.23, 0.28%, 0.36%

LAB 47.84, -11.77, 27.57

 

CMYK 7 / 0 / 38 / 47

HEX #7F8855

RGB 127 136 85

HSL 70.59, 0.23%, 0.43%

LAB 54.84, -11.99, 26.31

 

CMYK 6 / 0 / 32 / 40

HEX #909A68

RGB 144 154 104

HSL 72, 0.2%, 0.51%

LAB 61.69, -12.15, 25.11

 

CMYK 13 / 0 / 60 / 68

HEX #475221

RGB 71 82 33

HSL 73.47, 0.43%, 0.23%

LAB 32.88, -12.84, 26.89

 

CMYK 16 / 0 / 78 / 75

HEX #36400E

RGB 54 64 14

HSL 72, 0.64%, 0.15%

LAB 25.21, -12.32, 27.81

 

CMYK 20 / 0 / 100 / 82

HEX #252E00

RGB 37 46 0

HSL 71.74, 1%, 0.09%

LAB 17.21, -11.39, 24.51

 

CMYK 29 / 0 / 100 / 89

HEX #141C00

RGB 20 28 0

HSL 77.14, 1%, 0.05%

LAB 8.82, -9.18, 13.03

 

CMYK 70 / 0 / 100 / 96

HEX #030A00

RGB 3 10 0

HSL 102, 1%, 0.02%

LAB 2.14, -3.22, 3.14

 

CMYK 13 / 0 / 60 / 67

HEX #485321

RGB 72 83 33

HSL 73.2, 0.43%, 0.23%

LAB 33.29, -12.95, 27.39

 

CMYK 0 / 2 / 60 / 67

HEX #535121

RGB 83 81 33

HSL 57.6, 0.43%, 0.23%

LAB 33.63, -6.53, 28.03

 

CMYK 0 / 19 / 60 / 67

HEX #534321

RGB 83 67 33

HSL 40.8, 0.43%, 0.23%

LAB 29.32, 2.06, 23

 

CMYK 0 / 35 / 60 / 67

HEX #533621

RGB 83 54 33

HSL 25.2, 0.43%, 0.23%

LAB 25.52, 10.35, 18.37

 

CMYK 0 / 52 / 60 / 67

HEX #532821

RGB 83 40 33

HSL 8.4, 0.43%, 0.23%

LAB 21.82, 19.19, 13.65

 

CMYK 13 / 0 / 60 / 67

HEX #485321

RGB 72 83 33

HSL 73.2, 0.43%, 0.23%

LAB 33.29, -12.95, 27.39

 

CMYK 30 / 0 / 60 / 67

HEX #3A5321

RGB 58 83 33

HSL 90, 0.43%, 0.23%

LAB 32.25, -19.22, 25.9

 

CMYK 46 / 0 / 60 / 67

HEX #2D5321

RGB 45 83 33

HSL 105.6, 0.43%, 0.23%

LAB 31.47, -24.41, 24.8

 

CMYK 60 / 0 / 58 / 67

HEX #215323

RGB 33 83 35

HSL 122.4, 0.43%, 0.23%

LAB 30.95, -28.12, 22.93

 

CMYK 60 / 0 / 42 / 67

HEX #215330

RGB 33 83 48

HSL 138, 0.43%, 0.23%

LAB 31.17, -25.79, 15.57

 

CMYK 13 / 0 / 60 / 67

HEX #485321

RGB 72 83 33

HSL 73.2, 0.43%, 0.23%

LAB 33.29, -12.95, 27.39

 

CMYK 17 / 0 / 75 / 64

HEX #4D5D17

RGB 77 93 23

HSL 73.71, 0.6%, 0.23%

LAB 36.87, -17.02, 36.17

 

CMYK 19 / 0 / 86 / 60

HEX #53660E

RGB 83 102 14

HSL 72.95, 0.76%, 0.23%

LAB 40.2, -19.56, 42.69

 

CMYK 21 / 0 / 96 / 56

HEX #587004

RGB 88 112 4

HSL 73.33, 0.93%, 0.23%

LAB 43.76, -22.8, 48.27

 

CMYK 13 / 0 / 60 / 67

HEX #485321

RGB 72 83 33

HSL 73.2, 0.43%, 0.23%

LAB 33.29, -12.95, 27.39

 

CMYK 9 / 0 / 43 / 71

HEX #434A2A

RGB 67 74 42

HSL 73.13, 0.28%, 0.23%

LAB 30.05, -8.92, 18.17

 

CMYK 3 / 0 / 19 / 75

HEX #3E4034

RGB 62 64 52

HSL 70, 0.1%, 0.23%

LAB 26.56, -3.38, 7.07

 

CMYK 8 / 10 / 0 / 76

HEX #38373D

RGB 56 55 61

HSL 250, 0.05%, 0.23%

LAB 23.37, 1.85, -3.58

 

CMYK 28 / 37 / 0 / 72

HEX #332D47

RGB 51 45 71

HSL 253.85, 0.22%, 0.23%

LAB 20.19, 9.43, -15.23

 

CMYK 0 / 19 / 60 / 67

HEX #534321

RGB 83 67 33

HSL 40.8, 0.43%, 0.23%

LAB 29.32, 2.06, 23

 

CMYK 0 / 2 / 60 / 67

HEX #535121

RGB 83 81 33

HSL 57.6, 0.43%, 0.23%

LAB 33.63, -6.53, 28.03

 

CMYK 13 / 0 / 60 / 67

HEX #485321

RGB 72 83 33

HSL 73.2, 0.43%, 0.23%

LAB 33.29, -12.95, 27.39

 

CMYK 29 / 0 / 60 / 67

HEX #3B5321

RGB 59 83 33

HSL 88.8, 0.43%, 0.23%

LAB 32.32, -18.8, 26

 

CMYK 45 / 0 / 60 / 67

HEX #2E5321

RGB 46 83 33

HSL 104.4, 0.43%, 0.23%

LAB 31.53, -24.04, 24.87

 

CMYK 13 / 0 / 63 / 91

HEX #151809

RGB 21 24 9

HSL 72, 0.45%, 0.06%

LAB 7.52, -4.34, 7.49

 

CMYK 13 / 0 / 61 / 79

HEX #2F3615

RGB 47 54 21

HSL 72.73, 0.44%, 0.15%

LAB 21.2, -9.15, 19.53

 

CMYK 13 / 0 / 60 / 67

HEX #485321

RGB 72 83 33

HSL 73.2, 0.43%, 0.23%

LAB 33.29, -12.95, 27.39

 

CMYK 13 / 0 / 60 / 56

HEX #62712D

RGB 98 113 45

HSL 73.24, 0.43%, 0.31%

LAB 45.08, -16.57, 35.15

 

CMYK 13 / 0 / 61 / 44

HEX #7B8E38

RGB 123 142 56

HSL 73.26, 0.43%, 0.39%

LAB 55.93, -19.99, 42.53

 

CMYK 13 / 0 / 60 / 68

HEX #475221

RGB 71 82 33

HSL 73.47, 0.43%, 0.23%

LAB 32.88, -12.84, 26.89

 

CMYK 60 / 0 / 35 / 67

HEX #215336

RGB 33 83 54

HSL 145.2, 0.43%, 0.23%

LAB 31.29, -24.5, 12.05

 

CMYK 11 / 60 / 0 / 67

HEX #4A2153

RGB 74 33 83

HSL 289.2, 0.43%, 0.23%

LAB 20.7, 28.25, -22.31

 

CMYK 13 / 0 / 60 / 68

HEX #475221

RGB 71 82 33

HSL 73.47, 0.43%, 0.23%

LAB 32.88, -12.84, 26.89

 

CMYK 60 / 13 / 0 / 67

HEX #214853

RGB 33 72 83

HSL 193.2, 0.43%, 0.23%

LAB 28.33, -10.13, -10.76

 

CMYK 0 / 60 / 13 / 67

HEX #532148

RGB 83 33 72

HSL 313.2, 0.43%, 0.23%

LAB 21.56, 28.9, -13.44

 

CMYK 13 / 0 / 60 / 68

HEX #475221

RGB 71 82 33

HSL 73.47, 0.43%, 0.23%

LAB 32.88, -12.84, 26.89

 

CMYK 60 / 0 / 35 / 67

HEX #215336

RGB 33 83 54

HSL 145.2, 0.43%, 0.23%

LAB 31.29, -24.5, 12.05

 

CMYK 47 / 60 / 0 / 67

HEX #2C2153

RGB 44 33 83

HSL 253.2, 0.43%, 0.23%

LAB 16.74, 19.39, -28.87

 

CMYK 0 / 60 / 25 / 67

HEX #53213E

RGB 83 33 62

HSL 325.2, 0.43%, 0.23%

LAB 21.11, 27.14, -7.28

 

CMYK 13 / 0 / 60 / 68

HEX #475221

RGB 71 82 33

HSL 73.47, 0.43%, 0.23%

LAB 32.88, -12.84, 26.89

 

CMYK 60 / 0 / 17 / 67

HEX #215345

RGB 33 83 69

HSL 163.2, 0.43%, 0.23%

LAB 31.67, -20.72, 3.16

 

CMYK 47 / 60 / 0 / 67

HEX #2C2153

RGB 44 33 83

HSL 253.2, 0.43%, 0.23%

LAB 16.74, 19.39, -28.87

 

CMYK 0 / 60 / 43 / 67

HEX #53212F

RGB 83 33 47

HSL 343.2, 0.43%, 0.23%

LAB 20.56, 24.92, 2.3

 

Description

Color code: HEX #475221 | qconv.com Color code: HEX #475221 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 82 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 82 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 60 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 60% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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