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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475F4E it is the complementary color #B8A0B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475F4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475F4E shade: #4C5F49, #5D715C, #6E836F, #7F9582 and #90A795

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475F4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475F4E shade: #475F4E, #364D3B, #253B28, #142915 and #031702

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475F4E shade: #485F4F, #485F48, #4E5F48, #545F48 and #5A5F48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475F4E shade: #485F4F, #485F55, #485F5B, #485D5F and #48575F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475F4E shade matches the following richer shades: #485F4F, #3A6D49, #2D7B43, #1F883E and #119638

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475F4E shade: #485F4F, #555254, #63445A, #713760 and #7E2965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475F4E shade: #4E5F48, #485F48, #485F4F, #485F55 and #485F5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475F4E shade: #243028, #36483B, #485F4F, #5A7762 and #6B8E76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475F4E shade: #475F4E, #48545F and #5F484B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475F4E shade: #475F4E, #4F485F and #5F4F48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475F4E shade: #475F4E, #48545F, #5F4859 and #5F5348

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475F4E shade: #475F4E, #484D5F, #5F4859 and #5F5A48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 18 / 63

HEX #475F4E

RGB 71 95 78

HSL 137.5, 0.14%, 0.33%

LAB 37.98, -12.93, 6.83

 

Complementary color

CMYK 0 / 13 / 4 / 28

HEX #B8A0B1

RGB 184 160 177

HSL 317.5, 0.14%, 0.67%

LAB 68.39, 11.79, -5.54

 

CMYK 20 / 0 / 23 / 63

HEX #4C5F49

RGB 76 95 73

HSL 111.82, 0.13%, 0.33%

LAB 38.2, -12.02, 10.26

 

CMYK 18 / 0 / 19 / 56

HEX #5D715C

RGB 93 113 92

HSL 117.14, 0.1%, 0.4%

LAB 45.51, -11.88, 9.23

 

CMYK 16 / 0 / 15 / 49

HEX #6E836F

RGB 110 131 111

HSL 122.86, 0.09%, 0.47%

LAB 52.61, -11.76, 8.3

 

CMYK 15 / 0 / 13 / 42

HEX #7F9582

RGB 127 149 130

HSL 128.18, 0.09%, 0.54%

LAB 59.54, -11.67, 7.44

 

CMYK 14 / 0 / 11 / 35

HEX #90A795

RGB 144 167 149

HSL 133.04, 0.12%, 0.61%

LAB 66.32, -11.59, 6.63

 

CMYK 25 / 0 / 18 / 63

HEX #475F4E

RGB 71 95 78

HSL 137.5, 0.14%, 0.33%

LAB 37.98, -12.93, 6.83

 

CMYK 30 / 0 / 23 / 70

HEX #364D3B

RGB 54 77 59

HSL 133.04, 0.18%, 0.26%

LAB 30.42, -13.18, 7.88

 

CMYK 37 / 0 / 32 / 77

HEX #253B28

RGB 37 59 40

HSL 128.18, 0.23%, 0.19%

LAB 22.56, -13.48, 9.09

 

CMYK 51 / 0 / 49 / 84

HEX #142915

RGB 20 41 21

HSL 122.86, 0.34%, 0.12%

LAB 14.34, -13.8, 10.55

 

CMYK 87 / 0 / 91 / 91

HEX #031702

RGB 3 23 2

HSL 117.14, 0.84%, 0.05%

LAB 5.75, -10.25, 7.6

 

CMYK 24 / 0 / 17 / 63

HEX #485F4F

RGB 72 95 79

HSL 138.26, 0.14%, 0.33%

LAB 38.07, -12.34, 6.36

 

CMYK 24 / 0 / 24 / 63

HEX #485F48

RGB 72 95 72

HSL 120, 0.14%, 0.33%

LAB 37.9, -13.79, 10.4

 

CMYK 18 / 0 / 24 / 63

HEX #4E5F48

RGB 78 95 72

HSL 104.35, 0.14%, 0.33%

LAB 38.33, -11.42, 11.06

 

CMYK 12 / 0 / 24 / 63

HEX #545F48

RGB 84 95 72

HSL 88.7, 0.14%, 0.33%

LAB 38.79, -8.96, 11.78

 

CMYK 5 / 0 / 24 / 63

HEX #5A5F48

RGB 90 95 72

HSL 73.04, 0.14%, 0.33%

LAB 39.29, -6.44, 12.54

 

CMYK 24 / 0 / 17 / 63

HEX #485F4F

RGB 72 95 79

HSL 138.26, 0.14%, 0.33%

LAB 38.07, -12.34, 6.36

 

CMYK 24 / 0 / 11 / 63

HEX #485F55

RGB 72 95 85

HSL 153.91, 0.14%, 0.33%

LAB 38.23, -11, 2.9

 

CMYK 24 / 0 / 4 / 63

HEX #485F5B

RGB 72 95 91

HSL 169.57, 0.14%, 0.33%

LAB 38.41, -9.58, -0.55

 

CMYK 24 / 2 / 0 / 63

HEX #485D5F

RGB 72 93 95

HSL 185.22, 0.14%, 0.33%

LAB 37.9, -7.41, -3.77

 

CMYK 24 / 8 / 0 / 63

HEX #48575F

RGB 72 87 95

HSL 200.87, 0.14%, 0.33%

LAB 36.02, -3.79, -6.56

 

CMYK 24 / 0 / 17 / 63

HEX #485F4F

RGB 72 95 79

HSL 138.26, 0.14%, 0.33%

LAB 38.07, -12.34, 6.36

 

CMYK 47 / 0 / 33 / 57

HEX #3A6D49

RGB 58 109 73

HSL 137.65, 0.31%, 0.33%

LAB 41.72, -25.92, 14.92

 

CMYK 63 / 0 / 46 / 52

HEX #2D7B43

RGB 45 123 67

HSL 136.92, 0.46%, 0.33%

LAB 45.81, -37.03, 23.7

 

CMYK 77 / 0 / 54 / 47

HEX #1F883E

RGB 31 136 62

HSL 137.71, 0.63%, 0.33%

LAB 49.79, -45.69, 31.31

 

CMYK 89 / 0 / 63 / 41

HEX #119638

RGB 17 150 56

HSL 137.59, 0.8%, 0.33%

LAB 54.26, -53.04, 39.5

 

CMYK 24 / 0 / 17 / 63

HEX #485F4F

RGB 72 95 79

HSL 138.26, 0.14%, 0.33%

LAB 38.07, -12.34, 6.36

 

CMYK 0 / 4 / 1 / 67

HEX #555254

RGB 85 82 84

HSL 320, 0.02%, 0.33%

LAB 35.21, 1.64, -0.74

 

CMYK 0 / 31 / 9 / 61

HEX #63445A

RGB 99 68 90

HSL 317.42, 0.19%, 0.33%

LAB 32.97, 17.29, -7.71

 

CMYK 0 / 51 / 15 / 56

HEX #713760

RGB 113 55 96

HSL 317.59, 0.35%, 0.33%

LAB 32.01, 31.36, -12.83

 

CMYK 0 / 67 / 20 / 51

HEX #7E2965

RGB 126 41 101

HSL 317.65, 0.51%, 0.33%

LAB 31.72, 43.37, -16.3

 

CMYK 18 / 0 / 24 / 63

HEX #4E5F48

RGB 78 95 72

HSL 104.35, 0.14%, 0.33%

LAB 38.33, -11.42, 11.06

 

CMYK 24 / 0 / 24 / 63

HEX #485F48

RGB 72 95 72

HSL 120, 0.14%, 0.33%

LAB 37.9, -13.79, 10.4

 

CMYK 24 / 0 / 17 / 63

HEX #485F4F

RGB 72 95 79

HSL 138.26, 0.14%, 0.33%

LAB 38.07, -12.34, 6.36

 

CMYK 24 / 0 / 11 / 63

HEX #485F55

RGB 72 95 85

HSL 153.91, 0.14%, 0.33%

LAB 38.23, -11, 2.9

 

CMYK 24 / 0 / 4 / 63

HEX #485F5B

RGB 72 95 91

HSL 169.57, 0.14%, 0.33%

LAB 38.41, -9.58, -0.55

 

CMYK 25 / 0 / 17 / 81

HEX #243028

RGB 36 48 40

HSL 140, 0.14%, 0.16%

LAB 18.55, -7.13, 3.47

 

CMYK 25 / 0 / 18 / 72

HEX #36483B

RGB 54 72 59

HSL 136.67, 0.14%, 0.25%

LAB 28.73, -10.23, 5.5

 

CMYK 24 / 0 / 17 / 63

HEX #485F4F

RGB 72 95 79

HSL 138.26, 0.14%, 0.33%

LAB 38.07, -12.34, 6.36

 

CMYK 24 / 0 / 18 / 53

HEX #5A7762

RGB 90 119 98

HSL 136.55, 0.14%, 0.41%

LAB 47.3, -15.11, 8.18

 

CMYK 25 / 0 / 17 / 44

HEX #6B8E76

RGB 107 142 118

HSL 138.86, 0.14%, 0.49%

LAB 55.87, -17.38, 8.86

 

CMYK 25 / 0 / 18 / 63

HEX #475F4E

RGB 71 95 78

HSL 137.5, 0.14%, 0.33%

LAB 37.98, -12.93, 6.83

 

CMYK 24 / 12 / 0 / 63

HEX #48545F

RGB 72 84 95

HSL 208.7, 0.14%, 0.33%

LAB 35.09, -1.94, -7.96

 

CMYK 0 / 24 / 21 / 63

HEX #5F484B

RGB 95 72 75

HSL 352.17, 0.14%, 0.33%

LAB 33.08, 10.32, 1.99

 

CMYK 25 / 0 / 18 / 63

HEX #475F4E

RGB 71 95 78

HSL 137.5, 0.14%, 0.33%

LAB 37.98, -12.93, 6.83

 

CMYK 17 / 24 / 0 / 63

HEX #4F485F

RGB 79 72 95

HSL 258.26, 0.14%, 0.33%

LAB 32.09, 8.21, -12.45

 

CMYK 0 / 17 / 24 / 63

HEX #5F4F48

RGB 95 79 72

HSL 18.26, 0.14%, 0.33%

LAB 34.99, 5.43, 6.62

 

CMYK 25 / 0 / 18 / 63

HEX #475F4E

RGB 71 95 78

HSL 137.5, 0.14%, 0.33%

LAB 37.98, -12.93, 6.83

 

CMYK 24 / 12 / 0 / 63

HEX #48545F

RGB 72 84 95

HSL 208.7, 0.14%, 0.33%

LAB 35.09, -1.94, -7.96

 

CMYK 0 / 24 / 6 / 63

HEX #5F4859

RGB 95 72 89

HSL 315.65, 0.14%, 0.33%

LAB 33.54, 13.01, -6.27

 

CMYK 0 / 13 / 24 / 63

HEX #5F5348

RGB 95 83 72

HSL 28.7, 0.14%, 0.33%

LAB 36.15, 2.95, 8.26

 

CMYK 25 / 0 / 18 / 63

HEX #475F4E

RGB 71 95 78

HSL 137.5, 0.14%, 0.33%

LAB 37.98, -12.93, 6.83

 

CMYK 24 / 19 / 0 / 63

HEX #484D5F

RGB 72 77 95

HSL 226.96, 0.14%, 0.33%

LAB 32.94, 2.46, -11.2

 

CMYK 0 / 24 / 6 / 63

HEX #5F4859

RGB 95 72 89

HSL 315.65, 0.14%, 0.33%

LAB 33.54, 13.01, -6.27

 

CMYK 0 / 5 / 24 / 63

HEX #5F5A48

RGB 95 90 72

HSL 46.96, 0.14%, 0.33%

LAB 38.22, -1.31, 11.14

 

Description

Color code: HEX #475F4E | qconv.com Color code: HEX #475F4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 95 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 95 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 18 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 18% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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