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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #481A62 it is the complementary color #B7E59D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #481A62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #481A62 shade: #4D1A5D, #5E2C70, #6F3E83, #805096 and #9162A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #481A62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #481A62 shade: #481A62, #37084F, #26003C, #150029 and #040016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #481A62 shade: #471960, #5A1960, #601954, #601940 and #60192D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #481A62 shade: #471960, #331960, #201960 and #191960

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #481A62 shade matches the following richer shades: #471960, #490F6A and #4C0574

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #481A62 shade: #471960, #442356, #412D4C, #3E3742 and #3C4139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #481A62 shade: #201960, #331960, #461960, #591960 and #601954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #481A62 shade: #17081F, #2F1140, #471960, #5F2281 and #762BA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #481A62 shade: #481A62, #601925 and #19602A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #481A62 shade: #481A62, #604619 and #196046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #481A62 shade: #481A62, #601925, #336019 and #196054

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #481A62 shade: #481A62, #602319, #336019 and #195760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 73 / 0 / 62

HEX #481A62

RGB 72 26 98

HSL 278.33, 0.58%, 0.24%

LAB 20.04, 35.04, -33.38

 

Complementary color

CMYK 20 / 0 / 31 / 10

HEX #B7E59D

RGB 183 229 157

HSL 98.33, 0.58%, 0.76%

LAB 86.28, -27.67, 30.4

 

CMYK 17 / 72 / 0 / 64

HEX #4D1A5D

RGB 77 26 93

HSL 285.67, 0.56%, 0.23%

LAB 20.47, 35.1, -29.34

 

CMYK 16 / 61 / 0 / 56

HEX #5E2C70

RGB 94 44 112

HSL 284.12, 0.44%, 0.31%

LAB 27.71, 34.67, -29.99

 

CMYK 15 / 53 / 0 / 49

HEX #6F3E83

RGB 111 62 131

HSL 282.61, 0.36%, 0.38%

LAB 34.93, 33.89, -30.35

 

CMYK 15 / 47 / 0 / 41

HEX #805096

RGB 128 80 150

HSL 281.14, 0.3%, 0.45%

LAB 42.04, 33.04, -30.59

 

CMYK 14 / 42 / 0 / 34

HEX #9162A9

RGB 145 98 169

HSL 279.72, 0.29%, 0.52%

LAB 49.03, 32.2, -30.77

 

CMYK 27 / 73 / 0 / 62

HEX #481A62

RGB 72 26 98

HSL 278.33, 0.58%, 0.24%

LAB 20.04, 35.04, -33.38

 

CMYK 30 / 90 / 0 / 69

HEX #37084F

RGB 55 8 79

HSL 279.72, 0.82%, 0.17%

LAB 12.92, 34.62, -32.24

 

CMYK 37 / 100 / 0 / 76

HEX #26003C

RGB 38 0 60

HSL 278, 1%, 0.12%

LAB 6.67, 30.83, -29.19

 

CMYK 49 / 100 / 0 / 84

HEX #150029

RGB 21 0 41

HSL 270.73, 1%, 0.08%

LAB 2.89, 16.62, -21.26

 

CMYK 82 / 100 / 0 / 91

HEX #040016

RGB 4 0 22

HSL 250.91, 1%, 0.04%

LAB 0.76, 4.72, -9.64

 

CMYK 26 / 74 / 0 / 62

HEX #471960

RGB 71 25 96

HSL 278.87, 0.59%, 0.24%

LAB 19.55, 34.81, -32.84

 

CMYK 6 / 74 / 0 / 62

HEX #5A1960

RGB 90 25 96

HSL 294.93, 0.59%, 0.24%

LAB 22.7, 39.48, -27.62

 

CMYK 0 / 74 / 13 / 62

HEX #601954

RGB 96 25 84

HSL 310.14, 0.59%, 0.24%

LAB 23.07, 38.86, -19

 

CMYK 0 / 74 / 33 / 62

HEX #601940

RGB 96 25 64

HSL 327.04, 0.59%, 0.24%

LAB 22.13, 35.79, -6.89

 

CMYK 0 / 74 / 53 / 62

HEX #60192D

RGB 96 25 45

HSL 343.1, 0.59%, 0.24%

LAB 21.47, 33.55, 5.33

 

CMYK 26 / 74 / 0 / 62

HEX #471960

RGB 71 25 96

HSL 278.87, 0.59%, 0.24%

LAB 19.55, 34.81, -32.84

 

CMYK 47 / 74 / 0 / 62

HEX #331960

RGB 51 25 96

HSL 261.97, 0.59%, 0.24%

LAB 16.72, 30.31, -37.57

 

CMYK 67 / 74 / 0 / 62

HEX #201960

RGB 32 25 96

HSL 245.92, 0.59%, 0.24%

LAB 14.66, 26.8, -41.02

 

CMYK 74 / 74 / 0 / 62

HEX #191960

RGB 25 25 96

HSL 240, 0.59%, 0.24%

LAB 14.1, 25.79, -41.97

 

CMYK 26 / 74 / 0 / 62

HEX #471960

RGB 71 25 96

HSL 278.87, 0.59%, 0.24%

LAB 19.55, 34.81, -32.84

 

CMYK 31 / 86 / 0 / 58

HEX #490F6A

RGB 73 15 106

HSL 278.24, 0.75%, 0.24%

LAB 19.22, 41.82, -39.95

 

CMYK 34 / 96 / 0 / 55

HEX #4C0574

RGB 76 5 116

HSL 278.38, 0.92%, 0.24%

LAB 19.66, 47.41, -45.69

 

CMYK 26 / 74 / 0 / 62

HEX #471960

RGB 71 25 96

HSL 278.87, 0.59%, 0.24%

LAB 19.55, 34.81, -32.84

 

CMYK 21 / 59 / 0 / 66

HEX #442356

RGB 68 35 86

HSL 278.82, 0.42%, 0.24%

LAB 20.45, 25.94, -24.78

 

CMYK 14 / 41 / 0 / 70

HEX #412D4C

RGB 65 45 76

HSL 278.71, 0.26%, 0.24%

LAB 22.03, 15.94, -15.63

 

CMYK 6 / 17 / 0 / 74

HEX #3E3742

RGB 62 55 66

HSL 278.18, 0.09%, 0.24%

LAB 24.16, 5.55, -5.69

 

CMYK 8 / 0 / 12 / 75

HEX #3C4139

RGB 60 65 57

HSL 97.5, 0.07%, 0.24%

LAB 26.84, -3.87, 4.17

 

CMYK 67 / 74 / 0 / 62

HEX #201960

RGB 32 25 96

HSL 245.92, 0.59%, 0.24%

LAB 14.66, 26.8, -41.02

 

CMYK 47 / 74 / 0 / 62

HEX #331960

RGB 51 25 96

HSL 261.97, 0.59%, 0.24%

LAB 16.72, 30.31, -37.57

 

CMYK 27 / 74 / 0 / 62

HEX #461960

RGB 70 25 96

HSL 278.03, 0.59%, 0.24%

LAB 19.4, 34.57, -33.1

 

CMYK 7 / 74 / 0 / 62

HEX #591960

RGB 89 25 96

HSL 294.08, 0.59%, 0.24%

LAB 22.53, 39.23, -27.91

 

CMYK 0 / 74 / 13 / 62

HEX #601954

RGB 96 25 84

HSL 310.14, 0.59%, 0.24%

LAB 23.07, 38.86, -19

 

CMYK 26 / 74 / 0 / 88

HEX #17081F

RGB 23 8 31

HSL 279.13, 0.59%, 0.08%

LAB 4.11, 10.46, -11.6

 

CMYK 27 / 73 / 0 / 75

HEX #2F1140

RGB 47 17 64

HSL 278.3, 0.58%, 0.16%

LAB 11.79, 24.79, -23.68

 

CMYK 26 / 74 / 0 / 62

HEX #471960

RGB 71 25 96

HSL 278.87, 0.59%, 0.24%

LAB 19.55, 34.81, -32.84

 

CMYK 26 / 74 / 0 / 49

HEX #5F2281

RGB 95 34 129

HSL 278.53, 0.58%, 0.32%

LAB 27.19, 43.85, -41.59

 

CMYK 27 / 73 / 0 / 37

HEX #762BA1

RGB 118 43 161

HSL 278.14, 0.58%, 0.4%

LAB 34.3, 52, -49.64

 

CMYK 27 / 73 / 0 / 62

HEX #481A62

RGB 72 26 98

HSL 278.33, 0.58%, 0.24%

LAB 20.04, 35.04, -33.38

 

CMYK 0 / 74 / 61 / 62

HEX #601925

RGB 96 25 37

HSL 349.86, 0.59%, 0.24%

LAB 21.27, 32.83, 10.62

 

CMYK 74 / 0 / 56 / 62

HEX #19602A

RGB 25 96 42

HSL 134.37, 0.59%, 0.24%

LAB 35.48, -34.52, 24.48

 

CMYK 27 / 73 / 0 / 62

HEX #481A62

RGB 72 26 98

HSL 278.33, 0.58%, 0.24%

LAB 20.04, 35.04, -33.38

 

CMYK 0 / 27 / 74 / 62

HEX #604619

RGB 96 70 25

HSL 38.03, 0.59%, 0.24%

LAB 31.66, 6.01, 30.49

 

CMYK 74 / 0 / 27 / 62

HEX #196046

RGB 25 96 70

HSL 158.03, 0.59%, 0.24%

LAB 36.01, -28.6, 8.67

 

CMYK 27 / 73 / 0 / 62

HEX #481A62

RGB 72 26 98

HSL 278.33, 0.58%, 0.24%

LAB 20.04, 35.04, -33.38

 

CMYK 0 / 74 / 61 / 62

HEX #601925

RGB 96 25 37

HSL 349.86, 0.59%, 0.24%

LAB 21.27, 32.83, 10.62

 

CMYK 47 / 0 / 74 / 62

HEX #336019

RGB 51 96 25

HSL 98.03, 0.59%, 0.24%

LAB 36.25, -29.24, 34.15

 

CMYK 74 / 0 / 13 / 62

HEX #196054

RGB 25 96 84

HSL 169.86, 0.59%, 0.24%

LAB 36.39, -24.72, 0.58

 

CMYK 27 / 73 / 0 / 62

HEX #481A62

RGB 72 26 98

HSL 278.33, 0.58%, 0.24%

LAB 20.04, 35.04, -33.38

 

CMYK 0 / 64 / 74 / 62

HEX #602319

RGB 96 35 25

HSL 8.45, 0.59%, 0.24%

LAB 22.86, 27.07, 20.71

 

CMYK 47 / 0 / 74 / 62

HEX #336019

RGB 51 96 25

HSL 98.03, 0.59%, 0.24%

LAB 36.25, -29.24, 34.15

 

CMYK 74 / 9 / 0 / 62

HEX #195760

RGB 25 87 96

HSL 187.61, 0.59%, 0.24%

LAB 33.71, -16.05, -10.91

 

Description

Color code: HEX #481A62 | qconv.com Color code: HEX #481A62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 26 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 26 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 73 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 73% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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