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Color name
HEX #478E3D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #478E3D it is the complementary color #B871C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #478E3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #478E3D shade: #4C8E38, #5DA04B, #6EB25E, #7FC471 and #90D684

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #478E3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #478E3D shade: #478E3D, #367C2A, #256A17, #145804 and #034600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #478E3D shade: #478E3D, #5D8E3D, #738E3D, #898E3D and #8E7E3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #478E3D shade: #478E3D, #3D8E49, #3D8E5F, #3D8E75 and #3D8E8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #478E3D shade matches the following richer shades: #478E3D, #3A9F2C, #2EAF1C and #21C00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #478E3D shade: #478E3D, #537E4D, #606D5E, #6C5D6E and #784C7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #478E3D shade: #738E3D, #5D8E3D, #488E3D, #3D8E48 and #3D8E5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #478E3D shade: #2A5524, #387130, #478E3D, #55AB49 and #6DBB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #478E3D shade: #478E3D, #3D898E and #8E3D68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #478E3D shade: #478E3D, #3D488E and #8E3D48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #478E3D shade: #478E3D, #3D898E, #833D8E and #8E423D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #478E3D shade: #478E3D, #3D708E, #833D8E and #8E5B3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

Complementary color

CMYK 5 / 42 / 0 / 24

HEX #B871C2

RGB 184 113 194

HSL 292.59, 0.4%, 0.6%

LAB 57.94, 41.08, -31

 

CMYK 46 / 0 / 61 / 44

HEX #4C8E38

RGB 76 142 56

HSL 106.05, 0.43%, 0.39%

LAB 53.13, -37.97, 38.61

 

CMYK 42 / 0 / 53 / 37

HEX #5DA04B

RGB 93 160 75

HSL 107.29, 0.36%, 0.46%

LAB 59.87, -38.01, 37.41

 

CMYK 38 / 0 / 47 / 30

HEX #6EB25E

RGB 110 178 94

HSL 108.57, 0.35%, 0.53%

LAB 66.49, -37.92, 36.15

 

CMYK 35 / 0 / 42 / 23

HEX #7FC471

RGB 127 196 113

HSL 109.88, 0.41%, 0.61%

LAB 73.01, -37.76, 34.91

 

CMYK 33 / 0 / 38 / 16

HEX #90D684

RGB 144 214 132

HSL 111.22, 0.5%, 0.68%

LAB 79.44, -37.57, 33.7

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 56 / 0 / 66 / 51

HEX #367C2A

RGB 54 124 42

HSL 111.22, 0.49%, 0.33%

LAB 46.13, -38.68, 37.09

 

CMYK 65 / 0 / 78 / 58

HEX #256A17

RGB 37 106 23

HSL 109.88, 0.64%, 0.25%

LAB 39.18, -37.96, 37.78

 

CMYK 77 / 0 / 95 / 65

HEX #145804

RGB 20 88 4

HSL 108.57, 0.91%, 0.18%

LAB 32.12, -36.43, 37.34

 

CMYK 96 / 0 / 100 / 73

HEX #034600

RGB 3 70 0

HSL 117.43, 1%, 0.14%

LAB 24.95, -33.42, 32.55

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 35 / 0 / 57 / 44

HEX #5D8E3D

RGB 93 142 61

HSL 96.3, 0.4%, 0.4%

LAB 54.04, -31.51, 37.44

 

CMYK 19 / 0 / 57 / 44

HEX #738E3D

RGB 115 142 61

HSL 80, 0.4%, 0.4%

LAB 55.41, -22.88, 39.38

 

CMYK 4 / 0 / 57 / 44

HEX #898E3D

RGB 137 142 61

HSL 63.7, 0.4%, 0.4%

LAB 57.08, -13.52, 41.73

 

CMYK 0 / 11 / 57 / 44

HEX #8E7E3D

RGB 142 126 61

HSL 48.15, 0.4%, 0.4%

LAB 52.96, -2.55, 37.11

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 57 / 0 / 49 / 44

HEX #3D8E49

RGB 61 142 73

HSL 128.89, 0.4%, 0.4%

LAB 52.75, -40.05, 29.37

 

CMYK 57 / 0 / 33 / 44

HEX #3D8E5F

RGB 61 142 95

HSL 145.19, 0.4%, 0.4%

LAB 53.13, -36.05, 17.78

 

CMYK 57 / 0 / 18 / 44

HEX #3D8E75

RGB 61 142 117

HSL 161.48, 0.4%, 0.4%

LAB 53.62, -31.06, 5.93

 

CMYK 57 / 0 / 2 / 44

HEX #3D8E8B

RGB 61 142 139

HSL 177.78, 0.4%, 0.4%

LAB 54.24, -25.21, -5.86

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 64 / 0 / 72 / 38

HEX #3A9F2C

RGB 58 159 44

HSL 112.7, 0.57%, 0.4%

LAB 57.92, -50.86, 48.85

 

CMYK 74 / 0 / 84 / 31

HEX #2EAF1C

RGB 46 175 28

HSL 112.65, 0.72%, 0.4%

LAB 62.78, -59.71, 58.61

 

CMYK 83 / 0 / 94 / 25

HEX #21C00B

RGB 33 192 11

HSL 112.71, 0.89%, 0.4%

LAB 68.06, -67.22, 66.24

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 34 / 0 / 39 / 51

HEX #537E4D

RGB 83 126 77

HSL 112.65, 0.24%, 0.4%

LAB 48.63, -25.22, 22.09

 

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 2 / 15 / 0 / 57

HEX #6C5D6E

RGB 108 93 110

HSL 292.94, 0.08%, 0.4%

LAB 41.44, 9.45, -7.41

 

CMYK 6 / 40 / 0 / 50

HEX #784C7F

RGB 120 76 127

HSL 291.76, 0.25%, 0.4%

LAB 39.06, 27.74, -21.34

 

CMYK 19 / 0 / 57 / 44

HEX #738E3D

RGB 115 142 61

HSL 80, 0.4%, 0.4%

LAB 55.41, -22.88, 39.38

 

CMYK 35 / 0 / 57 / 44

HEX #5D8E3D

RGB 93 142 61

HSL 96.3, 0.4%, 0.4%

LAB 54.04, -31.51, 37.44

 

CMYK 49 / 0 / 57 / 44

HEX #488E3D

RGB 72 142 61

HSL 111.85, 0.4%, 0.4%

LAB 53.02, -38.63, 35.98

 

CMYK 57 / 0 / 49 / 44

HEX #3D8E48

RGB 61 142 72

HSL 128.15, 0.4%, 0.4%

LAB 52.74, -40.21, 29.89

 

CMYK 57 / 0 / 35 / 44

HEX #3D8E5D

RGB 61 142 93

HSL 143.7, 0.4%, 0.4%

LAB 53.09, -36.45, 18.86

 

CMYK 51 / 0 / 58 / 67

HEX #2A5524

RGB 42 85 36

HSL 112.65, 0.4%, 0.24%

LAB 32.07, -26.03, 23.82

 

CMYK 50 / 0 / 58 / 56

HEX #387130

RGB 56 113 48

HSL 112.62, 0.4%, 0.32%

LAB 42.56, -32.65, 30.05

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 50 / 0 / 57 / 33

HEX #55AB49

RGB 85 171 73

HSL 112.65, 0.4%, 0.48%

LAB 62.96, -45.39, 41.98

 

CMYK 42 / 0 / 48 / 27

HEX #6DBB62

RGB 109 187 98

HSL 112.58, 0.4%, 0.56%

LAB 69.24, -41.66, 37.54

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 57 / 4 / 0 / 44

HEX #3D898E

RGB 61 137 142

HSL 183.7, 0.4%, 0.4%

LAB 52.77, -21.78, -9.79

 

CMYK 0 / 57 / 27 / 44

HEX #8E3D68

RGB 142 61 104

HSL 328.15, 0.4%, 0.4%

LAB 38, 39.37, -8.41

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 57 / 49 / 0 / 44

HEX #3D488E

RGB 61 72 142

HSL 231.85, 0.4%, 0.4%

LAB 33.09, 17.34, -40.34

 

CMYK 0 / 57 / 49 / 44

HEX #8E3D48

RGB 142 61 72

HSL 351.85, 0.4%, 0.4%

LAB 37.03, 35.43, 10.42

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 57 / 4 / 0 / 44

HEX #3D898E

RGB 61 137 142

HSL 183.7, 0.4%, 0.4%

LAB 52.77, -21.78, -9.79

 

CMYK 8 / 57 / 0 / 44

HEX #833D8E

RGB 131 61 142

HSL 291.85, 0.4%, 0.4%

LAB 38.05, 42.59, -32

 

CMYK 0 / 54 / 57 / 44

HEX #8E423D

RGB 142 66 61

HSL 3.7, 0.4%, 0.4%

LAB 37.81, 31.76, 18.37

 

CMYK 50 / 0 / 57 / 44

HEX #478E3D

RGB 71 142 61

HSL 112.59, 0.4%, 0.4%

LAB 52.97, -38.94, 35.92

 

CMYK 57 / 21 / 0 / 44

HEX #3D708E

RGB 61 112 142

HSL 202.22, 0.4%, 0.4%

LAB 44.99, -7.93, -21.62

 

CMYK 8 / 57 / 0 / 44

HEX #833D8E

RGB 131 61 142

HSL 291.85, 0.4%, 0.4%

LAB 38.05, 42.59, -32

 

CMYK 0 / 36 / 57 / 44

HEX #8E5B3D

RGB 142 91 61

HSL 22.22, 0.4%, 0.4%

LAB 43.61, 17.63, 25.81

 

Description

Color code: HEX #478E3D | qconv.com Color code: HEX #478E3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 142 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 142 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 57 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 57% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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