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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #479EB7 it is the complementary color #B86148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #479EB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #479EB7 shade: #4C9EB2, #5DB0C5, #6EC2D8, #7FD4EB and #90E6FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #479EB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #479EB7 shade: #479EB7, #368CA4, #257A91, #14687E and #03566B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #479EB7 shade: #479EB7, #4780B7, #4762B7, #4B47B7 and #6947B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #479EB7 shade: #479EB7, #4780B7, #4762B7 and #4747B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #479EB7 shade matches the following richer shades: #479EB7, #32A9CC, #1EB5E0 and #09C0F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #479EB7 shade: #479EB7, #5C93A2, #70878E, #857C79 and #997065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #479EB7 shade: #47B794, #47B7B1, #479FB7, #4781B7 and #4763B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #479EB7 shade: #306B7C, #3B8499, #479EB7, #65AEC3 and #82BDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #479EB7 shade: #479EB7, #7647B7 and #B7A347

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #479EB7 shade: #479EB7, #B7479F and #9FB747

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #479EB7 shade: #479EB7, #7647B7, #B75F47 and #88B747

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #479EB7 shade: #479EB7, #9747B7, #B75F47 and #67B747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

Complementary color

CMYK 0 / 47 / 61 / 28

HEX #B86148

RGB 184 97 72

HSL 13.39, 0.44%, 0.5%

LAB 50.93, 32.77, 29.89

 

CMYK 57 / 11 / 0 / 30

HEX #4C9EB2

RGB 76 158 178

HSL 191.76, 0.4%, 0.5%

LAB 60.96, -19.06, -17.95

 

CMYK 53 / 11 / 0 / 23

HEX #5DB0C5

RGB 93 176 197

HSL 192.12, 0.47%, 0.57%

LAB 67.58, -19.39, -18.44

 

CMYK 49 / 10 / 0 / 15

HEX #6EC2D8

RGB 110 194 216

HSL 192.45, 0.58%, 0.64%

LAB 74.1, -19.63, -18.9

 

CMYK 46 / 10 / 0 / 8

HEX #7FD4EB

RGB 127 212 235

HSL 192.78, 0.73%, 0.71%

LAB 80.51, -19.81, -19.34

 

CMYK 43 / 9 / 0 / 0

HEX #90E6FE

RGB 144 230 254

HSL 193.09, 0.98%, 0.78%

LAB 86.84, -19.94, -19.77

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 67 / 15 / 0 / 36

HEX #368CA4

RGB 54 140 164

HSL 193.09, 0.5%, 0.43%

LAB 54.26, -17.86, -20.27

 

CMYK 74 / 16 / 0 / 43

HEX #257A91

RGB 37 122 145

HSL 192.78, 0.59%, 0.36%

LAB 47.44, -16.93, -19.7

 

CMYK 84 / 17 / 0 / 51

HEX #14687E

RGB 20 104 126

HSL 192.45, 0.73%, 0.29%

LAB 40.5, -15.6, -19.04

 

CMYK 97 / 20 / 0 / 58

HEX #03566B

RGB 3 86 107

HSL 192.12, 0.95%, 0.22%

LAB 33.43, -13.75, -18.27

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 61 / 30 / 0 / 28

HEX #4780B7

RGB 71 128 183

HSL 209.46, 0.44%, 0.5%

LAB 52.06, -1.7, -34.56

 

CMYK 61 / 46 / 0 / 28

HEX #4762B7

RGB 71 98 183

HSL 225.54, 0.44%, 0.5%

LAB 43.5, 16.79, -48.12

 

CMYK 59 / 61 / 0 / 28

HEX #4B47B7

RGB 75 71 183

HSL 242.14, 0.44%, 0.5%

LAB 36.78, 34.66, -58.95

 

CMYK 43 / 61 / 0 / 28

HEX #6947B7

RGB 105 71 183

HSL 258.21, 0.44%, 0.5%

LAB 39.46, 40.58, -54.49

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 61 / 30 / 0 / 28

HEX #4780B7

RGB 71 128 183

HSL 209.46, 0.44%, 0.5%

LAB 52.06, -1.7, -34.56

 

CMYK 61 / 46 / 0 / 28

HEX #4762B7

RGB 71 98 183

HSL 225.54, 0.44%, 0.5%

LAB 43.5, 16.79, -48.12

 

CMYK 61 / 61 / 0 / 28

HEX #4747B7

RGB 71 71 183

HSL 240, 0.44%, 0.5%

LAB 36.49, 33.98, -59.44

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 75 / 17 / 0 / 20

HEX #32A9CC

RGB 50 169 204

HSL 193.64, 0.61%, 0.5%

LAB 64.49, -20.72, -27.15

 

CMYK 87 / 19 / 0 / 12

HEX #1EB5E0

RGB 30 181 224

HSL 193.3, 0.76%, 0.5%

LAB 68.54, -22.02, -31.96

 

CMYK 96 / 22 / 0 / 4

HEX #09C0F5

RGB 9 192 245

HSL 193.47, 0.93%, 0.5%

LAB 72.46, -21.41, -37.29

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 43 / 9 / 0 / 36

HEX #5C93A2

RGB 92 147 162

HSL 192.86, 0.28%, 0.5%

LAB 57.8, -14.07, -13.6

 

CMYK 21 / 5 / 0 / 44

HEX #70878E

RGB 112 135 142

HSL 194, 0.12%, 0.5%

LAB 54.79, -6.6, -6.5

 

CMYK 0 / 7 / 9 / 48

HEX #857C79

RGB 133 124 121

HSL 15, 0.05%, 0.5%

LAB 52.71, 2.86, 2.86

 

CMYK 0 / 27 / 34 / 40

HEX #997065

RGB 153 112 101

HSL 12.69, 0.2%, 0.5%

LAB 51.04, 14.66, 12.48

 

CMYK 61 / 0 / 19 / 28

HEX #47B794

RGB 71 183 148

HSL 161.25, 0.44%, 0.5%

LAB 67.53, -40.23, 8.45

 

CMYK 61 / 0 / 3 / 28

HEX #47B7B1

RGB 71 183 177

HSL 176.79, 0.44%, 0.5%

LAB 68.3, -32.79, -6.4

 

CMYK 61 / 13 / 0 / 28

HEX #479FB7

RGB 71 159 183

HSL 192.86, 0.44%, 0.5%

LAB 61.27, -19.04, -20.32

 

CMYK 61 / 30 / 0 / 28

HEX #4781B7

RGB 71 129 183

HSL 208.93, 0.44%, 0.5%

LAB 52.35, -2.29, -34.1

 

CMYK 61 / 46 / 0 / 28

HEX #4763B7

RGB 71 99 183

HSL 225, 0.44%, 0.5%

LAB 43.77, 16.16, -47.68

 

CMYK 61 / 14 / 0 / 51

HEX #306B7C

RGB 48 107 124

HSL 193.42, 0.44%, 0.34%

LAB 42.15, -13.72, -15.23

 

CMYK 61 / 14 / 0 / 40

HEX #3B8499

RGB 59 132 153

HSL 193.4, 0.44%, 0.42%

LAB 51.53, -16.14, -18.06

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 48 / 11 / 0 / 24

HEX #65AEC3

RGB 101 174 195

HSL 193.4, 0.44%, 0.58%

LAB 67.26, -17.12, -17.79

 

CMYK 37 / 8 / 0 / 19

HEX #82BDCE

RGB 130 189 206

HSL 193.42, 0.44%, 0.66%

LAB 73.28, -14.75, -14.61

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 36 / 61 / 0 / 28

HEX #7647B7

RGB 118 71 183

HSL 265.18, 0.44%, 0.5%

LAB 40.86, 43.49, -52.16

 

CMYK 0 / 11 / 61 / 28

HEX #B7A347

RGB 183 163 71

HSL 49.29, 0.44%, 0.5%

LAB 67.06, -3.92, 49.31

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 0 / 61 / 13 / 28

HEX #B7479F

RGB 183 71 159

HSL 312.86, 0.44%, 0.5%

LAB 48.36, 55.45, -25.55

 

CMYK 13 / 0 / 61 / 28

HEX #9FB747

RGB 159 183 71

HSL 72.86, 0.44%, 0.5%

LAB 70.66, -24.36, 52.72

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 36 / 61 / 0 / 28

HEX #7647B7

RGB 118 71 183

HSL 265.18, 0.44%, 0.5%

LAB 40.86, 43.49, -52.16

 

CMYK 0 / 48 / 61 / 28

HEX #B75F47

RGB 183 95 71

HSL 12.86, 0.44%, 0.5%

LAB 50.34, 33.36, 29.69

 

CMYK 26 / 0 / 61 / 28

HEX #88B747

RGB 136 183 71

HSL 85.18, 0.44%, 0.5%

LAB 69.15, -33.46, 50.64

 

CMYK 61 / 14 / 0 / 28

HEX #479EB7

RGB 71 158 183

HSL 193.39, 0.44%, 0.5%

LAB 60.97, -18.51, -20.78

 

CMYK 17 / 61 / 0 / 28

HEX #9747B7

RGB 151 71 183

HSL 282.86, 0.44%, 0.5%

LAB 44.95, 51.39, -45.38

 

CMYK 0 / 48 / 61 / 28

HEX #B75F47

RGB 183 95 71

HSL 12.86, 0.44%, 0.5%

LAB 50.34, 33.36, 29.69

 

CMYK 44 / 0 / 61 / 28

HEX #67B747

RGB 103 183 71

HSL 102.86, 0.44%, 0.5%

LAB 67.43, -45.07, 48.24

 

Description

Color code: HEX #479EB7 | qconv.com Color code: HEX #479EB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 158 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 158 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 14 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 14% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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