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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475E69 it is the complementary color #B8A196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475E69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475E69 shade: #4C5E64, #5D7077, #6E828A, #7F949D and #90A6B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475E69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475E69 shade: #475E69, #364C56, #253A43, #142830 and #03161D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475E69 shade: #485F6A, #48566A, #484C6A, #4C486A and #55486A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475E69 shade: #485F6A, #48566A, #484C6A and #48486A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475E69 shade matches the following richer shades: #485F6A, #396478, #2B6987, #1C6E95 and #0E73A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475E69 shade: #485F6A, #565A5B, #65554D, #734F3E and #824A30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475E69 shade: #486A62, #48686A, #485F6A, #48566A and #484D6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475E69 shade: #263339, #374951, #485F6A, #597582 and #6A8A9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475E69 shade: #475E69, #59486A and #6A6748

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475E69 shade: #475E69, #6A485F and #5F6A48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475E69 shade: #475E69, #59486A, #6A5348 and #586A48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475E69 shade: #475E69, #63486A, #6A5348 and #4E6A48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 10 / 0 / 59

HEX #475E69

RGB 71 94 105

HSL 199.41, 0.19%, 0.35%

LAB 38.49, -5.7, -9.08

 

Complementary color

CMYK 0 / 13 / 18 / 28

HEX #B8A196

RGB 184 161 150

HSL 19.41, 0.19%, 0.65%

LAB 67.93, 6.61, 8.81

SW® 6045

CMYK 24 / 6 / 0 / 61

HEX #4C5E64

RGB 76 94 100

HSL 195, 0.14%, 0.35%

LAB 38.66, -5.34, -5.7

 

CMYK 22 / 6 / 0 / 53

HEX #5D7077

RGB 93 112 119

HSL 196.15, 0.12%, 0.42%

LAB 45.97, -5.35, -6.23

 

CMYK 20 / 6 / 0 / 46

HEX #6E828A

RGB 110 130 138

HSL 197.14, 0.11%, 0.49%

LAB 53.08, -5.38, -6.74

 

CMYK 19 / 6 / 0 / 38

HEX #7F949D

RGB 127 148 157

HSL 198, 0.13%, 0.56%

LAB 60, -5.42, -7.24

 

CMYK 18 / 6 / 0 / 31

HEX #90A6B0

RGB 144 166 176

HSL 198.75, 0.17%, 0.63%

LAB 66.78, -5.46, -7.73

 

CMYK 32 / 10 / 0 / 59

HEX #475E69

RGB 71 94 105

HSL 199.41, 0.19%, 0.35%

LAB 38.49, -5.7, -9.08

 

CMYK 37 / 12 / 0 / 66

HEX #364C56

RGB 54 76 86

HSL 198.75, 0.23%, 0.27%

LAB 30.94, -5.63, -8.64

 

CMYK 45 / 13 / 0 / 74

HEX #253A43

RGB 37 58 67

HSL 198, 0.29%, 0.2%

LAB 23.08, -5.53, -8.19

 

CMYK 58 / 17 / 0 / 81

HEX #142830

RGB 20 40 48

HSL 197.14, 0.41%, 0.13%

LAB 14.84, -5.31, -7.73

 

CMYK 90 / 24 / 0 / 89

HEX #03161D

RGB 3 22 29

HSL 196.15, 0.81%, 0.06%

LAB 6.16, -4.17, -7.09

 

CMYK 32 / 10 / 0 / 58

HEX #485F6A

RGB 72 95 106

HSL 199.41, 0.19%, 0.35%

LAB 38.9, -5.7, -9.06

 

CMYK 32 / 19 / 0 / 58

HEX #48566A

RGB 72 86 106

HSL 215.29, 0.19%, 0.35%

LAB 36.13, -0.2, -13.27

 

CMYK 32 / 28 / 0 / 58

HEX #484C6A

RGB 72 76 106

HSL 232.94, 0.19%, 0.35%

LAB 33.11, 6.15, -17.9

 

CMYK 28 / 32 / 0 / 58

HEX #4C486A

RGB 76 72 106

HSL 247.06, 0.19%, 0.35%

LAB 32.28, 10.08, -19.14

 

CMYK 20 / 32 / 0 / 58

HEX #55486A

RGB 85 72 106

HSL 262.94, 0.19%, 0.35%

LAB 33.15, 13.18, -17.74

 

CMYK 32 / 10 / 0 / 58

HEX #485F6A

RGB 72 95 106

HSL 199.41, 0.19%, 0.35%

LAB 38.9, -5.7, -9.06

 

CMYK 32 / 19 / 0 / 58

HEX #48566A

RGB 72 86 106

HSL 215.29, 0.19%, 0.35%

LAB 36.13, -0.2, -13.27

 

CMYK 32 / 28 / 0 / 58

HEX #484C6A

RGB 72 76 106

HSL 232.94, 0.19%, 0.35%

LAB 33.11, 6.15, -17.9

 

CMYK 32 / 32 / 0 / 58

HEX #48486A

RGB 72 72 106

HSL 240, 0.19%, 0.35%

LAB 31.93, 8.74, -19.73

 

CMYK 32 / 10 / 0 / 58

HEX #485F6A

RGB 72 95 106

HSL 199.41, 0.19%, 0.35%

LAB 38.9, -5.7, -9.06

 

CMYK 53 / 17 / 0 / 53

HEX #396478

RGB 57 100 120

HSL 199.05, 0.36%, 0.35%

LAB 40.15, -8.88, -15.83

 

CMYK 68 / 22 / 0 / 47

HEX #2B6987

RGB 43 105 135

HSL 199.57, 0.52%, 0.35%

LAB 41.79, -9.79, -22.43

 

CMYK 81 / 26 / 0 / 42

HEX #1C6E95

RGB 28 110 149

HSL 199.34, 0.68%, 0.35%

LAB 43.61, -9.78, -28.01

 

CMYK 91 / 29 / 0 / 36

HEX #0E73A3

RGB 14 115 163

HSL 199.33, 0.84%, 0.35%

LAB 45.63, -8.56, -33.13

 

CMYK 32 / 10 / 0 / 58

HEX #485F6A

RGB 72 95 106

HSL 199.41, 0.19%, 0.35%

LAB 38.9, -5.7, -9.06

 

CMYK 5 / 1 / 0 / 64

HEX #565A5B

RGB 86 90 91

HSL 192, 0.03%, 0.35%

LAB 37.93, -1.36, -1.13

 

CMYK 0 / 16 / 24 / 60

HEX #65554D

RGB 101 85 77

HSL 20, 0.13%, 0.35%

LAB 37.48, 5.17, 7.11

 

CMYK 0 / 31 / 46 / 55

HEX #734F3E

RGB 115 79 62

HSL 19.25, 0.3%, 0.35%

LAB 37.09, 12.87, 16.1

 

CMYK 0 / 43 / 63 / 49

HEX #824A30

RGB 130 74 48

HSL 19.02, 0.46%, 0.35%

LAB 37.58, 21.17, 25.59

 

CMYK 32 / 0 / 8 / 58

HEX #486A62

RGB 72 106 98

HSL 165.88, 0.19%, 0.35%

LAB 42.1, -14.16, 0.57

 

CMYK 32 / 2 / 0 / 58

HEX #48686A

RGB 72 104 106

HSL 183.53, 0.19%, 0.35%

LAB 41.72, -10.99, -4.86

 

CMYK 32 / 10 / 0 / 58

HEX #485F6A

RGB 72 95 106

HSL 199.41, 0.19%, 0.35%

LAB 38.9, -5.7, -9.06

 

CMYK 32 / 19 / 0 / 58

HEX #48566A

RGB 72 86 106

HSL 215.29, 0.19%, 0.35%

LAB 36.13, -0.2, -13.27

 

CMYK 32 / 27 / 0 / 58

HEX #484D6A

RGB 72 77 106

HSL 231.18, 0.19%, 0.35%

LAB 33.41, 5.51, -17.44

 

CMYK 33 / 11 / 0 / 78

HEX #263339

RGB 38 51 57

HSL 198.95, 0.2%, 0.19%

LAB 20.34, -3.68, -5.56

 

CMYK 32 / 10 / 0 / 68

HEX #374951

RGB 55 73 81

HSL 198.46, 0.19%, 0.27%

LAB 29.84, -4.86, -7.07

 

CMYK 32 / 10 / 0 / 58

HEX #485F6A

RGB 72 95 106

HSL 199.41, 0.19%, 0.35%

LAB 38.9, -5.7, -9.06

 

CMYK 32 / 10 / 0 / 49

HEX #597582

RGB 89 117 130

HSL 199.02, 0.19%, 0.43%

LAB 47.57, -6.78, -10.42

 

CMYK 31 / 10 / 0 / 40

HEX #6A8A9A

RGB 106 138 154

HSL 200, 0.19%, 0.51%

LAB 55.66, -7.25, -12.17

 

CMYK 32 / 10 / 0 / 59

HEX #475E69

RGB 71 94 105

HSL 199.41, 0.19%, 0.35%

LAB 38.49, -5.7, -9.08

 

CMYK 16 / 32 / 0 / 58

HEX #59486A

RGB 89 72 106

HSL 270, 0.19%, 0.35%

LAB 33.56, 14.6, -17.07

 

CMYK 0 / 3 / 32 / 58

HEX #6A6748

RGB 106 103 72

HSL 54.71, 0.19%, 0.35%

LAB 43.11, -4.21, 17.96

 

CMYK 32 / 10 / 0 / 59

HEX #475E69

RGB 71 94 105

HSL 199.41, 0.19%, 0.35%

LAB 38.49, -5.7, -9.08

 

CMYK 0 / 32 / 10 / 58

HEX #6A485F

RGB 106 72 95

HSL 319.41, 0.19%, 0.35%

LAB 35.05, 18.53, -7.67

 

CMYK 10 / 0 / 32 / 58

HEX #5F6A48

RGB 95 106 72

HSL 79.41, 0.19%, 0.35%

LAB 43.08, -10.66, 17.75

 

CMYK 32 / 10 / 0 / 59

HEX #475E69

RGB 71 94 105

HSL 199.41, 0.19%, 0.35%

LAB 38.49, -5.7, -9.08

 

CMYK 16 / 32 / 0 / 58

HEX #59486A

RGB 89 72 106

HSL 270, 0.19%, 0.35%

LAB 33.56, 14.6, -17.07

 

CMYK 0 / 22 / 32 / 58

HEX #6A5348

RGB 106 83 72

HSL 19.41, 0.19%, 0.35%

LAB 37.33, 7.78, 10.08

 

CMYK 17 / 0 / 32 / 58

HEX #586A48

RGB 88 106 72

HSL 91.76, 0.19%, 0.35%

LAB 42.54, -13.56, 16.93

 

CMYK 32 / 10 / 0 / 59

HEX #475E69

RGB 71 94 105

HSL 199.41, 0.19%, 0.35%

LAB 38.49, -5.7, -9.08

 

CMYK 7 / 32 / 0 / 58

HEX #63486A

RGB 99 72 106

HSL 287.65, 0.19%, 0.35%

LAB 34.66, 18.2, -15.29

 

CMYK 0 / 22 / 32 / 58

HEX #6A5348

RGB 106 83 72

HSL 19.41, 0.19%, 0.35%

LAB 37.33, 7.78, 10.08

 

CMYK 26 / 0 / 32 / 58

HEX #4E6A48

RGB 78 106 72

HSL 109.41, 0.19%, 0.35%

LAB 41.84, -17.54, 15.87

 

Description

Color code: HEX #475E69 | qconv.com Color code: HEX #475E69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 94 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 94 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 10 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 10% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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