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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #481BDE it is the complementary color #B7E421. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #481BDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #481BDE shade: #4D1BD9, #5E2DEC, #6F3FFF, #8051FF and #9163FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #481BDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #481BDE shade: #481BDE, #3709CB, #2600B8, #1500A5 and #040092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #481BDE shade: #481BDE, #7D1BDE, #B11BDE, #DE1BD6 and #DE1BA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #481BDE shade: #481BDE and #1B1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #481BDE shade matches the following richer shades: #481BDE and #3D07F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #481BDE shade: #481BDE, #532FCA, #5E43B5, #6958A1 and #746C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #481BDE shade: #1B59DE, #1B25DE, #451BDE, #791BDE and #AD1BDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #481BDE shade: #301294, #3C16B9, #481BDE, #633CE6 and #8060EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #481BDE shade: #481BDE, #DE1B8D and #3FDE1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #481BDE shade: #481BDE, #DE451B and #1BDE45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #481BDE shade: #481BDE, #DE1B8D, #B4DE1B and #1BDE6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #481BDE shade: #481BDE, #DE1B52, #B4DE1B and #1BDEA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

Complementary color

CMYK 20 / 0 / 86 / 11

HEX #B7E421

RGB 183 228 33

HSL 73.85, 0.78%, 0.51%

LAB 84.82, -37.68, 79

 

CMYK 65 / 88 / 0 / 15

HEX #4D1BD9

RGB 77 27 217

HSL 255.79, 0.78%, 0.48%

LAB 32.64, 66.3, -85.6

 

CMYK 60 / 81 / 0 / 7

HEX #5E2DEC

RGB 94 45 236

HSL 255.39, 0.83%, 0.55%

LAB 38.4, 66.33, -86.87

 

CMYK 56 / 75 / 0 / 0

HEX #6F3FFF

RGB 111 63 255

HSL 255, 1%, 0.62%

LAB 44.45, 65.58, -87.51

 

CMYK 50 / 68 / 0 / 0

HEX #8051FF

RGB 128 81 255

HSL 256.21, 1%, 0.66%

LAB 49.12, 59.33, -79.8

 

CMYK 43 / 61 / 0 / 0

HEX #9163FF

RGB 145 99 255

HSL 257.69, 1%, 0.69%

LAB 54.2, 53.01, -71.46

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 73 / 96 / 0 / 20

HEX #3709CB

RGB 55 9 203

HSL 254.23, 0.92%, 0.42%

LAB 27.63, 65.91, -85.85

 

CMYK 79 / 100 / 0 / 28

HEX #2600B8

RGB 38 0 184

HSL 252.39, 1%, 0.36%

LAB 23.25, 62.48, -81.96

 

CMYK 87 / 100 / 0 / 35

HEX #1500A5

RGB 21 0 165

HSL 247.64, 1%, 0.32%

LAB 19.54, 57.39, -76.74

 

CMYK 97 / 100 / 0 / 43

HEX #040092

RGB 4 0 146

HSL 241.64, 1%, 0.29%

LAB 16.01, 52.31, -70.96

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 44 / 88 / 0 / 13

HEX #7D1BDE

RGB 125 27 222

HSL 270.15, 0.78%, 0.49%

LAB 38.58, 71.89, -78.47

 

CMYK 20 / 88 / 0 / 13

HEX #B11BDE

RGB 177 27 222

HSL 286.15, 0.78%, 0.49%

LAB 46.18, 78.74, -65.74

 

CMYK 0 / 88 / 4 / 13

HEX #DE1BD6

RGB 222 27 214

HSL 302.46, 0.78%, 0.49%

LAB 53.13, 84.81, -49.6

 

CMYK 0 / 88 / 27 / 13

HEX #DE1BA2

RGB 222 27 162

HSL 318.46, 0.78%, 0.49%

LAB 50.6, 78.16, -23.33

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 75 / 97 / 0 / 5

HEX #3D07F2

RGB 61 7 242

HSL 253.79, 0.94%, 0.49%

LAB 33.04, 75.91, -99.25

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 59 / 77 / 0 / 21

HEX #532FCA

RGB 83 47 202

HSL 253.94, 0.62%, 0.49%

LAB 34.27, 55, -74.19

 

CMYK 48 / 63 / 0 / 29

HEX #5E43B5

RGB 94 67 181

HSL 254.21, 0.46%, 0.49%

LAB 37.35, 40.01, -56.77

 

CMYK 35 / 45 / 0 / 37

HEX #6958A1

RGB 105 88 161

HSL 253.97, 0.29%, 0.49%

LAB 42.09, 24.25, -37.26

 

CMYK 18 / 23 / 0 / 45

HEX #746C8D

RGB 116 108 141

HSL 254.55, 0.13%, 0.49%

LAB 47.44, 10.29, -16.94

 

CMYK 88 / 60 / 0 / 13

HEX #1B59DE

RGB 27 89 222

HSL 220.92, 0.78%, 0.49%

LAB 42.23, 31.86, -72.74

 

CMYK 88 / 83 / 0 / 13

HEX #1B25DE

RGB 27 37 222

HSL 236.92, 0.78%, 0.49%

LAB 31.42, 61.54, -90.59

 

CMYK 69 / 88 / 0 / 13

HEX #451BDE

RGB 69 27 222

HSL 252.92, 0.78%, 0.49%

LAB 32.53, 67.07, -88.67

 

CMYK 45 / 88 / 0 / 13

HEX #791BDE

RGB 121 27 222

HSL 268.92, 0.78%, 0.49%

LAB 38.06, 71.45, -79.35

 

CMYK 22 / 88 / 0 / 13

HEX #AD1BDE

RGB 173 27 222

HSL 284.92, 0.78%, 0.49%

LAB 45.55, 78.15, -66.79

 

CMYK 68 / 88 / 0 / 42

HEX #301294

RGB 48 18 148

HSL 253.85, 0.78%, 0.33%

LAB 20.82, 48.64, -64.11

 

CMYK 68 / 88 / 0 / 27

HEX #3C16B9

RGB 60 22 185

HSL 253.99, 0.79%, 0.41%

LAB 26.84, 58.32, -76.53

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 57 / 74 / 0 / 10

HEX #633CE6

RGB 99 60 230

HSL 253.76, 0.77%, 0.57%

LAB 40.57, 58.65, -79.87

 

CMYK 46 / 59 / 0 / 8

HEX #8060EB

RGB 128 96 235

HSL 253.81, 0.78%, 0.65%

LAB 50.63, 45.8, -66.17

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 0 / 88 / 36 / 13

HEX #DE1B8D

RGB 222 27 141

HSL 324.92, 0.78%, 0.49%

LAB 49.78, 75.94, -12.01

 

CMYK 72 / 0 / 88 / 13

HEX #3FDE1B

RGB 63 222 27

HSL 108.92, 0.78%, 0.49%

LAB 78.1, -71.45, 72.47

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 0 / 69 / 88 / 13

HEX #DE451B

RGB 222 69 27

HSL 12.92, 0.78%, 0.49%

LAB 51.68, 57.72, 55.23

 

CMYK 88 / 0 / 69 / 13

HEX #1BDE45

RGB 27 222 69

HSL 132.92, 0.78%, 0.49%

LAB 77.82, -73.1, 59.9

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 0 / 88 / 36 / 13

HEX #DE1B8D

RGB 222 27 141

HSL 324.92, 0.78%, 0.49%

LAB 49.78, 75.94, -12.01

 

CMYK 19 / 0 / 88 / 13

HEX #B4DE1B

RGB 180 222 27

HSL 72.92, 0.78%, 0.49%

LAB 82.93, -36.3, 78.47

 

CMYK 88 / 0 / 51 / 13

HEX #1BDE6C

RGB 27 222 108

HSL 144.92, 0.78%, 0.49%

LAB 78.2, -68.36, 43.34

 

CMYK 68 / 88 / 0 / 13

HEX #481BDE

RGB 72 27 222

HSL 253.85, 0.78%, 0.49%

LAB 32.78, 67.25, -88.25

 

CMYK 0 / 88 / 63 / 13

HEX #DE1B52

RGB 222 27 82

HSL 343.08, 0.78%, 0.49%

LAB 48.16, 71.41, 21.73

 

CMYK 19 / 0 / 88 / 13

HEX #B4DE1B

RGB 180 222 27

HSL 72.92, 0.78%, 0.49%

LAB 82.93, -36.3, 78.47

 

CMYK 88 / 0 / 25 / 13

HEX #1BDEA7

RGB 27 222 167

HSL 163.08, 0.78%, 0.49%

LAB 79.19, -56.96, 14.65

 

Description

Color code: HEX #481BDE | qconv.com Color code: HEX #481BDE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 27 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 27 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 88 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 88% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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