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Color name
HEX #480D37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #480D37 it is the complementary color #B7F2C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #480D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #480D37 shade: #4D0D32, #5E1F45, #6F3158, #80436B and #91557E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #480D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #480D37 shade: #480D37, #370024, #260011, #150000 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #480D37 shade: #490D38, #490D27, #490D17 and #490D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #480D37 shade: #490D38, #490D48, #3A0D49, #2A0D49 and #190D49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #480D37 shade matches the following richer shades: #490D38 and #50063A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #480D37 shade: #490D38, #421435, #3B1B32, #34222F and #2D292C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #480D37 shade: #3A0D49, #490D48, #490D38, #490D28 and #490D18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #480D37 shade: #030002, #26071D, #490D38, #6C1352 and #8E1A6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #480D37 shade: #480D37, #492A0D and #0D4942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #480D37 shade: #480D37, #38490D and #0D3849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #480D37 shade: #480D37, #492A0D, #0D491E and #0D2C49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #480D37 shade: #480D37, #493C0D, #0D491E and #0D1A49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 24 / 72

HEX #480D37

RGB 72 13 55

HSL 317.29, 0.69%, 0.17%

LAB 15.18, 32.06, -11.63

 

Complementary color

CMYK 24 / 0 / 17 / 5

HEX #B7F2C8

RGB 183 242 200

HSL 137.29, 0.69%, 0.83%

LAB 90.66, -26.8, 14.3

 

CMYK 0 / 83 / 35 / 70

HEX #4D0D32

RGB 77 13 50

HSL 325.31, 0.71%, 0.18%

LAB 15.98, 32.82, -6.72

 

CMYK 0 / 67 / 27 / 63

HEX #5E1F45

RGB 94 31 69

HSL 323.81, 0.5%, 0.25%

LAB 22.96, 33.12, -9.08

 

CMYK 0 / 56 / 21 / 56

HEX #6F3158

RGB 111 49 88

HSL 322.26, 0.39%, 0.31%

LAB 30.11, 32.6, -10.58

 

CMYK 0 / 48 / 16 / 50

HEX #80436B

RGB 128 67 107

HSL 320.66, 0.31%, 0.38%

LAB 37.23, 31.82, -11.65

 

CMYK 0 / 41 / 13 / 43

HEX #91557E

RGB 145 85 126

HSL 319, 0.26%, 0.45%

LAB 44.27, 30.99, -12.48

 

CMYK 0 / 82 / 24 / 72

HEX #480D37

RGB 72 13 55

HSL 317.29, 0.69%, 0.17%

LAB 15.18, 32.06, -11.63

 

CMYK 0 / 100 / 35 / 78

HEX #370024

RGB 55 0 36

HSL 320.73, 1%, 0.11%

LAB 8.48, 30.05, -8.28

 

CMYK 0 / 100 / 55 / 85

HEX #260011

RGB 38 0 17

HSL 333.16, 1%, 0.07%

LAB 4.09, 19.21, -1.11

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 82 / 23 / 71

HEX #490D38

RGB 73 13 56

HSL 317, 0.7%, 0.17%

LAB 15.43, 32.51, -11.93

 

CMYK 0 / 82 / 47 / 71

HEX #490D27

RGB 73 13 39

HSL 334, 0.7%, 0.17%

LAB 14.68, 30.16, -0.77

 

CMYK 0 / 82 / 68 / 71

HEX #490D17

RGB 73 13 23

HSL 350, 0.7%, 0.17%

LAB 14.21, 28.61, 10.33

 

CMYK 0 / 82 / 82 / 71

HEX #490D0D

RGB 73 13 13

HSL 0, 0.7%, 0.17%

LAB 14.02, 27.98, 16.18

 

CMYK 0 / 82 / 23 / 71

HEX #490D38

RGB 73 13 56

HSL 317, 0.7%, 0.17%

LAB 15.43, 32.51, -11.93

 

CMYK 0 / 82 / 1 / 71

HEX #490D48

RGB 73 13 72

HSL 301, 0.7%, 0.17%

LAB 16.37, 35.29, -21.7

 

CMYK 21 / 82 / 0 / 71

HEX #3A0D49

RGB 58 13 73

HSL 285, 0.7%, 0.17%

LAB 13.64, 31.84, -26.91

 

CMYK 42 / 82 / 0 / 71

HEX #2A0D49

RGB 42 13 73

HSL 269, 0.7%, 0.17%

LAB 11, 28.27, -31.31

 

CMYK 66 / 82 / 0 / 71

HEX #190D49

RGB 25 13 73

HSL 252, 0.7%, 0.17%

LAB 8.79, 25.13, -35.03

 

CMYK 0 / 82 / 23 / 71

HEX #490D38

RGB 73 13 56

HSL 317, 0.7%, 0.17%

LAB 15.43, 32.51, -11.93

 

CMYK 0 / 93 / 28 / 69

HEX #50063A

RGB 80 6 58

HSL 317.84, 0.86%, 0.17%

LAB 16.21, 37.04, -12.03

 

CMYK 0 / 82 / 23 / 71

HEX #490D38

RGB 73 13 56

HSL 317, 0.7%, 0.17%

LAB 15.43, 32.51, -11.93

 

CMYK 0 / 70 / 20 / 74

HEX #421435

RGB 66 20 53

HSL 316.96, 0.53%, 0.17%

LAB 15.04, 26.64, -10.51

 

CMYK 0 / 54 / 15 / 77

HEX #3B1B32

RGB 59 27 50

HSL 316.88, 0.37%, 0.17%

LAB 15.19, 19.45, -8.24

 

CMYK 0 / 35 / 10 / 80

HEX #34222F

RGB 52 34 47

HSL 316.67, 0.21%, 0.17%

LAB 15.9, 11.23, -5.13

 

CMYK 0 / 9 / 2 / 82

HEX #2D292C

RGB 45 41 44

HSL 315, 0.05%, 0.17%

LAB 17.11, 2.52, -1.3

 

CMYK 21 / 82 / 0 / 71

HEX #3A0D49

RGB 58 13 73

HSL 285, 0.7%, 0.17%

LAB 13.64, 31.84, -26.91

 

CMYK 0 / 82 / 1 / 71

HEX #490D48

RGB 73 13 72

HSL 301, 0.7%, 0.17%

LAB 16.37, 35.29, -21.7

 

CMYK 0 / 82 / 23 / 71

HEX #490D38

RGB 73 13 56

HSL 317, 0.7%, 0.17%

LAB 15.43, 32.51, -11.93

 

CMYK 0 / 82 / 45 / 71

HEX #490D28

RGB 73 13 40

HSL 333, 0.7%, 0.17%

LAB 14.72, 30.28, -1.45

 

CMYK 0 / 82 / 67 / 71

HEX #490D18

RGB 73 13 24

HSL 349, 0.7%, 0.17%

LAB 14.23, 28.69, 9.63

 

CMYK 0 / 100 / 33 / 99

HEX #030002

RGB 3 0 2

HSL 320, 1%, 0.01%

LAB 0.21, 1.06, -0.48

 

CMYK 0 / 82 / 24 / 85

HEX #26071D

RGB 38 7 29

HSL 317.42, 0.69%, 0.09%

LAB 5.9, 18.62, -7.13

 

CMYK 0 / 82 / 23 / 71

HEX #490D38

RGB 73 13 56

HSL 317, 0.7%, 0.17%

LAB 15.43, 32.51, -11.93

 

CMYK 0 / 82 / 24 / 58

HEX #6C1352

RGB 108 19 82

HSL 317.53, 0.7%, 0.25%

LAB 24.52, 43.91, -15.23

 

CMYK 0 / 82 / 23 / 44

HEX #8E1A6D

RGB 142 26 109

HSL 317.07, 0.69%, 0.33%

LAB 33.12, 54.11, -19.01

 

CMYK 0 / 82 / 24 / 72

HEX #480D37

RGB 72 13 55

HSL 317.29, 0.69%, 0.17%

LAB 15.18, 32.06, -11.63

 

CMYK 0 / 42 / 82 / 71

HEX #492A0D

RGB 73 42 13

HSL 29, 0.7%, 0.17%

LAB 20.45, 11.57, 23.99

 

CMYK 82 / 0 / 10 / 71

HEX #0D4942

RGB 13 73 66

HSL 173, 0.7%, 0.17%

LAB 27.42, -20.3, -1.16

 

CMYK 0 / 82 / 24 / 72

HEX #480D37

RGB 72 13 55

HSL 317.29, 0.69%, 0.17%

LAB 15.18, 32.06, -11.63

 

CMYK 23 / 0 / 82 / 71

HEX #38490D

RGB 56 73 13

HSL 77, 0.7%, 0.17%

LAB 28.47, -16.53, 31.52

 

CMYK 82 / 23 / 0 / 71

HEX #0D3849

RGB 13 56 73

HSL 197, 0.7%, 0.17%

LAB 21.56, -7.8, -14.64

 

CMYK 0 / 82 / 24 / 72

HEX #480D37

RGB 72 13 55

HSL 317.29, 0.69%, 0.17%

LAB 15.18, 32.06, -11.63

 

CMYK 0 / 42 / 82 / 71

HEX #492A0D

RGB 73 42 13

HSL 29, 0.7%, 0.17%

LAB 20.45, 11.57, 23.99

 

CMYK 82 / 0 / 59 / 71

HEX #0D491E

RGB 13 73 30

HSL 137, 0.7%, 0.17%

LAB 26.58, -29.41, 20.32

 

CMYK 82 / 40 / 0 / 71

HEX #0D2C49

RGB 13 44 73

HSL 209, 0.7%, 0.17%

LAB 17.31, 0.39, -21.29

 

CMYK 0 / 82 / 24 / 72

HEX #480D37

RGB 72 13 55

HSL 317.29, 0.69%, 0.17%

LAB 15.18, 32.06, -11.63

 

CMYK 0 / 18 / 82 / 71

HEX #493C0D

RGB 73 60 13

HSL 47, 0.7%, 0.17%

LAB 25.79, -0.13, 29.49

 

CMYK 82 / 0 / 59 / 71

HEX #0D491E

RGB 13 73 30

HSL 137, 0.7%, 0.17%

LAB 26.58, -29.41, 20.32

 

CMYK 82 / 64 / 0 / 71

HEX #0D1A49

RGB 13 26 73

HSL 227, 0.7%, 0.17%

LAB 11.31, 14, -30.93

 

Description

Color code: HEX #480D37 | qconv.com Color code: HEX #480D37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 13 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 13 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 24 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 24% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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