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Color name
HEX #478A03

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #478A03 it is the complementary color #B875FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #478A03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #478A03 shade: #4C8A00, #5D9C11, #6EAE24, #7FC037 and #90D24A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #478A03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #478A03 shade: #478A03, #367800, #256600, #145400 and #034200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #478A03 shade: #478B02, #6C8B02, #8B8602, #8B6102 and #8B3C02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #478A03 shade: #478B02, #228B02, #028B07, #028B2C and #028B51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #478A03 shade matches the following richer shades: #478B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #478A03 shade: #478B02, #47800E, #477419, #476925 and #475D31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #478A03 shade: #8B8502, #6E8B02, #498B02, #258B02 and #028B05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #478A03 shade: #1E3B01, #336302, #478B02, #5CB403 and #71DC04

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #478A03 shade: #478A03, #028B60 and #8B0280

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #478A03 shade: #478A03, #02498B and #8B0249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #478A03 shade: #478A03, #028B60, #45028B and #8B022E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #478A03 shade: #478A03, #028B89, #45028B and #8B0205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 98 / 46

HEX #478A03

RGB 71 138 3

HSL 89.78, 0.96%, 0.28%

LAB 51.29, -41.31, 54.06

 

Complementary color

CMYK 27 / 54 / 0 / 1

HEX #B875FC

RGB 184 117 252

HSL 269.78, 0.96%, 0.72%

LAB 61.6, 51.41, -57.69

 

CMYK 45 / 0 / 100 / 46

HEX #4C8A00

RGB 76 138 0

HSL 86.96, 1%, 0.27%

LAB 51.51, -39.69, 54.88

 

CMYK 40 / 0 / 89 / 39

HEX #5D9C11

RGB 93 156 17

HSL 87.19, 0.8%, 0.34%

LAB 58.17, -40.77, 57.69

 

CMYK 37 / 0 / 79 / 32

HEX #6EAE24

RGB 110 174 36

HSL 87.83, 0.66%, 0.41%

LAB 64.74, -41.54, 58.99

 

CMYK 34 / 0 / 71 / 25

HEX #7FC037

RGB 127 192 55

HSL 88.47, 0.55%, 0.48%

LAB 71.21, -42.04, 59.15

 

CMYK 31 / 0 / 65 / 18

HEX #90D24A

RGB 144 210 74

HSL 89.12, 0.6%, 0.56%

LAB 77.59, -42.36, 58.69

 

CMYK 49 / 0 / 98 / 46

HEX #478A03

RGB 71 138 3

HSL 89.78, 0.96%, 0.28%

LAB 51.29, -41.31, 54.06

 

CMYK 55 / 0 / 100 / 53

HEX #367800

RGB 54 120 0

HSL 93, 1%, 0.24%

LAB 44.54, -39.69, 49.02

 

CMYK 64 / 0 / 100 / 60

HEX #256600

RGB 37 102 0

HSL 98.24, 1%, 0.2%

LAB 37.66, -37.71, 43.32

 

CMYK 76 / 0 / 100 / 67

HEX #145400

RGB 20 84 0

HSL 105.71, 1%, 0.16%

LAB 30.61, -35.24, 37.53

 

CMYK 95 / 0 / 100 / 74

HEX #034200

RGB 3 66 0

HSL 117.27, 1%, 0.13%

LAB 23.39, -32.08, 31.02

 

CMYK 49 / 0 / 99 / 45

HEX #478B02

RGB 71 139 2

HSL 89.78, 0.97%, 0.28%

LAB 51.62, -41.74, 54.5

 

CMYK 22 / 0 / 99 / 45

HEX #6C8B02

RGB 108 139 2

HSL 73.58, 0.97%, 0.28%

LAB 53.66, -27.52, 56.97

 

CMYK 0 / 4 / 99 / 45

HEX #8B8602

RGB 139 134 2

HSL 57.81, 0.97%, 0.28%

LAB 54.6, -11.01, 58.76

 

CMYK 0 / 30 / 99 / 45

HEX #8B6102

RGB 139 97 2

HSL 41.61, 0.97%, 0.28%

LAB 44.29, 9.91, 51.35

 

CMYK 0 / 57 / 99 / 45

HEX #8B3C02

RGB 139 60 2

HSL 25.4, 0.97%, 0.28%

LAB 35.45, 30.96, 45.54

 

CMYK 49 / 0 / 99 / 45

HEX #478B02

RGB 71 139 2

HSL 89.78, 0.97%, 0.28%

LAB 51.62, -41.74, 54.5

 

CMYK 76 / 0 / 99 / 45

HEX #228B02

RGB 34 139 2

HSL 105.99, 0.97%, 0.28%

LAB 50.46, -51.2, 53.09

 

CMYK 99 / 0 / 95 / 45

HEX #028B07

RGB 2 139 7

HSL 122.19, 0.97%, 0.28%

LAB 50.09, -54.5, 51.71

 

CMYK 99 / 0 / 68 / 45

HEX #028B2C

RGB 2 139 44

HSL 138.39, 0.97%, 0.28%

LAB 50.29, -51.96, 40.48

 

CMYK 99 / 0 / 42 / 45

HEX #028B51

RGB 2 139 81

HSL 154.6, 0.97%, 0.28%

LAB 50.77, -46.06, 22.26

 

CMYK 49 / 0 / 99 / 45

HEX #478B02

RGB 71 139 2

HSL 89.78, 0.97%, 0.28%

LAB 51.62, -41.74, 54.5

 

CMYK 49 / 0 / 99 / 45

HEX #478B02

RGB 71 139 2

HSL 89.78, 0.97%, 0.28%

LAB 51.62, -41.74, 54.5

 

CMYK 45 / 0 / 89 / 50

HEX #47800E

RGB 71 128 14

HSL 90, 0.8%, 0.28%

LAB 48.02, -36.82, 49.23

 

CMYK 39 / 0 / 78 / 55

HEX #477419

RGB 71 116 25

HSL 89.67, 0.65%, 0.28%

LAB 44.09, -30.95, 42.35

 

CMYK 32 / 0 / 65 / 59

HEX #476925

RGB 71 105 37

HSL 90, 0.48%, 0.28%

LAB 40.53, -24.71, 33.5

 

CMYK 24 / 0 / 47 / 64

HEX #475D31

RGB 71 93 49

HSL 90, 0.31%, 0.28%

LAB 36.72, -17.01, 22.56

 

CMYK 0 / 4 / 99 / 45

HEX #8B8502

RGB 139 133 2

HSL 57.37, 0.97%, 0.28%

LAB 54.31, -10.47, 58.54

 

CMYK 21 / 0 / 99 / 45

HEX #6E8B02

RGB 110 139 2

HSL 72.7, 0.97%, 0.28%

LAB 53.8, -26.66, 57.14

 

CMYK 47 / 0 / 99 / 45

HEX #498B02

RGB 73 139 2

HSL 88.91, 0.97%, 0.28%

LAB 51.71, -41.07, 54.61

 

CMYK 73 / 0 / 99 / 45

HEX #258B02

RGB 37 139 2

HSL 104.67, 0.97%, 0.28%

LAB 50.53, -50.66, 53.17

 

CMYK 99 / 0 / 96 / 45

HEX #028B05

RGB 2 139 5

HSL 121.31, 0.97%, 0.28%

LAB 50.08, -54.57, 52.07

 

CMYK 49 / 0 / 98 / 77

HEX #1E3B01

RGB 30 59 1

HSL 90, 0.97%, 0.12%

LAB 21.6, -21.67, 29.02

 

CMYK 48 / 0 / 98 / 61

HEX #336302

RGB 51 99 2

HSL 89.69, 0.96%, 0.2%

LAB 37.17, -31.92, 42.6

 

CMYK 49 / 0 / 99 / 45

HEX #478B02

RGB 71 139 2

HSL 89.78, 0.97%, 0.28%

LAB 51.62, -41.74, 54.5

 

CMYK 49 / 0 / 98 / 29

HEX #5CB403

RGB 92 180 3

HSL 89.83, 0.97%, 0.36%

LAB 65.69, -51.04, 65.88

 

CMYK 49 / 0 / 98 / 14

HEX #71DC04

RGB 113 220 4

HSL 89.72, 0.96%, 0.44%

LAB 78.87, -59.56, 76.56

 

CMYK 49 / 0 / 98 / 46

HEX #478A03

RGB 71 138 3

HSL 89.78, 0.96%, 0.28%

LAB 51.29, -41.31, 54.06

 

CMYK 99 / 0 / 31 / 45

HEX #028B60

RGB 2 139 96

HSL 161.17, 0.97%, 0.28%

LAB 51.06, -42.71, 14.21

 

CMYK 0 / 99 / 8 / 45

HEX #8B0280

RGB 139 2 128

HSL 304.82, 0.97%, 0.28%

LAB 32.01, 60.61, -32.81

 

CMYK 49 / 0 / 98 / 46

HEX #478A03

RGB 71 138 3

HSL 89.78, 0.96%, 0.28%

LAB 51.29, -41.31, 54.06

 

CMYK 99 / 47 / 0 / 45

HEX #02498B

RGB 2 73 139

HSL 208.91, 0.97%, 0.28%

LAB 30.98, 7.77, -42.02

 

CMYK 0 / 99 / 47 / 45

HEX #8B0249

RGB 139 2 73

HSL 328.91, 0.97%, 0.28%

LAB 29.45, 54.05, -1.14

 

CMYK 49 / 0 / 98 / 46

HEX #478A03

RGB 71 138 3

HSL 89.78, 0.96%, 0.28%

LAB 51.29, -41.31, 54.06

 

CMYK 99 / 0 / 31 / 45

HEX #028B60

RGB 2 139 96

HSL 161.17, 0.97%, 0.28%

LAB 51.06, -42.71, 14.21

 

CMYK 50 / 99 / 0 / 45

HEX #45028B

RGB 69 2 139

HSL 269.34, 0.97%, 0.28%

LAB 20.72, 52.65, -58.6

 

CMYK 0 / 99 / 67 / 45

HEX #8B022E

RGB 139 2 46

HSL 340.73, 0.97%, 0.28%

LAB 28.72, 52.1, 16.02

 

CMYK 49 / 0 / 98 / 46

HEX #478A03

RGB 71 138 3

HSL 89.78, 0.96%, 0.28%

LAB 51.29, -41.31, 54.06

 

CMYK 99 / 0 / 1 / 45

HEX #028B89

RGB 2 139 137

HSL 179.12, 0.97%, 0.28%

LAB 52.16, -31.16, -7.91

 

CMYK 50 / 99 / 0 / 45

HEX #45028B

RGB 69 2 139

HSL 269.34, 0.97%, 0.28%

LAB 20.72, 52.65, -58.6

 

CMYK 0 / 99 / 96 / 45

HEX #8B0205

RGB 139 2 5

HSL 358.69, 0.97%, 0.28%

LAB 28.23, 50.75, 39.38

 

Description

Color code: HEX #478A03 | qconv.com Color code: HEX #478A03 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 138 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 138 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 98 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 98% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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