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Color name
HEX #47809E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47809E it is the complementary color #B87F61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47809E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47809E shade: #4C8099, #5D92AC, #6EA4BF, #7FB6D2 and #90C8E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47809E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47809E shade: #47809E, #366E8B, #255C78, #144A65 and #033852

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47809E shade: #47809E, #47689E, #47519E, #54479E and #6C479E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47809E shade: #47809E, #47689E, #47519E and #47479E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47809E shade matches the following richer shades: #47809E, #3486B0, #228BC3 and #0F91D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47809E shade: #47809E, #597A8B, #6C7479, #7E6E66 and #916954

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47809E shade: #479E8C, #47989E, #47819E, #476A9E and #47529E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47809E shade: #2D5265, #3A6981, #47809E, #5995B4 and #76A7C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47809E shade: #47809E, #75479E and #9E9847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47809E shade: #47809E, #9E4781 and #819E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47809E shade: #47809E, #75479E, #9E6447 and #6F9E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47809E shade: #47809E, #8F479E, #9E6447 and #559E47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

Complementary color

CMYK 0 / 31 / 47 / 28

HEX #B87F61

RGB 184 127 97

HSL 20.69, 0.38%, 0.55%

LAB 58.26, 18.51, 25.16

 

CMYK 50 / 16 / 0 / 40

HEX #4C8099

RGB 76 128 153

HSL 199.48, 0.34%, 0.45%

LAB 51.01, -10.19, -18.8

 

CMYK 46 / 15 / 0 / 33

HEX #5D92AC

RGB 93 146 172

HSL 199.75, 0.32%, 0.52%

LAB 57.91, -10.46, -19.14

 

CMYK 42 / 14 / 0 / 25

HEX #6EA4BF

RGB 110 164 191

HSL 200, 0.39%, 0.59%

LAB 64.67, -10.67, -19.47

 

CMYK 40 / 13 / 0 / 18

HEX #7FB6D2

RGB 127 182 210

HSL 200.24, 0.48%, 0.66%

LAB 71.3, -10.83, -19.81

 

CMYK 37 / 13 / 0 / 10

HEX #90C8E5

RGB 144 200 229

HSL 200.47, 0.62%, 0.73%

LAB 77.81, -10.95, -20.14

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 61 / 21 / 0 / 45

HEX #366E8B

RGB 54 110 139

HSL 200.47, 0.44%, 0.38%

LAB 43.95, -9.25, -21.47

 

CMYK 69 / 23 / 0 / 53

HEX #255C78

RGB 37 92 120

HSL 200.24, 0.53%, 0.31%

LAB 36.75, -8.43, -21.13

 

CMYK 80 / 27 / 0 / 60

HEX #144A65

RGB 20 74 101

HSL 200, 0.67%, 0.24%

LAB 29.38, -7.17, -20.75

 

CMYK 96 / 32 / 0 / 68

HEX #033852

RGB 3 56 82

HSL 199.75, 0.93%, 0.17%

LAB 21.79, -5.31, -20.3

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 55 / 34 / 0 / 38

HEX #47689E

RGB 71 104 158

HSL 217.24, 0.38%, 0.45%

LAB 43.81, 4.48, -32.92

 

CMYK 55 / 49 / 0 / 38

HEX #47519E

RGB 71 81 158

HSL 233.1, 0.38%, 0.45%

LAB 37.29, 19.13, -43.28

 

CMYK 47 / 55 / 0 / 38

HEX #54479E

RGB 84 71 158

HSL 248.97, 0.38%, 0.45%

LAB 35.71, 28.49, -45.75

 

CMYK 32 / 55 / 0 / 38

HEX #6C479E

RGB 108 71 158

HSL 265.52, 0.38%, 0.45%

LAB 38.13, 34.5, -41.74

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 55 / 34 / 0 / 38

HEX #47689E

RGB 71 104 158

HSL 217.24, 0.38%, 0.45%

LAB 43.81, 4.48, -32.92

 

CMYK 55 / 49 / 0 / 38

HEX #47519E

RGB 71 81 158

HSL 233.1, 0.38%, 0.45%

LAB 37.29, 19.13, -43.28

 

CMYK 55 / 55 / 0 / 38

HEX #47479E

RGB 71 71 158

HSL 240, 0.38%, 0.45%

LAB 34.63, 25.6, -47.55

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 70 / 24 / 0 / 31

HEX #3486B0

RGB 52 134 176

HSL 200.32, 0.54%, 0.45%

LAB 52.86, -10.85, -29.34

 

CMYK 83 / 29 / 0 / 24

HEX #228BC3

RGB 34 139 195

HSL 200.87, 0.7%, 0.45%

LAB 54.81, -9.1, -37.18

 

CMYK 93 / 32 / 0 / 16

HEX #0F91D6

RGB 15 145 214

HSL 200.8, 0.87%, 0.45%

LAB 57.28, -6.73, -44.03

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 36 / 12 / 0 / 45

HEX #597A8B

RGB 89 122 139

HSL 200.4, 0.22%, 0.45%

LAB 49.38, -7.25, -13

 

CMYK 11 / 4 / 0 / 53

HEX #6C7479

RGB 108 116 121

HSL 203.08, 0.06%, 0.45%

LAB 48.33, -1.91, -3.79

 

CMYK 0 / 13 / 19 / 51

HEX #7E6E66

RGB 126 110 102

HSL 20, 0.11%, 0.45%

LAB 47.68, 4.87, 6.76

 

CMYK 0 / 28 / 42 / 43

HEX #916954

RGB 145 105 84

HSL 20.66, 0.27%, 0.45%

LAB 47.96, 13.18, 18.11

 

CMYK 55 / 0 / 11 / 38

HEX #479E8C

RGB 71 158 140

HSL 167.59, 0.38%, 0.45%

LAB 59.6, -30.69, 1.49

 

CMYK 55 / 4 / 0 / 38

HEX #47989E

RGB 71 152 158

HSL 184.14, 0.38%, 0.45%

LAB 58.29, -22.82, -10.68

 

CMYK 55 / 18 / 0 / 38

HEX #47819E

RGB 71 129 158

HSL 200, 0.38%, 0.45%

LAB 51.28, -10.39, -21.32

 

CMYK 55 / 33 / 0 / 38

HEX #476A9E

RGB 71 106 158

HSL 215.86, 0.38%, 0.45%

LAB 44.4, 3.24, -32

 

CMYK 55 / 48 / 0 / 38

HEX #47529E

RGB 71 82 158

HSL 232.41, 0.38%, 0.45%

LAB 37.56, 18.49, -42.84

 

CMYK 55 / 19 / 0 / 60

HEX #2D5265

RGB 45 82 101

HSL 200.36, 0.38%, 0.29%

LAB 32.99, -7.23, -15.08

 

CMYK 55 / 19 / 0 / 49

HEX #3A6981

RGB 58 105 129

HSL 200.28, 0.38%, 0.37%

LAB 42.14, -8.71, -18.24

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 51 / 17 / 0 / 29

HEX #5995B4

RGB 89 149 180

HSL 200.44, 0.38%, 0.53%

LAB 58.89, -10.77, -22.19

 

CMYK 39 / 13 / 0 / 24

HEX #76A7C1

RGB 118 167 193

HSL 200.8, 0.38%, 0.61%

LAB 66.01, -9.64, -18.5

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 26 / 55 / 0 / 38

HEX #75479E

RGB 117 71 158

HSL 271.72, 0.38%, 0.45%

LAB 39.17, 36.9, -40.03

 

CMYK 0 / 4 / 55 / 38

HEX #9E9847

RGB 158 152 71

HSL 55.86, 0.38%, 0.45%

LAB 61.81, -8.88, 42.76

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 0 / 55 / 18 / 38

HEX #9E4781

RGB 158 71 129

HSL 320, 0.38%, 0.45%

LAB 43.3, 43.34, -15.61

 

CMYK 18 / 0 / 55 / 38

HEX #819E47

RGB 129 158 71

HSL 80, 0.38%, 0.45%

LAB 61.29, -24.21, 41.57

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 26 / 55 / 0 / 38

HEX #75479E

RGB 117 71 158

HSL 271.72, 0.38%, 0.45%

LAB 39.17, 36.9, -40.03

 

CMYK 0 / 37 / 55 / 38

HEX #9E6447

RGB 158 100 71

HSL 20, 0.38%, 0.45%

LAB 48.06, 20.27, 26.09

 

CMYK 30 / 0 / 55 / 38

HEX #6F9E47

RGB 111 158 71

HSL 92.41, 0.38%, 0.45%

LAB 60.15, -31.23, 39.95

 

CMYK 55 / 19 / 0 / 38

HEX #47809E

RGB 71 128 158

HSL 200.69, 0.38%, 0.45%

LAB 50.97, -9.82, -21.78

 

CMYK 9 / 55 / 0 / 38

HEX #8F479E

RGB 143 71 158

HSL 289.66, 0.38%, 0.45%

LAB 42.48, 44.08, -34.56

 

CMYK 0 / 37 / 55 / 38

HEX #9E6447

RGB 158 100 71

HSL 20, 0.38%, 0.45%

LAB 48.06, 20.27, 26.09

 

CMYK 46 / 0 / 55 / 38

HEX #559E47

RGB 85 158 71

HSL 110.34, 0.38%, 0.45%

LAB 58.83, -40.2, 38.06

 

Description

Color code: HEX #47809E | qconv.com Color code: HEX #47809E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 128 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 128 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 19 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 19% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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