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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #478D5F it is the complementary color #B872A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #478D5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #478D5F shade: #4C8D5A, #5D9F6D, #6EB180, #7FC393 and #90D5A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #478D5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #478D5F shade: #478D5F, #367B4C, #256939, #145726 and #034513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #478D5F shade: #478E5F, #478E4C, #558E47, #688E47 and #7B8E47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #478D5F shade: #478E5F, #478E73, #478E86, #47838E and #47708E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #478D5F shade matches the following richer shades: #478E5F, #369F5A, #25B155, #13C24F and #02D34A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #478D5F shade: #478E5F, #597D65, #6A6B6A, #7B5A70 and #8D4975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #478D5F shade: #558E47, #478E4C, #478E5F, #478E72 and #478E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #478D5F shade: #2C573B, #39734D, #478E5F, #55A972 and #71B789

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #478D5F shade: #478D5F, #47688E and #8E474C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #478D5F shade: #478D5F, #5F478E and #8E5F47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #478D5F shade: #478D5F, #47688E, #8E4776 and #8E6D47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #478D5F shade: #478D5F, #47538E, #8E4776 and #8E8247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 33 / 45

HEX #478D5F

RGB 71 141 95

HSL 140.57, 0.33%, 0.42%

LAB 53.18, -32.97, 17.92

 

Complementary color

CMYK 0 / 38 / 13 / 28

HEX #B872A0

RGB 184 114 160

HSL 320.57, 0.33%, 0.58%

LAB 56.84, 34.32, -13.14

 

CMYK 46 / 0 / 36 / 45

HEX #4C8D5A

RGB 76 141 90

HSL 132.92, 0.3%, 0.43%

LAB 53.3, -32.47, 20.92

 

CMYK 42 / 0 / 31 / 38

HEX #5D9F6D

RGB 93 159 109

HSL 134.55, 0.26%, 0.49%

LAB 60.09, -32.23, 19.67

 

CMYK 38 / 0 / 28 / 31

HEX #6EB180

RGB 110 177 128

HSL 136.12, 0.3%, 0.56%

LAB 66.76, -31.95, 18.52

 

CMYK 35 / 0 / 25 / 24

HEX #7FC393

RGB 127 195 147

HSL 137.65, 0.36%, 0.63%

LAB 73.32, -31.68, 17.45

 

CMYK 32 / 0 / 22 / 16

HEX #90D5A6

RGB 144 213 166

HSL 139.13, 0.45%, 0.7%

LAB 79.77, -31.41, 16.46

 

CMYK 50 / 0 / 33 / 45

HEX #478D5F

RGB 71 141 95

HSL 140.57, 0.33%, 0.42%

LAB 53.18, -32.97, 17.92

 

CMYK 56 / 0 / 38 / 52

HEX #367B4C

RGB 54 123 76

HSL 139.13, 0.39%, 0.35%

LAB 46.27, -33.1, 19.29

 

CMYK 65 / 0 / 46 / 59

HEX #256939

RGB 37 105 57

HSL 137.65, 0.48%, 0.28%

LAB 39.23, -33.03, 20.81

 

CMYK 77 / 0 / 56 / 66

HEX #145726

RGB 20 87 38

HSL 136.12, 0.63%, 0.21%

LAB 32.04, -32.5, 22.48

 

CMYK 96 / 0 / 72 / 73

HEX #034513

RGB 3 69 19

HSL 134.55, 0.92%, 0.14%

LAB 24.71, -31.21, 24.13

 

CMYK 50 / 0 / 33 / 44

HEX #478E5F

RGB 71 142 95

HSL 140.28, 0.33%, 0.42%

LAB 53.51, -33.43, 18.36

 

CMYK 50 / 0 / 46 / 44

HEX #478E4C

RGB 71 142 76

HSL 124.23, 0.33%, 0.42%

LAB 53.18, -36.81, 28.39

 

CMYK 40 / 0 / 50 / 44

HEX #558E47

RGB 85 142 71

HSL 108.17, 0.33%, 0.42%

LAB 53.74, -33.1, 31.89

 

CMYK 27 / 0 / 50 / 44

HEX #688E47

RGB 104 142 71

HSL 92.11, 0.33%, 0.42%

LAB 54.81, -26.17, 33.44

 

CMYK 13 / 0 / 50 / 44

HEX #7B8E47

RGB 123 142 71

HSL 76.06, 0.33%, 0.42%

LAB 56.1, -18.53, 35.31

 

CMYK 50 / 0 / 33 / 44

HEX #478E5F

RGB 71 142 95

HSL 140.28, 0.33%, 0.42%

LAB 53.51, -33.43, 18.36

 

CMYK 50 / 0 / 19 / 44

HEX #478E73

RGB 71 142 115

HSL 157.18, 0.33%, 0.42%

LAB 53.95, -29.11, 7.59

 

CMYK 50 / 0 / 6 / 44

HEX #478E86

RGB 71 142 134

HSL 173.24, 0.33%, 0.42%

LAB 54.46, -24.35, -2.61

 

CMYK 50 / 8 / 0 / 44

HEX #47838E

RGB 71 131 142

HSL 189.3, 0.33%, 0.42%

LAB 51.3, -16.33, -11.96

 

CMYK 50 / 21 / 0 / 44

HEX #47708E

RGB 71 112 142

HSL 205.35, 0.33%, 0.42%

LAB 45.47, -5.54, -20.84

 

CMYK 50 / 0 / 33 / 44

HEX #478E5F

RGB 71 142 95

HSL 140.28, 0.33%, 0.42%

LAB 53.51, -33.43, 18.36

 

CMYK 66 / 0 / 43 / 38

HEX #369F5A

RGB 54 159 90

HSL 140.57, 0.49%, 0.42%

LAB 58.34, -45.71, 27.41

 

CMYK 79 / 0 / 52 / 31

HEX #25B155

RGB 37 177 85

HSL 140.57, 0.65%, 0.42%

LAB 63.75, -55.95, 36.77

 

CMYK 90 / 0 / 59 / 24

HEX #13C24F

RGB 19 194 79

HSL 140.57, 0.82%, 0.42%

LAB 68.96, -64.06, 45.84

 

CMYK 99 / 0 / 65 / 17

HEX #02D34A

RGB 2 211 74

HSL 140.67, 0.98%, 0.42%

LAB 74.25, -70.56, 54

 

CMYK 50 / 0 / 33 / 44

HEX #478E5F

RGB 71 142 95

HSL 140.28, 0.33%, 0.42%

LAB 53.51, -33.43, 18.36

 

CMYK 29 / 0 / 19 / 51

HEX #597D65

RGB 89 125 101

HSL 140, 0.17%, 0.42%

LAB 49.17, -18.09, 9.05

 

CMYK 1 / 0 / 1 / 58

HEX #6A6B6A

RGB 106 107 106

HSL 120, 0%, 0.42%

LAB 45.11, -0.59, 0.42

 

CMYK 0 / 27 / 9 / 52

HEX #7B5A70

RGB 123 90 112

HSL 320, 0.15%, 0.42%

LAB 42.3, 17.41, -7.19

 

CMYK 0 / 48 / 17 / 45

HEX #8D4975

RGB 141 73 117

HSL 321.18, 0.32%, 0.42%

LAB 40.75, 34.73, -12.35

 

CMYK 40 / 0 / 50 / 44

HEX #558E47

RGB 85 142 71

HSL 108.17, 0.33%, 0.42%

LAB 53.74, -33.1, 31.89

 

CMYK 50 / 0 / 46 / 44

HEX #478E4C

RGB 71 142 76

HSL 124.23, 0.33%, 0.42%

LAB 53.18, -36.81, 28.39

 

CMYK 50 / 0 / 33 / 44

HEX #478E5F

RGB 71 142 95

HSL 140.28, 0.33%, 0.42%

LAB 53.51, -33.43, 18.36

 

CMYK 50 / 0 / 20 / 44

HEX #478E72

RGB 71 142 114

HSL 156.34, 0.33%, 0.42%

LAB 53.92, -29.34, 8.13

 

CMYK 50 / 0 / 6 / 44

HEX #478E85

RGB 71 142 133

HSL 172.39, 0.33%, 0.42%

LAB 54.43, -24.61, -2.08

 

CMYK 49 / 0 / 32 / 66

HEX #2C573B

RGB 44 87 59

HSL 140.93, 0.33%, 0.26%

LAB 33.28, -22.16, 11.75

 

CMYK 50 / 0 / 33 / 55

HEX #39734D

RGB 57 115 77

HSL 140.69, 0.34%, 0.34%

LAB 43.75, -28.33, 15.33

 

CMYK 50 / 0 / 33 / 44

HEX #478E5F

RGB 71 142 95

HSL 140.28, 0.33%, 0.42%

LAB 53.51, -33.43, 18.36

 

CMYK 50 / 0 / 33 / 34

HEX #55A972

RGB 85 169 114

HSL 140.71, 0.33%, 0.5%

LAB 62.95, -38.15, 20.75

 

CMYK 38 / 0 / 25 / 28

HEX #71B789

RGB 113 183 137

HSL 140.57, 0.33%, 0.58%

LAB 68.88, -32.17, 16.59

 

CMYK 50 / 0 / 33 / 45

HEX #478D5F

RGB 71 141 95

HSL 140.57, 0.33%, 0.42%

LAB 53.18, -32.97, 17.92

 

CMYK 50 / 27 / 0 / 44

HEX #47688E

RGB 71 104 142

HSL 212.11, 0.33%, 0.42%

LAB 43.05, -0.74, -24.58

 

CMYK 0 / 50 / 46 / 44

HEX #8E474C

RGB 142 71 76

HSL 355.77, 0.33%, 0.42%

LAB 39.21, 30.51, 10.92

 

CMYK 50 / 0 / 33 / 45

HEX #478D5F

RGB 71 141 95

HSL 140.57, 0.33%, 0.42%

LAB 53.18, -32.97, 17.92

 

CMYK 33 / 50 / 0 / 44

HEX #5F478E

RGB 95 71 142

HSL 260.28, 0.33%, 0.42%

LAB 35.78, 26.65, -35.89

 

CMYK 0 / 33 / 50 / 44

HEX #8E5F47

RGB 142 95 71

HSL 20.28, 0.33%, 0.42%

LAB 44.79, 16.26, 21.48

 

CMYK 50 / 0 / 33 / 45

HEX #478D5F

RGB 71 141 95

HSL 140.57, 0.33%, 0.42%

LAB 53.18, -32.97, 17.92

 

CMYK 50 / 27 / 0 / 44

HEX #47688E

RGB 71 104 142

HSL 212.11, 0.33%, 0.42%

LAB 43.05, -0.74, -24.58

 

CMYK 0 / 50 / 17 / 44

HEX #8E4776

RGB 142 71 118

HSL 320.28, 0.33%, 0.42%

LAB 40.52, 36.32, -13.32

 

CMYK 0 / 23 / 50 / 44

HEX #8E6D47

RGB 142 109 71

HSL 32.11, 0.33%, 0.42%

LAB 48.44, 8.1, 26.19

 

CMYK 50 / 0 / 33 / 45

HEX #478D5F

RGB 71 141 95

HSL 140.57, 0.33%, 0.42%

LAB 53.18, -32.97, 17.92

 

CMYK 50 / 42 / 0 / 44

HEX #47538E

RGB 71 83 142

HSL 229.86, 0.33%, 0.42%

LAB 36.89, 12.5, -34.25

 

CMYK 0 / 50 / 17 / 44

HEX #8E4776

RGB 142 71 118

HSL 320.28, 0.33%, 0.42%

LAB 40.52, 36.32, -13.32

 

CMYK 0 / 8 / 50 / 44

HEX #8E8247

RGB 142 130 71

HSL 49.86, 0.33%, 0.42%

LAB 54.21, -3.87, 33.38

 

Description

Color code: HEX #478D5F | qconv.com Color code: HEX #478D5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 141 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 141 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 33 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 33% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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