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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #478112 it is the complementary color #B87EED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #478112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #478112 shade: #4C810D, #5D9320, #6EA533, #7FB746 and #90C959

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #478112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #478112 shade: #478112, #366F00, #255D00, #144B00 and #033900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #478112 shade: #478211, #658211, #828011, #826111 and #824311

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #478112 shade: #478211, #298211, #118218, #118237 and #118255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #478112 shade matches the following richer shades: #478211 and #468E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #478112 shade: #478211, #47761D, #486A29, #495E35 and #495241

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #478112 shade: #828011, #668211, #488211, #2A8211 and #118217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #478112 shade: #1F3907, #335D0C, #478211, #5BA616 and #6FCA1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #478112 shade: #478112, #118262 and #821175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #478112 shade: #478112, #114882 and #821148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #478112 shade: #478112, #118262, #4B1182 and #821131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #478112 shade: #478112, #118082, #4B1182 and #821311

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 86 / 49

HEX #478112

RGB 71 129 18

HSL 91.35, 0.76%, 0.29%

LAB 48.37, -37.08, 48.53

 

Complementary color

CMYK 22 / 47 / 0 / 7

HEX #B87EED

RGB 184 126 237

HSL 271.35, 0.76%, 0.71%

LAB 62.7, 43.17, -47.68

 

CMYK 41 / 0 / 90 / 49

HEX #4C810D

RGB 76 129 13

HSL 87.41, 0.82%, 0.28%

LAB 48.59, -35.47, 50.04

 

CMYK 37 / 0 / 78 / 42

HEX #5D9320

RGB 93 147 32

HSL 88.17, 0.64%, 0.35%

LAB 55.38, -36.22, 51.15

 

CMYK 33 / 0 / 69 / 35

HEX #6EA533

RGB 110 165 51

HSL 88.95, 0.53%, 0.42%

LAB 62.05, -36.66, 51.04

 

CMYK 31 / 0 / 62 / 28

HEX #7FB746

RGB 127 183 70

HSL 89.73, 0.45%, 0.5%

LAB 68.62, -36.91, 50.34

 

CMYK 28 / 0 / 56 / 21

HEX #90C959

RGB 144 201 89

HSL 90.54, 0.51%, 0.57%

LAB 75.09, -37.03, 49.37

 

CMYK 45 / 0 / 86 / 49

HEX #478112

RGB 71 129 18

HSL 91.35, 0.76%, 0.29%

LAB 48.37, -37.08, 48.53

 

CMYK 51 / 0 / 100 / 56

HEX #366F00

RGB 54 111 0

HSL 90.81, 1%, 0.22%

LAB 41.46, -36.05, 46.6

 

CMYK 60 / 0 / 100 / 64

HEX #255D00

RGB 37 93 0

HSL 96.13, 1%, 0.18%

LAB 34.44, -34.19, 40.79

 

CMYK 73 / 0 / 100 / 71

HEX #144B00

RGB 20 75 0

HSL 104, 1%, 0.15%

LAB 27.24, -31.89, 34.78

 

CMYK 95 / 0 / 100 / 78

HEX #033900

RGB 3 57 0

HSL 116.84, 1%, 0.11%

LAB 19.82, -28.98, 27.18

 

CMYK 45 / 0 / 87 / 49

HEX #478211

RGB 71 130 17

HSL 91.33, 0.77%, 0.29%

LAB 48.69, -37.55, 49.09

 

CMYK 22 / 0 / 87 / 49

HEX #658211

RGB 101 130 17

HSL 75.4, 0.77%, 0.29%

LAB 50.42, -25.73, 51.26

 

CMYK 0 / 2 / 87 / 49

HEX #828011

RGB 130 128 17

HSL 58.94, 0.77%, 0.29%

LAB 52.09, -11.63, 53.58

 

CMYK 0 / 25 / 87 / 49

HEX #826111

RGB 130 97 17

HSL 42.48, 0.77%, 0.29%

LAB 43.26, 5.95, 46.19

 

CMYK 0 / 48 / 87 / 49

HEX #824311

RGB 130 67 17

HSL 26.55, 0.77%, 0.29%

LAB 35.6, 23.56, 39.64

 

CMYK 45 / 0 / 87 / 49

HEX #478211

RGB 71 130 17

HSL 91.33, 0.77%, 0.29%

LAB 48.69, -37.55, 49.09

 

CMYK 68 / 0 / 87 / 49

HEX #298211

RGB 41 130 17

HSL 107.26, 0.77%, 0.29%

LAB 47.59, -46.23, 47.69

 

CMYK 87 / 0 / 82 / 49

HEX #118218

RGB 17 130 24

HSL 123.72, 0.77%, 0.29%

LAB 47.17, -49.76, 45.08

 

CMYK 87 / 0 / 58 / 49

HEX #118237

RGB 17 130 55

HSL 140.18, 0.77%, 0.29%

LAB 47.44, -46.39, 32.02

 

CMYK 87 / 0 / 35 / 49

HEX #118255

RGB 17 130 85

HSL 156.11, 0.77%, 0.29%

LAB 47.93, -40.68, 16.22

 

CMYK 45 / 0 / 87 / 49

HEX #478211

RGB 71 130 17

HSL 91.33, 0.77%, 0.29%

LAB 48.69, -37.55, 49.09

 

CMYK 51 / 0 / 96 / 44

HEX #468E05

RGB 70 142 5

HSL 91.53, 0.93%, 0.29%

LAB 52.57, -43.18, 54.72

 

CMYK 45 / 0 / 87 / 49

HEX #478211

RGB 71 130 17

HSL 91.33, 0.77%, 0.29%

LAB 48.69, -37.55, 49.09

 

CMYK 40 / 0 / 75 / 54

HEX #47761D

RGB 71 118 29

HSL 91.69, 0.61%, 0.29%

LAB 44.78, -31.59, 41.51

 

CMYK 32 / 0 / 61 / 58

HEX #486A29

RGB 72 106 41

HSL 91.38, 0.44%, 0.29%

LAB 40.97, -24.39, 32.01

 

CMYK 22 / 0 / 44 / 63

HEX #495E35

RGB 73 94 53

HSL 90.73, 0.28%, 0.29%

LAB 37.26, -16.13, 20.95

 

CMYK 11 / 0 / 21 / 68

HEX #495241

RGB 73 82 65

HSL 91.76, 0.12%, 0.29%

LAB 33.63, -7.19, 8.8

 

CMYK 0 / 2 / 87 / 49

HEX #828011

RGB 130 128 17

HSL 58.94, 0.77%, 0.29%

LAB 52.09, -11.63, 53.58

 

CMYK 22 / 0 / 87 / 49

HEX #668211

RGB 102 130 17

HSL 74.87, 0.77%, 0.29%

LAB 50.49, -25.3, 51.35

 

CMYK 45 / 0 / 87 / 49

HEX #488211

RGB 72 130 17

HSL 90.8, 0.77%, 0.29%

LAB 48.74, -37.2, 49.15

 

CMYK 68 / 0 / 87 / 49

HEX #2A8211

RGB 42 130 17

HSL 106.73, 0.77%, 0.29%

LAB 47.62, -46.01, 47.73

 

CMYK 87 / 0 / 82 / 49

HEX #118217

RGB 17 130 23

HSL 123.19, 0.77%, 0.29%

LAB 47.17, -49.83, 45.4

 

CMYK 46 / 0 / 88 / 78

HEX #1F3907

RGB 31 57 7

HSL 91.2, 0.78%, 0.13%

LAB 20.95, -19.73, 25.88

 

CMYK 45 / 0 / 87 / 64

HEX #335D0C

RGB 51 93 12

HSL 91.11, 0.77%, 0.21%

LAB 35.12, -28.78, 37.98

 

CMYK 45 / 0 / 87 / 49

HEX #478211

RGB 71 130 17

HSL 91.33, 0.77%, 0.29%

LAB 48.69, -37.55, 49.09

 

CMYK 45 / 0 / 87 / 35

HEX #5BA616

RGB 91 166 22

HSL 91.25, 0.77%, 0.37%

LAB 61.27, -45.41, 59.24

 

CMYK 45 / 0 / 87 / 21

HEX #6FCA1B

RGB 111 202 27

HSL 91.2, 0.76%, 0.45%

LAB 73.35, -52.94, 68.95

 

CMYK 45 / 0 / 86 / 49

HEX #478112

RGB 71 129 18

HSL 91.35, 0.76%, 0.29%

LAB 48.37, -37.08, 48.53

 

CMYK 87 / 0 / 25 / 49

HEX #118262

RGB 17 130 98

HSL 163.01, 0.77%, 0.29%

LAB 48.22, -37.51, 9.1

 

CMYK 0 / 87 / 10 / 49

HEX #821175

RGB 130 17 117

HSL 306.9, 0.77%, 0.29%

LAB 30.47, 54.74, -28.42

 

CMYK 45 / 0 / 86 / 49

HEX #478112

RGB 71 129 18

HSL 91.35, 0.76%, 0.29%

LAB 48.37, -37.08, 48.53

 

CMYK 87 / 45 / 0 / 49

HEX #114882

RGB 17 72 130

HSL 210.8, 0.77%, 0.29%

LAB 30.32, 5.64, -37.5

 

CMYK 0 / 87 / 45 / 49

HEX #821148

RGB 130 17 72

HSL 330.8, 0.77%, 0.29%

LAB 28.42, 49.03, -2.21

 

CMYK 45 / 0 / 86 / 49

HEX #478112

RGB 71 129 18

HSL 91.35, 0.76%, 0.29%

LAB 48.37, -37.08, 48.53

 

CMYK 87 / 0 / 25 / 49

HEX #118262

RGB 17 130 98

HSL 163.01, 0.77%, 0.29%

LAB 48.22, -37.51, 9.1

 

CMYK 42 / 87 / 0 / 49

HEX #4B1182

RGB 75 17 130

HSL 270.8, 0.77%, 0.29%

LAB 21.97, 47.2, -50.85

 

CMYK 0 / 87 / 62 / 49

HEX #821131

RGB 130 17 49

HSL 343.01, 0.77%, 0.29%

LAB 27.76, 47.11, 12.36

 

CMYK 45 / 0 / 86 / 49

HEX #478112

RGB 71 129 18

HSL 91.35, 0.76%, 0.29%

LAB 48.37, -37.08, 48.53

 

CMYK 87 / 2 / 0 / 49

HEX #118082

RGB 17 128 130

HSL 181.06, 0.77%, 0.29%

LAB 48.47, -27.21, -9.32

 

CMYK 42 / 87 / 0 / 49

HEX #4B1182

RGB 75 17 130

HSL 270.8, 0.77%, 0.29%

LAB 21.97, 47.2, -50.85

 

CMYK 0 / 85 / 87 / 49

HEX #821311

RGB 130 19 17

HSL 1.06, 0.77%, 0.29%

LAB 27.44, 45.12, 32.45

 

Description

Color code: HEX #478112 | qconv.com Color code: HEX #478112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 129 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 129 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 86 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 86% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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