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Color name
HEX #479B0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #479B0A it is the complementary color #B864F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #479B0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #479B0A shade: #4C9B05, #5DAD18, #6EBF2B, #7FD13E and #90E351

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #479B0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #479B0A shade: #479B0A, #368900, #257700, #146500 and #035300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #479B0A shade: #469909, #6C9909, #939909, #997809 and #995109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #479B0A shade: #469909, #1F9909, #09991A, #099941 and #099968

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #479B0A shade matches the following richer shades: #469909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #479B0A shade: #469909, #488C16, #4A7F24, #4C7131 and #4E643E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #479B0A shade: #949909, #6E9909, #489909, #219909 and #099918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #479B0A shade: #224B04, #347207, #469909, #57C00C and #69E60E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #479B0A shade: #479B0A, #099977 and #990981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #479B0A shade: #479B0A, #094899 and #990948

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #479B0A shade: #479B0A, #099977, #5B0999 and #99092B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #479B0A shade: #479B0A, #098F99, #5B0999 and #991309

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 94 / 39

HEX #479B0A

RGB 71 155 10

HSL 94.76, 0.88%, 0.32%

LAB 56.88, -47.76, 57.46

 

Complementary color

CMYK 25 / 59 / 0 / 4

HEX #B864F5

RGB 184 100 245

HSL 274.76, 0.88%, 0.68%

LAB 57.94, 58.49, -59.68

 

CMYK 51 / 0 / 97 / 39

HEX #4C9B05

RGB 76 155 5

HSL 91.6, 0.94%, 0.31%

LAB 57.07, -46.37, 58.45

 

CMYK 46 / 0 / 86 / 32

HEX #5DAD18

RGB 93 173 24

HSL 92.21, 0.76%, 0.39%

LAB 63.57, -47.48, 60.83

 

CMYK 42 / 0 / 77 / 25

HEX #6EBF2B

RGB 110 191 43

HSL 92.84, 0.63%, 0.46%

LAB 70, -48.23, 61.78

 

CMYK 39 / 0 / 70 / 18

HEX #7FD13E

RGB 127 209 62

HSL 93.47, 0.62%, 0.53%

LAB 76.35, -48.71, 61.79

 

CMYK 37 / 0 / 64 / 11

HEX #90E351

RGB 144 227 81

HSL 94.11, 0.72%, 0.6%

LAB 82.63, -49, 61.27

 

CMYK 54 / 0 / 94 / 39

HEX #479B0A

RGB 71 155 10

HSL 94.76, 0.88%, 0.32%

LAB 56.88, -47.76, 57.46

 

CMYK 61 / 0 / 100 / 46

HEX #368900

RGB 54 137 0

HSL 96.35, 1%, 0.27%

LAB 50.31, -46.14, 53.56

 

CMYK 69 / 0 / 100 / 53

HEX #257700

RGB 37 119 0

HSL 101.34, 1%, 0.23%

LAB 43.63, -43.93, 48.06

 

CMYK 80 / 0 / 100 / 60

HEX #146500

RGB 20 101 0

HSL 108.12, 1%, 0.2%

LAB 36.85, -41.17, 42.49

 

CMYK 96 / 0 / 100 / 67

HEX #035300

RGB 3 83 0

HSL 117.83, 1%, 0.16%

LAB 29.93, -37.68, 36.85

 

CMYK 54 / 0 / 94 / 40

HEX #469909

RGB 70 153 9

HSL 94.58, 0.89%, 0.32%

LAB 56.19, -47.33, 57.03

 

CMYK 29 / 0 / 94 / 40

HEX #6C9909

RGB 108 153 9

HSL 78.75, 0.89%, 0.32%

LAB 58.03, -33.96, 59.28

 

CMYK 4 / 0 / 94 / 40

HEX #939909

RGB 147 153 9

HSL 62.5, 0.89%, 0.32%

LAB 60.79, -17.28, 62.63

 

CMYK 0 / 22 / 94 / 40

HEX #997809

RGB 153 120 9

HSL 46.25, 0.89%, 0.32%

LAB 52.09, 3.42, 56.24

 

CMYK 0 / 47 / 94 / 40

HEX #995109

RGB 153 81 9

HSL 30, 0.89%, 0.32%

LAB 42.27, 25.64, 49

 

CMYK 54 / 0 / 94 / 40

HEX #469909

RGB 70 153 9

HSL 94.58, 0.89%, 0.32%

LAB 56.19, -47.33, 57.03

 

CMYK 80 / 0 / 94 / 40

HEX #1F9909

RGB 31 153 9

HSL 110.83, 0.89%, 0.32%

LAB 55.17, -55.89, 55.76

 

CMYK 94 / 0 / 83 / 40

HEX #09991A

RGB 9 153 26

HSL 127.08, 0.89%, 0.32%

LAB 54.98, -57.31, 51.81

 

CMYK 94 / 0 / 58 / 40

HEX #099941

RGB 9 153 65

HSL 143.33, 0.89%, 0.32%

LAB 55.3, -53.35, 36.37

 

CMYK 94 / 0 / 32 / 40

HEX #099968

RGB 9 153 104

HSL 159.58, 0.89%, 0.32%

LAB 55.93, -45.96, 16.4

 

CMYK 54 / 0 / 94 / 40

HEX #469909

RGB 70 153 9

HSL 94.58, 0.89%, 0.32%

LAB 56.19, -47.33, 57.03

 

CMYK 54 / 0 / 94 / 40

HEX #469909

RGB 70 153 9

HSL 94.58, 0.89%, 0.32%

LAB 56.19, -47.33, 57.03

 

CMYK 49 / 0 / 84 / 45

HEX #488C16

RGB 72 140 22

HSL 94.58, 0.73%, 0.32%

LAB 52.05, -41.15, 50.77

 

CMYK 42 / 0 / 72 / 50

HEX #4A7F24

RGB 74 127 36

HSL 94.95, 0.56%, 0.32%

LAB 47.96, -34.02, 41.96

 

CMYK 33 / 0 / 57 / 56

HEX #4C7131

RGB 76 113 49

HSL 94.69, 0.4%, 0.32%

LAB 43.61, -25.38, 31.02

 

CMYK 22 / 0 / 38 / 61

HEX #4E643E

RGB 78 100 62

HSL 94.74, 0.23%, 0.32%

LAB 39.72, -15.97, 18.94

 

CMYK 3 / 0 / 94 / 40

HEX #949909

RGB 148 153 9

HSL 62.08, 0.89%, 0.32%

LAB 60.87, -16.83, 62.73

 

CMYK 28 / 0 / 94 / 40

HEX #6E9909

RGB 110 153 9

HSL 77.92, 0.89%, 0.32%

LAB 58.15, -33.16, 59.43

 

CMYK 53 / 0 / 94 / 40

HEX #489909

RGB 72 153 9

HSL 93.75, 0.89%, 0.32%

LAB 56.27, -46.73, 57.12

 

CMYK 78 / 0 / 94 / 40

HEX #219909

RGB 33 153 9

HSL 110, 0.89%, 0.32%

LAB 55.2, -55.6, 55.8

 

CMYK 94 / 0 / 84 / 40

HEX #099918

RGB 9 153 24

HSL 126.25, 0.89%, 0.32%

LAB 54.98, -57.43, 52.36

 

CMYK 55 / 0 / 95 / 71

HEX #224B04

RGB 34 75 4

HSL 94.65, 0.9%, 0.15%

LAB 27.79, -27.35, 33.83

 

CMYK 54 / 0 / 94 / 55

HEX #347207

RGB 52 114 7

HSL 94.77, 0.88%, 0.24%

LAB 42.43, -37.66, 45.66

 

CMYK 54 / 0 / 94 / 40

HEX #469909

RGB 70 153 9

HSL 94.58, 0.89%, 0.32%

LAB 56.19, -47.33, 57.03

 

CMYK 55 / 0 / 94 / 25

HEX #57C00C

RGB 87 192 12

HSL 95, 0.88%, 0.4%

LAB 69.29, -56.76, 67.64

 

CMYK 54 / 0 / 94 / 10

HEX #69E60E

RGB 105 230 14

HSL 94.72, 0.89%, 0.48%

LAB 81.64, -65.21, 77.74

 

CMYK 54 / 0 / 94 / 39

HEX #479B0A

RGB 71 155 10

HSL 94.76, 0.88%, 0.32%

LAB 56.88, -47.76, 57.46

 

CMYK 94 / 0 / 22 / 40

HEX #099977

RGB 9 153 119

HSL 165.83, 0.89%, 0.32%

LAB 56.26, -42.27, 8.42

 

CMYK 0 / 94 / 16 / 40

HEX #990981

RGB 153 9 129

HSL 310, 0.89%, 0.32%

LAB 35.11, 62.5, -28.37

 

CMYK 54 / 0 / 94 / 39

HEX #479B0A

RGB 71 155 10

HSL 94.76, 0.88%, 0.32%

LAB 56.88, -47.76, 57.46

 

CMYK 94 / 53 / 0 / 40

HEX #094899

RGB 9 72 153

HSL 213.75, 0.89%, 0.32%

LAB 31.79, 14.76, -49.25

 

CMYK 0 / 94 / 53 / 40

HEX #990948

RGB 153 9 72

HSL 333.75, 0.89%, 0.32%

LAB 32.78, 56.32, 4.72

 

CMYK 54 / 0 / 94 / 39

HEX #479B0A

RGB 71 155 10

HSL 94.76, 0.88%, 0.32%

LAB 56.88, -47.76, 57.46

 

CMYK 94 / 0 / 22 / 40

HEX #099977

RGB 9 153 119

HSL 165.83, 0.89%, 0.32%

LAB 56.26, -42.27, 8.42

 

CMYK 41 / 94 / 0 / 40

HEX #5B0999

RGB 91 9 153

HSL 274.17, 0.89%, 0.32%

LAB 25.92, 56.62, -58.6

 

CMYK 0 / 94 / 72 / 40

HEX #99092B

RGB 153 9 43

HSL 345.83, 0.89%, 0.32%

LAB 32.13, 54.52, 22.95

 

CMYK 54 / 0 / 94 / 39

HEX #479B0A

RGB 71 155 10

HSL 94.76, 0.88%, 0.32%

LAB 56.88, -47.76, 57.46

 

CMYK 94 / 7 / 0 / 40

HEX #098F99

RGB 9 143 153

HSL 184.17, 0.89%, 0.32%

LAB 54.03, -27.6, -14.35

 

CMYK 41 / 94 / 0 / 40

HEX #5B0999

RGB 91 9 153

HSL 274.17, 0.89%, 0.32%

LAB 25.92, 56.62, -58.6

 

CMYK 0 / 88 / 94 / 40

HEX #991309

RGB 153 19 9

HSL 4.17, 0.89%, 0.32%

LAB 32.39, 51.79, 42.22

 

Description

Color code: HEX #479B0A | qconv.com Color code: HEX #479B0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 155 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 155 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 94 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 94% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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